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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBFE8B it is the complementary color #440174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBFE8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBFE8B shade: #C0FE86, #D1FF99, #E2FFAC, #F3FFBF and #FFFFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBFE8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBFE8B shade: #BBFE8B, #AAEC78, #99DA65, #88C852 and #77B63F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBFE8B shade: #BAFD8A, #D9FD8A, #F8FD8A, #FDE38A and #FDC48A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBFE8B shade: #BAFD8A, #9BFD8A, #8AFD98, #8AFDB7 and #8AFDD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBFE8B shade matches the following richer shades: #BAFD8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBFE8B shade: #BAFD8A, #BCF494, #BDEA9D, #BFE1A7 and #C1D7B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBFE8B shade: #F9FD8A, #DBFD8A, #BCFD8A, #9EFD8A and #8AFD96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBFE8B shade: #8AFD39, #A2FD62, #BAFD8A, #D2FEB3 and #EAFEDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBFE8B shade: #BBFE8B, #8AFDE3 and #FD8AEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBFE8B shade: #BBFE8B, #8ABCFD and #FD8ABC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBFE8B shade: #BBFE8B, #8AFDE3, #CC8AFD and #FD8AA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBFE8B shade: #BBFE8B, #8AF6FD, #CC8AFD and #FD928A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 45 / 0

HEX #BBFE8B

RGB 187 254 139

HSL 94.96, 0.98%, 0.77%

LAB 93.15, -40.15, 48.23

 

Complementary color

CMYK 41 / 99 / 0 / 55

HEX #440174

RGB 68 1 116

HSL 274.96, 0.98%, 0.23%

LAB 17.97, 47.52, -48.52

 

CMYK 24 / 0 / 47 / 0

HEX #C0FE86

RGB 192 254 134

HSL 91, 0.98%, 0.76%

LAB 93.37, -38.99, 50.92

 

CMYK 18 / 0 / 40 / 0

HEX #D1FF99

RGB 209 255 153

HSL 87.06, 1%, 0.8%

LAB 94.9, -31.24, 43.98

 

CMYK 11 / 0 / 33 / 0

HEX #E2FFAC

RGB 226 255 172

HSL 80.96, 1%, 0.84%

LAB 96.27, -22.78, 36.64

 

CMYK 5 / 0 / 25 / 0

HEX #F3FFBF

RGB 243 255 191

HSL 71.25, 1%, 0.87%

LAB 97.77, -14.15, 29.34

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 26 / 0 / 45 / 0

HEX #BBFE8B

RGB 187 254 139

HSL 94.96, 0.98%, 0.77%

LAB 93.15, -40.15, 48.23

 

CMYK 28 / 0 / 49 / 7

HEX #AAEC78

RGB 170 236 120

HSL 94.14, 0.75%, 0.7%

LAB 86.94, -40.2, 49.37

 

CMYK 30 / 0 / 54 / 15

HEX #99DA65

RGB 153 218 101

HSL 93.33, 0.61%, 0.63%

LAB 80.66, -40.2, 50.48

 

CMYK 32 / 0 / 59 / 22

HEX #88C852

RGB 136 200 82

HSL 92.54, 0.52%, 0.55%

LAB 74.29, -40.14, 51.51

 

CMYK 35 / 0 / 65 / 29

HEX #77B63F

RGB 119 182 63

HSL 91.76, 0.49%, 0.48%

LAB 67.83, -39.97, 52.36

 

CMYK 26 / 0 / 45 / 1

HEX #BAFD8A

RGB 186 253 138

HSL 94.96, 0.97%, 0.77%

LAB 92.81, -40.16, 48.27

 

CMYK 14 / 0 / 45 / 1

HEX #D9FD8A

RGB 217 253 138

HSL 78.78, 0.97%, 0.77%

LAB 94.67, -29.11, 50.99

 

CMYK 2 / 0 / 45 / 1

HEX #F8FD8A

RGB 248 253 138

HSL 62.61, 0.97%, 0.77%

LAB 96.84, -17.4, 54.14

 

CMYK 0 / 10 / 45 / 1

HEX #FDE38A

RGB 253 227 138

HSL 46.43, 0.97%, 0.77%

LAB 90.62, -2.6, 46.56

 

CMYK 0 / 23 / 45 / 1

HEX #FDC48A

RGB 253 196 138

HSL 30.26, 0.97%, 0.77%

LAB 83.02, 13.34, 36.88

 

CMYK 26 / 0 / 45 / 1

HEX #BAFD8A

RGB 186 253 138

HSL 94.96, 0.97%, 0.77%

LAB 92.81, -40.16, 48.27

 

CMYK 39 / 0 / 45 / 1

HEX #9BFD8A

RGB 155 253 138

HSL 111.13, 0.97%, 0.77%

LAB 91.26, -50.18, 46

 

CMYK 45 / 0 / 40 / 1

HEX #8AFD98

RGB 138 253 152

HSL 127.3, 0.97%, 0.77%

LAB 90.74, -53.08, 38.4

 

CMYK 45 / 0 / 28 / 1

HEX #8AFDB7

RGB 138 253 183

HSL 143.48, 0.97%, 0.77%

LAB 91.27, -47.85, 23.56

 

CMYK 45 / 0 / 15 / 1

HEX #8AFDD6

RGB 138 253 214

HSL 159.65, 0.97%, 0.77%

LAB 91.91, -41.67, 8.56

 

CMYK 26 / 0 / 45 / 1

HEX #BAFD8A

RGB 186 253 138

HSL 94.96, 0.97%, 0.77%

LAB 92.81, -40.16, 48.27

 

CMYK 26 / 0 / 45 / 1

HEX #BAFD8A

RGB 186 253 138

HSL 94.96, 0.97%, 0.77%

LAB 92.81, -40.16, 48.27

 

