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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC679E it is the complementary color #439861. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC679E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC679E shade: #C16799, #D279AC, #E38BBF, #F49DD2 and #FFAFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC679E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC679E shade: #BC679E, #AB558B, #9A4378, #893165 and #781F52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC679E shade: #BC669D, #BC6686, #BC666F and #BC6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC679E shade: #BC669D, #BC66B4, #AC66BC, #9566BC and #7E66BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC679E shade matches the following richer shades: #BC669D, #CD54A3, #DF43A8 and #F131AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC679E shade: #BC669D, #AA7898, #988A93, #869B8E and #75AD89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC679E shade: #AC66BC, #BC66B4, #BC669E, #BC6687 and #BC6670

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC679E shade: #903F74, #AD4C8B, #BC669D, #C883B0 and #D59FC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC679E shade: #BC679E, #BC9566 and #66BCB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC679E shade: #BC679E, #9EBC66 and #669EBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC679E shade: #BC679E, #BC9566, #66BC84 and #668DBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC679E shade: #BC679E, #BCAF66, #66BC84 and #6673BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 16 / 26

HEX #BC679E

RGB 188 103 158

HSL 321.18, 0.39%, 0.57%

LAB 54.93, 41.24, -14.83

 

Complementary color

CMYK 56 / 0 / 36 / 40

HEX #439861

RGB 67 152 97

HSL 141.18, 0.39%, 0.43%

LAB 56.6, -38.58, 21.39

 

CMYK 0 / 47 / 21 / 24

HEX #C16799

RGB 193 103 153

HSL 326.67, 0.42%, 0.58%

LAB 55.42, 42.13, -11.1

 

CMYK 0 / 42 / 18 / 18

HEX #D279AC

RGB 210 121 172

HSL 325.62, 0.5%, 0.65%

LAB 61.96, 41.34, -12.02

 

CMYK 0 / 39 / 16 / 11

HEX #E38BBF

RGB 227 139 191

HSL 324.55, 0.61%, 0.72%

LAB 68.43, 40.55, -12.82

 

CMYK 0 / 36 / 14 / 4

HEX #F49DD2

RGB 244 157 210

HSL 323.45, 0.8%, 0.79%

LAB 74.83, 39.8, -13.54

 

CMYK 0 / 31 / 10 / 0

HEX #FFAFE5

RGB 255 175 229

HSL 319.5, 1%, 0.84%

LAB 80.5, 37.1, -15.22

 

CMYK 0 / 45 / 16 / 26

HEX #BC679E

RGB 188 103 158

HSL 321.18, 0.39%, 0.57%

LAB 54.93, 41.24, -14.83

 

CMYK 0 / 50 / 19 / 33

HEX #AB558B

RGB 171 85 139

HSL 322.33, 0.34%, 0.5%

LAB 48.28, 42, -13.89

 

CMYK 0 / 56 / 22 / 40

HEX #9A4378

RGB 154 67 120

HSL 323.45, 0.39%, 0.43%

LAB 41.6, 42.67, -12.74

 

CMYK 0 / 64 / 26 / 46

HEX #893165

RGB 137 49 101

HSL 324.55, 0.47%, 0.36%

LAB 34.91, 43.12, -11.25

 

CMYK 0 / 74 / 32 / 53

HEX #781F52

RGB 120 31 82

HSL 325.62, 0.59%, 0.3%

LAB 28.33, 43.04, -9.19

 

CMYK 0 / 46 / 16 / 26

HEX #BC669D

RGB 188 102 157

HSL 321.63, 0.39%, 0.57%

LAB 54.69, 41.61, -14.61

 

CMYK 0 / 46 / 29 / 26

HEX #BC6686

RGB 188 102 134

HSL 337.67, 0.39%, 0.57%

LAB 53.94, 38.2, -2.24

 

CMYK 0 / 46 / 41 / 26

HEX #BC666F

RGB 188 102 111

HSL 353.72, 0.39%, 0.57%

LAB 53.32, 35.31, 10.44

 

