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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC2CFB it is the complementary color #43D304. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC2CFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC2CFB shade: #C12CF6, #D23EFF, #E350FF, #F462FF and #FF74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC2CFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC2CFB shade: #BC2CFB, #AB1AE8, #9A08D5, #8900C2 and #7800AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC2CFB shade: #BC2DFA, #F32DFA, #FA2DCA, #FA2D92 and #FA2D5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC2CFB shade: #BC2DFA, #842DFA, #4D2DFA and #2D2DFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC2CFB shade matches the following richer shades: #BC2DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC2CFB shade: #BC2DFA, #B53EE9, #AE4FD8, #A761C6 and #A172B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC2CFB shade: #4B2DFA, #822DFA, #B92DFA, #F02DFA and #FA2DCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC2CFB shade: #9204D1, #AF05F9, #BC2DFA, #C955FB and #D57DFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC2CFB shade: #BC2CFB, #FA2D45 and #2DFA67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC2CFB shade: #BC2CFB, #FAB92D and #2DFAB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC2CFB shade: #BC2CFB, #FA2D45, #6EFA2D and #2DFAE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC2CFB shade: #BC2CFB, #FA522D, #6EFA2D and #2DD5FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 82 / 0 / 2

HEX #BC2CFB

RGB 188 44 251

HSL 281.74, 0.96%, 0.58%

LAB 51.22, 81.98, -73.84

 

Complementary color

CMYK 68 / 0 / 98 / 17

HEX #43D304

RGB 67 211 4

HSL 101.74, 0.96%, 0.42%

LAB 74.69, -67.88, 72.64

 

CMYK 22 / 82 / 0 / 4

HEX #C12CF6

RGB 193 44 246

HSL 284.26, 0.92%, 0.57%

LAB 51.6, 81.83, -70.39

 

CMYK 18 / 76 / 0 / 0

HEX #D23EFF

RGB 210 62 255

HSL 286.01, 1%, 0.62%

LAB 56.45, 81.26, -67.44

 

CMYK 11 / 69 / 0 / 0

HEX #E350FF

RGB 227 80 255

HSL 290.4, 1%, 0.66%

LAB 61.04, 78.45, -59.95

 

CMYK 4 / 62 / 0 / 0

HEX #F462FF

RGB 244 98 255

HSL 295.8, 1%, 0.69%

LAB 65.9, 75.27, -52.07

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 25 / 82 / 0 / 2

HEX #BC2CFB

RGB 188 44 251

HSL 281.74, 0.96%, 0.58%

LAB 51.22, 81.98, -73.84

 

CMYK 26 / 89 / 0 / 9

HEX #AB1AE8

RGB 171 26 232

HSL 282.23, 0.82%, 0.51%

LAB 45.94, 79.88, -71.87

 

CMYK 28 / 96 / 0 / 16

HEX #9A08D5

RGB 154 8 213

HSL 282.73, 0.93%, 0.43%

LAB 40.97, 76.58, -69.22

 

CMYK 29 / 100 / 0 / 24

HEX #8900C2

RGB 137 0 194

HSL 282.37, 1%, 0.38%

LAB 36.39, 71.84, -65.76

 

CMYK 31 / 100 / 0 / 31

HEX #7800AF

RGB 120 0 175

HSL 281.14, 1%, 0.34%

LAB 32.01, 66.15, -61.78

 

CMYK 25 / 82 / 0 / 2

HEX #BC2DFA

RGB 188 45 250

HSL 281.85, 0.95%, 0.58%

LAB 51.23, 81.53, -73.26

 

CMYK 3 / 82 / 0 / 2

HEX #F32DFA

RGB 243 45 250

HSL 297.95, 0.95%, 0.58%

LAB 59.74, 90.59, -59.11

 

CMYK 0 / 82 / 19 / 2

HEX #FA2DCA

RGB 250 45 202

HSL 314.05, 0.95%, 0.58%

LAB 58.48, 85.35, -33.99

 

CMYK 0 / 82 / 42 / 2

HEX #FA2D92

RGB 250 45 146

HSL 330.44, 0.95%, 0.58%

LAB 56.36, 79.37, -4.62

 

CMYK 0 / 82 / 64 / 2

HEX #FA2D5B

RGB 250 45 91

HSL 346.54, 0.95%, 0.58%

LAB 55.03, 75.44, 26.3

 

CMYK 25 / 82 / 0 / 2

HEX #BC2DFA

RGB 188 45 250

HSL 281.85, 0.95%, 0.58%

LAB 51.23, 81.53, -73.26

 

CMYK 47 / 82 / 0 / 2

HEX #842DFA

RGB 132 45 250

HSL 265.46, 0.95%, 0.58%

LAB 43.78, 73.88, -85.76

 

CMYK 69 / 82 / 0 / 2

HEX #4D2DFA

RGB 77 45 250

HSL 249.37, 0.95%, 0.58%

LAB 38.48, 68.68, -94.69

 

CMYK 82 / 82 / 0 / 2

HEX #2D2DFA

RGB 45 45 250

HSL 240, 0.95%, 0.58%

LAB 36.62, 66.93, -97.81

 

CMYK 25 / 82 / 0 / 2

HEX #BC2DFA

RGB 188 45 250

HSL 281.85, 0.95%, 0.58%

LAB 51.23, 81.53, -73.26

 

CMYK 25 / 82 / 0 / 2

HEX #BC2DFA

RGB 188 45 250

HSL 281.85, 0.95%, 0.58%

LAB 51.23, 81.53, -73.26

 

