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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC0F5E it is the complementary color #43F0A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC0F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC0F5E shade: #C10F59, #D2216C, #E3337F, #F44592 and #FF57A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC0F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC0F5E shade: #BC0F5E, #AB004B, #9A0038, #890025 and #780012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC0F5E shade: #BC0F5E, #BC0F2F and #BC0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC0F5E shade: #BC0F5E, #BC0F8D, #BC0FBC, #8E0FBC and #5F0FBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC0F5E shade matches the following richer shades: #BC0F5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC0F5E shade: #BC0F5E, #AC1F5F, #9B3061, #8B4062 and #7A5164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC0F5E shade: #BC0FBC, #BC0F8E, #BC0F60, #BC0F31 and #BC1A0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC0F5E shade: #700938, #960C4B, #BC0F5E, #E21271 and #EE3087

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC0F5E shade: #BC0F5E, #BC8E0F and #0FA5BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC0F5E shade: #BC0F5E, #60BC0F and #0F60BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC0F5E shade: #BC0F5E, #BC8E0F, #0FBC6B and #0F3DBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC0F5E shade: #BC0F5E, #B6BC0F, #0FBC6B and #150FBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 50 / 26

HEX #BC0F5E

RGB 188 15 94

HSL 332.6, 0.85%, 0.4%

LAB 40.96, 65.73, 3.22

 

Complementary color

CMYK 72 / 0 / 33 / 6

HEX #43F0A1

RGB 67 240 161

HSL 152.6, 0.85%, 0.6%

LAB 85.04, -61.11, 25.93

 

CMYK 0 / 92 / 54 / 24

HEX #C10F59

RGB 193 15 89

HSL 335.06, 0.86%, 0.41%

LAB 41.85, 66.55, 7.78

 

CMYK 0 / 84 / 49 / 18

HEX #D2216C

RGB 210 33 108

HSL 334.58, 0.73%, 0.48%

LAB 46.81, 69.07, 3.46

 

CMYK 0 / 78 / 44 / 11

HEX #E3337F

RGB 227 51 127

HSL 334.09, 0.76%, 0.55%

LAB 52.1, 70.55, -0.04

 

CMYK 0 / 72 / 40 / 4

HEX #F44592

RGB 244 69 146

HSL 333.6, 0.89%, 0.61%

LAB 57.62, 71.28, -2.88

 

CMYK 0 / 66 / 35 / 0

HEX #FF57A5

RGB 255 87 165

HSL 332.14, 1%, 0.67%

LAB 62.33, 69.82, -6.77

 

CMYK 0 / 92 / 50 / 26

HEX #BC0F5E

RGB 188 15 94

HSL 332.6, 0.85%, 0.4%

LAB 40.96, 65.73, 3.22

 

CMYK 0 / 100 / 56 / 33

HEX #AB004B

RGB 171 0 75

HSL 333.68, 1%, 0.34%

LAB 36.3, 62.04, 8.29

 

CMYK 0 / 100 / 64 / 40

HEX #9A0038

RGB 154 0 56

HSL 338.18, 1%, 0.3%

LAB 32.16, 56.73, 14.49

 

CMYK 0 / 100 / 73 / 46

HEX #890025

RGB 137 0 37

HSL 343.8, 1%, 0.27%

LAB 27.99, 51.46, 21.03

 

CMYK 0 / 100 / 85 / 53

HEX #780012

RGB 120 0 18

HSL 351, 1%, 0.24%

LAB 23.79, 46.27, 27.61

 

CMYK 0 / 92 / 50 / 26

HEX #BC0F5E

RGB 188 15 94

HSL 332.6, 0.85%, 0.4%

LAB 40.96, 65.73, 3.22

 

CMYK 0 / 92 / 75 / 26

HEX #BC0F2F

RGB 188 15 47

HSL 348.9, 0.85%, 0.4%

LAB 39.98, 63, 31.56

 

CMYK 0 / 92 / 92 / 26

HEX #BC0F0F

RGB 188 15 15

HSL 0, 0.85%, 0.4%

LAB 39.69, 62.19, 48.28

 

CMYK 0 / 92 / 50 / 26

HEX #BC0F5E

RGB 188 15 94

HSL 332.6, 0.85%, 0.4%

LAB 40.96, 65.73, 3.22

 

CMYK 0 / 92 / 25 / 26

HEX #BC0F8D

RGB 188 15 141

HSL 316.3, 0.85%, 0.4%

LAB 42.7, 70.39, -23.42

 

CMYK 0 / 92 / 0 / 26

HEX #BC0FBC

RGB 188 15 188

HSL 300, 0.85%, 0.4%

LAB 45.17, 76.72, -47.62

 

CMYK 24 / 92 / 0 / 26

HEX #8E0FBC

RGB 142 15 188

HSL 284.05, 0.85%, 0.4%

LAB 37.34, 69.46, -60.65

 

CMYK 49 / 92 / 0 / 26

HEX #5F0FBC

RGB 95 15 188

HSL 267.75, 0.85%, 0.4%

LAB 30.41, 63.8, -72.27

 

CMYK 0 / 92 / 50 / 26

HEX #BC0F5E

RGB 188 15 94

HSL 332.6, 0.85%, 0.4%

LAB 40.96, 65.73, 3.22

 

CMYK 0 / 92 / 50 / 26

HEX #BC0F5E

RGB 188 15 94

HSL 332.6, 0.85%, 0.4%

LAB 40.96, 65.73, 3.22

 

CMYK 0 / 82 / 45 / 33

HEX #AC1F5F

RGB 172 31 95

HSL 332.77, 0.69%, 0.4%

LAB 38.86, 58.78, -0.87

 

