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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBF8AE it is the complementary color #440751. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBF8AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBF8AE shade: #C0F8A9, #D1FFBC, #E2FFCF, #F3FFE2 and #FFFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBF8AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBF8AE shade: #BBF8AE, #AAE69B, #99D488, #88C275 and #77B062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBF8AE shade: #BCF8AF, #CFF8AF, #E3F8AF, #F6F8AF and #F8E5AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBF8AE shade: #BCF8AF, #AFF8B6, #AFF8C9, #AFF8DD and #AFF8F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBF8AE shade matches the following richer shades: #BCF8AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBF8AE shade: #BCF8AF, #C0F1B6, #C5EABD, #C9E3C4 and #CEDCCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBF8AE shade: #E3F8AF, #D0F8AF, #BCF8AF, #AFF8B5 and #AFF8C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBF8AE shade: #7CF163, #9CF489, #BCF8AF, #DBFBD5 and #FBFEFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBF8AE shade: #BBF8AE, #AFF6F8 and #F8AFD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBF8AE shade: #BBF8AE, #AFBCF8 and #F8AFBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBF8AE shade: #BBF8AE, #AFF6F8, #EAAFF8 and #F8B0AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBF8AE shade: #BBF8AE, #AFE1F8, #EAAFF8 and #F8C6AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 30 / 3

HEX #BBF8AE

RGB 187 248 174

HSL 109.46, 0.84%, 0.83%

LAB 92.02, -32.68, 29.54

 

Complementary color

CMYK 16 / 91 / 0 / 68

HEX #440751

RGB 68 7 81

HSL 289.46, 0.84%, 0.17%

LAB 15.36, 37.97, -29.56

 

CMYK 23 / 0 / 32 / 3

HEX #C0F8A9

RGB 192 248 169

HSL 102.53, 0.85%, 0.82%

LAB 92.22, -31.76, 32.38

 

CMYK 18 / 0 / 26 / 0

HEX #D1FFBC

RGB 209 255 188

HSL 101.19, 1%, 0.87%

LAB 95.46, -26.47, 27.34

 

CMYK 11 / 0 / 19 / 0

HEX #E2FFCF

RGB 226 255 207

HSL 96.25, 1%, 0.91%

LAB 96.9, -17.75, 19.85

 

CMYK 5 / 0 / 11 / 0

HEX #F3FFE2

RGB 243 255 226

HSL 84.83, 1%, 0.94%

LAB 98.46, -8.91, 12.51

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 25 / 0 / 30 / 3

HEX #BBF8AE

RGB 187 248 174

HSL 109.46, 0.84%, 0.83%

LAB 92.02, -32.68, 29.54

 

CMYK 26 / 0 / 33 / 10

HEX #AAE69B

RGB 170 230 155

HSL 108, 0.6%, 0.75%

LAB 85.76, -32.87, 30.6

 

CMYK 28 / 0 / 36 / 17

HEX #99D488

RGB 153 212 136

HSL 106.58, 0.47%, 0.68%

LAB 79.41, -33.06, 31.71

 

CMYK 30 / 0 / 40 / 24

HEX #88C275

RGB 136 194 117

HSL 105.19, 0.39%, 0.61%

LAB 72.96, -33.25, 32.88

 

CMYK 32 / 0 / 44 / 31

HEX #77B062

RGB 119 176 98

HSL 103.85, 0.33%, 0.54%

LAB 66.41, -33.41, 34.09

 

CMYK 24 / 0 / 29 / 3

HEX #BCF8AF

RGB 188 248 175

HSL 109.32, 0.84%, 0.83%

LAB 92.1, -32.2, 29.14

 

CMYK 17 / 0 / 29 / 3

HEX #CFF8AF

RGB 207 248 175

HSL 93.7, 0.84%, 0.83%

LAB 93.23, -25.75, 30.86

 

CMYK 8 / 0 / 29 / 3

HEX #E3F8AF

RGB 227 248 175

HSL 77.26, 0.84%, 0.83%

LAB 94.55, -18.66, 32.87

 

CMYK 1 / 0 / 29 / 3

HEX #F6F8AF

RGB 246 248 175

HSL 61.64, 0.84%, 0.83%

LAB 95.92, -11.7, 34.94

 

CMYK 0 / 8 / 29 / 3

HEX #F8E5AF

RGB 248 229 175

HSL 44.38, 0.84%, 0.83%

LAB 91.28, -1.45, 28.73

 

CMYK 24 / 0 / 29 / 3

HEX #BCF8AF

RGB 188 248 175

HSL 109.32, 0.84%, 0.83%

LAB 92.1, -32.2, 29.14

 

CMYK 29 / 0 / 27 / 3

HEX #AFF8B6

RGB 175 248 182

HSL 125.75, 0.84%, 0.83%

LAB 91.52, -35.26, 24.68

 

CMYK 29 / 0 / 19 / 3

HEX #AFF8C9

RGB 175 248 201

HSL 141.37, 0.84%, 0.83%

LAB 91.89, -31.92, 15.46

 

CMYK 29 / 0 / 11 / 3

HEX #AFF8DD

RGB 175 248 221

HSL 157.81, 0.84%, 0.83%

LAB 92.34, -28.06, 5.77

 

CMYK 29 / 0 / 3 / 3

HEX #AFF8F0

RGB 175 248 240

HSL 173.42, 0.84%, 0.83%

LAB 92.81, -24.09, -3.4

 

CMYK 24 / 0 / 29 / 3

HEX #BCF8AF

RGB 188 248 175

HSL 109.32, 0.84%, 0.83%

LAB 92.1, -32.2, 29.14

 

CMYK 24 / 0 / 29 / 3

HEX #BCF8AF

RGB 188 248 175

HSL 109.32, 0.84%, 0.83%

LAB 92.1, -32.2, 29.14

 

