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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBF6F5 it is the complementary color #44090A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBF6F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBF6F5 shade: #C0F6F0, #D1FFFF, #E2FFFF and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBF6F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBF6F5 shade: #BBF6F5, #AAE4E2, #99D2CF, #88C0BC and #77AEA9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBF6F5 shade: #BBF6F5, #BBF6E5, #BBF6D5, #BBF6C5 and #C0F6BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBF6F5 shade: #BBF6F5, #BBE7F6, #BBD7F6, #BBC7F6 and #BBBBF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBF6F5 shade matches the following richer shades: #BBF6F5 and #B5FCFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBF6F5 shade: #BBF6F5, #C1F0EF, #C7E9E9, #CDE3E3 and #D4DDDD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBF6F5 shade: #BBF6D4, #BBF6E4, #BBF6F4, #BBE8F6 and #BBD8F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBF6F5 shade: #72ECEA, #96F1EF, #BBF6F5 and #DFFAFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBF6F5 shade: #BBF6F5, #C5BBF6 and #F6DCBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBF6F5 shade: #BBF6F5, #F4BBF6 and #F6F4BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBF6F5 shade: #BBF6F5, #C5BBF6, #F6BBBD and #ECF6BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBF6F5 shade: #BBF6F5, #D6BBF6, #F6BBBD and #DAF6BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 0 / 4

HEX #BBF6F5

RGB 187 246 245

HSL 178.98, 0.77%, 0.85%

LAB 93.04, -18.64, -5.57

 

Complementary color

CMYK 0 / 87 / 85 / 73

HEX #44090A

RGB 68 9 10

HSL 358.98, 0.77%, 0.15%

LAB 12.26, 27.6, 14.95

 

CMYK 22 / 0 / 2 / 4

HEX #C0F6F0

RGB 192 246 240

HSL 173.33, 0.75%, 0.86%

LAB 93.19, -18.22, -2.73

 

CMYK 18 / 0 / 0 / 0

HEX #D1FFFF

RGB 209 255 255

HSL 180, 1%, 0.91%

LAB 96.94, -14.52, -4.86

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 24 / 0 / 0 / 4

HEX #BBF6F5

RGB 187 246 245

HSL 178.98, 0.77%, 0.85%

LAB 93.04, -18.64, -5.57

 

CMYK 25 / 0 / 1 / 11

HEX #AAE4E2

RGB 170 228 226

HSL 177.93, 0.52%, 0.78%

LAB 86.76, -18.73, -5.02

 

CMYK 27 / 0 / 1 / 18

HEX #99D2CF

RGB 153 210 207

HSL 176.84, 0.39%, 0.71%

LAB 80.39, -18.83, -4.44

 

CMYK 29 / 0 / 2 / 25

HEX #88C0BC

RGB 136 192 188

HSL 175.71, 0.31%, 0.64%

LAB 73.91, -18.94, -3.84

 

CMYK 32 / 0 / 3 / 32

HEX #77AEA9

RGB 119 174 169

HSL 174.55, 0.25%, 0.57%

LAB 67.32, -19.07, -3.21

 

CMYK 24 / 0 / 0 / 4

HEX #BBF6F5

RGB 187 246 245

HSL 178.98, 0.77%, 0.85%

LAB 93.04, -18.64, -5.57

 

CMYK 24 / 0 / 7 / 4

HEX #BBF6E5

RGB 187 246 229

HSL 162.71, 0.77%, 0.85%

LAB 92.63, -21.95, 2.13

 

CMYK 24 / 0 / 13 / 4

HEX #BBF6D5

RGB 187 246 213

HSL 146.44, 0.77%, 0.85%

LAB 92.26, -25.07, 9.87

 

CMYK 24 / 0 / 20 / 4

HEX #BBF6C5

RGB 187 246 197

HSL 130.17, 0.77%, 0.85%

LAB 91.91, -27.97, 17.64

 

CMYK 22 / 0 / 24 / 4

HEX #C0F6BB

RGB 192 246 187

HSL 114.92, 0.77%, 0.85%

LAB 92, -28.04, 22.94

 

CMYK 24 / 0 / 0 / 4

HEX #BBF6F5

RGB 187 246 245

HSL 178.98, 0.77%, 0.85%

LAB 93.04, -18.64, -5.57

 

CMYK 24 / 6 / 0 / 4

HEX #BBE7F6

RGB 187 231 246

HSL 195.25, 0.77%, 0.85%

LAB 89.1, -10.9, -11.95

 

CMYK 24 / 13 / 0 / 4

HEX #BBD7F6

RGB 187 215 246

HSL 211.53, 0.77%, 0.85%

LAB 84.9, -2.64, -18.24

 

CMYK 24 / 19 / 0 / 4

HEX #BBC7F6

RGB 187 199 246

HSL 227.8, 0.77%, 0.85%

LAB 80.78, 5.87, -24.5

 

CMYK 24 / 24 / 0 / 4

HEX #BBBBF6

RGB 187 187 246

HSL 240, 0.77%, 0.85%

LAB 77.73, 12.38, -29.15

 

CMYK 24 / 0 / 0 / 4

HEX #BBF6F5

RGB 187 246 245

HSL 178.98, 0.77%, 0.85%

LAB 93.04, -18.64, -5.57

 

CMYK 28 / 0 / 0 / 1

HEX #B5FCFB

RGB 181 252 251

HSL 179.15, 0.92%, 0.85%

LAB 94.49, -21.97, -6.59

 

CMYK 24 / 0 / 0 / 4

HEX #BBF6F5

RGB 187 246 245

HSL 178.98, 0.77%, 0.85%

LAB 93.04, -18.64, -5.57

 

