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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC6860 it is the complementary color #43979F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC6860. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC6860 shade: #C1685B, #D27A6E, #E38C81, #F49E94 and #FFB0A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC6860. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC6860 shade: #BC6860, #AB564D, #9A443A, #893227 and #782014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC6860 shade: #BC6860 and #BC6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC6860 shade: #BC6860, #BC8160, #BC9A60, #BCB360 and #ADBC60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC6860 shade matches the following richer shades: #BC6860, #CE594E, #E14A3C and #F33B2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC6860 shade: #BC6860, #AA7772, #988685, #869597 and #74A4A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC6860 shade: #BC608A, #BC6071, #BC6860, #BC8060 and #BC9960

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC6860 shade: #8F433B, #AC5048, #BC6860, #C8847D and #D5A09A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC6860 shade: #BC6860, #A2BC60 and #607DBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC6860 shade: #BC6860, #60BC68 and #6860BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC6860 shade: #BC6860, #A2BC60, #60B5BC and #7A60BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC6860 shade: #BC6860, #87BC60, #60B5BC and #9660BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 49 / 26

HEX #BC6860

RGB 188 104 96

HSL 5.22, 0.41%, 0.56%

LAB 53.42, 32.66, 19.38

 

Complementary color

CMYK 58 / 5 / 0 / 38

HEX #43979F

RGB 67 151 159

HSL 185.22, 0.41%, 0.44%

LAB 57.88, -22.83, -11.88

 

CMYK 0 / 46 / 53 / 24

HEX #C1685B

RGB 193 104 91

HSL 7.65, 0.45%, 0.56%

LAB 54.02, 34.14, 23.2

 

CMYK 0 / 42 / 48 / 18

HEX #D27A6E

RGB 210 122 110

HSL 7.2, 0.53%, 0.63%

LAB 60.56, 32.95, 21.45

 

CMYK 0 / 38 / 43 / 11

HEX #E38C81

RGB 227 140 129

HSL 6.73, 0.64%, 0.7%

LAB 67.03, 31.86, 19.92

 

CMYK 0 / 35 / 39 / 4

HEX #F49E94

RGB 244 158 148

HSL 6.25, 0.81%, 0.77%

LAB 73.43, 30.87, 18.55

 

CMYK 0 / 31 / 35 / 0

HEX #FFB0A7

RGB 255 176 167

HSL 6.14, 1%, 0.83%

LAB 79.1, 27.74, 16.29

 

CMYK 0 / 45 / 49 / 26

HEX #BC6860

RGB 188 104 96

HSL 5.22, 0.41%, 0.56%

LAB 53.42, 32.66, 19.38

 

CMYK 0 / 50 / 55 / 33

HEX #AB564D

RGB 171 86 77

HSL 5.74, 0.38%, 0.49%

LAB 46.78, 33.88, 21.28

 

CMYK 0 / 56 / 62 / 40

HEX #9A443A

RGB 154 68 58

HSL 6.25, 0.45%, 0.42%

LAB 40.1, 35.18, 23.54

 

CMYK 0 / 64 / 72 / 46

HEX #893227

RGB 137 50 39

HSL 6.73, 0.56%, 0.35%

LAB 33.45, 36.46, 26.28

 

CMYK 0 / 73 / 83 / 53

HEX #782014

RGB 120 32 20

HSL 7.2, 0.71%, 0.27%

LAB 26.95, 37.48, 29.55

 

CMYK 0 / 45 / 49 / 26

HEX #BC6860

RGB 188 104 96

HSL 5.22, 0.41%, 0.56%

LAB 53.42, 32.66, 19.38

 

CMYK 0 / 49 / 49 / 26

HEX #BC6060

RGB 188 96 96

HSL 0, 0.41%, 0.56%

LAB 51.73, 36.9, 17.08

 

CMYK 0 / 45 / 49 / 26

HEX #BC6860

RGB 188 104 96

HSL 5.22, 0.41%, 0.56%

LAB 53.42, 32.66, 19.38

 

CMYK 0 / 31 / 49 / 26

HEX #BC8160

RGB 188 129 96

HSL 21.52, 0.41%, 0.56%

LAB 59.19, 18.96, 27.03

 

CMYK 0 / 18 / 49 / 26

HEX #BC9A60

RGB 188 154 96

HSL 37.83, 0.41%, 0.56%

LAB 65.47, 5.17, 35.06

 

CMYK 0 / 5 / 49 / 26

HEX #BCB360

RGB 188 179 96

HSL 54.13, 0.41%, 0.56%

LAB 72.08, -8.2, 43.2

 

CMYK 8 / 0 / 49 / 26

HEX #ADBC60

RGB 173 188 96

HSL 69.78, 0.41%, 0.56%

LAB 73.35, -18.96, 44.45

 

CMYK 0 / 45 / 49 / 26

HEX #BC6860

RGB 188 104 96

HSL 5.22, 0.41%, 0.56%

LAB 53.42, 32.66, 19.38

 

CMYK 0 / 57 / 62 / 19

HEX #CE594E

RGB 206 89 78

HSL 5.16, 0.57%, 0.56%

LAB 52.75, 45.61, 29.44

 

CMYK 0 / 67 / 73 / 12

HEX #E14A3C

RGB 225 74 60

HSL 5.09, 0.73%, 0.56%

LAB 53.2, 57.75, 40.89

 

CMYK 0 / 76 / 83 / 5

HEX #F33B2A

RGB 243 59 42

HSL 5.07, 0.89%, 0.56%

LAB 54.4, 67.94, 52.47

 

CMYK 0 / 45 / 49 / 26

HEX #BC6860

RGB 188 104 96

HSL 5.22, 0.41%, 0.56%

LAB 53.42, 32.66, 19.38

 

