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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC237B it is the complementary color #43DC84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC237B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC237B shade: #C12376, #D23589, #E3479C, #F459AF and #FF6BC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC237B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC237B shade: #BC237B, #AB1168, #9A0055, #890042 and #78002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC237B shade: #BD227B, #BD2252, #BD2228 and #BD2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC237B shade: #BD227B, #BD22A5, #AB22BD, #8222BD and #5822BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC237B shade matches the following richer shades: #BD227B and #CF107E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC237B shade: #BD227B, #AB3479, #994776, #875973 and #756B70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC237B shade: #AB22BD, #BD22A6, #BD227D, #BD2253 and #BD222A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC237B shade: #77154E, #9A1C65, #BD227B, #D93091 and #DF53A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC237B shade: #BC237B, #BD8222 and #22BBBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC237B shade: #BC237B, #7DBD22 and #227DBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC237B shade: #BC237B, #BD8222, #22BD63 and #225EBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC237B shade: #BC237B, #BDB022, #22BD63 and #222FBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 35 / 26

HEX #BC237B

RGB 188 35 123

HSL 325.49, 0.69%, 0.44%

LAB 43.25, 64.62, -11.54

 

Complementary color

CMYK 70 / 0 / 40 / 14

HEX #43DC84

RGB 67 220 132

HSL 145.49, 0.69%, 0.56%

LAB 78.49, -59.18, 31.95

 

CMYK 0 / 82 / 39 / 24

HEX #C12376

RGB 193 35 118

HSL 328.48, 0.69%, 0.45%

LAB 44.01, 65.33, -7.2

 

CMYK 0 / 75 / 35 / 18

HEX #D23589

RGB 210 53 137

HSL 327.9, 0.64%, 0.52%

LAB 49.56, 66.57, -10.15

 

CMYK 0 / 69 / 31 / 11

HEX #E3479C

RGB 227 71 156

HSL 327.31, 0.74%, 0.58%

LAB 55.32, 67.09, -12.5

 

CMYK 0 / 64 / 28 / 4

HEX #F459AF

RGB 244 89 175

HSL 326.71, 0.88%, 0.65%

LAB 61.2, 67.13, -14.41

 

CMYK 0 / 58 / 24 / 0

HEX #FF6BC2

RGB 255 107 194

HSL 324.73, 1%, 0.71%

LAB 66.27, 65.15, -17.4

 

CMYK 0 / 81 / 35 / 26

HEX #BC237B

RGB 188 35 123

HSL 325.49, 0.69%, 0.44%

LAB 43.25, 64.62, -11.54

 

CMYK 0 / 90 / 39 / 33

HEX #AB1168

RGB 171 17 104

HSL 326.1, 0.82%, 0.37%

LAB 37.95, 62.33, -7.96

 

CMYK 0 / 100 / 45 / 40

HEX #9A0055

RGB 154 0 85

HSL 326.88, 1%, 0.3%

LAB 32.98, 58.9, -3.51

 

CMYK 0 / 100 / 52 / 46

HEX #890042

RGB 137 0 66

HSL 331.09, 1%, 0.27%

LAB 28.67, 53.3, 2.38

 

CMYK 0 / 100 / 61 / 53

HEX #78002F

RGB 120 0 47

HSL 336.5, 1%, 0.24%

LAB 24.32, 47.68, 8.68

 

CMYK 0 / 82 / 35 / 26

HEX #BD227B

RGB 189 34 123

HSL 325.55, 0.7%, 0.44%

LAB 43.35, 65.11, -11.36

 

CMYK 0 / 82 / 57 / 26

HEX #BD2252

RGB 189 34 82

HSL 341.42, 0.7%, 0.44%

LAB 42.11, 61.46, 12.45

 

CMYK 0 / 82 / 79 / 26

HEX #BD2228

RGB 189 34 40

HSL 357.68, 0.7%, 0.44%

LAB 41.4, 59.31, 37.31

 

CMYK 0 / 82 / 82 / 26

HEX #BD2222

RGB 189 34 34

HSL 0, 0.7%, 0.44%

LAB 41.34, 59.12, 40.59

 

CMYK 0 / 82 / 35 / 26

HEX #BD227B

RGB 189 34 123

HSL 325.55, 0.7%, 0.44%

LAB 43.35, 65.11, -11.36

 

CMYK 0 / 82 / 13 / 26

HEX #BD22A5

RGB 189 34 165

HSL 309.29, 0.7%, 0.44%

LAB 45.19, 70.31, -33.98

 

CMYK 10 / 82 / 0 / 26

HEX #AB22BD

RGB 171 34 189

HSL 293.03, 0.7%, 0.44%

LAB 43.47, 70.51, -51.09

 

CMYK 31 / 82 / 0 / 26

HEX #8222BD

RGB 130 34 189

HSL 277.16, 0.7%, 0.44%

LAB 37.05, 63.51, -61.79

 

CMYK 53 / 82 / 0 / 26

HEX #5822BD

RGB 88 34 189

HSL 260.9, 0.7%, 0.44%

LAB 31.56, 57.67, -71

 

CMYK 0 / 82 / 35 / 26

HEX #BD227B

RGB 189 34 123

HSL 325.55, 0.7%, 0.44%

LAB 43.35, 65.11, -11.36

 

CMYK 0 / 92 / 39 / 19

HEX #CF107E

RGB 207 16 126

HSL 325.45, 0.86%, 0.44%

LAB 45.83, 72.73, -9.13

 

CMYK 0 / 82 / 35 / 26

HEX #BD227B

RGB 189 34 123

HSL 325.55, 0.7%, 0.44%

LAB 43.35, 65.11, -11.36

 

