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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC3C62 it is the complementary color #43C39D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC3C62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC3C62 shade: #C13C5D, #D24E70, #E36083, #F47296 and #FF84A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC3C62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC3C62 shade: #BC3C62, #AB2A4F, #9A183C, #890629 and #780016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC3C62 shade: #BD3B62, #BD3B3F and #BD3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC3C62 shade: #BD3B62, #BD3B85, #BD3BA8, #B03BBD and #8D3BBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC3C62 shade matches the following richer shades: #BD3B62, #D2275A and #E61352

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC3C62 shade: #BD3B62, #A9506A, #956472, #81787B and #6D8C83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC3C62 shade: #BD3BA8, #BD3B85, #BD3B62, #BD3B40 and #BD5A3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC3C62 shade: #7F2842, #9E3252, #BD3B62, #CA587A and #D47893

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC3C62 shade: #BC3C62, #BDB03B and #3B96BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC3C62 shade: #BC3C62, #62BD3B and #3B62BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC3C62 shade: #BC3C62, #BDB03B, #3BBD96 and #3B48BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC3C62 shade: #BC3C62, #A3BD3B, #3BBD96 and #553BBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 48 / 26

HEX #BC3C62

RGB 188 60 98

HSL 342.19, 0.52%, 0.49%

LAB 45.37, 53.96, 7.02

 

Complementary color

CMYK 66 / 0 / 19 / 24

HEX #43C39D

RGB 67 195 157

HSL 162.19, 0.52%, 0.51%

LAB 71.32, -44.03, 8.93

 

CMYK 0 / 69 / 52 / 24

HEX #C13C5D

RGB 193 60 93

HSL 345.11, 0.53%, 0.5%

LAB 46.12, 55.06, 11.29

 

CMYK 0 / 63 / 47 / 18

HEX #D24E70

RGB 210 78 112

HSL 344.55, 0.59%, 0.56%

LAB 52.2, 54.7, 8.73

 

CMYK 0 / 58 / 42 / 11

HEX #E36083

RGB 227 96 131

HSL 343.97, 0.7%, 0.63%

LAB 58.35, 54.07, 6.63

 

CMYK 0 / 53 / 39 / 4

HEX #F47296

RGB 244 114 150

HSL 343.38, 0.86%, 0.7%

LAB 64.54, 53.3, 4.87

 

CMYK 0 / 48 / 34 / 0

HEX #FF84A9

RGB 255 132 169

HSL 341.95, 1%, 0.76%

LAB 69.91, 50.47, 2.09

 

CMYK 0 / 68 / 48 / 26

HEX #BC3C62

RGB 188 60 98

HSL 342.19, 0.52%, 0.49%

LAB 45.37, 53.96, 7.02

 

CMYK 0 / 75 / 54 / 33

HEX #AB2A4F

RGB 171 42 79

HSL 342.79, 0.61%, 0.42%

LAB 39.37, 53.84, 10.02

 

CMYK 0 / 84 / 61 / 40

HEX #9A183C

RGB 154 24 60

HSL 343.38, 0.73%, 0.35%

LAB 33.67, 52.89, 13.88

 

CMYK 0 / 96 / 70 / 46

HEX #890629

RGB 137 6 41

HSL 343.97, 0.92%, 0.28%

LAB 28.4, 50.65, 18.87

 

CMYK 0 / 100 / 82 / 53

HEX #780016

RGB 120 0 22

HSL 349, 1%, 0.24%

LAB 23.84, 46.4, 25.13

 

CMYK 0 / 69 / 48 / 26

HEX #BD3B62

RGB 189 59 98

HSL 342, 0.52%, 0.49%

LAB 45.4, 54.66, 7.09

 

CMYK 0 / 69 / 67 / 26

HEX #BD3B3F

RGB 189 59 63

HSL 358.15, 0.52%, 0.49%

LAB 44.67, 52.08, 27.54

 

CMYK 0 / 69 / 69 / 26

HEX #BD3B3B

RGB 189 59 59

HSL 0, 0.52%, 0.49%

LAB 44.61, 51.87, 29.85

 

CMYK 0 / 69 / 48 / 26

HEX #BD3B62

RGB 189 59 98

HSL 342, 0.52%, 0.49%

LAB 45.4, 54.66, 7.09

 

CMYK 0 / 69 / 30 / 26

HEX #BD3B85

RGB 189 59 133

HSL 325.85, 0.52%, 0.49%

LAB 46.5, 58.41, -12.72

 

CMYK 0 / 69 / 11 / 26

HEX #BD3BA8

RGB 189 59 168

HSL 309.69, 0.52%, 0.49%

LAB 47.97, 63.23, -31.4

 

CMYK 7 / 69 / 0 / 26

HEX #B03BBD

RGB 176 59 189

HSL 294, 0.52%, 0.49%

LAB 47.02, 63.64, -45.37

 

CMYK 25 / 69 / 0 / 26

HEX #8D3BBD

RGB 141 59 189

HSL 277.85, 0.52%, 0.49%

LAB 41.95, 55.99, -53.78

 

CMYK 0 / 69 / 48 / 26

HEX #BD3B62

RGB 189 59 98

HSL 342, 0.52%, 0.49%

LAB 45.4, 54.66, 7.09

 

CMYK 0 / 81 / 57 / 18

HEX #D2275A

RGB 210 39 90

HSL 342.11, 0.69%, 0.49%

LAB 46.83, 66.36, 14.61

 

CMYK 0 / 92 / 64 / 10

HEX #E61352

RGB 230 19 82

HSL 342.09, 0.85%, 0.49%

LAB 49.37, 74.51, 23.62

 