CMYK 23 / 0 / 39 / 4

HEX #BCF494

RGB 188 244 148

HSL 95, 0.81%, 0.77%

LAB 90.57, -34.18, 40.61

 

CMYK 19 / 0 / 33 / 8

HEX #BDEA9D

RGB 189 234 157

HSL 95.06, 0.65%, 0.77%

LAB 88.02, -27.95, 32.79

 

CMYK 15 / 0 / 26 / 12

HEX #BFE1A7

RGB 191 225 167

HSL 95.17, 0.49%, 0.77%

LAB 85.86, -21.44, 24.79

 

CMYK 10 / 0 / 18 / 16

HEX #C1D7B0

RGB 193 215 176

HSL 93.85, 0.33%, 0.77%

LAB 83.48, -14.35, 16.81

 

CMYK 2 / 0 / 45 / 1

HEX #F9FD8A

RGB 249 253 138

HSL 62.09, 0.97%, 0.77%

LAB 96.91, -17.02, 54.24

 

CMYK 13 / 0 / 45 / 1

HEX #DBFD8A

RGB 219 253 138

HSL 77.74, 0.97%, 0.77%

LAB 94.8, -28.37, 51.18

 

CMYK 26 / 0 / 45 / 1

HEX #BCFD8A

RGB 188 253 138

HSL 93.91, 0.97%, 0.77%

LAB 92.92, -39.48, 48.43

 

CMYK 38 / 0 / 45 / 1

HEX #9EFD8A

RGB 158 253 138

HSL 109.57, 0.97%, 0.77%

LAB 91.39, -49.27, 46.2

 

CMYK 45 / 0 / 41 / 1

HEX #8AFD96

RGB 138 253 150

HSL 126.26, 0.97%, 0.77%

LAB 90.71, -53.38, 39.35

 

CMYK 45 / 0 / 77 / 1

HEX #8AFD39

RGB 138 253 57

HSL 95.2, 0.98%, 0.61%

LAB 89.84, -62.65, 76.74

 

CMYK 36 / 0 / 61 / 1

HEX #A2FD62

RGB 162 253 98

HSL 95.23, 0.97%, 0.69%

LAB 91.15, -52.31, 63.9

 

CMYK 26 / 0 / 45 / 1

HEX #BAFD8A

RGB 186 253 138

HSL 94.96, 0.97%, 0.77%

LAB 92.81, -40.16, 48.27

 

CMYK 17 / 0 / 30 / 0

HEX #D2FEB3

RGB 210 254 179

HSL 95.2, 0.97%, 0.85%

LAB 95.09, -26.98, 31.39

 

CMYK 8 / 0 / 13 / 0

HEX #EAFEDC

RGB 234 254 220

HSL 95.29, 0.94%, 0.93%

LAB 97.45, -12.45, 14.06

 

CMYK 26 / 0 / 45 / 0

HEX #BBFE8B

RGB 187 254 139

HSL 94.96, 0.98%, 0.77%

LAB 93.15, -40.15, 48.23

 

CMYK 45 / 0 / 10 / 1

HEX #8AFDE3

RGB 138 253 227

HSL 166.43, 0.97%, 0.77%

LAB 92.22, -38.81, 2.28

 

CMYK 0 / 45 / 8 / 1

HEX #FD8AEA

RGB 253 138 234

HSL 309.91, 0.97%, 0.77%

LAB 72.89, 56.11, -29.53

 

CMYK 26 / 0 / 45 / 0

HEX #BBFE8B

RGB 187 254 139

HSL 94.96, 0.98%, 0.77%

LAB 93.15, -40.15, 48.23

 

CMYK 45 / 26 / 0 / 1

HEX #8ABCFD

RGB 138 188 253

HSL 213.91, 0.97%, 0.77%

LAB 75.12, 0.38, -37.21

 

CMYK 0 / 45 / 26 / 1

HEX #FD8ABC

RGB 253 138 188

HSL 333.91, 0.97%, 0.77%

LAB 71.34, 49.25, -6.46

 

CMYK 26 / 0 / 45 / 0

HEX #BBFE8B

RGB 187 254 139

HSL 94.96, 0.98%, 0.77%

LAB 93.15, -40.15, 48.23

 

CMYK 45 / 0 / 10 / 1

HEX #8AFDE3

RGB 138 253 227

HSL 166.43, 0.97%, 0.77%

LAB 92.22, -38.81, 2.28

 

CMYK 19 / 45 / 0 / 1

HEX #CC8AFD

RGB 204 138 253

HSL 274.43, 0.97%, 0.77%

LAB 68.1, 45.71, -47.81

 

CMYK 0 / 45 / 35 / 1

HEX #FD8AA5

RGB 253 138 165

HSL 345.91, 0.97%, 0.77%

LAB 70.72, 46.35, 5.45

 

CMYK 26 / 0 / 45 / 0

HEX #BBFE8B

RGB 187 254 139

HSL 94.96, 0.98%, 0.77%

LAB 93.15, -40.15, 48.23

 

CMYK 45 / 3 / 0 / 1

HEX #8AF6FD

RGB 138 246 253

HSL 183.65, 0.97%, 0.77%

LAB 90.97, -29.38, -13.07

 

CMYK 19 / 45 / 0 / 1

HEX #CC8AFD

RGB 204 138 253

HSL 274.43, 0.97%, 0.77%

LAB 68.1, 45.71, -47.81

 

CMYK 0 / 42 / 45 / 1

HEX #FD928A

RGB 253 146 138

HSL 4.17, 0.97%, 0.77%

LAB 71.74, 39.4, 21.89

 

Description

Color code: HEX #BBFE8B | qconv.com Color code: HEX #BBFE8B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 254 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 254 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 45 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 45% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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