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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBD4E7 it is the complementary color #442B18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBD4E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBD4E7 shade: #C0D4E2, #D1E6F5, #E2F8FF and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBD4E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBD4E7 shade: #BBD4E7, #AAC2D4, #99B0C1, #889EAE and #778C9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBD4E7 shade: #BBD4E7, #BBC8E7, #BBBCE7, #C5BBE7 and #D1BBE7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBD4E7 shade: #BBD4E7, #BBC8E7, #BBBCE7 and #BBBBE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBD4E7 shade matches the following richer shades: #BBD4E7, #B3D5EE, #ACD6F5 and #A4D7FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBD4E7 shade: #BBD4E7, #C2D3DF, #C9D2D8, #D1D1D0 and #D8D0C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBD4E7 shade: #BBE7E1, #BBE0E7, #BBD4E7, #BBC9E7 and #BBBDE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBD4E7 shade: #7EADD1, #9CC0DC, #BBD4E7, #D9E7F1 and #F8FAFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBD4E7 shade: #BBD4E7, #D6BBE7 and #E6E7BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBD4E7 shade: #BBD4E7, #E7BBD4 and #D4E7BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBD4E7 shade: #BBD4E7, #D6BBE7, #E7CDBB and #CBE7BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBD4E7 shade: #BBD4E7, #E3BBE7, #E7CDBB and #BEE7BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 8 / 0 / 9

HEX #BBD4E7

RGB 187 212 231

HSL 205.91, 0.48%, 0.82%

LAB 83.66, -4.37, -12.15

 

Complementary color

CMYK 0 / 37 / 65 / 73

HEX #442B18

RGB 68 43 24

HSL 25.91, 0.48%, 0.18%

LAB 20.13, 9.2, 16.97

 

CMYK 15 / 6 / 0 / 11

HEX #C0D4E2

RGB 192 212 226

HSL 204.71, 0.37%, 0.82%

LAB 83.85, -3.86, -9.17

 

CMYK 15 / 6 / 0 / 4

HEX #D1E6F5

RGB 209 230 245

HSL 205, 0.64%, 0.89%

LAB 90.2, -3.94, -9.63

 

CMYK 11 / 3 / 0 / 0

HEX #E2F8FF

RGB 226 248 255

HSL 194.48, 1%, 0.94%

LAB 96.21, -5.8, -5.81

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 19 / 8 / 0 / 9

HEX #BBD4E7

RGB 187 212 231

HSL 205.91, 0.48%, 0.82%

LAB 83.66, -4.37, -12.15

 

CMYK 20 / 8 / 0 / 17

HEX #AAC2D4

RGB 170 194 212

HSL 205.71, 0.33%, 0.75%

LAB 77.21, -4.28, -11.73

 

CMYK 21 / 9 / 0 / 24

HEX #99B0C1

RGB 153 176 193

HSL 205.5, 0.24%, 0.68%

LAB 70.65, -4.2, -11.31

 

CMYK 22 / 9 / 0 / 32

HEX #889EAE

RGB 136 158 174

HSL 205.26, 0.19%, 0.61%

LAB 63.95, -4.12, -10.88

 

CMYK 23 / 10 / 0 / 39

HEX #778C9B

RGB 119 140 155

HSL 205, 0.15%, 0.54%

LAB 57.12, -4.03, -10.46

 

CMYK 19 / 8 / 0 / 9

HEX #BBD4E7

RGB 187 212 231

HSL 205.91, 0.48%, 0.82%

LAB 83.66, -4.37, -12.15

 

CMYK 19 / 13 / 0 / 9

HEX #BBC8E7

RGB 187 200 231

HSL 222.27, 0.48%, 0.82%

LAB 80.54, 1.97, -16.84

 

CMYK 19 / 19 / 0 / 9

HEX #BBBCE7

RGB 187 188 231

HSL 238.64, 0.48%, 0.82%

LAB 77.46, 8.44, -21.49

 

