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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC607A it is the complementary color #439F85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC607A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC607A shade: #C16075, #D27288, #E3849B, #F496AE and #FFA8C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC607A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC607A shade: #BC607A, #AB4E67, #9A3C54, #892A41 and #78182E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC607A shade: #BC607A, #BC6061 and #BC6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC607A shade: #BC607A, #BC6093, #BC60AC, #B460BC and #9B60BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC607A shade matches the following richer shades: #BC607A, #CE4E72, #E13C6B and #F32A63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC607A shade: #BC607A, #AA7282, #98858A, #869792 and #74A99A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC607A shade: #BC60AB, #BC6093, #BC607A, #BC6062 and #BC7760

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC607A shade: #8F3B53, #AC4864, #BC607A, #C87D93 and #D59AAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC607A shade: #BC607A, #BCB560 and #609FBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC607A shade: #BC607A, #7ABC60 and #607ABC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC607A shade: #BC607A, #BCB560, #60BCA2 and #6068BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC607A shade: #BC607A, #A8BC60, #60BCA2 and #7460BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 35 / 26

HEX #BC607A

RGB 188 96 122

HSL 343.04, 0.41%, 0.56%

LAB 52.36, 39.77, 2.55

 

Complementary color

CMYK 58 / 0 / 16 / 38

HEX #439F85

RGB 67 159 133

HSL 163.04, 0.41%, 0.44%

LAB 59.6, -33.79, 5.42

 

CMYK 0 / 50 / 39 / 24

HEX #C16075

RGB 193 96 117

HSL 347.01, 0.44%, 0.57%

LAB 52.94, 40.96, 6.45

 

CMYK 0 / 46 / 35 / 18

HEX #D27288

RGB 210 114 136

HSL 346.25, 0.52%, 0.64%

LAB 59.45, 40.01, 4.97

 

CMYK 0 / 42 / 32 / 11

HEX #E3849B

RGB 227 132 155

HSL 345.47, 0.63%, 0.7%

LAB 65.9, 39.09, 3.71

 

CMYK 0 / 39 / 29 / 4

HEX #F496AE

RGB 244 150 174

HSL 344.68, 0.81%, 0.77%

LAB 72.3, 38.22, 2.59

 

CMYK 0 / 34 / 24 / 0

HEX #FFA8C1

RGB 255 168 193

HSL 342.76, 1%, 0.83%

LAB 77.94, 35.29, 0.51

 

CMYK 0 / 49 / 35 / 26

HEX #BC607A

RGB 188 96 122

HSL 343.04, 0.41%, 0.56%

LAB 52.36, 39.77, 2.55

 

CMYK 0 / 54 / 40 / 33

HEX #AB4E67

RGB 171 78 103

HSL 343.87, 0.37%, 0.49%

LAB 45.75, 40.67, 4.13

 

CMYK 0 / 61 / 45 / 40

HEX #9A3C54

RGB 154 60 84

HSL 344.68, 0.44%, 0.42%

LAB 39.14, 41.48, 6.09

 

CMYK 0 / 69 / 53 / 46

HEX #892A41

RGB 137 42 65

HSL 345.47, 0.53%, 0.35%

LAB 32.6, 42.02, 8.62

 

CMYK 0 / 80 / 62 / 53

HEX #78182E

RGB 120 24 46

HSL 346.25, 0.67%, 0.28%

LAB 26.28, 41.91, 12.04

 

CMYK 0 / 49 / 35 / 26

HEX #BC607A

RGB 188 96 122

HSL 343.04, 0.41%, 0.56%

LAB 52.36, 39.77, 2.55

 

CMYK 0 / 49 / 48 / 26

HEX #BC6061

RGB 188 96 97

HSL 359.35, 0.41%, 0.56%

LAB 51.75, 36.99, 16.52

 

CMYK 0 / 49 / 49 / 26

HEX #BC6060

RGB 188 96 96

HSL 0, 0.41%, 0.56%

LAB 51.73, 36.9, 17.08

 

CMYK 0 / 49 / 35 / 26

HEX #BC607A

RGB 188 96 122

HSL 343.04, 0.41%, 0.56%

LAB 52.36, 39.77, 2.55

 

CMYK 0 / 49 / 22 / 26

HEX #BC6093

RGB 188 96 147

HSL 326.74, 0.41%, 0.56%

LAB 53.13, 43.18, -11.1

 

CMYK 0 / 49 / 9 / 26

HEX #BC60AC

RGB 188 96 172

HSL 310.43, 0.41%, 0.56%

LAB 54.06, 47.16, -24.3

 

CMYK 4 / 49 / 0 / 26

HEX #B460BC

RGB 180 96 188

HSL 294.78, 0.41%, 0.56%

LAB 53.71, 47.67, -34.19

 

CMYK 18 / 49 / 0 / 26

HEX #9B60BC

RGB 155 96 188

HSL 278.48, 0.41%, 0.56%

LAB 50.65, 40.51, -39.21

 

CMYK 0 / 49 / 35 / 26

HEX #BC607A

RGB 188 96 122

HSL 343.04, 0.41%, 0.56%

LAB 52.36, 39.77, 2.55

 

CMYK 0 / 62 / 45 / 19

HEX #CE4E72

RGB 206 78 114

HSL 343.13, 0.57%, 0.56%

LAB 51.59, 53.62, 6.59

 

