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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBC170 it is the complementary color #443E8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBC170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBC170 shade: #C0C16B, #D1D37E, #E2E591, #F3F7A4 and #FFFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBC170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBC170 shade: #BBC170, #AAAF5D, #999D4A, #888B37 and #777924

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBC170 shade: #BBC170, #C1B170, #C19B70, #C18570 and #C17070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBC170 shade: #BBC170, #A5C170, #8FC170, #79C170 and #70C17C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBC170 shade matches the following richer shades: #BBC170, #C9D25F, #D7E24F and #E5F33E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBC170 shade: #BBC170, #ADB180, #9FA091, #9190A1 and #837FB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBC170 shade: #C19B70, #C1B170, #BCC170, #A6C170 and #90C170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBC170 shade: #959C43, #AEB553, #BBC170, #C9CE8D and #D6DAA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBC170 shade: #BBC170, #70C185 and #A670C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBC170 shade: #BBC170, #70BCC1 and #C170BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBC170 shade: #BBC170, #70C185, #7570C1 and #C170AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBC170 shade: #BBC170, #70C19E, #7570C1 and #C17093

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 42 / 24

HEX #BBC170

RGB 187 193 112

HSL 64.44, 0.4%, 0.6%

LAB 75.99, -14.21, 39.99

 

Complementary color

CMYK 52 / 57 / 0 / 44

HEX #443E8F

RGB 68 62 143

HSL 244.44, 0.4%, 0.4%

LAB 31.01, 25.79, -44.27

 

CMYK 1 / 0 / 45 / 24

HEX #C0C16B

RGB 192 193 107

HSL 60.7, 0.41%, 0.59%

LAB 76.32, -12.72, 42.98

 

CMYK 1 / 0 / 40 / 17

HEX #D1D37E

RGB 209 211 126

HSL 61.41, 0.49%, 0.66%

LAB 82.73, -13.09, 41.8

 

CMYK 1 / 0 / 37 / 10

HEX #E2E591

RGB 226 229 145

HSL 62.14, 0.62%, 0.73%

LAB 89.04, -13.39, 40.64

 

CMYK 2 / 0 / 34 / 3

HEX #F3F7A4

RGB 243 247 164

HSL 62.89, 0.84%, 0.81%

LAB 95.27, -13.65, 39.52

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 3 / 0 / 42 / 24

HEX #BBC170

RGB 187 193 112

HSL 64.44, 0.4%, 0.6%

LAB 75.99, -14.21, 39.99

 

CMYK 3 / 0 / 47 / 31

HEX #AAAF5D

RGB 170 175 93

HSL 63.66, 0.34%, 0.53%

LAB 69.47, -13.86, 41.18

 

CMYK 3 / 0 / 53 / 38

HEX #999D4A

RGB 153 157 74

HSL 62.89, 0.36%, 0.45%

LAB 62.83, -13.42, 42.36

 

CMYK 2 / 0 / 60 / 45

HEX #888B37

RGB 136 139 55

HSL 62.14, 0.43%, 0.38%

LAB 56.06, -12.85, 43.43

 

CMYK 2 / 0 / 70 / 53

HEX #777924

RGB 119 121 36

HSL 61.41, 0.54%, 0.31%

LAB 49.16, -12.09, 44.17

 

CMYK 3 / 0 / 42 / 24

HEX #BBC170

RGB 187 193 112

HSL 64.44, 0.4%, 0.6%

LAB 75.99, -14.21, 39.99

 

CMYK 0 / 8 / 42 / 24

HEX #C1B170

RGB 193 177 112

HSL 48.15, 0.4%, 0.6%

LAB 72.2, -3.48, 35.29

 

CMYK 0 / 20 / 42 / 24

HEX #C19B70

RGB 193 155 112

HSL 31.85, 0.4%, 0.6%

LAB 66.48, 8.36, 27.88

 

