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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBE264 it is the complementary color #441D9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBE264. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBE264 shade: #C0E25F, #D1F472, #E2FF85, #F3FF98 and #FFFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBE264. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBE264 shade: #BBE264, #AAD051, #99BE3E, #88AC2B and #779A18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBE264 shade: #BAE164, #DCE164, #E1C464, #E1A364 and #E18164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBE264 shade: #BAE164, #99E164, #77E164, #64E173 and #64E195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBE264 shade matches the following richer shades: #BAE164 and #C0F055

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBE264 shade: #BAE164, #B5D273, #AFC382, #AAB591 and #A4A6A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBE264 shade: #E1C464, #DDE164, #BCE164, #9AE164 and #79E164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBE264 shade: #99CC27, #ABDB42, #BAE164, #CAE887 and #D9EEAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBE264 shade: #BBE264, #64E1A3 and #D564E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBE264 shade: #BBE264, #64BCE1 and #E164BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBE264 shade: #BBE264, #64E1A3, #8A64E1 and #E164A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBE264 shade: #BBE264, #64E1C8, #8A64E1 and #E1647D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 56 / 11

HEX #BBE264

RGB 187 226 100

HSL 78.57, 0.68%, 0.64%

LAB 84.93, -31.46, 56.42

 

Complementary color

CMYK 56 / 81 / 0 / 39

HEX #441D9B

RGB 68 29 155

HSL 258.57, 0.68%, 0.36%

LAB 25.18, 48.17, -61.15

 

CMYK 15 / 0 / 58 / 11

HEX #C0E25F

RGB 192 226 95

HSL 75.57, 0.69%, 0.63%

LAB 85.21, -29.96, 59.03

 

CMYK 14 / 0 / 53 / 4

HEX #D1F472

RGB 209 244 114

HSL 76.15, 0.86%, 0.7%

LAB 91.45, -30.24, 58.06

 

CMYK 11 / 0 / 48 / 0

HEX #E2FF85

RGB 226 255 133

HSL 74.26, 1%, 0.76%

LAB 95.74, -27.2, 54.77

 

CMYK 5 / 0 / 40 / 0

HEX #F3FF98

RGB 243 255 152

HSL 66.99, 1%, 0.8%

LAB 97.16, -18.88, 47.81

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 17 / 0 / 56 / 11

HEX #BBE264

RGB 187 226 100

HSL 78.57, 0.68%, 0.64%

LAB 84.93, -31.46, 56.42

 

CMYK 18 / 0 / 61 / 18

HEX #AAD051

RGB 170 208 81

HSL 77.95, 0.57%, 0.57%

LAB 78.61, -31.18, 57.32

 

CMYK 19 / 0 / 67 / 25

HEX #99BE3E

RGB 153 190 62

HSL 77.34, 0.51%, 0.49%

LAB 72.19, -30.79, 57.98

 

CMYK 21 / 0 / 75 / 33

HEX #88AC2B

RGB 136 172 43

HSL 76.74, 0.6%, 0.42%

LAB 65.68, -30.26, 58.16

 

CMYK 23 / 0 / 84 / 40

HEX #779A18

RGB 119 154 24

HSL 76.15, 0.73%, 0.35%

LAB 59.07, -29.53, 57.44

 

CMYK 17 / 0 / 56 / 12

HEX #BAE164

RGB 186 225 100

HSL 78.72, 0.68%, 0.64%

LAB 84.59, -31.37, 56.01

 

CMYK 2 / 0 / 56 / 12

HEX #DCE164

RGB 220 225 100

HSL 62.4, 0.68%, 0.64%

LAB 86.99, -18.03, 59.38

 

CMYK 0 / 13 / 56 / 12

HEX #E1C464

RGB 225 196 100

HSL 46.08, 0.68%, 0.64%

LAB 79.85, -1.35, 51.28

 

CMYK 0 / 28 / 56 / 12

HEX #E1A364

RGB 225 163 100

HSL 30.24, 0.68%, 0.64%

LAB 71.64, 16.09, 41.47

 

CMYK 0 / 43 / 56 / 12

HEX #E18164

RGB 225 129 100

HSL 13.92, 0.68%, 0.64%

LAB 63.86, 34.19, 31.75

 

CMYK 17 / 0 / 56 / 12

HEX #BAE164

RGB 186 225 100

HSL 78.72, 0.68%, 0.64%

LAB 84.59, -31.37, 56.01

 

CMYK 32 / 0 / 56 / 12

HEX #99E164

RGB 153 225 100

HSL 94.56, 0.68%, 0.64%

LAB 82.67, -43.37, 53.29

 

CMYK 47 / 0 / 56 / 12

HEX #77E164

RGB 119 225 100

HSL 110.88, 0.68%, 0.64%

LAB 81.12, -54.1, 51.09

 

CMYK 56 / 0 / 49 / 12

HEX #64E173

RGB 100 225 115

HSL 127.2, 0.68%, 0.64%

LAB 80.63, -57.17, 43.29

 

CMYK 56 / 0 / 34 / 12

HEX #64E195

RGB 100 225 149

HSL 143.52, 0.68%, 0.64%

LAB 81.14, -51.66, 26.94

 

CMYK 17 / 0 / 56 / 12

HEX #BAE164

RGB 186 225 100

HSL 78.72, 0.68%, 0.64%

LAB 84.59, -31.37, 56.01

 

CMYK 20 / 0 / 65 / 6

HEX #C0F055

RGB 192 240 85

HSL 78.58, 0.84%, 0.64%

LAB 89.01, -37.14, 67.29

 

CMYK 17 / 0 / 56 / 12

HEX #BAE164

RGB 186 225 100

HSL 78.72, 0.68%, 0.64%

LAB 84.59, -31.37, 56.01

 

