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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBFB87 it is the complementary color #440478. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBFB87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBFB87 shade: #C0FB82, #D1FF95, #E2FFA8, #F3FFBB and #FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBFB87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBFB87 shade: #BBFB87, #AAE974, #99D761, #88C54E and #77B33B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBFB87 shade: #BBFB88, #DAFB88, #F9FB88, #FBDD88 and #FBBE88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBFB87 shade: #BBFB88, #9CFB88, #88FB92, #88FBB1 and #88FBD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBFB87 shade matches the following richer shades: #BBFB88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBFB87 shade: #BBFB88, #BCF192, #BDE79C, #BEDDA5 and #BFD3AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBFB87 shade: #F9FB88, #DAFB88, #BCFB88, #9DFB88 and #88FB91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBFB87 shade: #8EF838, #A5FA60, #BBFB88, #D2FCB0 and #E9FDD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBFB87 shade: #BBFB87, #88FBDE and #FB88EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBFB87 shade: #BBFB87, #88BCFB and #FB88BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBFB87 shade: #BBFB87, #88FBDE, #C788FB and #FB88A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBFB87 shade: #BBFB87, #88F5FB, #C788FB and #FB8E88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 46 / 2

HEX #BBFB87

RGB 187 251 135

HSL 93.1, 0.94%, 0.76%

LAB 92.27, -39.28, 49.03

 

Complementary color

CMYK 43 / 97 / 0 / 53

HEX #440478

RGB 68 4 120

HSL 273.1, 0.94%, 0.24%

LAB 18.68, 47.57, -49.93

 

CMYK 24 / 0 / 48 / 2

HEX #C0FB82

RGB 192 251 130

HSL 89.26, 0.94%, 0.75%

LAB 92.49, -38.09, 51.72

 

CMYK 18 / 0 / 42 / 0

HEX #D1FF95

RGB 209 255 149

HSL 86.04, 1%, 0.79%

LAB 94.84, -31.72, 45.85

 

CMYK 11 / 0 / 34 / 0

HEX #E2FFA8

RGB 226 255 168

HSL 80, 1%, 0.83%

LAB 96.21, -23.29, 38.54

 

CMYK 5 / 0 / 27 / 0

HEX #F3FFBB

RGB 243 255 187

HSL 70.59, 1%, 0.87%

LAB 97.7, -14.69, 31.26

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 25 / 0 / 46 / 2

HEX #BBFB87

RGB 187 251 135

HSL 93.1, 0.94%, 0.76%

LAB 92.27, -39.28, 49.03

 

CMYK 27 / 0 / 50 / 9

HEX #AAE974

RGB 170 233 116

HSL 92.31, 0.73%, 0.68%

LAB 86.05, -39.31, 50.16

 

CMYK 29 / 0 / 55 / 16

HEX #99D761

RGB 153 215 97

HSL 91.53, 0.6%, 0.61%

LAB 79.75, -39.28, 51.25

 

CMYK 31 / 0 / 60 / 23

HEX #88C54E

RGB 136 197 78

HSL 90.76, 0.51%, 0.54%

LAB 73.36, -39.18, 52.24

 

CMYK 34 / 0 / 67 / 30

HEX #77B33B

RGB 119 179 59

HSL 90, 0.5%, 0.47%

LAB 66.88, -38.97, 53.01

 

CMYK 25 / 0 / 46 / 2

HEX #BBFB88

RGB 187 251 136

HSL 93.39, 0.93%, 0.76%

LAB 92.28, -39.16, 48.58

 

CMYK 13 / 0 / 46 / 2

HEX #DAFB88

RGB 218 251 136

HSL 77.22, 0.93%, 0.76%

LAB 94.17, -28.02, 51.34

 

CMYK 1 / 0 / 46 / 2

HEX #F9FB88

RGB 249 251 136

HSL 61.04, 0.93%, 0.76%

LAB 96.37, -16.24, 54.52

 

CMYK 0 / 12 / 46 / 2

HEX #FBDD88

RGB 251 221 136

HSL 44.35, 0.93%, 0.76%

LAB 88.92, -0.54, 45.37

 

CMYK 0 / 24 / 46 / 2

HEX #FBBE88

RGB 251 190 136

HSL 28.17, 0.93%, 0.76%

LAB 81.35, 15.49, 35.71

 

CMYK 25 / 0 / 46 / 2

HEX #BBFB88

RGB 187 251 136

HSL 93.39, 0.93%, 0.76%

LAB 92.28, -39.16, 48.58

 

CMYK 38 / 0 / 46 / 2

HEX #9CFB88

RGB 156 251 136

HSL 109.57, 0.93%, 0.76%

LAB 90.71, -49.3, 46.27

 

CMYK 46 / 0 / 42 / 2

HEX #88FB92

RGB 136 251 146

HSL 125.22, 0.93%, 0.76%

LAB 90, -53.7, 40.37

 

CMYK 46 / 0 / 29 / 2

HEX #88FBB1

RGB 136 251 177

HSL 141.39, 0.93%, 0.76%

LAB 90.51, -48.61, 25.55

 

CMYK 46 / 0 / 17 / 2

HEX #88FBD0

RGB 136 251 208

HSL 157.57, 0.93%, 0.76%

LAB 91.14, -42.54, 10.53

 

CMYK 25 / 0 / 46 / 2

HEX #BBFB88

RGB 187 251 136

HSL 93.39, 0.93%, 0.76%

LAB 92.28, -39.16, 48.58

 

CMYK 25 / 0 / 46 / 2

HEX #BBFB88

RGB 187 251 136

HSL 93.39, 0.93%, 0.76%

LAB 92.28, -39.16, 48.58

 