CMYK 0 / 31 / 42 / 24

HEX #C18570

RGB 193 133 112

HSL 15.56, 0.4%, 0.6%

LAB 61.03, 20.47, 20.61

 

CMYK 0 / 42 / 42 / 24

HEX #C17070

RGB 193 112 112

HSL 0, 0.4%, 0.6%

LAB 56.18, 31.97, 13.96

 

CMYK 3 / 0 / 42 / 24

HEX #BBC170

RGB 187 193 112

HSL 64.44, 0.4%, 0.6%

LAB 75.99, -14.21, 39.99

 

CMYK 15 / 0 / 42 / 24

HEX #A5C170

RGB 165 193 112

HSL 80.74, 0.4%, 0.6%

LAB 74.39, -22.84, 37.63

 

CMYK 26 / 0 / 42 / 24

HEX #8FC170

RGB 143 193 112

HSL 97.04, 0.4%, 0.6%

LAB 72.99, -31.02, 35.56

 

CMYK 37 / 0 / 42 / 24

HEX #79C170

RGB 121 193 112

HSL 113.33, 0.4%, 0.6%

LAB 71.81, -38.51, 33.81

 

CMYK 42 / 0 / 36 / 24

HEX #70C17C

RGB 112 193 124

HSL 128.89, 0.4%, 0.6%

LAB 71.58, -39.4, 27.2

 

CMYK 3 / 0 / 42 / 24

HEX #BBC170

RGB 187 193 112

HSL 64.44, 0.4%, 0.6%

LAB 75.99, -14.21, 39.99

 

CMYK 4 / 0 / 55 / 18

HEX #C9D25F

RGB 201 210 95

HSL 64.7, 0.56%, 0.6%

LAB 81.48, -18.7, 54.97

 

CMYK 5 / 0 / 65 / 11

HEX #D7E24F

RGB 215 226 79

HSL 64.49, 0.72%, 0.6%

LAB 86.7, -21.95, 67.7

 

CMYK 6 / 0 / 74 / 5

HEX #E5F33E

RGB 229 243 62

HSL 64.64, 0.88%, 0.6%

LAB 92.18, -25.25, 79.3

 

CMYK 3 / 0 / 42 / 24

HEX #BBC170

RGB 187 193 112

HSL 64.44, 0.4%, 0.6%

LAB 75.99, -14.21, 39.99

 

CMYK 2 / 0 / 28 / 31

HEX #ADB180

RGB 173 177 128

HSL 64.9, 0.24%, 0.6%

LAB 70.79, -9.51, 24.67

 

CMYK 1 / 0 / 9 / 37

HEX #9FA091

RGB 159 160 145

HSL 64, 0.07%, 0.6%

LAB 65.4, -3.11, 7.69

 

CMYK 10 / 11 / 0 / 37

HEX #9190A1

RGB 145 144 161

HSL 243.53, 0.08%, 0.6%

LAB 60.37, 3.83, -8.82

 

CMYK 26 / 29 / 0 / 30

HEX #837FB2

RGB 131 127 178

HSL 244.71, 0.25%, 0.6%

LAB 55.3, 12.98, -26.36

 

CMYK 0 / 20 / 42 / 24

HEX #C19B70

RGB 193 155 112

HSL 31.85, 0.4%, 0.6%

LAB 66.48, 8.36, 27.88

 

CMYK 0 / 8 / 42 / 24

HEX #C1B170

RGB 193 177 112

HSL 48.15, 0.4%, 0.6%

LAB 72.2, -3.48, 35.29

 

CMYK 3 / 0 / 42 / 24

HEX #BCC170

RGB 188 193 112

HSL 63.7, 0.4%, 0.6%

LAB 76.07, -13.81, 40.1

 

CMYK 14 / 0 / 42 / 24

HEX #A6C170

RGB 166 193 112

HSL 80, 0.4%, 0.6%

LAB 74.46, -22.46, 37.73

 

CMYK 25 / 0 / 42 / 24

HEX #90C170

RGB 144 193 112

HSL 96.3, 0.4%, 0.6%

LAB 73.05, -30.66, 35.65

 

