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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC2FC5 it is the complementary color #43D03A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC2FC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC2FC5 shade: #C12FC0, #D241D3, #E353E6, #F465F9 and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC2FC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC2FC5 shade: #BC2FC5, #AB1DB2, #9A0B9F, #89008C and #780079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC2FC5 shade: #BC2FC5, #C52FA5, #C52F7D, #C52F55 and #C52F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC2FC5 shade: #BC2FC5, #932FC5, #6B2FC5, #432FC5 and #2F2FC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC2FC5 shade matches the following richer shades: #BC2FC5, #CD1BD8 and #DE08EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC2FC5 shade: #BC2FC5, #AA43B1, #99579D, #876B89 and #767E75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC2FC5 shade: #6B2FC5, #932FC5, #BB2FC5, #C52FA7 and #C52F7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC2FC5 shade: #7C1F82, #9C27A3, #BC2FC5, #CB4AD3 and #D46BDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC2FC5 shade: #BC2FC5, #C5432F and #2FC57F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC2FC5 shade: #BC2FC5, #C5BB2F and #2FC5BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC2FC5 shade: #BC2FC5, #C5432F, #39C52F and #2FB1C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC2FC5 shade: #BC2FC5, #C5702F, #39C52F and #2F84C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 76 / 0 / 23

HEX #BC2FC5

RGB 188 47 197

HSL 296.4, 0.61%, 0.48%

LAB 47.95, 71.58, -48.42

 

Complementary color

CMYK 68 / 0 / 72 / 18

HEX #43D03A

RGB 67 208 58

HSL 116.4, 0.61%, 0.52%

LAB 73.94, -64.63, 60.12

 

CMYK 0 / 76 / 1 / 24

HEX #C12FC0

RGB 193 47 192

HSL 300.41, 0.61%, 0.47%

LAB 48.48, 71.78, -44.62

 

CMYK 0 / 69 / 0 / 17

HEX #D241D3

RGB 210 65 211

HSL 299.59, 0.62%, 0.54%

LAB 54.22, 72.71, -46.28

 

CMYK 1 / 64 / 0 / 10

HEX #E353E6

RGB 227 83 230

HSL 298.78, 0.75%, 0.61%

LAB 60.1, 73.07, -47.54

 

CMYK 2 / 59 / 0 / 2

HEX #F465F9

RGB 244 101 249

HSL 297.97, 0.93%, 0.69%

LAB 66.04, 73.03, -48.54

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 5 / 76 / 0 / 23

HEX #BC2FC5

RGB 188 47 197

HSL 296.4, 0.61%, 0.48%

LAB 47.95, 71.58, -48.42

 

CMYK 4 / 84 / 0 / 30

HEX #AB1DB2

RGB 171 29 178

HSL 297.18, 0.72%, 0.41%

LAB 42.39, 69.85, -46.35

 

CMYK 3 / 93 / 0 / 38

HEX #9A0B9F

RGB 154 11 159

HSL 297.97, 0.87%, 0.33%

LAB 37.14, 66.88, -43.56

 

CMYK 2 / 100 / 0 / 45

HEX #89008C

RGB 137 0 140

HSL 298.71, 1%, 0.27%

LAB 32.28, 62.38, -39.88

 

CMYK 1 / 100 / 0 / 53

HEX #780079

RGB 120 0 121

HSL 299.5, 1%, 0.24%

LAB 27.77, 56.43, -35.37

 

CMYK 5 / 76 / 0 / 23

HEX #BC2FC5

RGB 188 47 197

HSL 296.4, 0.61%, 0.48%

LAB 47.95, 71.58, -48.42

 

CMYK 0 / 76 / 16 / 23

HEX #C52FA5

RGB 197 47 165

HSL 312.8, 0.61%, 0.48%

LAB 47.78, 68.66, -29.83

 

CMYK 0 / 76 / 37 / 23

HEX #C52F7D

RGB 197 47 125

HSL 328.8, 0.61%, 0.48%

LAB 46.16, 63.76, -8.22

 

