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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC4D14 it is the complementary color #43B2EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC4D14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC4D14 shade: #C14D0F, #D25F22, #E37135, #F48348 and #FF955B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC4D14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC4D14 shade: #BC4D14, #AB3B01, #9A2900, #891700 and #780500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC4D14 shade: #BD4D13, #BD1F13 and #BD1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC4D14 shade: #BD4D13, #BD7B13, #BDA813, #A4BD13 and #76BD13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC4D14 shade matches the following richer shades: #BD4D13 and #CE4702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC4D14 shade: #BD4D13, #AC5224, #9B5835, #8A5D46 and #796357

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC4D14 shade: #BD1335, #BD1F13, #BD4C13, #BD7913 and #BDA613

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC4D14 shade: #722E0C, #973E0F, #BD4D13, #E25C17 and #EA7539

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC4D14 shade: #BC4D14, #62BD13 and #131FBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC4D14 shade: #BC4D14, #13BD4C and #4C13BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC4D14 shade: #BC4D14, #62BD13, #1384BD and #6E13BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC4D14 shade: #BC4D14, #30BD13, #1384BD and #A113BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 89 / 26

HEX #BC4D14

RGB 188 77 20

HSL 20.36, 0.81%, 0.41%

LAB 47.04, 42.18, 51.69

 

Complementary color

CMYK 71 / 24 / 0 / 8

HEX #43B2EB

RGB 67 178 235

HSL 200.36, 0.81%, 0.59%

LAB 68.77, -13.17, -37.54

 

CMYK 0 / 60 / 92 / 24

HEX #C14D0F

RGB 193 77 15

HSL 20.9, 0.86%, 0.41%

LAB 47.85, 43.98, 54.27

 

CMYK 0 / 55 / 84 / 18

HEX #D25F22

RGB 210 95 34

HSL 20.8, 0.72%, 0.48%

LAB 54.03, 42.18, 53.55

 

CMYK 0 / 50 / 77 / 11

HEX #E37135

RGB 227 113 53

HSL 20.69, 0.76%, 0.55%

LAB 60.25, 40.42, 51.97

 

CMYK 0 / 46 / 70 / 4

HEX #F48348

RGB 244 131 72

HSL 20.58, 0.89%, 0.62%

LAB 66.47, 38.78, 50.15

 

CMYK 0 / 42 / 64 / 0

HEX #FF955B

RGB 255 149 91

HSL 21.22, 1%, 0.68%

LAB 71.9, 34.92, 47.22

 

CMYK 0 / 59 / 89 / 26

HEX #BC4D14

RGB 188 77 20

HSL 20.36, 0.81%, 0.41%

LAB 47.04, 42.18, 51.69

 

CMYK 0 / 65 / 99 / 33

HEX #AB3B01

RGB 171 59 1

HSL 20.47, 0.99%, 0.34%

LAB 40.88, 43.89, 51.93

 

CMYK 0 / 73 / 100 / 40

HEX #9A2900

RGB 154 41 0

HSL 15.97, 1%, 0.3%

LAB 34.91, 45.35, 47.5

 

CMYK 0 / 83 / 100 / 46

HEX #891700

RGB 137 23 0

HSL 10.07, 1%, 0.27%

LAB 29.24, 45.85, 42.04

 

CMYK 0 / 96 / 100 / 53

HEX #780500

RGB 120 5 0

HSL 2.5, 1%, 0.24%

LAB 24, 44.85, 35.94

 

CMYK 0 / 59 / 90 / 26

HEX #BD4D13

RGB 189 77 19

HSL 20.47, 0.82%, 0.41%

LAB 47.2, 42.54, 52.23

 

CMYK 0 / 84 / 90 / 26

HEX #BD1F13

RGB 189 31 19

HSL 4.24, 0.82%, 0.41%

LAB 40.97, 59.53, 47.61

 

CMYK 0 / 90 / 90 / 26

HEX #BD1313

RGB 189 19 19

HSL 0, 0.82%, 0.41%

LAB 40.13, 61.92, 47

 

CMYK 0 / 59 / 90 / 26

HEX #BD4D13

RGB 189 77 19

HSL 20.47, 0.82%, 0.41%

LAB 47.2, 42.54, 52.23

 

CMYK 0 / 35 / 90 / 26

HEX #BD7B13

RGB 189 123 19

HSL 36.71, 0.82%, 0.41%

LAB 57.11, 18.32, 59.77

 

CMYK 0 / 11 / 90 / 26

HEX #BDA813

RGB 189 168 19

HSL 52.59, 0.82%, 0.41%

LAB 68.66, -6.16, 68.73

 

CMYK 13 / 0 / 90 / 26

HEX #A4BD13

RGB 164 189 19

HSL 68.82, 0.82%, 0.41%

LAB 72.45, -27.63, 70.88

 

CMYK 38 / 0 / 90 / 26

HEX #76BD13

RGB 118 189 19

HSL 85.06, 0.82%, 0.41%

LAB 69.68, -45.62, 67.47

 

CMYK 0 / 59 / 90 / 26

HEX #BD4D13

RGB 189 77 19

HSL 20.47, 0.82%, 0.41%

LAB 47.2, 42.54, 52.23

 

CMYK 0 / 66 / 99 / 19

HEX #CE4702

RGB 206 71 2

HSL 20.29, 0.98%, 0.41%

LAB 49.05, 51.19, 59.38

 

CMYK 0 / 59 / 90 / 26

HEX #BD4D13

RGB 189 77 19

HSL 20.47, 0.82%, 0.41%

LAB 47.2, 42.54, 52.23

 