CMYK 22 / 73 / 0 / 9

HEX #B53EE9

RGB 181 62 233

HSL 281.75, 0.8%, 0.58%

LAB 50.86, 71.83, -64.37

 

CMYK 19 / 63 / 0 / 15

HEX #AE4FD8

RGB 174 79 216

HSL 281.61, 0.64%, 0.58%

LAB 51.32, 59.98, -54.05

 

CMYK 16 / 51 / 0 / 22

HEX #A761C6

RGB 167 97 198

HSL 281.58, 0.47%, 0.58%

LAB 52.78, 45.5, -41.51

 

CMYK 11 / 37 / 0 / 29

HEX #A172B5

RGB 161 114 181

HSL 282.09, 0.31%, 0.58%

LAB 55.02, 30.71, -28.29

 

CMYK 70 / 82 / 0 / 2

HEX #4B2DFA

RGB 75 45 250

HSL 248.78, 0.95%, 0.58%

LAB 38.33, 68.54, -94.93

 

CMYK 48 / 82 / 0 / 2

HEX #822DFA

RGB 130 45 250

HSL 264.88, 0.95%, 0.58%

LAB 43.54, 73.64, -86.15

 

CMYK 26 / 82 / 0 / 2

HEX #B92DFA

RGB 185 45 250

HSL 280.98, 0.95%, 0.58%

LAB 50.8, 81.08, -73.99

 

CMYK 4 / 82 / 0 / 2

HEX #F02DFA

RGB 240 45 250

HSL 297.07, 0.95%, 0.58%

LAB 59.25, 90.07, -59.91

 

CMYK 0 / 82 / 18 / 2

HEX #FA2DCE

RGB 250 45 206

HSL 312.88, 0.95%, 0.58%

LAB 58.66, 85.84, -36

 

CMYK 30 / 98 / 0 / 18

HEX #9204D1

RGB 146 4 209

HSL 281.56, 0.96%, 0.42%

LAB 39.24, 75.28, -69.78

 

CMYK 30 / 98 / 0 / 2

HEX #AF05F9

RGB 175 5 249

HSL 281.8, 0.96%, 0.5%

LAB 47.06, 86.02, -79.59

 

CMYK 25 / 82 / 0 / 2

HEX #BC2DFA

RGB 188 45 250

HSL 281.85, 0.95%, 0.58%

LAB 51.23, 81.53, -73.26

 

CMYK 20 / 66 / 0 / 2

HEX #C955FB

RGB 201 85 251

HSL 281.93, 0.95%, 0.66%

LAB 57.92, 70.34, -62.92

 

CMYK 15 / 50 / 0 / 1

HEX #D57DFC

RGB 213 125 252

HSL 281.57, 0.95%, 0.74%

LAB 66.4, 54.67, -49.88

 

CMYK 25 / 82 / 0 / 2

HEX #BC2CFB

RGB 188 44 251

HSL 281.74, 0.96%, 0.58%

LAB 51.22, 81.98, -73.84

 

CMYK 0 / 82 / 72 / 2

HEX #FA2D45

RGB 250 45 69

HSL 352.98, 0.95%, 0.58%

LAB 54.69, 74.43, 38.76

 

CMYK 82 / 0 / 59 / 2

HEX #2DFA67

RGB 45 250 103

HSL 136.98, 0.95%, 0.58%

LAB 86.95, -76.34, 56.13

 

CMYK 25 / 82 / 0 / 2

HEX #BC2CFB

RGB 188 44 251

HSL 281.74, 0.96%, 0.58%

LAB 51.22, 81.98, -73.84

 

CMYK 0 / 26 / 82 / 2

HEX #FAB92D

RGB 250 185 45

HSL 40.98, 0.95%, 0.58%

LAB 79.16, 12.07, 73.47

 

CMYK 82 / 0 / 26 / 2

HEX #2DFAB9

RGB 45 250 185

HSL 160.98, 0.95%, 0.58%

LAB 88.18, -62.17, 17.9

 

CMYK 25 / 82 / 0 / 2

HEX #BC2CFB

RGB 188 44 251

HSL 281.74, 0.96%, 0.58%

LAB 51.22, 81.98, -73.84

 

CMYK 0 / 82 / 72 / 2

HEX #FA2D45

RGB 250 45 69

HSL 352.98, 0.95%, 0.58%

LAB 54.69, 74.43, 38.76

 

CMYK 56 / 0 / 82 / 2

HEX #6EFA2D

RGB 110 250 45

HSL 100.98, 0.95%, 0.58%

LAB 87.91, -69.82, 77.75

 

CMYK 82 / 0 / 10 / 2

HEX #2DFAE2

RGB 45 250 226

HSL 172.98, 0.95%, 0.58%

LAB 89.12, -52.2, -1.99

 

CMYK 25 / 82 / 0 / 2

HEX #BC2CFB

RGB 188 44 251

HSL 281.74, 0.96%, 0.58%

LAB 51.22, 81.98, -73.84

 

CMYK 0 / 67 / 82 / 2

HEX #FA522D

RGB 250 82 45

HSL 10.83, 0.95%, 0.58%

LAB 58.55, 62.23, 55.31

 

CMYK 56 / 0 / 82 / 2

HEX #6EFA2D

RGB 110 250 45

HSL 100.98, 0.95%, 0.58%

LAB 87.91, -69.82, 77.75

 

CMYK 82 / 15 / 0 / 2

HEX #2DD5FA

RGB 45 213 250

HSL 190.83, 0.95%, 0.58%

LAB 79.07, -28.55, -29.74

 

Description

Color code: HEX #BC2CFB | qconv.com Color code: HEX #BC2CFB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 44 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 44 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 82 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 82% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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