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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC4FCD it is the complementary color #43B032. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC4FCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC4FCD shade: #C14FC8, #D261DB, #E373EE, #F485FF and #FF97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC4FCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC4FCD shade: #BC4FCD, #AB3DBA, #9A2BA7, #891994 and #780781

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC4FCD shade: #BC4FCD, #CD4FBC, #CD4F9A, #CD4F78 and #CD4F57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC4FCD shade: #BC4FCD, #9A4FCD, #784FCD, #574FCD and #4F4FCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC4FCD shade matches the following richer shades: #BC4FCD, #C93DDF and #D72BF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC4FCD shade: #BC4FCD, #AF62BB, #A274A9, #948697 and #879885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC4FCD shade: #774FCD, #994FCD, #BA4FCD, #CD4FBE and #CD4F9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC4FCD shade: #8F2C9E, #AC35BE, #BC4FCD, #C870D6 and #D590DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC4FCD shade: #BC4FCD, #CD564F and #4FCD88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC4FCD shade: #BC4FCD, #CDBA4F and #4FCDBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC4FCD shade: #BC4FCD, #CD564F, #62CD4F and #4FC7CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC4FCD shade: #BC4FCD, #CD7B4F, #62CD4F and #4FA1CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 61 / 0 / 20

HEX #BC4FCD

RGB 188 79 205

HSL 291.9, 0.56%, 0.56%

LAB 52.61, 61.12, -45.61

 

Complementary color

CMYK 62 / 0 / 72 / 31

HEX #43B032

RGB 67 176 50

HSL 111.9, 0.56%, 0.44%

LAB 63.73, -54.35, 52.62

 

CMYK 4 / 61 / 0 / 22

HEX #C14FC8

RGB 193 79 200

HSL 296.53, 0.52%, 0.55%

LAB 53.06, 61.44, -41.99

 

CMYK 4 / 56 / 0 / 14

HEX #D261DB

RGB 210 97 219

HSL 295.57, 0.63%, 0.62%

LAB 59.31, 61.11, -42.77

 

CMYK 5 / 52 / 0 / 7

HEX #E373EE

RGB 227 115 238

HSL 294.63, 0.78%, 0.69%

LAB 65.57, 60.59, -43.37

 

CMYK 4 / 48 / 0 / 0

HEX #F485FF

RGB 244 133 255

HSL 294.59, 1%, 0.76%

LAB 71.71, 59.61, -42.92

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 8 / 61 / 0 / 20

HEX #BC4FCD

RGB 188 79 205

HSL 291.9, 0.56%, 0.56%

LAB 52.61, 61.12, -45.61

 

CMYK 8 / 67 / 0 / 27

HEX #AB3DBA

RGB 171 61 186

HSL 292.8, 0.51%, 0.48%

LAB 46.37, 61.18, -44.7

 

CMYK 8 / 74 / 0 / 35

HEX #9A2BA7

RGB 154 43 167

HSL 293.71, 0.59%, 0.41%

LAB 40.23, 60.71, -43.43

 

CMYK 7 / 83 / 0 / 42

HEX #891994

RGB 137 25 148

HSL 294.63, 0.71%, 0.34%

LAB 34.3, 59.33, -41.58

 

CMYK 7 / 95 / 0 / 49

HEX #780781

RGB 120 7 129

HSL 295.57, 0.9%, 0.27%

LAB 28.72, 56.56, -38.91

 

CMYK 8 / 61 / 0 / 20

HEX #BC4FCD

RGB 188 79 205

HSL 291.9, 0.56%, 0.56%

LAB 52.61, 61.12, -45.61

 

CMYK 0 / 61 / 8 / 20

HEX #CD4FBC

RGB 205 79 188

HSL 308.1, 0.56%, 0.56%

LAB 54.24, 62.49, -33.1

 

CMYK 0 / 61 / 25 / 20

HEX #CD4F9A

RGB 205 79 154

HSL 324.29, 0.56%, 0.56%

LAB 52.84, 57.51, -15.41

 