CMYK 22 / 0 / 39 / 5

HEX #BCF192

RGB 188 241 146

HSL 93.47, 0.77%, 0.76%

LAB 89.71, -33.06, 40.49

 

CMYK 18 / 0 / 32 / 9

HEX #BDE79C

RGB 189 231 156

HSL 93.6, 0.61%, 0.76%

LAB 87.18, -26.66, 32.18

 

CMYK 14 / 0 / 25 / 13

HEX #BEDDA5

RGB 190 221 165

HSL 93.21, 0.45%, 0.76%

LAB 84.68, -20.14, 24.19

 

CMYK 9 / 0 / 17 / 17

HEX #BFD3AF

RGB 191 211 175

HSL 93.33, 0.29%, 0.76%

LAB 82.25, -13.2, 15.59

 

CMYK 1 / 0 / 46 / 2

HEX #F9FB88

RGB 249 251 136

HSL 61.04, 0.93%, 0.76%

LAB 96.37, -16.24, 54.52

 

CMYK 13 / 0 / 46 / 2

HEX #DAFB88

RGB 218 251 136

HSL 77.22, 0.93%, 0.76%

LAB 94.17, -28.02, 51.34

 

CMYK 25 / 0 / 46 / 2

HEX #BCFB88

RGB 188 251 136

HSL 92.87, 0.93%, 0.76%

LAB 92.34, -38.82, 48.66

 

CMYK 37 / 0 / 46 / 2

HEX #9DFB88

RGB 157 251 136

HSL 109.04, 0.93%, 0.76%

LAB 90.75, -49, 46.34

 

CMYK 46 / 0 / 42 / 2

HEX #88FB91

RGB 136 251 145

HSL 124.7, 0.93%, 0.76%

LAB 89.99, -53.85, 40.84

 

CMYK 43 / 0 / 77 / 3

HEX #8EF838

RGB 142 248 56

HSL 93.13, 0.93%, 0.6%

LAB 88.53, -59.6, 75.86

 

CMYK 34 / 0 / 62 / 2

HEX #A5FA60

RGB 165 250 96

HSL 93.12, 0.94%, 0.68%

LAB 90.42, -50.26, 63.96

 

CMYK 25 / 0 / 46 / 2

HEX #BBFB88

RGB 187 251 136

HSL 93.39, 0.93%, 0.76%

LAB 92.28, -39.16, 48.58

 

CMYK 17 / 0 / 30 / 1

HEX #D2FCB0

RGB 210 252 176

HSL 93.16, 0.93%, 0.84%

LAB 94.51, -26.46, 32.11

 

CMYK 8 / 0 / 15 / 1

HEX #E9FDD8

RGB 233 253 216

HSL 92.43, 0.9%, 0.92%

LAB 97.04, -12.94, 15.52

 

CMYK 25 / 0 / 46 / 2

HEX #BBFB87

RGB 187 251 135

HSL 93.1, 0.94%, 0.76%

LAB 92.27, -39.28, 49.03

 

CMYK 46 / 0 / 12 / 2

HEX #88FBDE

RGB 136 251 222

HSL 164.87, 0.93%, 0.76%

LAB 91.46, -39.5, 3.76

 

CMYK 0 / 46 / 7 / 2

HEX #FB88EA

RGB 251 136 234

HSL 308.87, 0.93%, 0.76%

LAB 72.27, 56.5, -30.52

 

CMYK 25 / 0 / 46 / 2

HEX #BBFB87

RGB 187 251 135

HSL 93.1, 0.94%, 0.76%

LAB 92.27, -39.28, 49.03

 

CMYK 46 / 25 / 0 / 2

HEX #88BCFB

RGB 136 188 251

HSL 212.87, 0.93%, 0.76%

LAB 74.93, -0.66, -36.43

 

CMYK 0 / 46 / 25 / 2

HEX #FB88BC

RGB 251 136 188

HSL 332.87, 0.93%, 0.76%

LAB 70.7, 49.59, -7.45

 

CMYK 25 / 0 / 46 / 2

HEX #BBFB87

RGB 187 251 135

HSL 93.1, 0.94%, 0.76%

LAB 92.27, -39.28, 49.03

 

CMYK 46 / 0 / 12 / 2

HEX #88FBDE

RGB 136 251 222

HSL 164.87, 0.93%, 0.76%

LAB 91.46, -39.5, 3.76

 

CMYK 21 / 46 / 0 / 2

HEX #C788FB

RGB 199 136 251

HSL 272.87, 0.93%, 0.76%

LAB 67.06, 44.98, -48.39

 

CMYK 0 / 46 / 34 / 2

HEX #FB88A5

RGB 251 136 165

HSL 344.87, 0.93%, 0.76%

LAB 70.06, 46.67, 4.47

 

CMYK 25 / 0 / 46 / 2

HEX #BBFB87

RGB 187 251 135

HSL 93.1, 0.94%, 0.76%

LAB 92.27, -39.28, 49.03

 

CMYK 46 / 2 / 0 / 2

HEX #88F5FB

RGB 136 245 251

HSL 183.13, 0.93%, 0.76%

LAB 90.55, -29.84, -12.65

 

CMYK 21 / 46 / 0 / 2

HEX #C788FB

RGB 199 136 251

HSL 272.87, 0.93%, 0.76%

LAB 67.06, 44.98, -48.39

 

CMYK 0 / 43 / 46 / 2

HEX #FB8E88

RGB 251 142 136

HSL 3.13, 0.93%, 0.76%

LAB 70.62, 40.51, 21.42

 

Description

Color code: HEX #BBFB87 | qconv.com Color code: HEX #BBFB87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 251 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 251 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 46 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 46% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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