CMYK 0 / 69 / 48 / 26

HEX #BD3B62

RGB 189 59 98

HSL 342, 0.52%, 0.49%

LAB 45.4, 54.66, 7.09

 

CMYK 0 / 53 / 37 / 34

HEX #A9506A

RGB 169 80 106

HSL 342.47, 0.36%, 0.49%

LAB 45.92, 39.3, 2.51

 

CMYK 0 / 33 / 23 / 42

HEX #956472

RGB 149 100 114

HSL 342.86, 0.2%, 0.49%

LAB 47.9, 21.89, 0.22

 

CMYK 0 / 7 / 5 / 49

HEX #81787B

RGB 129 120 123

HSL 340, 0.04%, 0.49%

LAB 51.3, 4.02, -0.41

 

CMYK 22 / 0 / 6 / 45

HEX #6D8C83

RGB 109 140 131

HSL 162.58, 0.12%, 0.49%

LAB 55.73, -12.88, 1.22

 

CMYK 0 / 69 / 11 / 26

HEX #BD3BA8

RGB 189 59 168

HSL 309.69, 0.52%, 0.49%

LAB 47.97, 63.23, -31.4

 

CMYK 0 / 69 / 30 / 26

HEX #BD3B85

RGB 189 59 133

HSL 325.85, 0.52%, 0.49%

LAB 46.5, 58.41, -12.72

 

CMYK 0 / 69 / 48 / 26

HEX #BD3B62

RGB 189 59 98

HSL 342, 0.52%, 0.49%

LAB 45.4, 54.66, 7.09

 

CMYK 0 / 69 / 66 / 26

HEX #BD3B40

RGB 189 59 64

HSL 357.69, 0.52%, 0.49%

LAB 44.68, 52.14, 26.96

 

CMYK 0 / 52 / 69 / 26

HEX #BD5A3B

RGB 189 90 59

HSL 14.31, 0.52%, 0.49%

LAB 50.03, 37.57, 36.26

 

CMYK 0 / 69 / 48 / 50

HEX #7F2842

RGB 127 40 66

HSL 342.07, 0.52%, 0.33%

LAB 30.46, 39.63, 4.67

 

CMYK 0 / 68 / 48 / 38

HEX #9E3252

RGB 158 50 82

HSL 342.22, 0.52%, 0.41%

LAB 38.13, 47.1, 6.01

 

CMYK 0 / 69 / 48 / 26

HEX #BD3B62

RGB 189 59 98

HSL 342, 0.52%, 0.49%

LAB 45.4, 54.66, 7.09

 

CMYK 0 / 56 / 40 / 21

HEX #CA587A

RGB 202 88 122

HSL 342.11, 0.52%, 0.57%

LAB 52.89, 48.58, 3.58

 

CMYK 0 / 43 / 31 / 17

HEX #D47893

RGB 212 120 147

HSL 342.39, 0.52%, 0.65%

LAB 61.25, 38.99, 1.28

 

CMYK 0 / 68 / 48 / 26

HEX #BC3C62

RGB 188 60 98

HSL 342.19, 0.52%, 0.49%

LAB 45.37, 53.96, 7.02

 

CMYK 0 / 7 / 69 / 26

HEX #BDB03B

RGB 189 176 59

HSL 54, 0.52%, 0.49%

LAB 71, -8.92, 58.83

 

CMYK 69 / 21 / 0 / 26

HEX #3B96BD

RGB 59 150 189

HSL 198, 0.52%, 0.49%

LAB 58.43, -14.31, -28.09

 

CMYK 0 / 68 / 48 / 26

HEX #BC3C62

RGB 188 60 98

HSL 342.19, 0.52%, 0.49%

LAB 45.37, 53.96, 7.02

 

CMYK 48 / 0 / 69 / 26

HEX #62BD3B

RGB 98 189 59

HSL 102, 0.52%, 0.49%

LAB 68.97, -50.13, 54.91

 

CMYK 69 / 48 / 0 / 26

HEX #3B62BD

RGB 59 98 189

HSL 222, 0.52%, 0.49%

LAB 43.27, 16.85, -52.02

 

CMYK 0 / 68 / 48 / 26

HEX #BC3C62

RGB 188 60 98

HSL 342.19, 0.52%, 0.49%

LAB 45.37, 53.96, 7.02

 

CMYK 0 / 7 / 69 / 26

HEX #BDB03B

RGB 189 176 59

HSL 54, 0.52%, 0.49%

LAB 71, -8.92, 58.83

 

CMYK 69 / 0 / 21 / 26

HEX #3BBD96

RGB 59 189 150

HSL 162, 0.52%, 0.49%

LAB 69.13, -44.44, 9.59

 

CMYK 69 / 62 / 0 / 26

HEX #3B48BD

RGB 59 72 189

HSL 234, 0.52%, 0.49%

LAB 36.44, 33.59, -63.09

 

CMYK 0 / 68 / 48 / 26

HEX #BC3C62

RGB 188 60 98

HSL 342.19, 0.52%, 0.49%

LAB 45.37, 53.96, 7.02

 

CMYK 14 / 0 / 69 / 26

HEX #A3BD3B

RGB 163 189 59

HSL 72, 0.52%, 0.49%

LAB 72.56, -26.47, 59.74

 

CMYK 69 / 0 / 21 / 26

HEX #3BBD96

RGB 59 189 150

HSL 162, 0.52%, 0.49%

LAB 69.13, -44.44, 9.59

 

CMYK 55 / 69 / 0 / 26

HEX #553BBD

RGB 85 59 189

HSL 252, 0.52%, 0.49%

LAB 35.47, 45.3, -64.6

 

Description

Color code: HEX #BC3C62 | qconv.com Color code: HEX #BC3C62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 60 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 60 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 48 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 48% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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