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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBEBD6 it is the complementary color #441429. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBEBD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBEBD6 shade: #C0EBD1, #D1FDE4, #E2FFF7 and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBEBD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBEBD6 shade: #BBEBD6, #AAD9C3, #99C7B0, #88B59D and #77A38A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBEBD6 shade: #BBEBD6, #BBEBC9, #BBEBBC, #C7EBBB and #D4EBBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBEBD6 shade: #BBEBD6, #BBEBE3, #BBE6EB, #BBD9EB and #BBCCEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBEBD6 shade matches the following richer shades: #BBEBD6, #B4F2D7 and #ADF9D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBEBD6 shade: #BBEBD6, #C2E4D5, #C9DDD4, #D0D6D4 and #D7CFD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBEBD6 shade: #BBEBBC, #BBEBC9, #BBEBD6, #BBEBE2 and #BBE7EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBEBD6 shade: #7BD8B0, #9BE2C3, #BBEBD6, #DBF4E9 and #FBFEFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBEBD6 shade: #BBEBD6, #BBC7EB and #EBC2BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBEBD6 shade: #BBEBD6, #D6BBEB and #EBD6BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBEBD6 shade: #BBEBD6, #BBC7EB, #EBBBD1 and #EBDFBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBEBD6 shade: #BBEBD6, #BEBBEB, #EBBBD1 and #E9EBBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 9 / 8

HEX #BBEBD6

RGB 187 235 214

HSL 153.75, 0.55%, 0.83%

LAB 89.32, -19.53, 5.12

 

Complementary color

CMYK 0 / 71 / 40 / 73

HEX #441429

RGB 68 20 41

HSL 333.75, 0.55%, 0.17%

LAB 14.9, 25.44, -2.04

 

CMYK 18 / 0 / 11 / 8

HEX #C0EBD1

RGB 192 235 209

HSL 143.72, 0.52%, 0.84%

LAB 89.5, -18.89, 8.04

 

CMYK 17 / 0 / 10 / 1

HEX #D1FDE4

RGB 209 253 228

HSL 145.91, 0.92%, 0.91%

LAB 95.75, -18.78, 7.31

 

CMYK 11 / 0 / 3 / 0

HEX #E2FFF7

RGB 226 255 247

HSL 163.45, 1%, 0.94%

LAB 97.79, -10.83, 0.64

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 20 / 0 / 9 / 8

HEX #BBEBD6

RGB 187 235 214

HSL 153.75, 0.55%, 0.83%

LAB 89.32, -19.53, 5.12

 

CMYK 22 / 0 / 10 / 15

HEX #AAD9C3

RGB 170 217 195

HSL 151.91, 0.38%, 0.76%

LAB 82.97, -19.67, 5.84

 

CMYK 23 / 0 / 12 / 22

HEX #99C7B0

RGB 153 199 176

HSL 150, 0.29%, 0.69%

LAB 76.53, -19.83, 6.59

 

CMYK 25 / 0 / 13 / 29

HEX #88B59D

RGB 136 181 157

HSL 148, 0.23%, 0.62%

LAB 69.98, -20.01, 7.39

 

CMYK 27 / 0 / 15 / 36

HEX #77A38A

RGB 119 163 138

HSL 145.91, 0.19%, 0.55%

LAB 63.3, -20.22, 8.23

 

CMYK 20 / 0 / 9 / 8

HEX #BBEBD6

RGB 187 235 214

HSL 153.75, 0.55%, 0.83%

LAB 89.32, -19.53, 5.12

 

CMYK 20 / 0 / 14 / 8

HEX #BBEBC9

RGB 187 235 201

HSL 137.5, 0.55%, 0.83%

LAB 89.02, -21.97, 11.48

 

CMYK 20 / 0 / 20 / 8

HEX #BBEBBC

RGB 187 235 188

HSL 121.25, 0.55%, 0.83%

LAB 88.74, -24.27, 17.84

 