CMYK 0 / 61 / 41 / 20

HEX #CD4F78

RGB 205 79 120

HSL 340.48, 0.56%, 0.56%

LAB 51.75, 53.47, 3.2

 

CMYK 0 / 61 / 58 / 20

HEX #CD4F57

RGB 205 79 87

HSL 356.19, 0.56%, 0.56%

LAB 50.99, 50.52, 21.88

 

CMYK 8 / 61 / 0 / 20

HEX #BC4FCD

RGB 188 79 205

HSL 291.9, 0.56%, 0.56%

LAB 52.61, 61.12, -45.61

 

CMYK 25 / 61 / 0 / 20

HEX #9A4FCD

RGB 154 79 205

HSL 275.71, 0.56%, 0.56%

LAB 48.1, 52.98, -53.08

 

CMYK 41 / 61 / 0 / 20

HEX #784FCD

RGB 120 79 205

HSL 259.52, 0.56%, 0.56%

LAB 44.22, 45.36, -59.52

 

CMYK 58 / 61 / 0 / 20

HEX #574FCD

RGB 87 79 205

HSL 243.81, 0.56%, 0.56%

LAB 41.26, 38.98, -64.46

 

CMYK 61 / 61 / 0 / 20

HEX #4F4FCD

RGB 79 79 205

HSL 240, 0.56%, 0.56%

LAB 40.67, 37.65, -65.44

 

CMYK 8 / 61 / 0 / 20

HEX #BC4FCD

RGB 188 79 205

HSL 291.9, 0.56%, 0.56%

LAB 52.61, 61.12, -45.61

 

CMYK 10 / 73 / 0 / 13

HEX #C93DDF

RGB 201 61 223

HSL 291.85, 0.72%, 0.56%

LAB 53.04, 74.2, -55.06

 

CMYK 11 / 82 / 0 / 5

HEX #D72BF1

RGB 215 43 241

HSL 292.12, 0.88%, 0.56%

LAB 54.58, 84.79, -62.61

 

CMYK 8 / 61 / 0 / 20

HEX #BC4FCD

RGB 188 79 205

HSL 291.9, 0.56%, 0.56%

LAB 52.61, 61.12, -45.61

 

CMYK 6 / 48 / 0 / 27

HEX #AF62BB

RGB 175 98 187

HSL 291.91, 0.4%, 0.56%

LAB 53.42, 44.99, -34.1

 

CMYK 4 / 31 / 0 / 34

HEX #A274A9

RGB 162 116 169

HSL 292.08, 0.24%, 0.56%

LAB 55.11, 27.4, -21.22

 

CMYK 2 / 11 / 0 / 41

HEX #948697

RGB 148 134 151

HSL 289.41, 0.08%, 0.56%

LAB 57.64, 8.52, -7.15

 

CMYK 11 / 0 / 13 / 40

HEX #879885

RGB 135 152 133

HSL 113.68, 0.08%, 0.56%

LAB 61.05, -9.81, 7.96

 

CMYK 42 / 61 / 0 / 20

HEX #774FCD

RGB 119 79 205

HSL 259.05, 0.56%, 0.56%

LAB 44.12, 45.15, -59.69

 

CMYK 25 / 61 / 0 / 20

HEX #994FCD

RGB 153 79 205

HSL 275.24, 0.56%, 0.56%

LAB 47.97, 52.75, -53.28

 

CMYK 9 / 61 / 0 / 20

HEX #BA4FCD

RGB 186 79 205

HSL 290.95, 0.56%, 0.56%

LAB 52.33, 60.64, -46.07

 

CMYK 0 / 61 / 7 / 20

HEX #CD4FBE

RGB 205 79 190

HSL 307.14, 0.56%, 0.56%

LAB 54.33, 62.8, -34.11

 

CMYK 0 / 61 / 23 / 20

HEX #CD4F9D

RGB 205 79 157

HSL 322.86, 0.56%, 0.56%

LAB 52.96, 57.92, -17.01

 