CMYK 0 / 76 / 57 / 23

HEX #C52F55

RGB 197 47 85

HSL 344.8, 0.61%, 0.48%

LAB 45.02, 60.21, 14.83

 

CMYK 0 / 76 / 76 / 23

HEX #C52F2F

RGB 197 47 47

HSL 0, 0.61%, 0.48%

LAB 44.39, 58.16, 36.98

 

CMYK 5 / 76 / 0 / 23

HEX #BC2FC5

RGB 188 47 197

HSL 296.4, 0.61%, 0.48%

LAB 47.95, 71.58, -48.42

 

CMYK 25 / 76 / 0 / 23

HEX #932FC5

RGB 147 47 197

HSL 280, 0.61%, 0.48%

LAB 41.64, 63.71, -58.91

 

CMYK 46 / 76 / 0 / 23

HEX #6B2FC5

RGB 107 47 197

HSL 264, 0.61%, 0.48%

LAB 36.35, 56.95, -67.75

 

CMYK 66 / 76 / 0 / 23

HEX #432FC5

RGB 67 47 197

HSL 248, 0.61%, 0.48%

LAB 32.39, 51.73, -74.41

 

CMYK 76 / 76 / 0 / 23

HEX #2F2FC5

RGB 47 47 197

HSL 240, 0.61%, 0.48%

LAB 31.04, 49.92, -76.68

 

CMYK 5 / 76 / 0 / 23

HEX #BC2FC5

RGB 188 47 197

HSL 296.4, 0.61%, 0.48%

LAB 47.95, 71.58, -48.42

 

CMYK 5 / 88 / 0 / 15

HEX #CD1BD8

RGB 205 27 216

HSL 296.51, 0.78%, 0.48%

LAB 50.36, 82.19, -55.34

 

CMYK 6 / 97 / 0 / 7

HEX #DE08EC

RGB 222 8 236

HSL 296.32, 0.93%, 0.48%

LAB 53.77, 89.97, -61.05

 

CMYK 5 / 76 / 0 / 23

HEX #BC2FC5

RGB 188 47 197

HSL 296.4, 0.61%, 0.48%

LAB 47.95, 71.58, -48.42

 

CMYK 4 / 62 / 0 / 31

HEX #AA43B1

RGB 170 67 177

HSL 296.18, 0.45%, 0.48%

LAB 46.62, 56.79, -39.03

 

CMYK 3 / 45 / 0 / 38

HEX #99579D

RGB 153 87 157

HSL 296.57, 0.29%, 0.48%

LAB 47, 38.33, -26.79

 

CMYK 1 / 22 / 0 / 46

HEX #876B89

RGB 135 107 137

HSL 296, 0.12%, 0.48%

LAB 48.85, 16.7, -12.27

 

CMYK 6 / 0 / 7 / 51

HEX #767E75

RGB 118 126 117

HSL 113.33, 0.04%, 0.48%

LAB 51.9, -4.79, 3.87

 

CMYK 46 / 76 / 0 / 23

HEX #6B2FC5

RGB 107 47 197

HSL 264, 0.61%, 0.48%

LAB 36.35, 56.95, -67.75

 

CMYK 25 / 76 / 0 / 23

HEX #932FC5

RGB 147 47 197

HSL 280, 0.61%, 0.48%

LAB 41.64, 63.71, -58.91

 

CMYK 5 / 76 / 0 / 23

HEX #BB2FC5

RGB 187 47 197

HSL 296, 0.61%, 0.48%

LAB 47.79, 71.38, -48.69

 

CMYK 0 / 76 / 15 / 23

HEX #C52FA7

RGB 197 47 167

HSL 312, 0.61%, 0.48%

LAB 47.87, 68.93, -30.87

 

CMYK 0 / 76 / 36 / 23

HEX #C52F7F

RGB 197 47 127

HSL 328, 0.61%, 0.48%

LAB 46.23, 63.98, -9.34

 

