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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBF730 it is the complementary color #4408CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBF730. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBF730 shade: #C0F72B, #D1FF3E, #E2FF51, #F3FF64 and #FFFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBF730. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBF730 shade: #BBF730, #AAE51D, #99D30A, #88C100 and #77AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBF730 shade: #BBF730, #F1F730, #F7C830, #F79230 and #F75C30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBF730 shade: #BBF730, #85F730, #50F730, #30F746 and #30F77C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBF730 shade matches the following richer shades: #BBF730

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBF730 shade: #BBF730, #B4E641, #ADD452, #A6C364 and #9FB275

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBF730 shade: #F7C930, #F0F730, #BBF730, #86F730 and #51F730

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBF730 shade: #92CD07, #AEF508, #BBF730, #C8F858 and #D5FA7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBF730 shade: #BBF730, #30F793 and #E330F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBF730 shade: #BBF730, #30BBF7 and #F730BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBF730 shade: #BBF730, #30F793, #6C30F7 and #F73093

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBF730 shade: #BBF730, #30F7CF, #6C30F7 and #F73058

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 81 / 3

HEX #BBF730

RGB 187 247 48

HSL 78.09, 0.93%, 0.58%

LAB 90.46, -44.03, 80.59

 

Complementary color

CMYK 67 / 96 / 0 / 19

HEX #4408CF

RGB 68 8 207

HSL 258.09, 0.93%, 0.42%

LAB 29.18, 67.64, -85.57

 

CMYK 22 / 0 / 83 / 3

HEX #C0F72B

RGB 192 247 43

HSL 76.18, 0.93%, 0.57%

LAB 90.74, -42.31, 82.13

 

CMYK 18 / 0 / 76 / 0

HEX #D1FF3E

RGB 209 255 62

HSL 74.3, 1%, 0.62%

LAB 94.07, -38.64, 80.55

 

CMYK 11 / 0 / 68 / 0

HEX #E2FF51

RGB 226 255 81

HSL 70, 1%, 0.66%

LAB 95.28, -31.13, 75.93

 

CMYK 5 / 0 / 61 / 0

HEX #F3FF64

RGB 243 255 100

HSL 64.65, 1%, 0.7%

LAB 96.61, -23.32, 70.46

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 24 / 0 / 81 / 3

HEX #BBF730

RGB 187 247 48

HSL 78.09, 0.93%, 0.58%

LAB 90.46, -44.03, 80.59

 

CMYK 26 / 0 / 87 / 10

HEX #AAE51D

RGB 170 229 29

HSL 77.7, 0.79%, 0.51%

LAB 84.32, -43.22, 79.02

 

CMYK 27 / 0 / 95 / 17

HEX #99D30A

RGB 153 211 10

HSL 77.31, 0.91%, 0.43%

LAB 78.1, -42.22, 76.21

 

CMYK 30 / 0 / 100 / 24

HEX #88C100

RGB 136 193 0

HSL 77.72, 1%, 0.38%

LAB 71.81, -41.01, 71.92

 

CMYK 32 / 0 / 100 / 31

HEX #77AF00

RGB 119 175 0

HSL 79.2, 1%, 0.34%

LAB 65.42, -39.66, 66.6

 

CMYK 24 / 0 / 81 / 3

HEX #BBF730

RGB 187 247 48

HSL 78.09, 0.93%, 0.58%

LAB 90.46, -44.03, 80.59

 

CMYK 2 / 0 / 81 / 3

HEX #F1F730

RGB 241 247 48

HSL 61.81, 0.93%, 0.58%

LAB 94.07, -22.76, 85.14

 

CMYK 0 / 19 / 81 / 3

HEX #F7C830

RGB 247 200 48

HSL 45.83, 0.93%, 0.58%

LAB 82.54, 3.1, 75.38

 

CMYK 0 / 41 / 81 / 3

HEX #F79230

RGB 247 146 48

HSL 29.55, 0.93%, 0.58%

LAB 69.86, 31.31, 64.15

 

CMYK 0 / 63 / 81 / 3

HEX #F75C30

RGB 247 92 48

HSL 13.27, 0.93%, 0.58%

LAB 59.56, 57.29, 54.68

 

CMYK 24 / 0 / 81 / 3

HEX #BBF730

RGB 187 247 48

HSL 78.09, 0.93%, 0.58%

LAB 90.46, -44.03, 80.59

 

CMYK 46 / 0 / 81 / 3

HEX #85F730

RGB 133 247 48

HSL 94.37, 0.93%, 0.58%

LAB 87.83, -62.34, 77.25

 

CMYK 68 / 0 / 81 / 3

HEX #50F730

RGB 80 247 48

HSL 110.35, 0.93%, 0.58%

LAB 86.23, -75.21, 75.18

 

CMYK 81 / 0 / 72 / 3

HEX #30F746

RGB 48 247 70

HSL 126.63, 0.93%, 0.58%

LAB 85.8, -78.43, 67.9

 

CMYK 81 / 0 / 50 / 3

HEX #30F77C

RGB 48 247 124

HSL 142.91, 0.93%, 0.58%

LAB 86.31, -72.26, 45.82

 

CMYK 24 / 0 / 81 / 3

HEX #BBF730

RGB 187 247 48

HSL 78.09, 0.93%, 0.58%

LAB 90.46, -44.03, 80.59

 

CMYK 24 / 0 / 81 / 3

HEX #BBF730

RGB 187 247 48

HSL 78.09, 0.93%, 0.58%

LAB 90.46, -44.03, 80.59

 