CMYK 15 / 0 / 20 / 8

HEX #C7EBBB

RGB 199 235 187

HSL 105, 0.55%, 0.83%

LAB 89.46, -20.41, 19.48

 

CMYK 10 / 0 / 20 / 8

HEX #D4EBBB

RGB 212 235 187

HSL 88.75, 0.55%, 0.83%

LAB 90.32, -15.9, 20.81

 

CMYK 20 / 0 / 9 / 8

HEX #BBEBD6

RGB 187 235 214

HSL 153.75, 0.55%, 0.83%

LAB 89.32, -19.53, 5.12

 

CMYK 20 / 0 / 3 / 8

HEX #BBEBE3

RGB 187 235 227

HSL 170, 0.55%, 0.83%

LAB 89.64, -16.94, -1.2

 

CMYK 20 / 2 / 0 / 8

HEX #BBE6EB

RGB 187 230 235

HSL 186.25, 0.55%, 0.83%

LAB 88.52, -12.77, -7.04

 

CMYK 20 / 8 / 0 / 8

HEX #BBD9EB

RGB 187 217 235

HSL 202.5, 0.55%, 0.83%

LAB 85.09, -6.11, -12.14

 

CMYK 20 / 13 / 0 / 8

HEX #BBCCEB

RGB 187 204 235

HSL 218.75, 0.55%, 0.83%

LAB 81.7, 0.72, -17.22

 

CMYK 20 / 0 / 9 / 8

HEX #BBEBD6

RGB 187 235 214

HSL 153.75, 0.55%, 0.83%

LAB 89.32, -19.53, 5.12

 

CMYK 26 / 0 / 11 / 5

HEX #B4F2D7

RGB 180 242 215

HSL 153.87, 0.7%, 0.83%

LAB 90.83, -24.9, 6.74

 

CMYK 31 / 0 / 13 / 2

HEX #ADF9D8

RGB 173 249 216

HSL 153.95, 0.86%, 0.83%

LAB 92.4, -30.11, 8.42

 

CMYK 20 / 0 / 9 / 8

HEX #BBEBD6

RGB 187 235 214

HSL 153.75, 0.55%, 0.83%

LAB 89.32, -19.53, 5.12

 

CMYK 15 / 0 / 7 / 11

HEX #C2E4D5

RGB 194 228 213

HSL 153.53, 0.39%, 0.83%

LAB 87.85, -14.01, 3.59

 

CMYK 9 / 0 / 4 / 13

HEX #C9DDD4

RGB 201 221 212

HSL 153, 0.23%, 0.83%

LAB 86.45, -8.35, 2.13

 

CMYK 3 / 0 / 1 / 16

HEX #D0D6D4

RGB 208 214 212

HSL 160, 0.07%, 0.83%

LAB 85.13, -2.39, 0.27

 

CMYK 0 / 4 / 2 / 16

HEX #D7CFD3

RGB 215 207 211

HSL 330, 0.09%, 0.83%

LAB 83.85, 3.47, -1.01

 

CMYK 20 / 0 / 20 / 8

HEX #BBEBBC

RGB 187 235 188

HSL 121.25, 0.55%, 0.83%

LAB 88.74, -24.27, 17.84

 

CMYK 20 / 0 / 14 / 8

HEX #BBEBC9

RGB 187 235 201

HSL 137.5, 0.55%, 0.83%

LAB 89.02, -21.97, 11.48

 

CMYK 20 / 0 / 9 / 8

HEX #BBEBD6

RGB 187 235 214

HSL 153.75, 0.55%, 0.83%

LAB 89.32, -19.53, 5.12

 

CMYK 20 / 0 / 4 / 8

HEX #BBEBE2

RGB 187 235 226

HSL 168.75, 0.55%, 0.83%

LAB 89.61, -17.15, -0.72

 

CMYK 20 / 2 / 0 / 8

HEX #BBE7EB

RGB 187 231 235

HSL 185, 0.55%, 0.83%

LAB 88.79, -13.28, -6.65

 