CMYK 0 / 52 / 79 / 33

HEX #AC5224

RGB 172 82 36

HSL 20.29, 0.65%, 0.41%

LAB 45.54, 33.85, 42.64

 

CMYK 0 / 43 / 66 / 39

HEX #9B5835

RGB 155 88 53

HSL 20.59, 0.49%, 0.41%

LAB 44.53, 24.37, 31.89

 

CMYK 0 / 33 / 49 / 46

HEX #8A5D46

RGB 138 93 70

HSL 20.29, 0.33%, 0.41%

LAB 43.76, 15.58, 20.63

 

CMYK 0 / 18 / 28 / 53

HEX #796357

RGB 121 99 87

HSL 21.18, 0.16%, 0.41%

LAB 43.77, 6.87, 10.14

 

CMYK 0 / 90 / 72 / 26

HEX #BD1335

RGB 189 19 53

HSL 348, 0.82%, 0.41%

LAB 40.48, 62.91, 28.52

 

CMYK 0 / 84 / 90 / 26

HEX #BD1F13

RGB 189 31 19

HSL 4.24, 0.82%, 0.41%

LAB 40.97, 59.53, 47.61

 

CMYK 0 / 60 / 90 / 26

HEX #BD4C13

RGB 189 76 19

HSL 20.12, 0.82%, 0.41%

LAB 47.02, 43.02, 52.1

 

CMYK 0 / 36 / 90 / 26

HEX #BD7913

RGB 189 121 19

HSL 36, 0.82%, 0.41%

LAB 56.63, 19.42, 59.4

 

CMYK 0 / 12 / 90 / 26

HEX #BDA613

RGB 189 166 19

HSL 51.88, 0.82%, 0.41%

LAB 68.12, -5.1, 68.32

 

CMYK 0 / 60 / 89 / 55

HEX #722E0C

RGB 114 46 12

HSL 20, 0.81%, 0.25%

LAB 28.27, 28.15, 34.44

 

CMYK 0 / 59 / 90 / 41

HEX #973E0F

RGB 151 62 15

HSL 20.74, 0.82%, 0.33%

LAB 37.95, 35.07, 43.77

 

CMYK 0 / 59 / 90 / 26

HEX #BD4D13

RGB 189 77 19

HSL 20.47, 0.82%, 0.41%

LAB 47.2, 42.54, 52.23

 

CMYK 0 / 59 / 90 / 11

HEX #E25C17

RGB 226 92 23

HSL 20.39, 0.82%, 0.49%

LAB 55.97, 49.33, 60.15

 

CMYK 0 / 50 / 76 / 8

HEX #EA7539

RGB 234 117 57

HSL 20.34, 0.81%, 0.57%

LAB 62.09, 41.28, 52.3

 

CMYK 0 / 59 / 89 / 26

HEX #BC4D14

RGB 188 77 20

HSL 20.36, 0.81%, 0.41%

LAB 47.04, 42.18, 51.69

 

CMYK 48 / 0 / 90 / 26

HEX #62BD13

RGB 98 189 19

HSL 92.12, 0.82%, 0.41%

LAB 68.78, -52.27, 66.36

 

CMYK 90 / 84 / 0 / 26

HEX #131FBD

RGB 19 31 189

HSL 235.76, 0.82%, 0.41%

LAB 26.14, 53.98, -80.14

 

CMYK 0 / 59 / 89 / 26

HEX #BC4D14

RGB 188 77 20

HSL 20.36, 0.81%, 0.41%

LAB 47.04, 42.18, 51.69

 

CMYK 90 / 0 / 60 / 26

HEX #13BD4C

RGB 19 189 76

HSL 140.12, 0.82%, 0.41%

LAB 67.32, -62.88, 45.3

 

CMYK 60 / 90 / 0 / 26

HEX #4C13BD

RGB 76 19 189

HSL 260.12, 0.82%, 0.41%

LAB 28.58, 61.42, -75.97

 

CMYK 0 / 59 / 89 / 26

HEX #BC4D14

RGB 188 77 20

HSL 20.36, 0.81%, 0.41%

LAB 47.04, 42.18, 51.69

 

CMYK 48 / 0 / 90 / 26

HEX #62BD13

RGB 98 189 19

HSL 92.12, 0.82%, 0.41%

LAB 68.78, -52.27, 66.36

 

CMYK 90 / 30 / 0 / 26

HEX #1384BD

RGB 19 132 189

HSL 200.12, 0.82%, 0.41%

LAB 52.19, -8.37, -37.88

 

CMYK 42 / 90 / 0 / 26

HEX #6E13BD

RGB 110 19 189

HSL 272.12, 0.82%, 0.41%

LAB 32.82, 64.77, -68.83

 

CMYK 0 / 59 / 89 / 26

HEX #BC4D14

RGB 188 77 20

HSL 20.36, 0.81%, 0.41%

LAB 47.04, 42.18, 51.69

 

CMYK 75 / 0 / 90 / 26

HEX #30BD13

RGB 48 189 19

HSL 109.76, 0.82%, 0.41%

LAB 67.33, -64.11, 64.55

 

CMYK 90 / 30 / 0 / 26

HEX #1384BD

RGB 19 132 189

HSL 200.12, 0.82%, 0.41%

LAB 52.19, -8.37, -37.88

 

CMYK 15 / 90 / 0 / 26

HEX #A113BD

RGB 161 19 189

HSL 290.12, 0.82%, 0.41%

LAB 40.76, 71.87, -55.54

 

Description

Color code: HEX #BC4D14 | qconv.com Color code: HEX #BC4D14 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 77 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 77 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 89 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 89% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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