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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC337D it is the complementary color #43CC82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC337D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC337D shade: #C13378, #D2458B, #E3579E, #F469B1 and #FF7BC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC337D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC337D shade: #BC337D, #AB216A, #9A0F57, #890044 and #780031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC337D shade: #BC337D, #BC3358, #BC3333 and #BC3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC337D shade: #BC337D, #BC33A2, #B133BC, #8C33BC and #6733BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC337D shade matches the following richer shades: #BC337D, #CF207E and #E20C80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC337D shade: #BC337D, #A8467B, #955A7A, #816D78 and #6E8177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC337D shade: #B033BC, #BC33A3, #BC337E, #BC335A and #BC3335

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC337D shade: #7B2152, #9B2A67, #BC337D, #CD4B91 and #D66BA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC337D shade: #BC337D, #BC8C33 and #33B5BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC337D shade: #BC337D, #7EBC33 and #337EBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC337D shade: #BC337D, #BC8C33, #33BC71 and #3363BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC337D shade: #BC337D, #BCB533, #33BC71 and #333ABC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 34 / 26

HEX #BC337D

RGB 188 51 125

HSL 327.59, 0.57%, 0.47%

LAB 45, 60.09, -10.12

 

Complementary color

CMYK 67 / 0 / 36 / 20

HEX #43CC82

RGB 67 204 130

HSL 147.59, 0.57%, 0.53%

LAB 73.54, -53.5, 26.41

 

CMYK 0 / 74 / 38 / 24

HEX #C13378

RGB 193 51 120

HSL 330.85, 0.58%, 0.48%

LAB 45.72, 60.89, -5.89

 

CMYK 0 / 67 / 34 / 18

HEX #D2458B

RGB 210 69 139

HSL 330.21, 0.61%, 0.55%

LAB 51.64, 61.19, -8.25

 

CMYK 0 / 62 / 30 / 11

HEX #E3579E

RGB 227 87 158

HSL 329.57, 0.71%, 0.62%

LAB 57.67, 61.04, -10.14

 

CMYK 0 / 57 / 27 / 4

HEX #F469B1

RGB 244 105 177

HSL 328.92, 0.86%, 0.68%

LAB 63.76, 60.62, -11.7

 

CMYK 0 / 52 / 23 / 0

HEX #FF7BC4

RGB 255 123 196

HSL 326.82, 1%, 0.74%

LAB 69.05, 58.21, -14.33

 

CMYK 0 / 73 / 34 / 26

HEX #BC337D

RGB 188 51 125

HSL 327.59, 0.57%, 0.47%

LAB 45, 60.09, -10.12

 

CMYK 0 / 81 / 38 / 33

HEX #AB216A

RGB 171 33 106

HSL 328.26, 0.68%, 0.4%

LAB 39.22, 59.09, -7.32

 

CMYK 0 / 90 / 44 / 40

HEX #9A0F57

RGB 154 15 87

HSL 328.92, 0.82%, 0.33%

LAB 33.77, 56.96, -3.63

 

CMYK 0 / 100 / 50 / 46

HEX #890044

RGB 137 0 68

HSL 330.22, 1%, 0.27%

LAB 28.74, 53.47, 1.12

 

CMYK 0 / 100 / 59 / 53

HEX #780031

RGB 120 0 49

HSL 335.5, 1%, 0.24%

LAB 24.37, 47.82, 7.36

 

CMYK 0 / 73 / 34 / 26

HEX #BC337D

RGB 188 51 125

HSL 327.59, 0.57%, 0.47%

LAB 45, 60.09, -10.12

 

CMYK 0 / 73 / 53 / 26

HEX #BC3358

RGB 188 51 88

HSL 343.8, 0.57%, 0.47%

LAB 43.89, 56.48, 11.14

 

CMYK 0 / 73 / 73 / 26

HEX #BC3333

RGB 188 51 51

HSL 0, 0.57%, 0.47%

LAB 43.21, 54.19, 32.88

 

CMYK 0 / 73 / 73 / 26

HEX #BC3333

RGB 188 51 51

HSL 0, 0.57%, 0.47%

LAB 43.21, 54.19, 32.88

 

CMYK 0 / 73 / 34 / 26

HEX #BC337D

RGB 188 51 125

HSL 327.59, 0.57%, 0.47%

LAB 45, 60.09, -10.12

 

CMYK 0 / 73 / 14 / 26

HEX #BC33A2

RGB 188 51 162

HSL 311.39, 0.57%, 0.47%

LAB 46.54, 64.89, -30.1

 

CMYK 6 / 73 / 0 / 26

HEX #B133BC

RGB 177 51 188

HSL 295.18, 0.57%, 0.47%

LAB 46.1, 66.55, -46.23

 

CMYK 26 / 73 / 0 / 26

HEX #8C33BC

RGB 140 51 188

HSL 278.98, 0.57%, 0.47%

LAB 40.53, 58.97, -55.48

 

CMYK 45 / 73 / 0 / 26

HEX #6733BC

RGB 103 51 188

HSL 262.77, 0.57%, 0.47%

LAB 35.76, 52.15, -63.46

 

CMYK 0 / 73 / 34 / 26

HEX #BC337D

RGB 188 51 125

HSL 327.59, 0.57%, 0.47%

LAB 45, 60.09, -10.12

 

CMYK 0 / 85 / 39 / 19

HEX #CF207E

RGB 207 32 126

HSL 327.77, 0.73%, 0.47%

LAB 46.72, 70.15, -7.8

 

CMYK 0 / 95 / 43 / 11

HEX #E20C80

RGB 226 12 128

HSL 327.48, 0.9%, 0.47%

LAB 49.48, 77.45, -4.51

 