CMYK 5 / 76 / 0 / 49

HEX #7C1F82

RGB 124 31 130

HSL 296.36, 0.61%, 0.32%

LAB 31.52, 51.65, -35.01

 

CMYK 4 / 76 / 0 / 36

HEX #9C27A3

RGB 156 39 163

HSL 296.61, 0.61%, 0.4%

LAB 39.85, 61.74, -41.61

 

CMYK 5 / 76 / 0 / 23

HEX #BC2FC5

RGB 188 47 197

HSL 296.4, 0.61%, 0.48%

LAB 47.95, 71.58, -48.42

 

CMYK 4 / 65 / 0 / 17

HEX #CB4AD3

RGB 203 74 211

HSL 296.5, 0.61%, 0.56%

LAB 54.34, 67.83, -46.16

 

CMYK 3 / 51 / 0 / 14

HEX #D46BDB

RGB 212 107 219

HSL 296.25, 0.61%, 0.64%

LAB 61.33, 56.94, -39.58

 

CMYK 5 / 76 / 0 / 23

HEX #BC2FC5

RGB 188 47 197

HSL 296.4, 0.61%, 0.48%

LAB 47.95, 71.58, -48.42

 

CMYK 0 / 66 / 76 / 23

HEX #C5432F

RGB 197 67 47

HSL 8, 0.61%, 0.48%

LAB 47.09, 50.73, 39.9

 

CMYK 76 / 0 / 36 / 23

HEX #2FC57F

RGB 47 197 127

HSL 152, 0.61%, 0.48%

LAB 70.92, -54.42, 24.39

 

CMYK 5 / 76 / 0 / 23

HEX #BC2FC5

RGB 188 47 197

HSL 296.4, 0.61%, 0.48%

LAB 47.95, 71.58, -48.42

 

CMYK 0 / 5 / 76 / 23

HEX #C5BB2F

RGB 197 187 47

HSL 56, 0.61%, 0.48%

LAB 74.58, -11.7, 66.84

 

CMYK 76 / 0 / 5 / 23

HEX #2FC5BB

RGB 47 197 187

HSL 176, 0.61%, 0.48%

LAB 72.31, -39.81, -5.99

 

CMYK 5 / 76 / 0 / 23

HEX #BC2FC5

RGB 188 47 197

HSL 296.4, 0.61%, 0.48%

LAB 47.95, 71.58, -48.42

 

CMYK 0 / 66 / 76 / 23

HEX #C5432F

RGB 197 67 47

HSL 8, 0.61%, 0.48%

LAB 47.09, 50.73, 39.9

 

CMYK 71 / 0 / 76 / 23

HEX #39C52F

RGB 57 197 47

HSL 116, 0.61%, 0.48%

LAB 70.18, -63.7, 60.08

 

CMYK 76 / 10 / 0 / 23

HEX #2FB1C5

RGB 47 177 197

HSL 188, 0.61%, 0.48%

LAB 66.58, -27.38, -20.09

 

CMYK 5 / 76 / 0 / 23

HEX #BC2FC5

RGB 188 47 197

HSL 296.4, 0.61%, 0.48%

LAB 47.95, 71.58, -48.42

 

CMYK 0 / 43 / 76 / 23

HEX #C5702F

RGB 197 112 47

HSL 26, 0.61%, 0.48%

LAB 55.75, 28.63, 48.84

 

CMYK 71 / 0 / 76 / 23

HEX #39C52F

RGB 57 197 47

HSL 116, 0.61%, 0.48%

LAB 70.18, -63.7, 60.08

 

CMYK 76 / 33 / 0 / 23

HEX #2F84C5

RGB 47 132 197

HSL 206, 0.61%, 0.48%

LAB 53.1, -2.94, -40.98

 

Description

Color code: HEX #BC2FC5 | qconv.com Color code: HEX #BC2FC5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 47 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 47 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 76 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 76% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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