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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC4399 it is the complementary color #43BC66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC4399. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC4399 shade: #C14394, #D255A7, #E367BA, #F479CD and #FF8BE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC4399. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC4399 shade: #BC4399, #AB3186, #9A1F73, #890D60 and #78004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC4399 shade: #BB4398, #BB4378, #BB4358 and #BB4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC4399 shade: #BB4398, #BB43B9, #9D43BB, #7D43BB and #5C43BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC4399 shade matches the following richer shades: #BB4398, #D02EA1, #E41AAA and #F905B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC4399 shade: #BB4398, #A65890, #926C87, #7D817E and #689675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC4399 shade: #9D43BB, #BB43B9, #BB4399, #BB4379 and #BB4359

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC4399 shade: #7E2D67, #9D3880, #BB4398, #C661A9 and #D180B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC4399 shade: #BC4399, #BB7D43 and #43BBAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC4399 shade: #BC4399, #99BB43 and #4399BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC4399 shade: #BC4399, #BB7D43, #43BB65 and #4381BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC4399 shade: #BC4399, #BBA143, #43BB65 and #435DBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 19 / 26

HEX #BC4399

RGB 188 67 153

HSL 317.36, 0.47%, 0.5%

LAB 48.27, 57.63, -22.05

 

Complementary color

CMYK 64 / 0 / 46 / 26

HEX #43BC66

RGB 67 188 102

HSL 137.36, 0.47%, 0.5%

LAB 68.11, -52.34, 33.78

 

CMYK 0 / 65 / 23 / 24

HEX #C14394

RGB 193 67 148

HSL 321.43, 0.5%, 0.51%

LAB 48.87, 58.32, -18.07

 

CMYK 0 / 60 / 20 / 18

HEX #D255A7

RGB 210 85 167

HSL 320.64, 0.58%, 0.58%

LAB 55.06, 58.13, -19.59

 

CMYK 0 / 55 / 18 / 11

HEX #E367BA

RGB 227 103 186

HSL 319.84, 0.69%, 0.65%

LAB 61.29, 57.69, -20.81

 

CMYK 0 / 50 / 16 / 4

HEX #F479CD

RGB 244 121 205

HSL 319.02, 0.85%, 0.72%

LAB 67.51, 57.1, -21.83

 

CMYK 0 / 45 / 12 / 0

HEX #FF8BE0

RGB 255 139 224

HSL 316.03, 1%, 0.77%

LAB 72.96, 54.62, -23.92

 

CMYK 0 / 64 / 19 / 26

HEX #BC4399

RGB 188 67 153

HSL 317.36, 0.47%, 0.5%

LAB 48.27, 57.63, -22.05

 

CMYK 0 / 71 / 22 / 33

HEX #AB3186

RGB 171 49 134

HSL 318.2, 0.55%, 0.43%

LAB 42.12, 57.4, -20.29

 

CMYK 0 / 80 / 25 / 40

HEX #9A1F73

RGB 154 31 115

HSL 319.02, 0.66%, 0.36%

LAB 36.15, 56.42, -17.95

 

CMYK 0 / 91 / 30 / 46

HEX #890D60

RGB 137 13 96

HSL 319.84, 0.83%, 0.29%

LAB 30.52, 54.23, -14.73

 

CMYK 0 / 100 / 36 / 53

HEX #78004D

RGB 120 0 77

HSL 321.5, 1%, 0.24%

LAB 25.35, 50.39, -10.39

 

CMYK 0 / 64 / 19 / 27

HEX #BB4398

RGB 187 67 152

HSL 317.5, 0.47%, 0.5%

LAB 48.07, 57.21, -21.78

 

CMYK 0 / 64 / 36 / 27

HEX #BB4378

RGB 187 67 120

HSL 333.5, 0.47%, 0.5%

LAB 46.89, 53.05, -4.27

 

