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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBE127 it is the complementary color #441ED8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBE127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBE127 shade: #C0E122, #D1F335, #E2FF48, #F3FF5B and #FFFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBE127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBE127 shade: #BBE127, #AACF14, #99BD01, #88AB00 and #779900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBE127 shade: #BBE127, #E1D527, #E1A327, #E17127 and #E13E27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBE127 shade: #BBE127, #89E127, #57E127, #27E12A and #27E15C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBE127 shade matches the following richer shades: #BBE127 and #C7F513

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBE127 shade: #BBE127, #AFCD3B, #A4BA4F, #98A662 and #8C9276

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBE127 shade: #E1A327, #E1D527, #BCE127, #8AE127 and #59E127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBE127 shade: #84A015, #A2C51A, #BBE127, #C6E64B and #D2EB70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBE127 shade: #BBE127, #27E171 and #BC27E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBE127 shade: #BBE127, #27BCE1 and #E127BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBE127 shade: #BBE127, #27E171, #4C27E1 and #E12797

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBE127 shade: #BBE127, #27E1A9, #4C27E1 and #E1275F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 83 / 12

HEX #BBE127

RGB 187 225 39

HSL 72.26, 0.76%, 0.52%

LAB 84.26, -34.57, 77.34

 

Complementary color

CMYK 69 / 86 / 0 / 15

HEX #441ED8

RGB 68 30 216

HSL 252.26, 0.76%, 0.48%

LAB 32.07, 64.46, -85.99

 

CMYK 15 / 0 / 85 / 12

HEX #C0E122

RGB 192 225 34

HSL 70.37, 0.76%, 0.51%

LAB 84.57, -32.71, 78.83

 

CMYK 14 / 0 / 78 / 5

HEX #D1F335

RGB 209 243 53

HSL 70.74, 0.89%, 0.58%

LAB 90.74, -33.6, 80.06

 

CMYK 11 / 0 / 72 / 0

HEX #E2FF48

RGB 226 255 72

HSL 69.51, 1%, 0.64%

LAB 95.23, -31.59, 78.95

 

CMYK 5 / 0 / 64 / 0

HEX #F3FF5B

RGB 243 255 91

HSL 64.39, 1%, 0.68%

LAB 96.55, -23.87, 73.92

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 17 / 0 / 83 / 12

HEX #BBE127

RGB 187 225 39

HSL 72.26, 0.76%, 0.52%

LAB 84.26, -34.57, 77.34

 

CMYK 18 / 0 / 90 / 19

HEX #AACF14

RGB 170 207 20

HSL 71.87, 0.82%, 0.45%

LAB 78.01, -33.6, 75.35

 

CMYK 19 / 0 / 99 / 26

HEX #99BD01

RGB 153 189 1

HSL 71.49, 0.99%, 0.37%

LAB 71.67, -32.46, 72.16

 

CMYK 20 / 0 / 100 / 33

HEX #88AB00

RGB 136 171 0

HSL 72.28, 1%, 0.34%

LAB 65.25, -31.06, 66.92

 

CMYK 22 / 0 / 100 / 40

HEX #779900

RGB 119 153 0

HSL 73.33, 1%, 0.3%

LAB 58.7, -29.63, 61.47

 

CMYK 17 / 0 / 83 / 12

HEX #BBE127

RGB 187 225 39

HSL 72.26, 0.76%, 0.52%

LAB 84.26, -34.57, 77.34

 

CMYK 0 / 5 / 83 / 12

HEX #E1D527

RGB 225 213 39

HSL 56.13, 0.76%, 0.52%

LAB 83.83, -13.12, 78.1

 

CMYK 0 / 28 / 83 / 12

HEX #E1A327

RGB 225 163 39

HSL 40, 0.76%, 0.52%

LAB 71.11, 12.82, 67.31

 

CMYK 0 / 50 / 83 / 12

HEX #E17127

RGB 225 113 39

HSL 23.87, 0.76%, 0.52%

LAB 59.86, 39.17, 57.53

 

CMYK 0 / 72 / 83 / 12

HEX #E13E27

RGB 225 62 39

HSL 7.42, 0.76%, 0.52%

LAB 51.38, 61.48, 49.93

 

CMYK 17 / 0 / 83 / 12

HEX #BBE127

RGB 187 225 39

HSL 72.26, 0.76%, 0.52%

LAB 84.26, -34.57, 77.34

 

CMYK 39 / 0 / 83 / 12

HEX #89E127

RGB 137 225 39

HSL 88.39, 0.76%, 0.52%

LAB 81.46, -53.03, 73.82

 

CMYK 61 / 0 / 83 / 12

HEX #57E127

RGB 87 225 39

HSL 104.52, 0.76%, 0.52%

LAB 79.63, -67.19, 71.48

 

CMYK 83 / 0 / 81 / 12

HEX #27E12A

RGB 39 225 42

HSL 120.97, 0.76%, 0.52%

LAB 78.72, -74.88, 69.56

 

CMYK 83 / 0 / 59 / 12

HEX #27E15C

RGB 39 225 92

HSL 137.1, 0.76%, 0.52%

LAB 79.07, -70.53, 51.79

 

CMYK 17 / 0 / 83 / 12

HEX #BBE127

RGB 187 225 39

HSL 72.26, 0.76%, 0.52%

LAB 84.26, -34.57, 77.34

 

CMYK 19 / 0 / 92 / 4

HEX #C7F513

RGB 199 245 19

HSL 72.21, 0.92%, 0.52%

LAB 90.55, -39.29, 86.23

 

CMYK 17 / 0 / 83 / 12

HEX #BBE127

RGB 187 225 39

HSL 72.26, 0.76%, 0.52%

LAB 84.26, -34.57, 77.34

 

