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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBFB40 it is the complementary color #4404BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBFB40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBFB40 shade: #C0FB3B, #D1FF4E, #E2FF61, #F3FF74 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBFB40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBFB40 shade: #BBFB40, #AAE92D, #99D71A, #88C507 and #77B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBFB40 shade: #BBFB41, #EDFB41, #FBD641, #FBA441 and #FB7241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBFB40 shade: #BBFB41, #89FB41, #57FB41, #41FB5D and #41FB8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBFB40 shade matches the following richer shades: #BBFB41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBFB40 shade: #BBFB41, #B6EB50, #B1DB60, #ACCC70 and #A7BC7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBFB40 shade: #FBD541, #EEFB41, #BDFB41, #8BFB41 and #59FB41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBFB40 shade: #98E504, #ADFA18, #BBFB41, #C9FB69 and #D8FC91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBFB40 shade: #BBFB40, #41FBA4 and #EE41FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBFB40 shade: #BBFB40, #41BDFB and #FB41BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBFB40 shade: #BBFB40, #41FBA4, #7F41FB and #FB4197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBFB40 shade: #BBFB40, #41FBDC, #7F41FB and #FB4160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 75 / 2

HEX #BBFB40

RGB 187 251 64

HSL 80.53, 0.96%, 0.62%

LAB 91.65, -45.07, 77.22

 

Complementary color

CMYK 64 / 98 / 0 / 25

HEX #4404BF

RGB 68 4 191

HSL 260.53, 0.96%, 0.38%

LAB 26.95, 64.5, -79.88

 

CMYK 24 / 0 / 76 / 2

HEX #C0FB3B

RGB 192 251 59

HSL 78.44, 0.96%, 0.61%

LAB 91.92, -43.45, 79.06

 

CMYK 18 / 0 / 69 / 0

HEX #D1FF4E

RGB 209 255 78

HSL 75.59, 1%, 0.65%

LAB 94.15, -37.85, 75.49

 

CMYK 11 / 0 / 62 / 0

HEX #E2FF61

RGB 226 255 97

HSL 71.01, 1%, 0.69%

LAB 95.39, -30.16, 70

 

CMYK 5 / 0 / 55 / 0

HEX #F3FF74

RGB 243 255 116

HSL 65.18, 1%, 0.73%

LAB 96.75, -22.18, 63.9

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 25 / 0 / 75 / 2

HEX #BBFB40

RGB 187 251 64

HSL 80.53, 0.96%, 0.62%

LAB 91.65, -45.07, 77.22

 

CMYK 27 / 0 / 81 / 9

HEX #AAE92D

RGB 170 233 45

HSL 80.11, 0.81%, 0.55%

LAB 85.51, -44.44, 76.58

 

CMYK 29 / 0 / 88 / 16

HEX #99D71A

RGB 153 215 26

HSL 79.68, 0.78%, 0.47%

LAB 79.3, -43.65, 74.99

 

CMYK 31 / 0 / 96 / 23

HEX #88C507

RGB 136 197 7

HSL 79.26, 0.93%, 0.4%

LAB 73.01, -42.64, 72.1

 

CMYK 34 / 0 / 100 / 30

HEX #77B300

RGB 119 179 0

HSL 80.11, 1%, 0.35%

LAB 66.64, -41.39, 67.54

 

CMYK 25 / 0 / 74 / 2

HEX #BBFB41

RGB 187 251 65

HSL 80.65, 0.96%, 0.62%

LAB 91.66, -45.02, 76.91

 

CMYK 6 / 0 / 74 / 2

HEX #EDFB41

RGB 237 251 65

HSL 64.52, 0.96%, 0.62%

LAB 94.9, -25.67, 81.12

 

CMYK 0 / 15 / 74 / 2

HEX #FBD641

RGB 251 214 65

HSL 48.06, 0.96%, 0.62%

LAB 86.5, -1.77, 73.65

 

CMYK 0 / 35 / 74 / 2

HEX #FBA441

RGB 251 164 65

HSL 31.94, 0.96%, 0.62%

LAB 74.47, 24.19, 61.97

 

CMYK 0 / 55 / 74 / 2

HEX #FB7241

RGB 251 114 65

HSL 15.81, 0.96%, 0.62%

LAB 64.1, 49.44, 51.33

 

CMYK 25 / 0 / 74 / 2

HEX #BBFB41

RGB 187 251 65

HSL 80.65, 0.96%, 0.62%

LAB 91.66, -45.02, 76.91

 

CMYK 45 / 0 / 74 / 2

HEX #89FB41

RGB 137 251 65

HSL 96.77, 0.96%, 0.62%

LAB 89.25, -61.76, 73.76

 

CMYK 65 / 0 / 74 / 2

HEX #57FB41

RGB 87 251 65

HSL 112.9, 0.96%, 0.62%

LAB 87.68, -74.14, 71.69

 

CMYK 74 / 0 / 63 / 2

HEX #41FB5D

RGB 65 251 93

HSL 129.03, 0.96%, 0.62%

LAB 87.44, -75.42, 60.98

 

CMYK 74 / 0 / 43 / 2

HEX #41FB8F

RGB 65 251 143

HSL 145.16, 0.96%, 0.62%

LAB 88.02, -68.62, 38.89

 

CMYK 25 / 0 / 74 / 2

HEX #BBFB41

RGB 187 251 65

HSL 80.65, 0.96%, 0.62%

LAB 91.66, -45.02, 76.91

 

CMYK 25 / 0 / 74 / 2

HEX #BBFB41

RGB 187 251 65

HSL 80.65, 0.96%, 0.62%

LAB 91.66, -45.02, 76.91

 