CMYK 22 / 0 / 72 / 10

HEX #B4E641

RGB 180 230 65

HSL 78.18, 0.77%, 0.58%

LAB 85.34, -38.44, 70.66

 

CMYK 18 / 0 / 61 / 17

HEX #ADD452

RGB 173 212 82

HSL 78, 0.6%, 0.58%

LAB 79.94, -31.8, 58.42

 

CMYK 15 / 0 / 49 / 24

HEX #A6C364

RGB 166 195 100

HSL 78.32, 0.44%, 0.58%

LAB 74.86, -24.79, 44.21

 

CMYK 11 / 0 / 34 / 30

HEX #9FB275

RGB 159 178 117

HSL 78.69, 0.28%, 0.58%

LAB 69.82, -16.98, 29.06

 

CMYK 0 / 19 / 81 / 3

HEX #F7C930

RGB 247 201 48

HSL 46.13, 0.93%, 0.58%

LAB 82.79, 2.59, 75.6

 

CMYK 3 / 0 / 81 / 3

HEX #F0F730

RGB 240 247 48

HSL 62.11, 0.93%, 0.58%

LAB 94, -23.17, 85.04

 

CMYK 24 / 0 / 81 / 3

HEX #BBF730

RGB 187 247 48

HSL 78.09, 0.93%, 0.58%

LAB 90.46, -44.03, 80.59

 

CMYK 46 / 0 / 81 / 3

HEX #86F730

RGB 134 247 48

HSL 94.07, 0.93%, 0.58%

LAB 87.87, -62.04, 77.3

 

CMYK 67 / 0 / 81 / 3

HEX #51F730

RGB 81 247 48

HSL 110.05, 0.93%, 0.58%

LAB 86.25, -75.03, 75.21

 

CMYK 29 / 0 / 97 / 20

HEX #92CD07

RGB 146 205 7

HSL 77.88, 0.93%, 0.42%

LAB 75.94, -42.32, 74.63

 

CMYK 29 / 0 / 97 / 4

HEX #AEF508

RGB 174 245 8

HSL 77.97, 0.94%, 0.5%

LAB 89.07, -48.87, 85.45

 

CMYK 24 / 0 / 81 / 3

HEX #BBF730

RGB 187 247 48

HSL 78.09, 0.93%, 0.58%

LAB 90.46, -44.03, 80.59

 

CMYK 19 / 0 / 65 / 3

HEX #C8F858

RGB 200 248 88

HSL 78, 0.92%, 0.66%

LAB 91.74, -37.51, 69.15

 

CMYK 15 / 0 / 49 / 2

HEX #D5FA7F

RGB 213 250 127

HSL 78.05, 0.92%, 0.74%

LAB 93.47, -30.32, 54.6

 

CMYK 24 / 0 / 81 / 3

HEX #BBF730

RGB 187 247 48

HSL 78.09, 0.93%, 0.58%

LAB 90.46, -44.03, 80.59

 

CMYK 81 / 0 / 40 / 3

HEX #30F793

RGB 48 247 147

HSL 149.85, 0.93%, 0.58%

LAB 86.63, -68.47, 35.06

 

CMYK 8 / 81 / 0 / 3

HEX #E330F7

RGB 227 48 247

HSL 293.97, 0.93%, 0.58%

LAB 57.23, 86.69, -61.6

 

CMYK 24 / 0 / 81 / 3

HEX #BBF730

RGB 187 247 48

HSL 78.09, 0.93%, 0.58%

LAB 90.46, -44.03, 80.59

 

CMYK 81 / 24 / 0 / 3

HEX #30BBF7

RGB 48 187 247

HSL 198.09, 0.93%, 0.58%

LAB 71.48, -16.04, -39.88

 

CMYK 0 / 81 / 24 / 3

HEX #F730BB

RGB 247 48 187

HSL 318.09, 0.93%, 0.58%

LAB 57.54, 82.27, -26.87

 

CMYK 24 / 0 / 81 / 3

HEX #BBF730

RGB 187 247 48

HSL 78.09, 0.93%, 0.58%

LAB 90.46, -44.03, 80.59

 

CMYK 81 / 0 / 40 / 3

HEX #30F793

RGB 48 247 147

HSL 149.85, 0.93%, 0.58%

LAB 86.63, -68.47, 35.06

 

CMYK 56 / 81 / 0 / 3

HEX #6C30F7

RGB 108 48 247

HSL 258.09, 0.93%, 0.58%

LAB 41.24, 69.42, -88.34

 

CMYK 0 / 81 / 40 / 3

HEX #F73093

RGB 247 48 147

HSL 330.15, 0.93%, 0.58%

LAB 56.08, 78.08, -5.69

 

CMYK 24 / 0 / 81 / 3

HEX #BBF730

RGB 187 247 48

HSL 78.09, 0.93%, 0.58%

LAB 90.46, -44.03, 80.59

 

CMYK 81 / 0 / 16 / 3

HEX #30F7CF

RGB 48 247 207

HSL 167.94, 0.93%, 0.58%

LAB 87.8, -55.59, 5.99

 

CMYK 56 / 81 / 0 / 3

HEX #6C30F7

RGB 108 48 247

HSL 258.09, 0.93%, 0.58%

LAB 41.24, 69.42, -88.34

 

CMYK 0 / 81 / 64 / 3

HEX #F73058

RGB 247 48 88

HSL 347.94, 0.93%, 0.58%

LAB 54.65, 73.8, 27.48

 

Description

Color code: HEX #BBF730 | qconv.com Color code: HEX #BBF730 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 247 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 247 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 81 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 81% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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