CMYK 15 / 0 / 71 / 20

HEX #AFCD3B

RGB 175 205 59

HSL 72.33, 0.59%, 0.52%

LAB 77.93, -29.24, 65.37

 

CMYK 12 / 0 / 58 / 27

HEX #A4BA4F

RGB 164 186 79

HSL 72.34, 0.44%, 0.52%

LAB 71.94, -23.16, 50.68

 

CMYK 8 / 0 / 41 / 35

HEX #98A662

RGB 152 166 98

HSL 72.35, 0.28%, 0.52%

LAB 65.62, -16, 33.53

 

CMYK 4 / 0 / 19 / 43

HEX #8C9276

RGB 140 146 118

HSL 72.86, 0.11%, 0.52%

LAB 59.38, -7.3, 14.13

 

CMYK 0 / 28 / 83 / 12

HEX #E1A327

RGB 225 163 39

HSL 40, 0.76%, 0.52%

LAB 71.11, 12.82, 67.31

 

CMYK 0 / 5 / 83 / 12

HEX #E1D527

RGB 225 213 39

HSL 56.13, 0.76%, 0.52%

LAB 83.83, -13.12, 78.1

 

CMYK 16 / 0 / 83 / 12

HEX #BCE127

RGB 188 225 39

HSL 71.94, 0.76%, 0.52%

LAB 84.32, -34.17, 77.42

 

CMYK 39 / 0 / 83 / 12

HEX #8AE127

RGB 138 225 39

HSL 88.06, 0.76%, 0.52%

LAB 81.51, -52.7, 73.88

 

CMYK 60 / 0 / 83 / 12

HEX #59E127

RGB 89 225 39

HSL 103.87, 0.76%, 0.52%

LAB 79.68, -66.74, 71.55

 

CMYK 18 / 0 / 87 / 37

HEX #84A015

RGB 132 160 21

HSL 72.09, 0.77%, 0.35%

LAB 61.74, -27.07, 60.79

 

CMYK 18 / 0 / 87 / 23

HEX #A2C51A

RGB 162 197 26

HSL 72.28, 0.77%, 0.44%

LAB 74.63, -32.07, 71.34

 

CMYK 17 / 0 / 83 / 12

HEX #BBE127

RGB 187 225 39

HSL 72.26, 0.76%, 0.52%

LAB 84.26, -34.57, 77.34

 

CMYK 14 / 0 / 67 / 10

HEX #C6E64B

RGB 198 230 75

HSL 72.39, 0.76%, 0.6%

LAB 86.56, -30.89, 68.69

 

CMYK 11 / 0 / 52 / 8

HEX #D2EB70

RGB 210 235 112

HSL 72.2, 0.75%, 0.68%

LAB 89.06, -25.81, 56.19

 

CMYK 17 / 0 / 83 / 12

HEX #BBE127

RGB 187 225 39

HSL 72.26, 0.76%, 0.52%

LAB 84.26, -34.57, 77.34

 

CMYK 83 / 0 / 50 / 12

HEX #27E171

RGB 39 225 113

HSL 143.87, 0.76%, 0.52%

LAB 79.31, -67.62, 42.34

 

CMYK 16 / 83 / 0 / 12

HEX #BC27E1

RGB 188 39 225

HSL 288.06, 0.76%, 0.52%

LAB 48.98, 78.48, -62.83

 

CMYK 17 / 0 / 83 / 12

HEX #BBE127

RGB 187 225 39

HSL 72.26, 0.76%, 0.52%

LAB 84.26, -34.57, 77.34

 

CMYK 83 / 16 / 0 / 12

HEX #27BCE1

RGB 39 188 225

HSL 191.94, 0.76%, 0.52%

LAB 70.76, -24.63, -29.07

 

CMYK 0 / 83 / 16 / 12

HEX #E127BC

RGB 225 39 188

HSL 311.94, 0.76%, 0.52%

LAB 53.05, 79.72, -34.73

 

CMYK 17 / 0 / 83 / 12

HEX #BBE127

RGB 187 225 39

HSL 72.26, 0.76%, 0.52%

LAB 84.26, -34.57, 77.34

 

CMYK 83 / 0 / 50 / 12

HEX #27E171

RGB 39 225 113

HSL 143.87, 0.76%, 0.52%

LAB 79.31, -67.62, 42.34

 

CMYK 66 / 83 / 0 / 12

HEX #4C27E1

RGB 76 39 225

HSL 251.94, 0.76%, 0.52%

LAB 34.85, 64.16, -86.53

 

CMYK 0 / 83 / 33 / 12

HEX #E12797

RGB 225 39 151

HSL 323.87, 0.76%, 0.52%

LAB 51.49, 75.37, -15.37

 

CMYK 17 / 0 / 83 / 12

HEX #BBE127

RGB 187 225 39

HSL 72.26, 0.76%, 0.52%

LAB 84.26, -34.57, 77.34

 

CMYK 83 / 0 / 25 / 12

HEX #27E1A9

RGB 39 225 169

HSL 161.94, 0.76%, 0.52%

LAB 80.26, -56.8, 15.11

 

CMYK 66 / 83 / 0 / 12

HEX #4C27E1

RGB 76 39 225

HSL 251.94, 0.76%, 0.52%

LAB 34.85, 64.16, -86.53

 

CMYK 0 / 83 / 58 / 12

HEX #E1275F

RGB 225 39 95

HSL 341.94, 0.76%, 0.52%

LAB 49.84, 70.59, 16.13

 

Description

Color code: HEX #BBE127 | qconv.com Color code: HEX #BBE127 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 225 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 225 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 83 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 83% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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