CMYK 23 / 0 / 66 / 8

HEX #B6EB50

RGB 182 235 80

HSL 80.52, 0.79%, 0.62%

LAB 86.97, -39, 66.9

 

CMYK 19 / 0 / 56 / 14

HEX #B1DB60

RGB 177 219 96

HSL 80.49, 0.63%, 0.62%

LAB 82.3, -32.36, 55.02

 

CMYK 16 / 0 / 45 / 20

HEX #ACCC70

RGB 172 204 112

HSL 80.87, 0.47%, 0.62%

LAB 77.95, -25.54, 42.19

 

CMYK 11 / 0 / 32 / 26

HEX #A7BC7F

RGB 167 188 127

HSL 80.66, 0.31%, 0.62%

LAB 73.36, -17.64, 28.55

 

CMYK 0 / 15 / 74 / 2

HEX #FBD541

RGB 251 213 65

HSL 47.74, 0.96%, 0.62%

LAB 86.25, -1.26, 73.41

 

CMYK 5 / 0 / 74 / 2

HEX #EEFB41

RGB 238 251 65

HSL 64.19, 0.96%, 0.62%

LAB 94.97, -25.27, 81.21

 

CMYK 25 / 0 / 74 / 2

HEX #BDFB41

RGB 189 251 65

HSL 80, 0.96%, 0.62%

LAB 91.77, -44.28, 77.06

 

CMYK 45 / 0 / 74 / 2

HEX #8BFB41

RGB 139 251 65

HSL 96.13, 0.96%, 0.62%

LAB 89.33, -61.16, 73.86

 

CMYK 65 / 0 / 74 / 2

HEX #59FB41

RGB 89 251 65

HSL 112.26, 0.96%, 0.62%

LAB 87.73, -73.75, 71.75

 

CMYK 34 / 0 / 98 / 10

HEX #98E504

RGB 152 229 4

HSL 80.53, 0.97%, 0.46%

LAB 83.3, -50.24, 80.78

 

CMYK 31 / 0 / 90 / 2

HEX #ADFA18

RGB 173 250 24

HSL 80.44, 0.96%, 0.54%

LAB 90.47, -51.07, 84.91

 

CMYK 25 / 0 / 74 / 2

HEX #BBFB41

RGB 187 251 65

HSL 80.65, 0.96%, 0.62%

LAB 91.66, -45.02, 76.91

 

CMYK 20 / 0 / 58 / 2

HEX #C9FB69

RGB 201 251 105

HSL 80.55, 0.95%, 0.7%

LAB 92.77, -37.21, 63.36

 

CMYK 14 / 0 / 42 / 1

HEX #D8FC91

RGB 216 252 145

HSL 80.19, 0.95%, 0.78%

LAB 94.43, -28.25, 47.34

 

CMYK 25 / 0 / 75 / 2

HEX #BBFB40

RGB 187 251 64

HSL 80.53, 0.96%, 0.62%

LAB 91.65, -45.07, 77.22

 

CMYK 74 / 0 / 35 / 2

HEX #41FBA4

RGB 65 251 164

HSL 151.94, 0.96%, 0.62%

LAB 88.35, -64.83, 28.89

 

CMYK 5 / 74 / 0 / 2

HEX #EE41FB

RGB 238 65 251

HSL 295.81, 0.96%, 0.62%

LAB 60.71, 84.89, -58.16

 

CMYK 25 / 0 / 75 / 2

HEX #BBFB40

RGB 187 251 64

HSL 80.53, 0.96%, 0.62%

LAB 91.65, -45.07, 77.22

 

CMYK 74 / 25 / 0 / 2

HEX #41BDFB

RGB 65 189 251

HSL 200, 0.96%, 0.62%

LAB 72.55, -14.02, -40.34

 

CMYK 0 / 74 / 25 / 2

HEX #FB41BD

RGB 251 65 189

HSL 320, 0.96%, 0.62%

LAB 59.86, 78.96, -24.39

 

CMYK 25 / 0 / 75 / 2

HEX #BBFB40

RGB 187 251 64

HSL 80.53, 0.96%, 0.62%

LAB 91.65, -45.07, 77.22

 

CMYK 74 / 0 / 35 / 2

HEX #41FBA4

RGB 65 251 164

HSL 151.94, 0.96%, 0.62%

LAB 88.35, -64.83, 28.89

 

CMYK 49 / 74 / 0 / 2

HEX #7F41FB

RGB 127 65 251

HSL 260, 0.96%, 0.62%

LAB 45.99, 65.73, -82.71

 

CMYK 0 / 74 / 40 / 2

HEX #FB4197

RGB 251 65 151

HSL 332.26, 0.96%, 0.62%

LAB 58.53, 74.86, -4.34

 

CMYK 25 / 0 / 75 / 2

HEX #BBFB40

RGB 187 251 64

HSL 80.53, 0.96%, 0.62%

LAB 91.65, -45.07, 77.22

 

CMYK 74 / 0 / 12 / 2

HEX #41FBDC

RGB 65 251 220

HSL 170, 0.96%, 0.62%

LAB 89.53, -52.32, 1.75

 

CMYK 49 / 74 / 0 / 2

HEX #7F41FB

RGB 127 65 251

HSL 260, 0.96%, 0.62%

LAB 45.99, 65.73, -82.71

 

CMYK 0 / 74 / 62 / 2

HEX #FB4160

RGB 251 65 96

HSL 350, 0.96%, 0.62%

LAB 57.21, 70.62, 26.22

 

Description

Color code: HEX #BBFB40 | qconv.com Color code: HEX #BBFB40 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 251 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 251 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 75 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 75% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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