CMYK 43 / 0 / 19 / 15

HEX #7BD8B0

RGB 123 216 176

HSL 154.19, 0.54%, 0.66%

LAB 79.87, -36.81, 11.17

 

CMYK 31 / 0 / 14 / 11

HEX #9BE2C3

RGB 155 226 195

HSL 153.8, 0.55%, 0.75%

LAB 84.64, -28.65, 8.13

 

CMYK 20 / 0 / 9 / 8

HEX #BBEBD6

RGB 187 235 214

HSL 153.75, 0.55%, 0.83%

LAB 89.32, -19.53, 5.12

 

CMYK 10 / 0 / 5 / 4

HEX #DBF4E9

RGB 219 244 233

HSL 153.6, 0.53%, 0.91%

LAB 94.16, -10.19, 2.51

 

CMYK 1 / 0 / 0 / 0

HEX #FBFEFD

RGB 251 254 253

HSL 160, 0.6%, 0.99%

LAB 99.41, -1.16, 0.12

 

CMYK 20 / 0 / 9 / 8

HEX #BBEBD6

RGB 187 235 214

HSL 153.75, 0.55%, 0.83%

LAB 89.32, -19.53, 5.12

 

CMYK 20 / 15 / 0 / 8

HEX #BBC7EB

RGB 187 199 235

HSL 225, 0.55%, 0.83%

LAB 80.41, 3.39, -19.17

 

CMYK 0 / 17 / 20 / 8

HEX #EBC2BB

RGB 235 194 187

HSL 8.75, 0.55%, 0.83%

LAB 81.75, 13.52, 8.99

 

CMYK 20 / 0 / 9 / 8

HEX #BBEBD6

RGB 187 235 214

HSL 153.75, 0.55%, 0.83%

LAB 89.32, -19.53, 5.12

 

CMYK 9 / 20 / 0 / 8

HEX #D6BBEB

RGB 214 187 235

HSL 273.75, 0.55%, 0.83%

LAB 79.52, 18.38, -20.32

 

CMYK 0 / 9 / 20 / 8

HEX #EBD6BB

RGB 235 214 187

HSL 33.75, 0.55%, 0.83%

LAB 86.67, 3.04, 15.97

 

CMYK 20 / 0 / 9 / 8

HEX #BBEBD6

RGB 187 235 214

HSL 153.75, 0.55%, 0.83%

LAB 89.32, -19.53, 5.12

 

CMYK 20 / 15 / 0 / 8

HEX #BBC7EB

RGB 187 199 235

HSL 225, 0.55%, 0.83%

LAB 80.41, 3.39, -19.17

 

CMYK 0 / 20 / 11 / 8

HEX #EBBBD1

RGB 235 187 209

HSL 332.5, 0.55%, 0.83%

LAB 80.63, 20.68, -4.46

 

CMYK 0 / 5 / 20 / 8

HEX #EBDFBB

RGB 235 223 187

HSL 45, 0.55%, 0.83%

LAB 88.93, -1.59, 19.14

 

CMYK 20 / 0 / 9 / 8

HEX #BBEBD6

RGB 187 235 214

HSL 153.75, 0.55%, 0.83%

LAB 89.32, -19.53, 5.12

 

CMYK 19 / 20 / 0 / 8

HEX #BEBBEB

RGB 190 187 235

HSL 243.75, 0.55%, 0.83%

LAB 77.57, 10.8, -23.46

 

CMYK 0 / 20 / 11 / 8

HEX #EBBBD1

RGB 235 187 209

HSL 332.5, 0.55%, 0.83%

LAB 80.63, 20.68, -4.46

 

CMYK 1 / 0 / 20 / 8

HEX #E9EBBB

RGB 233 235 187

HSL 62.5, 0.55%, 0.83%

LAB 91.83, -8.4, 23.13

 

Description

Color code: HEX #BBEBD6 | qconv.com Color code: HEX #BBEBD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 235 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 235 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 9 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 9% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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