CMYK 15 / 19 / 0 / 9

HEX #C5BBE7

RGB 197 187 231

HSL 253.64, 0.48%, 0.82%

LAB 77.98, 12.12, -20.63

 

CMYK 10 / 19 / 0 / 9

HEX #D1BBE7

RGB 209 187 231

HSL 270, 0.48%, 0.82%

LAB 78.96, 15.96, -19.05

 

CMYK 19 / 8 / 0 / 9

HEX #BBD4E7

RGB 187 212 231

HSL 205.91, 0.48%, 0.82%

LAB 83.66, -4.37, -12.15

 

CMYK 19 / 13 / 0 / 9

HEX #BBC8E7

RGB 187 200 231

HSL 222.27, 0.48%, 0.82%

LAB 80.54, 1.97, -16.84

 

CMYK 19 / 19 / 0 / 9

HEX #BBBCE7

RGB 187 188 231

HSL 238.64, 0.48%, 0.82%

LAB 77.46, 8.44, -21.49

 

CMYK 19 / 19 / 0 / 9

HEX #BBBBE7

RGB 187 187 231

HSL 240, 0.48%, 0.82%

LAB 77.21, 8.98, -21.88

 

CMYK 19 / 8 / 0 / 9

HEX #BBD4E7

RGB 187 212 231

HSL 205.91, 0.48%, 0.82%

LAB 83.66, -4.37, -12.15

 

CMYK 25 / 11 / 0 / 7

HEX #B3D5EE

RGB 179 213 238

HSL 205.42, 0.63%, 0.82%

LAB 83.62, -5.76, -15.98

 

CMYK 30 / 13 / 0 / 4

HEX #ACD6F5

RGB 172 214 245

HSL 205.48, 0.78%, 0.82%

LAB 83.68, -6.69, -19.65

 

CMYK 35 / 15 / 0 / 1

HEX #A4D7FD

RGB 164 215 253

HSL 205.62, 0.96%, 0.82%

LAB 83.75, -7.47, -23.83

 

CMYK 19 / 8 / 0 / 9

HEX #BBD4E7

RGB 187 212 231

HSL 205.91, 0.48%, 0.82%

LAB 83.66, -4.37, -12.15

 

CMYK 13 / 5 / 0 / 13

HEX #C2D3DF

RGB 194 211 223

HSL 204.83, 0.31%, 0.82%

LAB 83.64, -3.32, -7.87

 

CMYK 7 / 3 / 0 / 15

HEX #C9D2D8

RGB 201 210 216

HSL 204, 0.16%, 0.82%

LAB 83.69, -1.9, -4.03

 

CMYK 0 / 0 / 0 / 18

HEX #D1D1D0

RGB 209 209 208

HSL 60, 0.01%, 0.82%

LAB 83.81, -0.18, 0.49

 

CMYK 0 / 4 / 7 / 15

HEX #D8D0C9

RGB 216 208 201

HSL 28, 0.16%, 0.82%

LAB 83.93, 1.54, 4.44

 

CMYK 19 / 0 / 3 / 9

HEX #BBE7E1

RGB 187 231 225

HSL 171.82, 0.48%, 0.82%

LAB 88.52, -15.35, -1.79

 

CMYK 19 / 3 / 0 / 9

HEX #BBE0E7

RGB 187 224 231

HSL 189.55, 0.48%, 0.82%

LAB 86.82, -10.57, -7.45

 

CMYK 19 / 8 / 0 / 9

HEX #BBD4E7

RGB 187 212 231

HSL 205.91, 0.48%, 0.82%

LAB 83.66, -4.37, -12.15

 

CMYK 19 / 13 / 0 / 9

HEX #BBC9E7

RGB 187 201 231

HSL 220.91, 0.48%, 0.82%

LAB 80.8, 1.44, -16.45

 

CMYK 19 / 18 / 0 / 9

HEX #BBBDE7

RGB 187 189 231

HSL 237.27, 0.48%, 0.82%

LAB 77.72, 7.9, -21.11

 