CMYK 0 / 64 / 53 / 27

HEX #BB4358

RGB 187 67 88

HSL 349.5, 0.47%, 0.5%

LAB 46.02, 49.85, 14.06

 

CMYK 0 / 64 / 64 / 27

HEX #BB4343

RGB 187 67 67

HSL 0, 0.47%, 0.5%

LAB 45.61, 48.31, 26.25

 

CMYK 0 / 64 / 19 / 27

HEX #BB4398

RGB 187 67 152

HSL 317.5, 0.47%, 0.5%

LAB 48.07, 57.21, -21.78

 

CMYK 0 / 64 / 1 / 27

HEX #BB43B9

RGB 187 67 185

HSL 301, 0.47%, 0.5%

LAB 49.6, 62.39, -38.85

 

CMYK 16 / 64 / 0 / 27

HEX #9D43BB

RGB 157 67 187

HSL 285, 0.47%, 0.5%

LAB 45.32, 55.55, -47.08

 

CMYK 33 / 64 / 0 / 27

HEX #7D43BB

RGB 125 67 187

HSL 269, 0.47%, 0.5%

LAB 41.16, 48.2, -53.98

 

CMYK 51 / 64 / 0 / 27

HEX #5C43BB

RGB 92 67 187

HSL 252.5, 0.47%, 0.5%

LAB 37.62, 41.4, -59.88

 

CMYK 0 / 64 / 19 / 27

HEX #BB4398

RGB 187 67 152

HSL 317.5, 0.47%, 0.5%

LAB 48.07, 57.21, -21.78

 

CMYK 0 / 78 / 23 / 18

HEX #D02EA1

RGB 208 46 161

HSL 317.41, 0.64%, 0.5%

LAB 49.42, 70.93, -24.76

 

CMYK 0 / 89 / 25 / 11

HEX #E41AAA

RGB 228 26 170

HSL 317.23, 0.8%, 0.5%

LAB 51.99, 80.45, -25.81

 

CMYK 0 / 98 / 29 / 2

HEX #F905B2

RGB 249 5 178

HSL 317.46, 0.96%, 0.5%

LAB 55.55, 87.44, -24.69

 

CMYK 0 / 64 / 19 / 27

HEX #BB4398

RGB 187 67 152

HSL 317.5, 0.47%, 0.5%

LAB 48.07, 57.21, -21.78

 

CMYK 0 / 47 / 13 / 35

HEX #A65890

RGB 166 88 144

HSL 316.92, 0.31%, 0.5%

LAB 48.39, 39.6, -16.79

 

CMYK 0 / 26 / 8 / 43

HEX #926C87

RGB 146 108 135

HSL 317.37, 0.15%, 0.5%

LAB 50.2, 19.74, -8.94

 

CMYK 3 / 0 / 2 / 49

HEX #7D817E

RGB 125 129 126

HSL 135, 0.02%, 0.5%

LAB 53.56, -2.09, 1.1

 

CMYK 31 / 0 / 22 / 41

HEX #689675

RGB 104 150 117

HSL 136.96, 0.18%, 0.5%

LAB 58.08, -22.76, 12.51

 

CMYK 16 / 64 / 0 / 27

HEX #9D43BB

RGB 157 67 187

HSL 285, 0.47%, 0.5%

LAB 45.32, 55.55, -47.08

 

CMYK 0 / 64 / 1 / 27

HEX #BB43B9

RGB 187 67 185

HSL 301, 0.47%, 0.5%

LAB 49.6, 62.39, -38.85

 

CMYK 0 / 64 / 18 / 27

HEX #BB4399

RGB 187 67 153

HSL 317, 0.47%, 0.5%

LAB 48.11, 57.36, -22.31

 

CMYK 0 / 64 / 35 / 27

HEX #BB4379

RGB 187 67 121

HSL 333, 0.47%, 0.5%

LAB 46.92, 53.16, -4.83

 

CMYK 0 / 64 / 52 / 27

HEX #BB4359

RGB 187 67 89

HSL 349, 0.47%, 0.5%

LAB 46.04, 49.93, 13.48

 

