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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC4D87 it is the complementary color #43B278. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC4D87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC4D87 shade: #C14D82, #D25F95, #E371A8, #F483BB and #FF95CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC4D87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC4D87 shade: #BC4D87, #AB3B74, #9A2961, #89174E and #78053B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC4D87 shade: #BB4D87, #BB4D69 and #BB4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC4D87 shade: #BB4D87, #BB4DA4, #B44DBB, #974DBB and #794DBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC4D87 shade matches the following richer shades: #BB4D87, #CF3987, #E32588 and #F71289

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC4D87 shade: #BB4D87, #A76186, #947585, #808884 and #6C9C83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC4D87 shade: #B44DBB, #BB4DA5, #BB4D88, #BB4D6A and #BB4D4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC4D87 shade: #84325D, #A23D72, #BB4D87, #C76B9B and #D289AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC4D87 shade: #BC4D87, #BB964D and #4DB4BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC4D87 shade: #BC4D87, #88BB4D and #4D88BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC4D87 shade: #BC4D87, #BB964D, #4DBB80 and #4D72BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC4D87 shade: #BC4D87, #BBB84D, #4DBB80 and #4D51BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 28 / 26

HEX #BC4D87

RGB 188 77 135

HSL 328.65, 0.45%, 0.52%

LAB 49.19, 50.77, -9.88

 

Complementary color

CMYK 62 / 0 / 33 / 30

HEX #43B278

RGB 67 178 120

HSL 148.65, 0.45%, 0.48%

LAB 65.27, -45.06, 20.55

 

CMYK 0 / 60 / 33 / 24

HEX #C14D82

RGB 193 77 130

HSL 332.59, 0.48%, 0.53%

LAB 49.81, 51.7, -5.88

 

CMYK 0 / 55 / 29 / 18

HEX #D25F95

RGB 210 95 149

HSL 331.83, 0.56%, 0.6%

LAB 56.14, 51.12, -7.43

 

CMYK 0 / 50 / 26 / 11

HEX #E371A8

RGB 227 113 168

HSL 331.05, 0.67%, 0.67%

LAB 62.48, 50.41, -8.72

 

CMYK 0 / 46 / 23 / 4

HEX #F483BB

RGB 244 131 187

HSL 330.27, 0.84%, 0.74%

LAB 68.79, 49.65, -9.82

 

CMYK 0 / 42 / 19 / 0

HEX #FF95CE

RGB 255 149 206

HSL 327.74, 1%, 0.79%

LAB 74.32, 46.92, -11.96

 

CMYK 0 / 59 / 28 / 26

HEX #BC4D87

RGB 188 77 135

HSL 328.65, 0.45%, 0.52%

LAB 49.19, 50.77, -9.88

 

CMYK 0 / 65 / 32 / 33

HEX #AB3B74

RGB 171 59 116

HSL 329.46, 0.49%, 0.45%

LAB 42.83, 51.11, -8.14

 

CMYK 0 / 73 / 37 / 40

HEX #9A2961

RGB 154 41 97

HSL 330.27, 0.58%, 0.38%

LAB 36.59, 50.97, -5.88

 

CMYK 0 / 83 / 43 / 46

HEX #89174E

RGB 137 23 78

HSL 331.05, 0.71%, 0.31%

LAB 30.6, 49.98, -2.82

 

CMYK 0 / 96 / 51 / 53

HEX #78053B

RGB 120 5 59

HSL 331.83, 0.92%, 0.25%

LAB 25.01, 47.63, 1.36

 

CMYK 0 / 59 / 28 / 27

HEX #BB4D87

RGB 187 77 135

HSL 328.36, 0.45%, 0.52%

LAB 49.03, 50.46, -10.13

 

CMYK 0 / 59 / 44 / 27

HEX #BB4D69

RGB 187 77 105

HSL 344.73, 0.45%, 0.52%

LAB 48.12, 46.91, 6.65

 

