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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC512D it is the complementary color #43AED2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC512D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC512D shade: #C15128, #D2633B, #E3754E, #F48761 and #FF9974

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC512D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC512D shade: #BC512D, #AB3F1A, #9A2D07, #891B00 and #780900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC512D shade: #BC512D and #BC2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC512D shade: #BC512D, #BC782D, #BC9E2D, #B4BC2D and #8DBC2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC512D shade matches the following richer shades: #BC512D, #CF481A and #E23E07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC512D shade: #BC512D, #A95B40, #966453, #836E66 and #707779

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC512D shade: #BC2D56, #BC2D30, #BC512D, #BC772D and #BC9D2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC512D shade: #7A351D, #9B4325, #BC512D, #D16642 and #D98163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC512D shade: #BC512D, #7CBC2D and #2D43BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC512D shade: #BC512D, #2DBC51 and #512DBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC512D shade: #BC512D, #7CBC2D, #2D99BC and #6E2DBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC512D shade: #BC512D, #51BC2D, #2D99BC and #992DBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 76 / 26

HEX #BC512D

RGB 188 81 45

HSL 15.1, 0.61%, 0.46%

LAB 47.96, 41, 41.41

 

Complementary color

CMYK 68 / 17 / 0 / 18

HEX #43AED2

RGB 67 174 210

HSL 195.1, 0.61%, 0.54%

LAB 66.61, -19.15, -27.18

 

CMYK 0 / 58 / 79 / 24

HEX #C15128

RGB 193 81 40

HSL 16.08, 0.66%, 0.46%

LAB 48.73, 42.7, 44.97

 

CMYK 0 / 53 / 72 / 18

HEX #D2633B

RGB 210 99 59

HSL 15.89, 0.63%, 0.53%

LAB 55.01, 41.13, 42.74

 

CMYK 0 / 48 / 66 / 11

HEX #E3754E

RGB 227 117 78

HSL 15.7, 0.73%, 0.6%

LAB 61.31, 39.62, 40.59

 

CMYK 0 / 45 / 60 / 4

HEX #F48761

RGB 244 135 97

HSL 15.51, 0.87%, 0.67%

LAB 67.59, 38.21, 38.6

 

CMYK 0 / 40 / 55 / 0

HEX #FF9974

RGB 255 153 116

HSL 15.97, 1%, 0.73%

LAB 73.09, 34.61, 35.67

 

CMYK 0 / 57 / 76 / 26

HEX #BC512D

RGB 188 81 45

HSL 15.1, 0.61%, 0.46%

LAB 47.96, 41, 41.41

 

CMYK 0 / 63 / 85 / 33

HEX #AB3F1A

RGB 171 63 26

HSL 15.31, 0.74%, 0.39%

LAB 41.67, 42.53, 43.66

 

CMYK 0 / 71 / 95 / 40

HEX #9A2D07

RGB 154 45 7

HSL 15.51, 0.91%, 0.32%

LAB 35.52, 43.87, 45.1

 

CMYK 0 / 80 / 100 / 46

HEX #891B00

RGB 137 27 0

HSL 11.82, 1%, 0.27%

LAB 29.67, 44.64, 42.38

 

CMYK 0 / 93 / 100 / 53

HEX #780900

RGB 120 9 0

HSL 4.5, 1%, 0.24%

LAB 24.28, 44.04, 36.22

 

CMYK 0 / 57 / 76 / 26

HEX #BC512D

RGB 188 81 45

HSL 15.1, 0.61%, 0.46%

LAB 47.96, 41, 41.41

 

CMYK 0 / 76 / 76 / 26

HEX #BC2D2D

RGB 188 45 45

HSL 0, 0.61%, 0.46%

LAB 42.4, 55.99, 35.45

 

CMYK 0 / 57 / 76 / 26

HEX #BC512D

RGB 188 81 45

HSL 15.1, 0.61%, 0.46%

LAB 47.96, 41, 41.41

 

CMYK 0 / 36 / 76 / 26

HEX #BC782D

RGB 188 120 45

HSL 31.47, 0.61%, 0.46%

LAB 56.4, 20.34, 50

 

CMYK 0 / 16 / 76 / 26

HEX #BC9E2D

RGB 188 158 45

HSL 47.41, 0.61%, 0.46%

LAB 66.01, -0.51, 59.26

 

CMYK 4 / 0 / 76 / 26

HEX #B4BC2D

RGB 180 188 45

HSL 63.36, 0.61%, 0.46%

LAB 73.45, -19.58, 65.93

 

CMYK 25 / 0 / 76 / 26

HEX #8DBC2D

RGB 141 188 45

HSL 79.72, 0.61%, 0.46%

LAB 70.75, -35.6, 62.43

 

CMYK 0 / 57 / 76 / 26

HEX #BC512D

RGB 188 81 45

HSL 15.1, 0.61%, 0.46%

LAB 47.96, 41, 41.41

 

CMYK 0 / 65 / 87 / 19

HEX #CF481A

RGB 207 72 26

HSL 15.25, 0.78%, 0.46%

LAB 49.47, 51.45, 52.74

 

CMYK 0 / 73 / 97 / 11

HEX #E23E07

RGB 226 62 7

HSL 15.07, 0.94%, 0.46%

LAB 51.42, 61.28, 61.4

 

CMYK 0 / 57 / 76 / 26

HEX #BC512D

RGB 188 81 45

HSL 15.1, 0.61%, 0.46%

LAB 47.96, 41, 41.41

 