CMYK 0 / 64 / 18 / 51

HEX #7E2D67

RGB 126 45 103

HSL 317.04, 0.47%, 0.34%

LAB 32.46, 41.88, -16.44

 

CMYK 0 / 64 / 18 / 38

HEX #9D3880

RGB 157 56 128

HSL 317.23, 0.47%, 0.42%

LAB 40.5, 49.92, -19.3

 

CMYK 0 / 64 / 19 / 27

HEX #BB4398

RGB 187 67 152

HSL 317.5, 0.47%, 0.5%

LAB 48.07, 57.21, -21.78

 

CMYK 0 / 51 / 15 / 22

HEX #C661A9

RGB 198 97 169

HSL 317.23, 0.47%, 0.58%

LAB 55.5, 49.24, -20.23

 

CMYK 0 / 39 / 11 / 18

HEX #D180B9

RGB 209 128 185

HSL 317.78, 0.47%, 0.66%

LAB 63.75, 39.4, -16.71

 

CMYK 0 / 64 / 19 / 26

HEX #BC4399

RGB 188 67 153

HSL 317.36, 0.47%, 0.5%

LAB 48.27, 57.63, -22.05

 

CMYK 0 / 33 / 64 / 27

HEX #BB7D43

RGB 187 125 67

HSL 29, 0.47%, 0.5%

LAB 57.69, 18.35, 40.78

 

CMYK 64 / 0 / 7 / 27

HEX #43BBAD

RGB 67 187 173

HSL 173, 0.47%, 0.5%

LAB 69.29, -36.43, -2.75

 

CMYK 0 / 64 / 19 / 26

HEX #BC4399

RGB 188 67 153

HSL 317.36, 0.47%, 0.5%

LAB 48.27, 57.63, -22.05

 

CMYK 18 / 0 / 64 / 27

HEX #99BB43

RGB 153 187 67

HSL 77, 0.47%, 0.5%

LAB 71.36, -29.02, 55.08

 

CMYK 64 / 18 / 0 / 27

HEX #4399BB

RGB 67 153 187

HSL 197, 0.47%, 0.5%

LAB 59.49, -15.29, -25.3

 

CMYK 0 / 64 / 19 / 26

HEX #BC4399

RGB 188 67 153

HSL 317.36, 0.47%, 0.5%

LAB 48.27, 57.63, -22.05

 

CMYK 0 / 33 / 64 / 27

HEX #BB7D43

RGB 187 125 67

HSL 29, 0.47%, 0.5%

LAB 57.69, 18.35, 40.78

 

CMYK 64 / 0 / 46 / 27

HEX #43BB65

RGB 67 187 101

HSL 137, 0.47%, 0.5%

LAB 67.78, -52.12, 33.87

 

CMYK 64 / 31 / 0 / 27

HEX #4381BB

RGB 67 129 187

HSL 209, 0.47%, 0.5%

LAB 52.38, -1.69, -36.37

 

CMYK 0 / 64 / 19 / 26

HEX #BC4399

RGB 188 67 153

HSL 317.36, 0.47%, 0.5%

LAB 48.27, 57.63, -22.05

 

CMYK 0 / 14 / 64 / 27

HEX #BBA143

RGB 187 161 67

HSL 47, 0.47%, 0.5%

LAB 66.87, -1.39, 51.04

 

CMYK 64 / 0 / 46 / 27

HEX #43BB65

RGB 67 187 101

HSL 137, 0.47%, 0.5%

LAB 67.78, -52.12, 33.87

 

CMYK 64 / 50 / 0 / 27

HEX #435DBB

RGB 67 93 187

HSL 227, 0.47%, 0.5%

LAB 42.17, 20.66, -52.6

 

Description

Color code: HEX #BC4399 | qconv.com Color code: HEX #BC4399 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 67 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 67 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 19 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 19% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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