CMYK 0 / 46 / 46 / 26

HEX #BC6666

RGB 188 102 102

HSL 0, 0.39%, 0.57%

LAB 53.12, 34.33, 15.45

 

CMYK 0 / 46 / 16 / 26

HEX #BC669D

RGB 188 102 157

HSL 321.63, 0.39%, 0.57%

LAB 54.69, 41.61, -14.61

 

CMYK 0 / 46 / 4 / 26

HEX #BC66B4

RGB 188 102 180

HSL 305.58, 0.39%, 0.57%

LAB 55.57, 45.49, -26.6

 

CMYK 9 / 46 / 0 / 26

HEX #AC66BC

RGB 172 102 188

HSL 288.84, 0.39%, 0.57%

LAB 53.93, 42.19, -33.92

 

CMYK 21 / 46 / 0 / 26

HEX #9566BC

RGB 149 102 188

HSL 272.79, 0.39%, 0.57%

LAB 51.29, 35.44, -38.24

 

CMYK 33 / 46 / 0 / 26

HEX #7E66BC

RGB 126 102 188

HSL 256.74, 0.39%, 0.57%

LAB 48.97, 28.95, -42.06

 

CMYK 0 / 46 / 16 / 26

HEX #BC669D

RGB 188 102 157

HSL 321.63, 0.39%, 0.57%

LAB 54.69, 41.61, -14.61

 

CMYK 0 / 59 / 20 / 20

HEX #CD54A3

RGB 205 84 163

HSL 320.83, 0.55%, 0.57%

LAB 53.99, 56.56, -18.95

 

CMYK 0 / 70 / 25 / 13

HEX #DF43A8

RGB 223 67 168

HSL 321.15, 0.71%, 0.57%

LAB 54.58, 68.9, -20.72

 

CMYK 0 / 80 / 28 / 5

HEX #F131AD

RGB 241 49 173

HSL 321.25, 0.87%, 0.57%

LAB 56, 79.1, -21.2

 

CMYK 0 / 46 / 16 / 26

HEX #BC669D

RGB 188 102 157

HSL 321.63, 0.39%, 0.57%

LAB 54.69, 41.61, -14.61

 

CMYK 0 / 29 / 11 / 33

HEX #AA7898

RGB 170 120 152

HSL 321.6, 0.23%, 0.57%

LAB 56.33, 24.68, -9.44

 

CMYK 0 / 9 / 3 / 40

HEX #988A93

RGB 152 138 147

HSL 321.43, 0.06%, 0.57%

LAB 58.94, 6.91, -2.89

 

CMYK 14 / 0 / 8 / 39

HEX #869B8E

RGB 134 155 142

HSL 142.86, 0.1%, 0.57%

LAB 62.05, -10.06, 4.32

 

CMYK 32 / 0 / 21 / 32

HEX #75AD89

RGB 117 173 137

HSL 141.43, 0.25%, 0.57%

LAB 66.12, -26.1, 12.75

 

CMYK 9 / 46 / 0 / 26

HEX #AC66BC

RGB 172 102 188

HSL 288.84, 0.39%, 0.57%

LAB 53.93, 42.19, -33.92

 

CMYK 0 / 46 / 4 / 26

HEX #BC66B4

RGB 188 102 180

HSL 305.58, 0.39%, 0.57%

LAB 55.57, 45.49, -26.6

 

CMYK 0 / 46 / 16 / 26

HEX #BC669E

RGB 188 102 158

HSL 320.93, 0.39%, 0.57%

LAB 54.72, 41.76, -15.14

 

CMYK 0 / 46 / 28 / 26

HEX #BC6687

RGB 188 102 135

HSL 336.98, 0.39%, 0.57%

LAB 53.97, 38.33, -2.78

 

CMYK 0 / 46 / 40 / 26

HEX #BC6670

RGB 188 102 112

HSL 353.02, 0.39%, 0.57%

LAB 53.35, 35.43, 9.89

 