CMYK 9 / 72 / 0 / 38

HEX #8F2C9E

RGB 143 44 158

HSL 292.11, 0.56%, 0.4%

LAB 38.04, 56.32, -41.62

 

CMYK 9 / 72 / 0 / 25

HEX #AC35BE

RGB 172 53 190

HSL 292.12, 0.56%, 0.48%

LAB 45.68, 65.15, -48.12

 

CMYK 8 / 61 / 0 / 20

HEX #BC4FCD

RGB 188 79 205

HSL 291.9, 0.56%, 0.56%

LAB 52.61, 61.12, -45.61

 

CMYK 7 / 48 / 0 / 16

HEX #C870D6

RGB 200 112 214

HSL 291.76, 0.55%, 0.64%

LAB 60.54, 50.19, -38.12

 

CMYK 4 / 35 / 0 / 13

HEX #D590DF

RGB 213 144 223

HSL 292.41, 0.55%, 0.72%

LAB 69.05, 38.98, -29.78

 

CMYK 8 / 61 / 0 / 20

HEX #BC4FCD

RGB 188 79 205

HSL 291.9, 0.56%, 0.56%

LAB 52.61, 61.12, -45.61

 

CMYK 0 / 58 / 61 / 20

HEX #CD564F

RGB 205 86 79

HSL 3.33, 0.56%, 0.56%

LAB 52.06, 46.74, 27.96

 

CMYK 61 / 0 / 34 / 20

HEX #4FCD88

RGB 79 205 136

HSL 147.14, 0.56%, 0.56%

LAB 74.26, -50.5, 24.28

 

CMYK 8 / 61 / 0 / 20

HEX #BC4FCD

RGB 188 79 205

HSL 291.9, 0.56%, 0.56%

LAB 52.61, 61.12, -45.61

 

CMYK 0 / 9 / 61 / 20

HEX #CDBA4F

RGB 205 186 79

HSL 50.95, 0.56%, 0.56%

LAB 75.24, -6.06, 55.26

 

CMYK 61 / 0 / 9 / 20

HEX #4FCDBA

RGB 79 205 186

HSL 170.95, 0.56%, 0.56%

LAB 75.37, -39.19, -0.87

 

CMYK 8 / 61 / 0 / 20

HEX #BC4FCD

RGB 188 79 205

HSL 291.9, 0.56%, 0.56%

LAB 52.61, 61.12, -45.61

 

CMYK 0 / 58 / 61 / 20

HEX #CD564F

RGB 205 86 79

HSL 3.33, 0.56%, 0.56%

LAB 52.06, 46.74, 27.96

 

CMYK 52 / 0 / 61 / 20

HEX #62CD4F

RGB 98 205 79

HSL 110.95, 0.56%, 0.56%

LAB 74.08, -54.47, 52.14

 

CMYK 61 / 3 / 0 / 20

HEX #4FC7CD

RGB 79 199 205

HSL 182.86, 0.56%, 0.56%

LAB 74.14, -31.28, -12.98

 

CMYK 8 / 61 / 0 / 20

HEX #BC4FCD

RGB 188 79 205

HSL 291.9, 0.56%, 0.56%

LAB 52.61, 61.12, -45.61

 

CMYK 0 / 40 / 61 / 20

HEX #CD7B4F

RGB 205 123 79

HSL 20.95, 0.56%, 0.56%

LAB 59.63, 27.82, 37.32

 

CMYK 52 / 0 / 61 / 20

HEX #62CD4F

RGB 98 205 79

HSL 110.95, 0.56%, 0.56%

LAB 74.08, -54.47, 52.14

 

CMYK 61 / 21 / 0 / 20

HEX #4FA1CD

RGB 79 161 205

HSL 200.95, 0.56%, 0.56%

LAB 62.98, -11.78, -29.98

 

Description

Color code: HEX #BC4FCD | qconv.com Color code: HEX #BC4FCD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 79 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 79 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 61 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 61% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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