CMYK 0 / 46 / 62 / 34

HEX #A95B40

RGB 169 91 64

HSL 15.43, 0.45%, 0.46%

LAB 47.35, 29.35, 29.54

 

CMYK 0 / 33 / 45 / 41

HEX #966453

RGB 150 100 83

HSL 15.22, 0.29%, 0.46%

LAB 47.27, 18.09, 17.86

 

CMYK 0 / 16 / 22 / 49

HEX #836E66

RGB 131 110 102

HSL 16.55, 0.12%, 0.46%

LAB 48.18, 6.91, 7.53

 

CMYK 7 / 2 / 0 / 53

HEX #707779

RGB 112 119 121

HSL 193.33, 0.04%, 0.46%

LAB 49.52, -2.2, -2.01

 

CMYK 0 / 76 / 54 / 26

HEX #BC2D56

RGB 188 45 86

HSL 342.8, 0.61%, 0.46%

LAB 43.12, 58.34, 11.32

 

CMYK 0 / 76 / 74 / 26

HEX #BC2D30

RGB 188 45 48

HSL 358.74, 0.61%, 0.46%

LAB 42.43, 56.11, 33.75

 

CMYK 0 / 57 / 76 / 26

HEX #BC512D

RGB 188 81 45

HSL 15.1, 0.61%, 0.46%

LAB 47.96, 41, 41.41

 

CMYK 0 / 37 / 76 / 26

HEX #BC772D

RGB 188 119 45

HSL 31.05, 0.61%, 0.46%

LAB 56.16, 20.89, 49.76

 

CMYK 0 / 16 / 76 / 26

HEX #BC9D2D

RGB 188 157 45

HSL 46.99, 0.61%, 0.46%

LAB 65.74, 0.03, 59.01

 

CMYK 0 / 57 / 76 / 52

HEX #7A351D

RGB 122 53 29

HSL 15.48, 0.62%, 0.3%

LAB 31.28, 28.4, 29.04

 

CMYK 0 / 57 / 76 / 39

HEX #9B4325

RGB 155 67 37

HSL 15.25, 0.61%, 0.38%

LAB 39.78, 34.85, 35.36

 

CMYK 0 / 57 / 76 / 26

HEX #BC512D

RGB 188 81 45

HSL 15.1, 0.61%, 0.46%

LAB 47.96, 41, 41.41

 

CMYK 0 / 51 / 68 / 18

HEX #D16642

RGB 209 102 66

HSL 15.1, 0.61%, 0.54%

LAB 55.53, 39.6, 39.59

 

CMYK 0 / 41 / 54 / 15

HEX #D98163

RGB 217 129 99

HSL 15.25, 0.61%, 0.62%

LAB 62.8, 30.97, 30.74

 

CMYK 0 / 57 / 76 / 26

HEX #BC512D

RGB 188 81 45

HSL 15.1, 0.61%, 0.46%

LAB 47.96, 41, 41.41

 

CMYK 34 / 0 / 76 / 26

HEX #7CBC2D

RGB 124 188 45

HSL 86.85, 0.61%, 0.46%

LAB 69.78, -42.01, 61.18

 

CMYK 76 / 64 / 0 / 26

HEX #2D43BC

RGB 45 67 188

HSL 230.77, 0.61%, 0.46%

LAB 34.4, 34.74, -65.86

 

CMYK 0 / 57 / 76 / 26

HEX #BC512D

RGB 188 81 45

HSL 15.1, 0.61%, 0.46%

LAB 47.96, 41, 41.41

 

CMYK 76 / 0 / 57 / 26

HEX #2DBC51

RGB 45 188 81

HSL 135.1, 0.61%, 0.46%

LAB 67.37, -59.24, 43.11

 

CMYK 57 / 76 / 0 / 26

HEX #512DBC

RGB 81 45 188

HSL 255.1, 0.61%, 0.46%

LAB 32.38, 51.73, -69.08

 

CMYK 0 / 57 / 76 / 26

HEX #BC512D

RGB 188 81 45

HSL 15.1, 0.61%, 0.46%

LAB 47.96, 41, 41.41

 

CMYK 34 / 0 / 76 / 26

HEX #7CBC2D

RGB 124 188 45

HSL 86.85, 0.61%, 0.46%

LAB 69.78, -42.01, 61.18

 

CMYK 76 / 19 / 0 / 26

HEX #2D99BC

RGB 45 153 188

HSL 194.69, 0.61%, 0.46%

LAB 58.95, -18.16, -26.76

 

CMYK 41 / 76 / 0 / 26

HEX #6E2DBC

RGB 110 45 188

HSL 267.27, 0.61%, 0.46%

LAB 35.64, 56.03, -63.61

 

CMYK 0 / 57 / 76 / 26

HEX #BC512D

RGB 188 81 45

HSL 15.1, 0.61%, 0.46%

LAB 47.96, 41, 41.41

 

CMYK 57 / 0 / 76 / 26

HEX #51BC2D

RGB 81 188 45

HSL 104.9, 0.61%, 0.46%

LAB 67.95, -55.56, 58.77

 

CMYK 76 / 19 / 0 / 26

HEX #2D99BC

RGB 45 153 188

HSL 194.69, 0.61%, 0.46%

LAB 58.95, -18.16, -26.76

 

CMYK 19 / 76 / 0 / 26

HEX #992DBC

RGB 153 45 188

HSL 285.31, 0.61%, 0.46%

LAB 41.66, 63.74, -53.57

 

Description

Color code: HEX #BC512D | qconv.com Color code: HEX #BC512D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 81 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 81 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 76 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 76% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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