CMYK 0 / 73 / 34 / 26

HEX #BC337D

RGB 188 51 125

HSL 327.59, 0.57%, 0.47%

LAB 45, 60.09, -10.12

 

CMYK 0 / 58 / 27 / 34

HEX #A8467B

RGB 168 70 123

HSL 327.55, 0.41%, 0.47%

LAB 44.43, 46.14, -10.09

 

CMYK 0 / 40 / 18 / 42

HEX #955A7A

RGB 149 90 122

HSL 327.46, 0.25%, 0.47%

LAB 45.78, 28.92, -7.73

 

CMYK 0 / 16 / 7 / 49

HEX #816D78

RGB 129 109 120

HSL 327, 0.08%, 0.47%

LAB 48.21, 9.9, -3.17

 

CMYK 15 / 0 / 8 / 49

HEX #6E8177

RGB 110 129 119

HSL 148.42, 0.08%, 0.47%

LAB 52.23, -9.04, 3.09

 

CMYK 6 / 73 / 0 / 26

HEX #B033BC

RGB 176 51 188

HSL 294.74, 0.57%, 0.47%

LAB 45.95, 66.34, -46.49

 

CMYK 0 / 73 / 13 / 26

HEX #BC33A3

RGB 188 51 163

HSL 310.95, 0.57%, 0.47%

LAB 46.58, 65.04, -30.62

 

CMYK 0 / 73 / 33 / 26

HEX #BC337E

RGB 188 51 126

HSL 327.15, 0.57%, 0.47%

LAB 45.03, 60.2, -10.68

 

CMYK 0 / 73 / 52 / 26

HEX #BC335A

RGB 188 51 90

HSL 342.92, 0.57%, 0.47%

LAB 43.94, 56.64, 9.96

 

CMYK 0 / 73 / 72 / 26

HEX #BC3335

RGB 188 51 53

HSL 359.12, 0.57%, 0.47%

LAB 43.24, 54.28, 31.73

 

CMYK 0 / 73 / 33 / 52

HEX #7B2152

RGB 123 33 82

HSL 327.33, 0.58%, 0.31%

LAB 29.18, 43.14, -7.86

 

CMYK 0 / 73 / 34 / 39

HEX #9B2A67

RGB 155 42 103

HSL 327.61, 0.57%, 0.39%

LAB 37.12, 51.6, -8.87

 

CMYK 0 / 73 / 34 / 26

HEX #BC337D

RGB 188 51 125

HSL 327.59, 0.57%, 0.47%

LAB 45, 60.09, -10.12

 

CMYK 0 / 63 / 29 / 20

HEX #CD4B91

RGB 205 75 145

HSL 327.69, 0.57%, 0.55%

LAB 51.9, 58.05, -11.51

 

CMYK 0 / 50 / 23 / 16

HEX #D66BA5

RGB 214 107 165

HSL 327.48, 0.57%, 0.63%

LAB 59.46, 48.75, -11.71

 

CMYK 0 / 73 / 34 / 26

HEX #BC337D

RGB 188 51 125

HSL 327.59, 0.57%, 0.47%

LAB 45, 60.09, -10.12

 

CMYK 0 / 26 / 73 / 26

HEX #BC8C33

RGB 188 140 51

HSL 38.98, 0.57%, 0.47%

LAB 61.38, 9.57, 52.38

 

CMYK 73 / 4 / 0 / 26

HEX #33B5BC

RGB 51 181 188

HSL 183.07, 0.57%, 0.47%

LAB 67.56, -31.64, -13.62

 

CMYK 0 / 73 / 34 / 26

HEX #BC337D

RGB 188 51 125

HSL 327.59, 0.57%, 0.47%

LAB 45, 60.09, -10.12

 

CMYK 33 / 0 / 73 / 26

HEX #7EBC33

RGB 126 188 51

HSL 87.15, 0.57%, 0.47%

LAB 69.92, -40.93, 59.3

 

CMYK 73 / 33 / 0 / 26

HEX #337EBC

RGB 51 126 188

HSL 207.15, 0.57%, 0.47%

LAB 50.99, -2.12, -39.17

 

CMYK 0 / 73 / 34 / 26

HEX #BC337D

RGB 188 51 125

HSL 327.59, 0.57%, 0.47%

LAB 45, 60.09, -10.12

 

CMYK 0 / 26 / 73 / 26

HEX #BC8C33

RGB 188 140 51

HSL 38.98, 0.57%, 0.47%

LAB 61.38, 9.57, 52.38

 

CMYK 73 / 0 / 40 / 26

HEX #33BC71

RGB 51 188 113

HSL 147.15, 0.57%, 0.47%

LAB 67.92, -53.2, 27.77

 

CMYK 73 / 47 / 0 / 26

HEX #3363BC

RGB 51 99 188

HSL 218.98, 0.57%, 0.47%

LAB 43.15, 14.67, -51.65

 

CMYK 0 / 73 / 34 / 26

HEX #BC337D

RGB 188 51 125

HSL 327.59, 0.57%, 0.47%

LAB 45, 60.09, -10.12

 

CMYK 0 / 4 / 73 / 26

HEX #BCB533

RGB 188 181 51

HSL 56.93, 0.57%, 0.47%

LAB 72.21, -12.34, 63

 

CMYK 73 / 0 / 40 / 26

HEX #33BC71

RGB 51 188 113

HSL 147.15, 0.57%, 0.47%

LAB 67.92, -53.2, 27.77

 

CMYK 73 / 69 / 0 / 26

HEX #333ABC

RGB 51 58 188

HSL 236.93, 0.57%, 0.47%

LAB 32.61, 40.98, -68.78

 

Description

Color code: HEX #BC337D | qconv.com Color code: HEX #BC337D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 51 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 51 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 34 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 34% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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