CMYK 0 / 69 / 37 / 39

HEX #9B3061

RGB 155 48 97

HSL 332.52, 0.53%, 0.4%

LAB 37.74, 48.57, -4.14

 

CMYK 0 / 54 / 29 / 45

HEX #8B4062

RGB 139 64 98

HSL 332.8, 0.37%, 0.4%

LAB 37.91, 35.93, -4.82

 

CMYK 0 / 34 / 18 / 52

HEX #7A5164

RGB 122 81 100

HSL 332.2, 0.2%, 0.4%

LAB 39.48, 20.23, -3.99

 

CMYK 0 / 92 / 0 / 26

HEX #BC0FBC

RGB 188 15 188

HSL 300, 0.85%, 0.4%

LAB 45.17, 76.72, -47.62

 

CMYK 0 / 92 / 24 / 26

HEX #BC0F8E

RGB 188 15 142

HSL 315.95, 0.85%, 0.4%

LAB 42.74, 70.51, -23.96

 

CMYK 0 / 92 / 49 / 26

HEX #BC0F60

RGB 188 15 96

HSL 331.91, 0.85%, 0.4%

LAB 41.02, 65.89, 2.04

 

CMYK 0 / 92 / 74 / 26

HEX #BC0F31

RGB 188 15 49

HSL 348.21, 0.85%, 0.4%

LAB 40.01, 63.08, 30.37

 

CMYK 0 / 86 / 92 / 26

HEX #BC1A0F

RGB 188 26 15

HSL 3.82, 0.85%, 0.4%

LAB 40.35, 60.3, 48.71

 

CMYK 0 / 92 / 50 / 56

HEX #700938

RGB 112 9 56

HSL 332.62, 0.85%, 0.24%

LAB 23.42, 44.47, 0.91

 

CMYK 0 / 92 / 50 / 41

HEX #960C4B

RGB 150 12 75

HSL 332.61, 0.85%, 0.32%

LAB 32.38, 55.39, 2.09

 

CMYK 0 / 92 / 50 / 26

HEX #BC0F5E

RGB 188 15 94

HSL 332.6, 0.85%, 0.4%

LAB 40.96, 65.73, 3.22

 

CMYK 0 / 92 / 50 / 11

HEX #E21271

RGB 226 18 113

HSL 332.6, 0.85%, 0.48%

LAB 49.24, 75.65, 4.3

 

CMYK 0 / 80 / 43 / 7

HEX #EE3087

RGB 238 48 135

HSL 332.53, 0.85%, 0.56%

LAB 54.07, 74.81, -1.71

 

CMYK 0 / 92 / 50 / 26

HEX #BC0F5E

RGB 188 15 94

HSL 332.6, 0.85%, 0.4%

LAB 40.96, 65.73, 3.22

 

CMYK 0 / 24 / 92 / 26

HEX #BC8E0F

RGB 188 142 15

HSL 44.05, 0.85%, 0.4%

LAB 61.72, 7.32, 64.09

 

CMYK 92 / 12 / 0 / 26

HEX #0FA5BC

RGB 15 165 188

HSL 187.98, 0.85%, 0.4%

LAB 62.2, -26.74, -21.79

 

CMYK 0 / 92 / 50 / 26

HEX #BC0F5E

RGB 188 15 94

HSL 332.6, 0.85%, 0.4%

LAB 40.96, 65.73, 3.22

 

CMYK 49 / 0 / 92 / 26

HEX #60BC0F

RGB 96 188 15

HSL 91.91, 0.85%, 0.4%

LAB 68.38, -52.61, 66.62

 

CMYK 92 / 49 / 0 / 26

HEX #0F60BC

RGB 15 96 188

HSL 211.91, 0.85%, 0.4%

LAB 41.37, 13.31, -54.56

 

CMYK 0 / 92 / 50 / 26

HEX #BC0F5E

RGB 188 15 94

HSL 332.6, 0.85%, 0.4%

LAB 40.96, 65.73, 3.22

 

CMYK 0 / 24 / 92 / 26

HEX #BC8E0F

RGB 188 142 15

HSL 44.05, 0.85%, 0.4%

LAB 61.72, 7.32, 64.09

 

CMYK 92 / 0 / 43 / 26

HEX #0FBC6B

RGB 15 188 107

HSL 151.91, 0.85%, 0.4%

LAB 67.37, -57.9, 30.1

 

CMYK 92 / 68 / 0 / 26

HEX #0F3DBC

RGB 15 61 188

HSL 224.05, 0.85%, 0.4%

LAB 31.97, 36.49, -69.9

 

CMYK 0 / 92 / 50 / 26

HEX #BC0F5E

RGB 188 15 94

HSL 332.6, 0.85%, 0.4%

LAB 40.96, 65.73, 3.22

 

CMYK 3 / 0 / 92 / 26

HEX #B6BC0F

RGB 182 188 15

HSL 62.08, 0.85%, 0.4%

LAB 73.51, -19.56, 72.89

 

CMYK 92 / 0 / 43 / 26

HEX #0FBC6B

RGB 15 188 107

HSL 151.91, 0.85%, 0.4%

LAB 67.37, -57.9, 30.1

 

CMYK 89 / 92 / 0 / 26

HEX #150FBC

RGB 21 15 188

HSL 242.08, 0.85%, 0.4%

LAB 24.1, 59.65, -82.94

 

Description

Color code: HEX #BC0F5E | qconv.com Color code: HEX #BC0F5E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 15 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 15 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 50 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 50% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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