CMYK 20 / 0 / 24 / 5

HEX #C0F1B6

RGB 192 241 182

HSL 109.83, 0.68%, 0.83%

LAB 90.55, -26.48, 23.5

 

CMYK 16 / 0 / 19 / 8

HEX #C5EABD

RGB 197 234 189

HSL 109.33, 0.52%, 0.83%

LAB 89.11, -20.27, 17.93

 

CMYK 11 / 0 / 14 / 11

HEX #C9E3C4

RGB 201 227 196

HSL 110.32, 0.36%, 0.83%

LAB 87.65, -14.26, 12.27

 

CMYK 6 / 0 / 8 / 14

HEX #CEDCCB

RGB 206 220 203

HSL 109.41, 0.2%, 0.83%

LAB 86.32, -7.79, 6.73

 

CMYK 8 / 0 / 29 / 3

HEX #E3F8AF

RGB 227 248 175

HSL 77.26, 0.84%, 0.83%

LAB 94.55, -18.66, 32.87

 

CMYK 16 / 0 / 29 / 3

HEX #D0F8AF

RGB 208 248 175

HSL 92.88, 0.84%, 0.83%

LAB 93.29, -25.4, 30.96

 

CMYK 24 / 0 / 29 / 3

HEX #BCF8AF

RGB 188 248 175

HSL 109.32, 0.84%, 0.83%

LAB 92.1, -32.2, 29.14

 

CMYK 29 / 0 / 27 / 3

HEX #AFF8B5

RGB 175 248 181

HSL 124.93, 0.84%, 0.83%

LAB 91.5, -35.42, 25.16

 

CMYK 29 / 0 / 19 / 3

HEX #AFF8C8

RGB 175 248 200

HSL 140.55, 0.84%, 0.83%

LAB 91.87, -32.1, 15.95

 

CMYK 49 / 0 / 59 / 5

HEX #7CF163

RGB 124 241 99

HSL 109.44, 0.84%, 0.67%

LAB 86.05, -58.99, 57.31

 

CMYK 36 / 0 / 44 / 4

HEX #9CF489

RGB 156 244 137

HSL 109.35, 0.83%, 0.75%

LAB 88.72, -46.21, 43.29

 

CMYK 24 / 0 / 29 / 3

HEX #BCF8AF

RGB 188 248 175

HSL 109.32, 0.84%, 0.83%

LAB 92.1, -32.2, 29.14

 

CMYK 13 / 0 / 15 / 2

HEX #DBFBD5

RGB 219 251 213

HSL 110.53, 0.83%, 0.91%

LAB 95.52, -17.18, 14.78

 

CMYK 1 / 0 / 1 / 0

HEX #FBFEFB

RGB 251 254 251

HSL 120, 0.6%, 0.99%

LAB 99.36, -1.51, 1.07

 

CMYK 25 / 0 / 30 / 3

HEX #BBF8AE

RGB 187 248 174

HSL 109.46, 0.84%, 0.83%

LAB 92.02, -32.68, 29.54

 

CMYK 29 / 1 / 0 / 3

HEX #AFF6F8

RGB 175 246 248

HSL 181.64, 0.84%, 0.83%

LAB 92.49, -21.35, -8.03

 

CMYK 0 / 29 / 13 / 3

HEX #F8AFD9

RGB 248 175 217

HSL 325.48, 0.84%, 0.83%

LAB 79.4, 32.82, -10.46

 

CMYK 25 / 0 / 30 / 3

HEX #BBF8AE

RGB 187 248 174

HSL 109.46, 0.84%, 0.83%

LAB 92.02, -32.68, 29.54

 

CMYK 29 / 24 / 0 / 3

HEX #AFBCF8

RGB 175 188 248

HSL 229.32, 0.84%, 0.83%

LAB 77.2, 8.81, -31.13

 

CMYK 0 / 29 / 24 / 3

HEX #F8AFBC

RGB 248 175 188

HSL 349.32, 0.84%, 0.83%

LAB 78.61, 28.44, 4.1

 

CMYK 25 / 0 / 30 / 3

HEX #BBF8AE

RGB 187 248 174

HSL 109.46, 0.84%, 0.83%

LAB 92.02, -32.68, 29.54

 

CMYK 29 / 1 / 0 / 3

HEX #AFF6F8

RGB 175 246 248

HSL 181.64, 0.84%, 0.83%

LAB 92.49, -21.35, -8.03

 

CMYK 6 / 29 / 0 / 3

HEX #EAAFF8

RGB 234 175 248

HSL 288.49, 0.84%, 0.83%

LAB 79, 33.74, -27.93

 

CMYK 0 / 29 / 29 / 3

HEX #F8B0AF

RGB 248 176 175

HSL 0.82, 0.84%, 0.83%

LAB 78.52, 26.15, 11.03

 

CMYK 25 / 0 / 30 / 3

HEX #BBF8AE

RGB 187 248 174

HSL 109.46, 0.84%, 0.83%

LAB 92.02, -32.68, 29.54

 

CMYK 29 / 9 / 0 / 3

HEX #AFE1F8

RGB 175 225 248

HSL 198.9, 0.84%, 0.83%

LAB 86.87, -10.83, -16.41

 

CMYK 6 / 29 / 0 / 3

HEX #EAAFF8

RGB 234 175 248

HSL 288.49, 0.84%, 0.83%

LAB 79, 33.74, -27.93

 

CMYK 0 / 20 / 29 / 3

HEX #F8C6AF

RGB 248 198 175

HSL 18.9, 0.84%, 0.83%

LAB 83.67, 14.57, 18.28

 

Description

Color code: HEX #BBF8AE | qconv.com Color code: HEX #BBF8AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 248 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 248 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 30 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 30% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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