CMYK 14 / 0 / 45 / 18

HEX #B5D273

RGB 181 210 115

HSL 78.32, 0.51%, 0.64%

LAB 80.27, -24.68, 43.72

 

CMYK 10 / 0 / 33 / 24

HEX #AFC382

RGB 175 195 130

HSL 78.46, 0.35%, 0.64%

LAB 75.92, -17.73, 30.47

 

CMYK 6 / 0 / 20 / 29

HEX #AAB591

RGB 170 181 145

HSL 78.33, 0.2%, 0.64%

LAB 71.99, -10.22, 17.09

 

CMYK 1 / 0 / 4 / 35

HEX #A4A6A0

RGB 164 166 160

HSL 80, 0.03%, 0.64%

LAB 67.8, -1.84, 2.84

 

CMYK 0 / 13 / 56 / 12

HEX #E1C464

RGB 225 196 100

HSL 46.08, 0.68%, 0.64%

LAB 79.85, -1.35, 51.28

 

CMYK 2 / 0 / 56 / 12

HEX #DDE164

RGB 221 225 100

HSL 61.92, 0.68%, 0.64%

LAB 87.07, -17.63, 59.49

 

CMYK 16 / 0 / 56 / 12

HEX #BCE164

RGB 188 225 100

HSL 77.76, 0.68%, 0.64%

LAB 84.72, -30.61, 56.19

 

CMYK 32 / 0 / 56 / 12

HEX #9AE164

RGB 154 225 100

HSL 94.08, 0.68%, 0.64%

LAB 82.72, -43.03, 53.37

 

CMYK 46 / 0 / 56 / 12

HEX #79E164

RGB 121 225 100

HSL 109.92, 0.68%, 0.64%

LAB 81.2, -53.52, 51.2

 

CMYK 25 / 0 / 81 / 20

HEX #99CC27

RGB 153 204 39

HSL 78.55, 0.68%, 0.48%

LAB 76.13, -38.42, 69.4

 

CMYK 22 / 0 / 70 / 14

HEX #ABDB42

RGB 171 219 66

HSL 78.82, 0.68%, 0.56%

LAB 81.68, -36.88, 66.5

 

CMYK 17 / 0 / 56 / 12

HEX #BAE164

RGB 186 225 100

HSL 78.72, 0.68%, 0.64%

LAB 84.59, -31.37, 56.01

 

CMYK 13 / 0 / 42 / 9

HEX #CAE887

RGB 202 232 135

HSL 78.56, 0.68%, 0.72%

LAB 87.98, -25.09, 43.87

 

CMYK 9 / 0 / 29 / 7

HEX #D9EEAA

RGB 217 238 170

HSL 78.53, 0.67%, 0.8%

LAB 91.15, -18.07, 30.7

 

CMYK 17 / 0 / 56 / 11

HEX #BBE264

RGB 187 226 100

HSL 78.57, 0.68%, 0.64%

LAB 84.93, -31.46, 56.42

 

CMYK 56 / 0 / 28 / 12

HEX #64E1A3

RGB 100 225 163

HSL 150.24, 0.68%, 0.64%

LAB 81.4, -48.96, 20.04

 

CMYK 5 / 56 / 0 / 12

HEX #D564E1

RGB 213 100 225

HSL 294.24, 0.68%, 0.64%

LAB 60.51, 61.59, -44.22

 

CMYK 17 / 0 / 56 / 11

HEX #BBE264

RGB 187 226 100

HSL 78.57, 0.68%, 0.64%

LAB 84.93, -31.46, 56.42

 

CMYK 56 / 16 / 0 / 12

HEX #64BCE1

RGB 100 188 225

HSL 197.76, 0.68%, 0.64%

LAB 72.3, -16.1, -26.56

 

CMYK 0 / 56 / 16 / 12

HEX #E164BC

RGB 225 100 188

HSL 317.76, 0.68%, 0.64%

LAB 60.56, 58.78, -23.09

 

CMYK 17 / 0 / 56 / 11

HEX #BBE264

RGB 187 226 100

HSL 78.57, 0.68%, 0.64%

LAB 84.93, -31.46, 56.42

 

CMYK 56 / 0 / 28 / 12

HEX #64E1A3

RGB 100 225 163

HSL 150.24, 0.68%, 0.64%

LAB 81.4, -48.96, 20.04

 

CMYK 39 / 56 / 0 / 12

HEX #8A64E1

RGB 138 100 225

HSL 258.24, 0.68%, 0.64%

LAB 51.79, 42.99, -58.63

 

CMYK 0 / 56 / 28 / 12

HEX #E164A3

RGB 225 100 163

HSL 329.76, 0.68%, 0.64%

LAB 59.68, 55.31, -10.07

 

CMYK 17 / 0 / 56 / 11

HEX #BBE264

RGB 187 226 100

HSL 78.57, 0.68%, 0.64%

LAB 84.93, -31.46, 56.42

 

CMYK 56 / 0 / 11 / 12

HEX #64E1C8

RGB 100 225 200

HSL 168, 0.68%, 0.64%

LAB 82.23, -40.76, 1.73

 

CMYK 39 / 56 / 0 / 12

HEX #8A64E1

RGB 138 100 225

HSL 258.24, 0.68%, 0.64%

LAB 51.79, 42.99, -58.63

 

CMYK 0 / 56 / 44 / 12

HEX #E1647D

RGB 225 100 125

HSL 348, 0.68%, 0.64%

LAB 58.6, 50.96, 10.45

 

Description

Color code: HEX #BBE264 | qconv.com Color code: HEX #BBE264 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 226 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 226 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 56 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 56% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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