CMYK 0 / 59 / 59 / 27

HEX #BB4D4D

RGB 187 77 77

HSL 0, 0.45%, 0.52%

LAB 47.51, 44.42, 22.7

 

CMYK 0 / 59 / 28 / 27

HEX #BB4D87

RGB 187 77 135

HSL 328.36, 0.45%, 0.52%

LAB 49.03, 50.46, -10.13

 

CMYK 0 / 59 / 12 / 27

HEX #BB4DA4

RGB 187 77 164

HSL 312.55, 0.45%, 0.52%

LAB 50.16, 54.69, -25.66

 

CMYK 4 / 59 / 0 / 27

HEX #B44DBB

RGB 180 77 187

HSL 296.18, 0.45%, 0.52%

LAB 50.21, 56.7, -39.1

 

CMYK 19 / 59 / 0 / 27

HEX #974DBB

RGB 151 77 187

HSL 280.36, 0.45%, 0.52%

LAB 46.28, 49.28, -45.59

 

CMYK 35 / 59 / 0 / 27

HEX #794DBB

RGB 121 77 187

HSL 264, 0.45%, 0.52%

LAB 42.7, 41.91, -51.51

 

CMYK 0 / 59 / 28 / 27

HEX #BB4D87

RGB 187 77 135

HSL 328.36, 0.45%, 0.52%

LAB 49.03, 50.46, -10.13

 

CMYK 0 / 72 / 35 / 19

HEX #CF3987

RGB 207 57 135

HSL 328.8, 0.61%, 0.52%

LAB 49.42, 64.26, -9.21

 

CMYK 0 / 84 / 40 / 11

HEX #E32588

RGB 227 37 136

HSL 328.74, 0.77%, 0.52%

LAB 51.19, 74.77, -6.8

 

CMYK 0 / 93 / 45 / 3

HEX #F71289

RGB 247 18 137

HSL 328.82, 0.93%, 0.52%

LAB 54.04, 82.2, -2.75

 

CMYK 0 / 59 / 28 / 27

HEX #BB4D87

RGB 187 77 135

HSL 328.36, 0.45%, 0.52%

LAB 49.03, 50.46, -10.13

 

CMYK 0 / 42 / 20 / 35

HEX #A76186

RGB 167 97 134

HSL 328.29, 0.28%, 0.52%

LAB 50.08, 33.44, -8.26

 

CMYK 0 / 21 / 10 / 42

HEX #947585

RGB 148 117 133

HSL 329.03, 0.13%, 0.52%

LAB 52.63, 14.88, -4.11

 

CMYK 6 / 0 / 3 / 47

HEX #808884

RGB 128 136 132

HSL 150, 0.03%, 0.52%

LAB 55.95, -3.74, 1.12

 

CMYK 31 / 0 / 16 / 39

HEX #6C9C83

RGB 108 156 131

HSL 148.75, 0.2%, 0.52%

LAB 60.43, -21.66, 7.98

 

CMYK 4 / 59 / 0 / 27

HEX #B44DBB

RGB 180 77 187

HSL 296.18, 0.45%, 0.52%

LAB 50.21, 56.7, -39.1

 

CMYK 0 / 59 / 12 / 27

HEX #BB4DA5

RGB 187 77 165

HSL 312, 0.45%, 0.52%

LAB 50.2, 54.84, -26.18

 

CMYK 0 / 59 / 27 / 27

HEX #BB4D88

RGB 187 77 136

HSL 327.82, 0.45%, 0.52%

LAB 49.07, 50.6, -10.68

 

CMYK 0 / 59 / 43 / 27

HEX #BB4D6A

RGB 187 77 106

HSL 344.18, 0.45%, 0.52%

LAB 48.15, 47.02, 6.08

 

CMYK 0 / 59 / 59 / 27

HEX #BB4D4D

RGB 187 77 77

HSL 0, 0.45%, 0.52%

LAB 47.51, 44.42, 22.7

 