CMYK 0 / 70 / 29 / 33

HEX #AB3479

RGB 171 52 121

HSL 325.21, 0.53%, 0.44%

LAB 41.99, 54.57, -12.5

 

CMYK 0 / 54 / 23 / 40

HEX #994776

RGB 153 71 118

HSL 325.61, 0.37%, 0.44%

LAB 42.13, 40.02, -10.71

 

CMYK 0 / 34 / 15 / 47

HEX #875973

RGB 135 89 115

HSL 326.09, 0.21%, 0.44%

LAB 43.56, 23.11, -6.99

 

CMYK 0 / 9 / 4 / 54

HEX #756B70

RGB 117 107 112

HSL 330, 0.04%, 0.44%

LAB 46.27, 4.88, -1.38

 

CMYK 10 / 82 / 0 / 26

HEX #AB22BD

RGB 171 34 189

HSL 293.03, 0.7%, 0.44%

LAB 43.47, 70.51, -51.09

 

CMYK 0 / 82 / 12 / 26

HEX #BD22A6

RGB 189 34 166

HSL 308.9, 0.7%, 0.44%

LAB 45.24, 70.45, -34.5

 

CMYK 0 / 82 / 34 / 26

HEX #BD227D

RGB 189 34 125

HSL 324.77, 0.7%, 0.44%

LAB 43.42, 65.33, -12.48

 

CMYK 0 / 82 / 56 / 26

HEX #BD2253

RGB 189 34 83

HSL 341.03, 0.7%, 0.44%

LAB 42.13, 61.54, 11.86

 

CMYK 0 / 82 / 78 / 26

HEX #BD222A

RGB 189 34 42

HSL 356.9, 0.7%, 0.44%

LAB 41.42, 59.38, 36.19

 

CMYK 0 / 82 / 34 / 53

HEX #77154E

RGB 119 21 78

HSL 325.1, 0.7%, 0.27%

LAB 26.76, 45.69, -8.94

 

CMYK 0 / 82 / 34 / 40

HEX #9A1C65

RGB 154 28 101

HSL 325.24, 0.69%, 0.36%

LAB 35.28, 55.55, -10.4

 

CMYK 0 / 82 / 35 / 26

HEX #BD227B

RGB 189 34 123

HSL 325.55, 0.7%, 0.44%

LAB 43.35, 65.11, -11.36

 

CMYK 0 / 78 / 33 / 15

HEX #D93091

RGB 217 48 145

HSL 325.56, 0.69%, 0.52%

LAB 50.58, 70.65, -13.3

 

CMYK 0 / 63 / 27 / 13

HEX #DF53A3

RGB 223 83 163

HSL 325.71, 0.69%, 0.6%

LAB 56.6, 62.17, -14.72

 

CMYK 0 / 81 / 35 / 26

HEX #BC237B

RGB 188 35 123

HSL 325.49, 0.69%, 0.44%

LAB 43.25, 64.62, -11.54

 

CMYK 0 / 31 / 82 / 26

HEX #BD8222

RGB 189 130 34

HSL 37.16, 0.7%, 0.44%

LAB 58.88, 14.84, 56.71

 

CMYK 82 / 1 / 0 / 26

HEX #22BBBD

RGB 34 187 189

HSL 180.77, 0.7%, 0.44%

LAB 69.15, -35.87, -11.81

 

CMYK 0 / 81 / 35 / 26

HEX #BC237B

RGB 188 35 123

HSL 325.49, 0.69%, 0.44%

LAB 43.25, 64.62, -11.54

 

CMYK 34 / 0 / 82 / 26

HEX #7DBD22

RGB 125 189 34

HSL 84.77, 0.7%, 0.44%

LAB 70.09, -42.6, 64.72

 

CMYK 82 / 34 / 0 / 26

HEX #227DBD

RGB 34 125 189

HSL 204.77, 0.7%, 0.44%

LAB 50.31, -3.13, -40.83

 

CMYK 0 / 81 / 35 / 26

HEX #BC237B

RGB 188 35 123

HSL 325.49, 0.69%, 0.44%

LAB 43.25, 64.62, -11.54

 

CMYK 0 / 31 / 82 / 26

HEX #BD8222

RGB 189 130 34

HSL 37.16, 0.7%, 0.44%

LAB 58.88, 14.84, 56.71

 

CMYK 82 / 0 / 48 / 26

HEX #22BD63

RGB 34 189 99

HSL 145.16, 0.7%, 0.44%

LAB 67.75, -58.2, 34.72

 

CMYK 82 / 50 / 0 / 26

HEX #225EBD

RGB 34 94 189

HSL 216.77, 0.7%, 0.44%

LAB 41.25, 16.34, -55.32

 

CMYK 0 / 81 / 35 / 26

HEX #BC237B

RGB 188 35 123

HSL 325.49, 0.69%, 0.44%

LAB 43.25, 64.62, -11.54

 

CMYK 0 / 7 / 82 / 26

HEX #BDB022

RGB 189 176 34

HSL 54.97, 0.7%, 0.44%

LAB 70.86, -9.97, 67.13

 

CMYK 82 / 0 / 48 / 26

HEX #22BD63

RGB 34 189 99

HSL 145.16, 0.7%, 0.44%

LAB 67.75, -58.2, 34.72

 

CMYK 82 / 75 / 0 / 26

HEX #222FBD

RGB 34 47 189

HSL 234.97, 0.7%, 0.44%

LAB 29.53, 46.38, -74.49

 

Description

Color code: HEX #BC237B | qconv.com Color code: HEX #BC237B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 35 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 35 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 35 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 35% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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