CMYK 0 / 30 / 33 / 33

HEX #AA7772

RGB 170 119 114

HSL 5.36, 0.25%, 0.56%

LAB 55.03, 19.31, 10.76

 

CMYK 0 / 12 / 13 / 40

HEX #988685

RGB 152 134 133

HSL 3.16, 0.08%, 0.56%

LAB 57.48, 6.62, 3.02

 

CMYK 11 / 1 / 0 / 41

HEX #869597

RGB 134 149 151

HSL 187.06, 0.08%, 0.56%

LAB 60.6, -4.92, -2.89

 

CMYK 31 / 3 / 0 / 34

HEX #74A4A9

RGB 116 164 169

HSL 185.66, 0.24%, 0.56%

LAB 64.26, -14.71, -7.75

 

CMYK 0 / 49 / 27 / 26

HEX #BC608A

RGB 188 96 138

HSL 332.61, 0.41%, 0.56%

LAB 52.83, 41.88, -6.23

 

CMYK 0 / 49 / 40 / 26

HEX #BC6071

RGB 188 96 113

HSL 348.91, 0.41%, 0.56%

LAB 52.12, 38.69, 7.56

 

CMYK 0 / 45 / 49 / 26

HEX #BC6860

RGB 188 104 96

HSL 5.22, 0.41%, 0.56%

LAB 53.42, 32.66, 19.38

 

CMYK 0 / 32 / 49 / 26

HEX #BC8060

RGB 188 128 96

HSL 20.87, 0.41%, 0.56%

LAB 58.95, 19.51, 26.71

 

CMYK 0 / 19 / 49 / 26

HEX #BC9960

RGB 188 153 96

HSL 37.17, 0.41%, 0.56%

LAB 65.21, 5.71, 34.74

 

CMYK 0 / 53 / 59 / 44

HEX #8F433B

RGB 143 67 59

HSL 5.71, 0.42%, 0.4%

LAB 38.15, 31.45, 20.07

 

CMYK 0 / 53 / 58 / 33

HEX #AC5048

RGB 172 80 72

HSL 4.8, 0.41%, 0.48%

LAB 45.6, 37, 22.75

 

CMYK 0 / 45 / 49 / 26

HEX #BC6860

RGB 188 104 96

HSL 5.22, 0.41%, 0.56%

LAB 53.42, 32.66, 19.38

 

CMYK 0 / 34 / 38 / 22

HEX #C8847D

RGB 200 132 125

HSL 5.6, 0.41%, 0.64%

LAB 61.88, 25.31, 14.55

 

CMYK 0 / 25 / 28 / 16

HEX #D5A09A

RGB 213 160 154

HSL 6.1, 0.41%, 0.72%

LAB 70.61, 18.81, 10.79

 

CMYK 0 / 45 / 49 / 26

HEX #BC6860

RGB 188 104 96

HSL 5.22, 0.41%, 0.56%

LAB 53.42, 32.66, 19.38

 

CMYK 14 / 0 / 49 / 26

HEX #A2BC60

RGB 162 188 96

HSL 76.96, 0.41%, 0.56%

LAB 72.56, -23.34, 43.31

 

CMYK 49 / 34 / 0 / 26

HEX #607DBC

RGB 96 125 188

HSL 221.09, 0.41%, 0.56%

LAB 52.71, 7.21, -36.31

 

CMYK 0 / 45 / 49 / 26

HEX #BC6860

RGB 188 104 96

HSL 5.22, 0.41%, 0.56%

LAB 53.42, 32.66, 19.38

 

CMYK 49 / 0 / 45 / 26

HEX #60BC68

RGB 96 188 104

HSL 125.22, 0.41%, 0.56%

LAB 69.08, -45.06, 34.19

 

CMYK 45 / 49 / 0 / 26

HEX #6860BC

RGB 104 96 188

HSL 245.22, 0.41%, 0.56%

LAB 45.55, 26.89, -47.62

 

CMYK 0 / 45 / 49 / 26

HEX #BC6860

RGB 188 104 96

HSL 5.22, 0.41%, 0.56%

LAB 53.42, 32.66, 19.38

 

CMYK 14 / 0 / 49 / 26

HEX #A2BC60

RGB 162 188 96

HSL 76.96, 0.41%, 0.56%

LAB 72.56, -23.34, 43.31

 

CMYK 49 / 4 / 0 / 26

HEX #60B5BC

RGB 96 181 188

HSL 184.57, 0.41%, 0.56%

LAB 68.87, -23.79, -11.52

 

CMYK 35 / 49 / 0 / 26

HEX #7A60BC

RGB 122 96 188

HSL 256.96, 0.41%, 0.56%

LAB 47.15, 31.44, -44.98

 

CMYK 0 / 45 / 49 / 26

HEX #BC6860

RGB 188 104 96

HSL 5.22, 0.41%, 0.56%

LAB 53.42, 32.66, 19.38

 

CMYK 28 / 0 / 49 / 26

HEX #87BC60

RGB 135 188 96

HSL 94.57, 0.41%, 0.56%

LAB 70.84, -33.57, 40.83

 

CMYK 49 / 4 / 0 / 26

HEX #60B5BC

RGB 96 181 188

HSL 184.57, 0.41%, 0.56%

LAB 68.87, -23.79, -11.52

 

CMYK 20 / 49 / 0 / 26

HEX #9660BC

RGB 150 96 188

HSL 275.22, 0.41%, 0.56%

LAB 50.07, 39.1, -40.16

 

Description

Color code: HEX #BC6860 | qconv.com Color code: HEX #BC6860 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 104 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 104 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 49 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 49% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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