CMYK 0 / 62 / 30 / 48

HEX #84325D

RGB 132 50 93

HSL 328.54, 0.45%, 0.36%

LAB 33.94, 39.92, -7.7

 

CMYK 0 / 62 / 30 / 36

HEX #A23D72

RGB 162 61 114

HSL 328.51, 0.45%, 0.44%

LAB 41.59, 47.22, -8.93

 

CMYK 0 / 59 / 28 / 27

HEX #BB4D87

RGB 187 77 135

HSL 328.36, 0.45%, 0.52%

LAB 49.03, 50.46, -10.13

 

CMYK 0 / 46 / 22 / 22

HEX #C76B9B

RGB 199 107 155

HSL 328.7, 0.45%, 0.6%

LAB 57.1, 42.37, -9.67

 

CMYK 0 / 35 / 17 / 18

HEX #D289AF

RGB 210 137 175

HSL 328.77, 0.45%, 0.68%

LAB 65.51, 33.3, -8.42

 

CMYK 0 / 59 / 28 / 26

HEX #BC4D87

RGB 188 77 135

HSL 328.65, 0.45%, 0.52%

LAB 49.19, 50.77, -9.88

 

CMYK 0 / 20 / 59 / 27

HEX #BB964D

RGB 187 150 77

HSL 39.82, 0.45%, 0.52%

LAB 64.09, 5.28, 43.14

 

CMYK 59 / 4 / 0 / 27

HEX #4DB4BB

RGB 77 180 187

HSL 183.82, 0.45%, 0.52%

LAB 67.88, -27.47, -12.53

 

CMYK 0 / 59 / 28 / 26

HEX #BC4D87

RGB 188 77 135

HSL 328.65, 0.45%, 0.52%

LAB 49.19, 50.77, -9.88

 

CMYK 27 / 0 / 59 / 27

HEX #88BB4D

RGB 136 187 77

HSL 87.82, 0.45%, 0.52%

LAB 70.39, -34.76, 49.34

 

CMYK 59 / 27 / 0 / 27

HEX #4D88BB

RGB 77 136 187

HSL 207.82, 0.45%, 0.52%

LAB 54.84, -3.86, -32.48

 

CMYK 0 / 59 / 28 / 26

HEX #BC4D87

RGB 188 77 135

HSL 328.65, 0.45%, 0.52%

LAB 49.19, 50.77, -9.88

 

CMYK 0 / 20 / 59 / 27

HEX #BB964D

RGB 187 150 77

HSL 39.82, 0.45%, 0.52%

LAB 64.09, 5.28, 43.14

 

CMYK 59 / 0 / 32 / 27

HEX #4DBB80

RGB 77 187 128

HSL 147.82, 0.45%, 0.52%

LAB 68.52, -45.11, 20.72

 

CMYK 59 / 39 / 0 / 27

HEX #4D72BB

RGB 77 114 187

HSL 219.82, 0.45%, 0.52%

LAB 48.51, 9.32, -42.44

 

CMYK 0 / 59 / 28 / 26

HEX #BC4D87

RGB 188 77 135

HSL 328.65, 0.45%, 0.52%

LAB 49.19, 50.77, -9.88

 

CMYK 0 / 2 / 59 / 27

HEX #BBB84D

RGB 187 184 77

HSL 58.36, 0.45%, 0.52%

LAB 73.14, -12.77, 53.41

 

CMYK 59 / 0 / 32 / 27

HEX #4DBB80

RGB 77 187 128

HSL 147.82, 0.45%, 0.52%

LAB 68.52, -45.11, 20.72

 

CMYK 59 / 57 / 0 / 27

HEX #4D51BB

RGB 77 81 187

HSL 237.82, 0.45%, 0.52%

LAB 39.67, 30.1, -56.62

 

Description

Color code: HEX #BC4D87 | qconv.com Color code: HEX #BC4D87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 77 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 77 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 28 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 28% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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