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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC1484 it is the complementary color #43EB7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC1484. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC1484 shade: #C1147F, #D22692, #E338A5, #F44AB8 and #FF5CCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC1484. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC1484 shade: #BC1484, #AB0271, #9A005E, #89004B and #780038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC1484 shade: #BD1384, #BD1357, #BD1329 and #BD1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC1484 shade: #BD1384, #BD13B2, #9A13BD, #6C13BD and #3E13BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC1484 shade matches the following richer shades: #BD1384 and #CE028A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC1484 shade: #BD1384, #AC247F, #9B3579, #8A4673 and #79576E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC1484 shade: #9B13BD, #BD13B1, #BD1384, #BD1357 and #BD132A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC1484 shade: #720C50, #970F6A, #BD1384, #E2179E and #EA39AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC1484 shade: #BC1484, #BD6E13 and #13BDB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC1484 shade: #BC1484, #84BD13 and #1384BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC1484 shade: #BC1484, #BD6E13, #13BD4C and #1362BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC1484 shade: #BC1484, #BDA113, #13BD4C and #1330BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 30 / 26

HEX #BC1484

RGB 188 20 132

HSL 320, 0.81%, 0.41%

LAB 42.55, 68.65, -18.14

 

Complementary color

CMYK 71 / 0 / 48 / 8

HEX #43EB7B

RGB 67 235 123

HSL 140, 0.81%, 0.59%

LAB 82.93, -66.03, 42.14

 

CMYK 0 / 90 / 34 / 24

HEX #C1147F

RGB 193 20 127

HSL 322.89, 0.81%, 0.42%

LAB 43.32, 69.21, -13.81

 

CMYK 0 / 82 / 30 / 18

HEX #D22692

RGB 210 38 146

HSL 322.33, 0.69%, 0.49%

LAB 48.46, 71.63, -17.23

 

CMYK 0 / 75 / 27 / 11

HEX #E338A5

RGB 227 56 165

HSL 321.75, 0.75%, 0.55%

LAB 53.9, 73.06, -19.95

 

CMYK 0 / 70 / 25 / 4

HEX #F44AB8

RGB 244 74 184

HSL 321.18, 0.89%, 0.62%

LAB 59.52, 73.79, -22.14

 

CMYK 0 / 64 / 20 / 0

HEX #FF5CCB

RGB 255 92 203

HSL 319.14, 1%, 0.68%

LAB 64.34, 72.48, -25.42

 

CMYK 0 / 89 / 30 / 26

HEX #BC1484

RGB 188 20 132

HSL 320, 0.81%, 0.41%

LAB 42.55, 68.65, -18.14

 

CMYK 0 / 99 / 34 / 33

HEX #AB0271

RGB 171 2 113

HSL 320.59, 0.98%, 0.34%

LAB 37.65, 65.13, -14.1

 

CMYK 0 / 100 / 39 / 40

HEX #9A005E

RGB 154 0 94

HSL 323.38, 1%, 0.3%

LAB 33.3, 59.75, -8.88

 

CMYK 0 / 100 / 45 / 46

HEX #89004B

RGB 137 0 75

HSL 327.15, 1%, 0.27%

LAB 28.97, 54.08, -3.23

 

CMYK 0 / 100 / 53 / 53

HEX #780038

RGB 120 0 56

HSL 332, 1%, 0.24%

LAB 24.57, 48.36, 2.8

 

CMYK 0 / 90 / 30 / 26

HEX #BD1384

RGB 189 19 132

HSL 320.12, 0.82%, 0.41%

LAB 42.69, 69.02, -17.91

 

CMYK 0 / 90 / 54 / 26

HEX #BD1357

RGB 189 19 87

HSL 336, 0.82%, 0.41%

LAB 41.17, 64.87, 7.98

 

CMYK 0 / 90 / 78 / 26

HEX #BD1329

RGB 189 19 41

HSL 352.24, 0.82%, 0.41%

LAB 40.32, 62.46, 35.59

 

CMYK 0 / 90 / 90 / 26

HEX #BD1313

RGB 189 19 19

HSL 0, 0.82%, 0.41%

LAB 40.13, 61.92, 47

 

CMYK 0 / 90 / 30 / 26

HEX #BD1384

RGB 189 19 132

HSL 320.12, 0.82%, 0.41%

LAB 42.69, 69.02, -17.91

 

CMYK 0 / 90 / 6 / 26

HEX #BD13B2

RGB 189 19 178

HSL 303.88, 0.82%, 0.41%

LAB 44.94, 74.92, -42.09

 

CMYK 19 / 90 / 0 / 26

HEX #9A13BD

RGB 154 19 189

HSL 287.65, 0.82%, 0.41%

LAB 39.6, 70.78, -57.48

 

CMYK 43 / 90 / 0 / 26

HEX #6C13BD

RGB 108 19 189

HSL 271.41, 0.82%, 0.41%

LAB 32.54, 64.54, -69.3

 

CMYK 67 / 90 / 0 / 26

HEX #3E13BD

RGB 62 19 189

HSL 255.18, 0.82%, 0.41%

LAB 27.2, 60.42, -78.31

 

CMYK 0 / 90 / 30 / 26

HEX #BD1384

RGB 189 19 132

HSL 320.12, 0.82%, 0.41%

LAB 42.69, 69.02, -17.91

 

CMYK 0 / 99 / 33 / 19

HEX #CE028A

RGB 206 2 138

HSL 320, 0.98%, 0.41%

LAB 45.63, 75, -16.78

 

CMYK 0 / 90 / 30 / 26

HEX #BD1384

RGB 189 19 132

HSL 320.12, 0.82%, 0.41%

LAB 42.69, 69.02, -17.91

 

