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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBC115 it is the complementary color #443EEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBC115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBC115 shade: #C0C110, #D1D323, #E2E536, #F3F749 and #FFFF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBC115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBC115 shade: #BBC115, #AAAF02, #999D00, #888B00 and #777900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBC115 shade: #BAC015, #C09815, #C06A15, #C03C15 and #C01515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBC115 shade: #BAC015, #8CC015, #5EC015, #30C015 and #15C028

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBC115 shade matches the following richer shades: #BAC015 and #CAD204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBC115 shade: #BAC015, #AAAF26, #9A9E38, #8A8C49 and #7A7B5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBC115 shade: #C06B15, #C09815, #BBC015, #8DC015 and #5FC015

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBC115 shade: #72760D, #969B11, #BAC015, #DEE519 and #E3E93F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBC115 shade: #BBC115, #15C03D and #8115C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBC115 shade: #BBC115, #15BBC0 and #C015BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBC115 shade: #BBC115, #15C03D, #1B15C0 and #C01598

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBC115 shade: #BBC115, #15C070, #1B15C0 and #C01565

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 89 / 24

HEX #BBC115

RGB 187 193 21

HSL 62.09, 0.8%, 0.42%

LAB 75.3, -19.79, 73.55

 

Complementary color

CMYK 71 / 74 / 0 / 8

HEX #443EEA

RGB 68 62 234

HSL 242.09, 0.8%, 0.58%

LAB 38.92, 55.4, -84.94

 

CMYK 1 / 0 / 92 / 24

HEX #C0C110

RGB 192 193 16

HSL 60.34, 0.85%, 0.41%

LAB 75.69, -17.72, 74.79

 

CMYK 1 / 0 / 83 / 17

HEX #D1D323

RGB 209 211 35

HSL 60.68, 0.72%, 0.48%

LAB 81.98, -19, 76.95

 

CMYK 1 / 0 / 76 / 10

HEX #E2E536

RGB 226 229 54

HSL 61.03, 0.77%, 0.55%

LAB 88.2, -20.09, 77.95

 

CMYK 2 / 0 / 70 / 3

HEX #F3F749

RGB 243 247 73

HSL 61.38, 0.92%, 0.63%

LAB 94.34, -21.01, 78.18

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 3 / 0 / 89 / 24

HEX #BBC115

RGB 187 193 21

HSL 62.09, 0.8%, 0.42%

LAB 75.3, -19.79, 73.55

 

CMYK 3 / 0 / 99 / 31

HEX #AAAF02

RGB 170 175 2

HSL 61.73, 0.98%, 0.35%

LAB 68.9, -18.42, 70.52

 

CMYK 3 / 0 / 100 / 38

HEX #999D00

RGB 153 157 0

HSL 61.53, 1%, 0.31%

LAB 62.41, -16.8, 65.37

 

CMYK 2 / 0 / 100 / 45

HEX #888B00

RGB 136 139 0

HSL 61.29, 1%, 0.27%

LAB 55.79, -15.1, 59.86

 

CMYK 2 / 0 / 100 / 53

HEX #777900

RGB 119 121 0

HSL 60.99, 1%, 0.24%

LAB 49, -13.36, 54.22

 

CMYK 3 / 0 / 89 / 25

HEX #BAC015

RGB 186 192 21

HSL 62.11, 0.8%, 0.42%

LAB 74.95, -19.72, 73.23

 

CMYK 0 / 21 / 89 / 25

HEX #C09815

RGB 192 152 21

HSL 45.96, 0.8%, 0.42%

LAB 64.74, 3.78, 65.39

 

CMYK 0 / 45 / 89 / 25

HEX #C06A15

RGB 192 106 21

HSL 29.82, 0.8%, 0.42%

LAB 53.57, 28.94, 56.67

 

CMYK 0 / 69 / 89 / 25

HEX #C03C15

RGB 192 60 21

HSL 13.68, 0.8%, 0.42%

LAB 44.93, 51.14, 50.02

 

CMYK 0 / 89 / 89 / 25

HEX #C01515

RGB 192 21 21

HSL 0, 0.8%, 0.42%

LAB 40.89, 62.43, 46.96

 

CMYK 3 / 0 / 89 / 25

HEX #BAC015

RGB 186 192 21

HSL 62.11, 0.8%, 0.42%

LAB 74.95, -19.72, 73.23

 

CMYK 27 / 0 / 89 / 25

HEX #8CC015

RGB 140 192 21

HSL 78.25, 0.8%, 0.42%

LAB 71.78, -38.68, 69.35

 

CMYK 51 / 0 / 89 / 25

HEX #5EC015

RGB 94 192 21

HSL 94.39, 0.8%, 0.42%

LAB 69.56, -54.54, 66.6

 

CMYK 75 / 0 / 89 / 25

HEX #30C015

RGB 48 192 21

HSL 110.53, 0.8%, 0.42%

LAB 68.3, -64.96, 65.02

 

CMYK 89 / 0 / 79 / 25

HEX #15C028

RGB 21 192 40

HSL 126.67, 0.8%, 0.42%

LAB 68.03, -67.09, 60.03

 

CMYK 3 / 0 / 89 / 25

HEX #BAC015

RGB 186 192 21

HSL 62.11, 0.8%, 0.42%

LAB 74.95, -19.72, 73.23

 

CMYK 4 / 0 / 98 / 18

HEX #CAD204

RGB 202 210 4

HSL 62.33, 0.96%, 0.42%

LAB 81.1, -21.97, 80.5

 

CMYK 3 / 0 / 89 / 25

HEX #BAC015

RGB 186 192 21

HSL 62.11, 0.8%, 0.42%

LAB 74.95, -19.72, 73.23

 