CMYK 40 / 17 / 0 / 18

HEX #7EADD1

RGB 126 173 209

HSL 206.02, 0.47%, 0.66%

LAB 68.7, -6.5, -23.22

 

CMYK 29 / 13 / 0 / 14

HEX #9CC0DC

RGB 156 192 220

HSL 206.25, 0.48%, 0.74%

LAB 76.03, -5.6, -17.92

 

CMYK 19 / 8 / 0 / 9

HEX #BBD4E7

RGB 187 212 231

HSL 205.91, 0.48%, 0.82%

LAB 83.66, -4.37, -12.15

 

CMYK 10 / 4 / 0 / 5

HEX #D9E7F1

RGB 217 231 241

HSL 205, 0.46%, 0.9%

LAB 90.9, -2.72, -6.45

 

CMYK 2 / 1 / 0 / 1

HEX #F8FAFC

RGB 248 250 252

HSL 210, 0.4%, 0.98%

LAB 98.18, -0.3, -1.2

 

CMYK 19 / 8 / 0 / 9

HEX #BBD4E7

RGB 187 212 231

HSL 205.91, 0.48%, 0.82%

LAB 83.66, -4.37, -12.15

 

CMYK 7 / 19 / 0 / 9

HEX #D6BBE7

RGB 214 187 231

HSL 276.82, 0.48%, 0.82%

LAB 79.39, 17.58, -18.36

 

CMYK 0 / 0 / 19 / 9

HEX #E6E7BB

RGB 230 231 187

HSL 61.36, 0.48%, 0.82%

LAB 90.58, -7.48, 21.37

 

CMYK 19 / 8 / 0 / 9

HEX #BBD4E7

RGB 187 212 231

HSL 205.91, 0.48%, 0.82%

LAB 83.66, -4.37, -12.15

 

CMYK 0 / 19 / 8 / 9

HEX #E7BBD4

RGB 231 187 212

HSL 325.91, 0.48%, 0.82%

LAB 80.34, 19.79, -6.55

 

CMYK 8 / 0 / 19 / 9

HEX #D4E7BB

RGB 212 231 187

HSL 85.91, 0.48%, 0.82%

LAB 89.27, -13.92, 19.35

 

CMYK 19 / 8 / 0 / 9

HEX #BBD4E7

RGB 187 212 231

HSL 205.91, 0.48%, 0.82%

LAB 83.66, -4.37, -12.15

 

CMYK 7 / 19 / 0 / 9

HEX #D6BBE7

RGB 214 187 231

HSL 276.82, 0.48%, 0.82%

LAB 79.39, 17.58, -18.36

 

CMYK 0 / 11 / 19 / 9

HEX #E7CDBB

RGB 231 205 187

HSL 24.55, 0.48%, 0.82%

LAB 84.09, 6.26, 12.28

 

CMYK 12 / 0 / 19 / 9

HEX #CBE7BB

RGB 203 231 187

HSL 98.18, 0.48%, 0.82%

LAB 88.66, -17.06, 18.4

 

CMYK 19 / 8 / 0 / 9

HEX #BBD4E7

RGB 187 212 231

HSL 205.91, 0.48%, 0.82%

LAB 83.66, -4.37, -12.15

 

CMYK 2 / 19 / 0 / 9

HEX #E3BBE7

RGB 227 187 231

HSL 294.55, 0.48%, 0.82%

LAB 80.54, 21.84, -16.52

 

CMYK 0 / 11 / 19 / 9

HEX #E7CDBB

RGB 231 205 187

HSL 24.55, 0.48%, 0.82%

LAB 84.09, 6.26, 12.28

 

CMYK 18 / 0 / 19 / 9

HEX #BEE7BB

RGB 190 231 187

HSL 115.91, 0.48%, 0.82%

LAB 87.82, -21.5, 17.1

 

Description

Color code: HEX #BBD4E7 | qconv.com Color code: HEX #BBD4E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 212 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 212 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 8 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 8% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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