CMYK 0 / 79 / 26 / 33

HEX #AC247F

RGB 172 36 127

HSL 319.85, 0.65%, 0.41%

LAB 40.52, 60.93, -18.44

 

CMYK 0 / 66 / 22 / 39

HEX #9B3579

RGB 155 53 121

HSL 320, 0.49%, 0.41%

LAB 39.4, 49.6, -16.69

 

CMYK 0 / 49 / 17 / 46

HEX #8A4673

RGB 138 70 115

HSL 320.29, 0.33%, 0.41%

LAB 39.62, 35, -12.88

 

CMYK 0 / 28 / 9 / 53

HEX #79576E

RGB 121 87 110

HSL 319.41, 0.16%, 0.41%

LAB 41.23, 18.06, -7.58

 

CMYK 18 / 90 / 0 / 26

HEX #9B13BD

RGB 155 19 189

HSL 288, 0.82%, 0.41%

LAB 39.76, 70.93, -57.21

 

CMYK 0 / 90 / 6 / 26

HEX #BD13B1

RGB 189 19 177

HSL 304.24, 0.82%, 0.41%

LAB 44.88, 74.77, -41.59

 

CMYK 0 / 90 / 30 / 26

HEX #BD1384

RGB 189 19 132

HSL 320.12, 0.82%, 0.41%

LAB 42.69, 69.02, -17.91

 

CMYK 0 / 90 / 54 / 26

HEX #BD1357

RGB 189 19 87

HSL 336, 0.82%, 0.41%

LAB 41.17, 64.87, 7.98

 

CMYK 0 / 90 / 78 / 26

HEX #BD132A

RGB 189 19 42

HSL 351.88, 0.82%, 0.41%

LAB 40.33, 62.49, 35.02

 

CMYK 0 / 89 / 30 / 55

HEX #720C50

RGB 114 12 80

HSL 320, 0.81%, 0.25%

LAB 25.01, 46.98, -13.03

 

CMYK 0 / 90 / 30 / 41

HEX #970F6A

RGB 151 15 106

HSL 319.85, 0.82%, 0.33%

LAB 33.9, 58.28, -15.75

 

CMYK 0 / 90 / 30 / 26

HEX #BD1384

RGB 189 19 132

HSL 320.12, 0.82%, 0.41%

LAB 42.69, 69.02, -17.91

 

CMYK 0 / 90 / 30 / 11

HEX #E2179E

RGB 226 23 158

HSL 320.1, 0.82%, 0.49%

LAB 50.98, 79.13, -20.3

 

CMYK 0 / 76 / 25 / 8

HEX #EA39AF

RGB 234 57 175

HSL 320, 0.81%, 0.57%

LAB 55.6, 75.62, -23.09

 

CMYK 0 / 89 / 30 / 26

HEX #BC1484

RGB 188 20 132

HSL 320, 0.81%, 0.41%

LAB 42.55, 68.65, -18.14

 

CMYK 0 / 42 / 90 / 26

HEX #BD6E13

RGB 189 110 19

HSL 32.12, 0.82%, 0.41%

LAB 54.05, 25.46, 57.42

 

CMYK 90 / 0 / 6 / 26

HEX #13BDB1

RGB 19 189 177

HSL 175.76, 0.82%, 0.41%

LAB 69.26, -41.27, -5.07

 

CMYK 0 / 89 / 30 / 26

HEX #BC1484

RGB 188 20 132

HSL 320, 0.81%, 0.41%

LAB 42.55, 68.65, -18.14

 

CMYK 30 / 0 / 90 / 26

HEX #84BD13

RGB 132 189 19

HSL 80.12, 0.82%, 0.41%

LAB 70.42, -40.47, 68.38

 

CMYK 90 / 30 / 0 / 26

HEX #1384BD

RGB 19 132 189

HSL 200.12, 0.82%, 0.41%

LAB 52.19, -8.37, -37.88

 

CMYK 0 / 89 / 30 / 26

HEX #BC1484

RGB 188 20 132

HSL 320, 0.81%, 0.41%

LAB 42.55, 68.65, -18.14

 

CMYK 0 / 42 / 90 / 26

HEX #BD6E13

RGB 189 110 19

HSL 32.12, 0.82%, 0.41%

LAB 54.05, 25.46, 57.42

 

CMYK 90 / 0 / 60 / 26

HEX #13BD4C

RGB 19 189 76

HSL 140.12, 0.82%, 0.41%

LAB 67.32, -62.88, 45.3

 

CMYK 90 / 48 / 0 / 26

HEX #1362BD

RGB 19 98 189

HSL 212.12, 0.82%, 0.41%

LAB 42.07, 12.61, -54.01

 

CMYK 0 / 89 / 30 / 26

HEX #BC1484

RGB 188 20 132

HSL 320, 0.81%, 0.41%

LAB 42.55, 68.65, -18.14

 

CMYK 0 / 15 / 90 / 26

HEX #BDA113

RGB 189 161 19

HSL 50.12, 0.82%, 0.41%

LAB 66.79, -2.45, 67.28

 

CMYK 90 / 0 / 60 / 26

HEX #13BD4C

RGB 19 189 76

HSL 140.12, 0.82%, 0.41%

LAB 67.32, -62.88, 45.3

 

CMYK 90 / 75 / 0 / 26

HEX #1330BD

RGB 19 48 189

HSL 229.76, 0.82%, 0.41%

LAB 29.23, 45.05, -75.01

 

Description

Color code: HEX #BC1484 | qconv.com Color code: HEX #BC1484 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 20 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 20 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 30 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 30% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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