CMYK 4 / 0 / 57 / 39

HEX #959C43

RGB 149 156 67

HSL 64.72, 0.4%, 0.44%

LAB 62.14, -15.21, 44.87

 

CMYK 4 / 0 / 54 / 29

HEX #AEB553

RGB 174 181 83

HSL 64.29, 0.4%, 0.52%

LAB 71.33, -16.21, 48.33

 

CMYK 3 / 0 / 42 / 24

HEX #BBC170

RGB 187 193 112

HSL 64.44, 0.4%, 0.6%

LAB 75.99, -14.21, 39.99

 

CMYK 2 / 0 / 32 / 19

HEX #C9CE8D

RGB 201 206 141

HSL 64.62, 0.4%, 0.68%

LAB 81.01, -11.92, 31.83

 

CMYK 2 / 0 / 22 / 15

HEX #D6DAA9

RGB 214 218 169

HSL 64.9, 0.4%, 0.76%

LAB 85.66, -9.34, 23.73

 

CMYK 3 / 0 / 42 / 24

HEX #BBC170

RGB 187 193 112

HSL 64.44, 0.4%, 0.6%

LAB 75.99, -14.21, 39.99

 

CMYK 42 / 0 / 31 / 24

HEX #70C185

RGB 112 193 133

HSL 135.56, 0.4%, 0.6%

LAB 71.74, -37.83, 22.66

 

CMYK 14 / 42 / 0 / 24

HEX #A670C1

RGB 166 112 193

HSL 280, 0.4%, 0.6%

LAB 55.63, 35.96, -34.18

 

CMYK 3 / 0 / 42 / 24

HEX #BBC170

RGB 187 193 112

HSL 64.44, 0.4%, 0.6%

LAB 75.99, -14.21, 39.99

 

CMYK 42 / 3 / 0 / 24

HEX #70BCC1

RGB 112 188 193

HSL 183.7, 0.4%, 0.6%

LAB 71.73, -22.21, -9.92

 

CMYK 0 / 42 / 3 / 24

HEX #C170BC

RGB 193 112 188

HSL 303.7, 0.4%, 0.6%

LAB 58.56, 43.25, -26.52

 

CMYK 3 / 0 / 42 / 24

HEX #BBC170

RGB 187 193 112

HSL 64.44, 0.4%, 0.6%

LAB 75.99, -14.21, 39.99

 

CMYK 42 / 0 / 31 / 24

HEX #70C185

RGB 112 193 133

HSL 135.56, 0.4%, 0.6%

LAB 71.74, -37.83, 22.66

 

CMYK 39 / 42 / 0 / 24

HEX #7570C1

RGB 117 112 193

HSL 243.7, 0.4%, 0.6%

LAB 50.94, 21.92, -41.87

 

CMYK 0 / 42 / 11 / 24

HEX #C170AC

RGB 193 112 172

HSL 315.56, 0.4%, 0.6%

LAB 57.95, 40.44, -18.29

 

CMYK 3 / 0 / 42 / 24

HEX #BBC170

RGB 187 193 112

HSL 64.44, 0.4%, 0.6%

LAB 75.99, -14.21, 39.99

 

CMYK 42 / 0 / 18 / 24

HEX #70C19E

RGB 112 193 158

HSL 154.07, 0.4%, 0.6%

LAB 72.26, -32.89, 9.94

 

CMYK 39 / 42 / 0 / 24

HEX #7570C1

RGB 117 112 193

HSL 243.7, 0.4%, 0.6%

LAB 50.94, 21.92, -41.87

 

CMYK 0 / 42 / 24 / 24

HEX #C17093

RGB 193 112 147

HSL 334.07, 0.4%, 0.6%

LAB 57.11, 36.49, -5.09

 

Description

Color code: HEX #BBC170 | qconv.com Color code: HEX #BBC170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 193 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 193 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 42 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 42% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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