CMYK 3 / 0 / 78 / 31

HEX #AAAF26

RGB 170 175 38

HSL 62.19, 0.64%, 0.42%

LAB 69, -17.62, 63.75

 

CMYK 3 / 0 / 65 / 38

HEX #9A9E38

RGB 154 158 56

HSL 62.35, 0.48%, 0.42%

LAB 63.02, -14.91, 50.9

 

CMYK 1 / 0 / 48 / 45

HEX #8A8C49

RGB 138 140 73

HSL 61.79, 0.31%, 0.42%

LAB 56.72, -10.89, 35.3

 

CMYK 1 / 0 / 27 / 52

HEX #7A7B5A

RGB 122 123 90

HSL 61.82, 0.15%, 0.42%

LAB 50.74, -6.19, 17.98

 

CMYK 0 / 44 / 89 / 25

HEX #C06B15

RGB 192 107 21

HSL 30.18, 0.8%, 0.42%

LAB 53.79, 28.4, 56.84

 

CMYK 0 / 21 / 89 / 25

HEX #C09815

RGB 192 152 21

HSL 45.96, 0.8%, 0.42%

LAB 64.74, 3.78, 65.39

 

CMYK 3 / 0 / 89 / 25

HEX #BBC015

RGB 187 192 21

HSL 61.75, 0.8%, 0.42%

LAB 75.03, -19.29, 73.33

 

CMYK 27 / 0 / 89 / 25

HEX #8DC015

RGB 141 192 21

HSL 77.89, 0.8%, 0.42%

LAB 71.84, -38.29, 69.42

 

CMYK 51 / 0 / 89 / 25

HEX #5FC015

RGB 95 192 21

HSL 94.04, 0.8%, 0.42%

LAB 69.6, -54.25, 66.65

 

CMYK 3 / 0 / 89 / 54

HEX #72760D

RGB 114 118 13

HSL 62.29, 0.8%, 0.26%

LAB 47.71, -13.78, 50.34

 

CMYK 3 / 0 / 89 / 39

HEX #969B11

RGB 150 155 17

HSL 62.17, 0.8%, 0.34%

LAB 61.63, -16.82, 62.08

 

CMYK 3 / 0 / 89 / 25

HEX #BAC015

RGB 186 192 21

HSL 62.11, 0.8%, 0.42%

LAB 74.95, -19.72, 73.23

 

CMYK 3 / 0 / 89 / 10

HEX #DEE519

RGB 222 229 25

HSL 62.06, 0.8%, 0.5%

LAB 87.79, -22.51, 83.94

 

CMYK 3 / 0 / 73 / 9

HEX #E3E93F

RGB 227 233 63

HSL 62.12, 0.79%, 0.58%

LAB 89.38, -21.25, 76.32

 

CMYK 3 / 0 / 89 / 24

HEX #BBC115

RGB 187 193 21

HSL 62.09, 0.8%, 0.42%

LAB 75.3, -19.79, 73.55

 

CMYK 89 / 0 / 68 / 25

HEX #15C03D

RGB 21 192 61

HSL 134.04, 0.8%, 0.42%

LAB 68.16, -65.38, 52.72

 

CMYK 33 / 89 / 0 / 25

HEX #8115C0

RGB 129 21 192

HSL 277.89, 0.8%, 0.42%

LAB 36, 67.36, -65.27

 

CMYK 3 / 0 / 89 / 24

HEX #BBC115

RGB 187 193 21

HSL 62.09, 0.8%, 0.42%

LAB 75.3, -19.79, 73.55

 

CMYK 89 / 3 / 0 / 25

HEX #15BBC0

RGB 21 187 192

HSL 181.75, 0.8%, 0.42%

LAB 69.12, -35.8, -13.53

 

CMYK 0 / 89 / 3 / 25

HEX #C015BB

RGB 192 21 187

HSL 301.75, 0.8%, 0.42%

LAB 46.08, 76.48, -45.53

 

CMYK 3 / 0 / 89 / 24

HEX #BBC115

RGB 187 193 21

HSL 62.09, 0.8%, 0.42%

LAB 75.3, -19.79, 73.55

 

CMYK 89 / 0 / 68 / 25

HEX #15C03D

RGB 21 192 61

HSL 134.04, 0.8%, 0.42%

LAB 68.16, -65.38, 52.72

 

CMYK 86 / 89 / 0 / 25

HEX #1B15C0

RGB 27 21 192

HSL 242.11, 0.8%, 0.42%

LAB 25.49, 59.05, -82.99

 

CMYK 0 / 89 / 21 / 25

HEX #C01598

RGB 192 21 152

HSL 314.04, 0.8%, 0.42%

LAB 44.25, 71.71, -27.63

 

CMYK 3 / 0 / 89 / 24

HEX #BBC115

RGB 187 193 21

HSL 62.09, 0.8%, 0.42%

LAB 75.3, -19.79, 73.55

 

CMYK 89 / 0 / 42 / 25

HEX #15C070

RGB 21 192 112

HSL 151.93, 0.8%, 0.42%

LAB 68.77, -58.01, 29.34

 

CMYK 86 / 89 / 0 / 25

HEX #1B15C0

RGB 27 21 192

HSL 242.11, 0.8%, 0.42%

LAB 25.49, 59.05, -82.99

 

CMYK 0 / 89 / 47 / 25

HEX #C01565

RGB 192 21 101

HSL 331.93, 0.8%, 0.42%

LAB 42.28, 66.37, 0.81

 

Description

Color code: HEX #BBC115 | qconv.com Color code: HEX #BBC115 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 193 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 193 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 89 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 89% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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