CMYK 20 / 0 / 0 / 6

HEX #C1F0EF

RGB 193 240 239

HSL 178.72, 0.61%, 0.85%

LAB 91.64, -15.15, -4.49

 

CMYK 15 / 0 / 0 / 9

HEX #C7E9E9

RGB 199 233 233

HSL 180, 0.44%, 0.85%

LAB 90, -11.02, -3.73

 

CMYK 10 / 0 / 0 / 11

HEX #CDE3E3

RGB 205 227 227

HSL 180, 0.28%, 0.85%

LAB 88.67, -7.25, -2.49

 

CMYK 4 / 0 / 0 / 13

HEX #D4DDDD

RGB 212 221 221

HSL 180, 0.12%, 0.85%

LAB 87.45, -3.01, -1.06

 

CMYK 24 / 0 / 14 / 4

HEX #BBF6D4

RGB 187 246 212

HSL 145.42, 0.77%, 0.85%

LAB 92.23, -25.26, 10.36

 

CMYK 24 / 0 / 7 / 4

HEX #BBF6E4

RGB 187 246 228

HSL 161.69, 0.77%, 0.85%

LAB 92.61, -22.15, 2.61

 

CMYK 24 / 0 / 1 / 4

HEX #BBF6F4

RGB 187 246 244

HSL 177.97, 0.77%, 0.85%

LAB 93.02, -18.85, -5.09

 

CMYK 24 / 6 / 0 / 4

HEX #BBE8F6

RGB 187 232 246

HSL 194.24, 0.77%, 0.85%

LAB 89.36, -11.41, -11.56

 

CMYK 24 / 12 / 0 / 4

HEX #BBD8F6

RGB 187 216 246

HSL 210.51, 0.77%, 0.85%

LAB 85.16, -3.16, -17.85

 

CMYK 52 / 0 / 1 / 7

HEX #72ECEA

RGB 114 236 234

HSL 179.02, 0.76%, 0.69%

LAB 86.76, -34.53, -9.5

 

CMYK 38 / 0 / 1 / 5

HEX #96F1EF

RGB 150 241 239

HSL 178.68, 0.76%, 0.77%

LAB 89.69, -27.55, -7.62

 

CMYK 24 / 0 / 0 / 4

HEX #BBF6F5

RGB 187 246 245

HSL 178.98, 0.77%, 0.85%

LAB 93.04, -18.64, -5.57

 

CMYK 11 / 0 / 0 / 2

HEX #DFFAFA

RGB 223 250 250

HSL 180, 0.73%, 0.93%

LAB 96.39, -8.72, -2.98

 

CMYK 24 / 0 / 0 / 4

HEX #BBF6F5

RGB 187 246 245

HSL 178.98, 0.77%, 0.85%

LAB 93.04, -18.64, -5.57

 

CMYK 20 / 24 / 0 / 4

HEX #C5BBF6

RGB 197 187 246

HSL 250.17, 0.77%, 0.85%

LAB 78.5, 15.38, -27.91

 

CMYK 0 / 11 / 24 / 4

HEX #F6DCBB

RGB 246 220 187

HSL 33.56, 0.77%, 0.85%

LAB 89.1, 3.99, 19.5

 

CMYK 24 / 0 / 0 / 4

HEX #BBF6F5

RGB 187 246 245

HSL 178.98, 0.77%, 0.85%

LAB 93.04, -18.64, -5.57

 

CMYK 1 / 24 / 0 / 4

HEX #F4BBF6

RGB 244 187 246

HSL 297.97, 0.77%, 0.85%

LAB 82.61, 30.15, -21.27

 

CMYK 0 / 1 / 24 / 4

HEX #F6F4BB

RGB 246 244 187

HSL 57.97, 0.77%, 0.85%

LAB 95.11, -8.17, 27.79

 

CMYK 24 / 0 / 0 / 4

HEX #BBF6F5

RGB 187 246 245

HSL 178.98, 0.77%, 0.85%

LAB 93.04, -18.64, -5.57

 

CMYK 20 / 24 / 0 / 4

HEX #C5BBF6

RGB 197 187 246

HSL 250.17, 0.77%, 0.85%

LAB 78.5, 15.38, -27.91

 

CMYK 0 / 24 / 23 / 4

HEX #F6BBBD

RGB 246 187 189

HSL 357.97, 0.77%, 0.85%

LAB 81.19, 21.53, 7.25

 

CMYK 4 / 0 / 24 / 4

HEX #ECF6BB

RGB 236 246 187

HSL 70.17, 0.77%, 0.85%

LAB 94.88, -12.79, 27.35

 

CMYK 24 / 0 / 0 / 4

HEX #BBF6F5

RGB 187 246 245

HSL 178.98, 0.77%, 0.85%

LAB 93.04, -18.64, -5.57

 

CMYK 13 / 24 / 0 / 4

HEX #D6BBF6

RGB 214 187 246

HSL 267.46, 0.77%, 0.85%

LAB 79.89, 20.62, -25.66

 

CMYK 0 / 24 / 23 / 4

HEX #F6BBBD

RGB 246 187 189

HSL 357.97, 0.77%, 0.85%

LAB 81.19, 21.53, 7.25

 

CMYK 11 / 0 / 24 / 4

HEX #DAF6BB

RGB 218 246 187

HSL 88.47, 0.77%, 0.85%

LAB 93.63, -19.2, 25.43

 

Description

Color code: HEX #BBF6F5 | qconv.com Color code: HEX #BBF6F5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 246 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 246 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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