CMYK 0 / 56 / 19 / 44

HEX #903F74

RGB 144 63 116

HSL 320.74, 0.39%, 0.41%

LAB 39.15, 40.83, -14.13

 

CMYK 0 / 56 / 20 / 32

HEX #AD4C8B

RGB 173 76 139

HSL 321.03, 0.39%, 0.49%

LAB 46.87, 47.14, -16.02

 

CMYK 0 / 46 / 16 / 26

HEX #BC669D

RGB 188 102 157

HSL 321.63, 0.39%, 0.57%

LAB 54.69, 41.61, -14.61

 

CMYK 0 / 35 / 12 / 22

HEX #C883B0

RGB 200 131 176

HSL 320.87, 0.39%, 0.65%

LAB 63.05, 33.25, -12.78

 

CMYK 0 / 25 / 9 / 16

HEX #D59FC2

RGB 213 159 194

HSL 321.11, 0.39%, 0.73%

LAB 71.44, 25.57, -10.13

 

CMYK 0 / 45 / 16 / 26

HEX #BC679E

RGB 188 103 158

HSL 321.18, 0.39%, 0.57%

LAB 54.93, 41.24, -14.83

 

CMYK 0 / 21 / 46 / 26

HEX #BC9566

RGB 188 149 102

HSL 32.79, 0.39%, 0.57%

LAB 64.28, 8.51, 30.33

 

CMYK 46 / 0 / 3 / 26

HEX #66BCB7

RGB 102 188 183

HSL 176.51, 0.39%, 0.57%

LAB 71.02, -27.2, -5.56

 

CMYK 0 / 45 / 16 / 26

HEX #BC679E

RGB 188 103 158

HSL 321.18, 0.39%, 0.57%

LAB 54.93, 41.24, -14.83

 

CMYK 16 / 0 / 46 / 26

HEX #9EBC66

RGB 158 188 102

HSL 80.93, 0.39%, 0.57%

LAB 72.36, -24.25, 40.03

 

CMYK 46 / 16 / 0 / 26

HEX #669EBC

RGB 102 158 188

HSL 200.93, 0.39%, 0.57%

LAB 62.43, -10.26, -21.24

 

CMYK 0 / 45 / 16 / 26

HEX #BC679E

RGB 188 103 158

HSL 321.18, 0.39%, 0.57%

LAB 54.93, 41.24, -14.83

 

CMYK 0 / 21 / 46 / 26

HEX #BC9566

RGB 188 149 102

HSL 32.79, 0.39%, 0.57%

LAB 64.28, 8.51, 30.33

 

CMYK 46 / 0 / 30 / 26

HEX #66BC84

RGB 102 188 132

HSL 140.93, 0.39%, 0.57%

LAB 69.79, -38.59, 20.46

 

CMYK 46 / 25 / 0 / 26

HEX #668DBC

RGB 102 141 188

HSL 212.79, 0.39%, 0.57%

LAB 57.56, -0.7, -28.72

 

CMYK 0 / 45 / 16 / 26

HEX #BC679E

RGB 188 103 158

HSL 321.18, 0.39%, 0.57%

LAB 54.93, 41.24, -14.83

 

CMYK 0 / 7 / 46 / 26

HEX #BCAF66

RGB 188 175 102

HSL 50.93, 0.39%, 0.57%

LAB 71.08, -5.52, 38.96

 

CMYK 46 / 0 / 30 / 26

HEX #66BC84

RGB 102 188 132

HSL 140.93, 0.39%, 0.57%

LAB 69.79, -38.59, 20.46

 

CMYK 46 / 39 / 0 / 26

HEX #6673BC

RGB 102 115 188

HSL 230.93, 0.39%, 0.57%

LAB 50.35, 14.75, -40

 

Description

Color code: HEX #BC679E | qconv.com Color code: HEX #BC679E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 103 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 103 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 16 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 16% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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