CMYK 0 / 73 / 52 / 12

HEX #E13C6B

RGB 225 60 107

HSL 342.91, 0.73%, 0.56%

LAB 52.18, 65.61, 12.08

 

CMYK 0 / 83 / 59 / 5

HEX #F32A63

RGB 243 42 99

HSL 342.99, 0.89%, 0.56%

LAB 53.61, 74.77, 19.4

 

CMYK 0 / 49 / 35 / 26

HEX #BC607A

RGB 188 96 122

HSL 343.04, 0.41%, 0.56%

LAB 52.36, 39.77, 2.55

 

CMYK 0 / 33 / 24 / 33

HEX #AA7282

RGB 170 114 130

HSL 342.86, 0.25%, 0.56%

LAB 54.23, 24.43, 0.28

 

CMYK 0 / 13 / 9 / 40

HEX #98858A

RGB 152 133 138

HSL 344.21, 0.08%, 0.56%

LAB 57.35, 8.08, -0.04

 

CMYK 11 / 0 / 3 / 41

HEX #869792

RGB 134 151 146

HSL 162.35, 0.08%, 0.56%

LAB 61.03, -7.07, 0.57

 

CMYK 31 / 0 / 9 / 34

HEX #74A99A

RGB 116 169 154

HSL 163.02, 0.24%, 0.56%

LAB 65.3, -20.83, 2.15

 

CMYK 0 / 49 / 9 / 26

HEX #BC60AB

RGB 188 96 171

HSL 311.09, 0.41%, 0.56%

LAB 54.02, 46.99, -23.78

 

CMYK 0 / 49 / 22 / 26

HEX #BC6093

RGB 188 96 147

HSL 326.74, 0.41%, 0.56%

LAB 53.13, 43.18, -11.1

 

CMYK 0 / 49 / 35 / 26

HEX #BC607A

RGB 188 96 122

HSL 343.04, 0.41%, 0.56%

LAB 52.36, 39.77, 2.55

 

CMYK 0 / 49 / 48 / 26

HEX #BC6062

RGB 188 96 98

HSL 358.7, 0.41%, 0.56%

LAB 51.77, 37.09, 15.96

 

CMYK 0 / 37 / 49 / 26

HEX #BC7760

RGB 188 119 96

HSL 15, 0.41%, 0.56%

LAB 56.81, 24.49, 23.9

 

CMYK 0 / 59 / 42 / 44

HEX #8F3B53

RGB 143 59 83

HSL 342.86, 0.42%, 0.4%

LAB 37.1, 38, 3.56

 

CMYK 0 / 58 / 42 / 33

HEX #AC4864

RGB 172 72 100

HSL 343.2, 0.41%, 0.48%

LAB 44.7, 43.65, 4.47

 

CMYK 0 / 49 / 35 / 26

HEX #BC607A

RGB 188 96 122

HSL 343.04, 0.41%, 0.56%

LAB 52.36, 39.77, 2.55

 

CMYK 0 / 38 / 27 / 22

HEX #C87D93

RGB 200 125 147

HSL 342.4, 0.41%, 0.64%

LAB 60.83, 32.01, 0.48

 

CMYK 0 / 28 / 20 / 16

HEX #D59AAB

RGB 213 154 171

HSL 342.71, 0.41%, 0.72%

LAB 69.61, 24.54, -0.09

 

CMYK 0 / 49 / 35 / 26

HEX #BC607A

RGB 188 96 122

HSL 343.04, 0.41%, 0.56%

LAB 52.36, 39.77, 2.55

 

CMYK 0 / 4 / 49 / 26

HEX #BCB560

RGB 188 181 96

HSL 55.43, 0.41%, 0.56%

LAB 72.62, -9.24, 43.85

 

CMYK 49 / 15 / 0 / 26

HEX #609FBC

RGB 96 159 188

HSL 198.91, 0.41%, 0.56%

LAB 62.43, -12.27, -21.26

 

CMYK 0 / 49 / 35 / 26

HEX #BC607A

RGB 188 96 122

HSL 343.04, 0.41%, 0.56%

LAB 52.36, 39.77, 2.55

 

CMYK 35 / 0 / 49 / 26

HEX #7ABC60

RGB 122 188 96

HSL 103.04, 0.41%, 0.56%

LAB 70.14, -38.12, 39.8

 

CMYK 49 / 35 / 0 / 26

HEX #607ABC

RGB 96 122 188

HSL 223.04, 0.41%, 0.56%

LAB 51.88, 9.02, -37.62

 

CMYK 0 / 49 / 35 / 26

HEX #BC607A

RGB 188 96 122

HSL 343.04, 0.41%, 0.56%

LAB 52.36, 39.77, 2.55

 

CMYK 0 / 4 / 49 / 26

HEX #BCB560

RGB 188 181 96

HSL 55.43, 0.41%, 0.56%

LAB 72.62, -9.24, 43.85

 

CMYK 49 / 0 / 14 / 26

HEX #60BCA2

RGB 96 188 162

HSL 163.04, 0.41%, 0.56%

LAB 70.22, -33.76, 4.75

 

CMYK 49 / 45 / 0 / 26

HEX #6068BC

RGB 96 104 188

HSL 234.78, 0.41%, 0.56%

LAB 47, 20.04, -45.35

 

CMYK 0 / 49 / 35 / 26

HEX #BC607A

RGB 188 96 122

HSL 343.04, 0.41%, 0.56%

LAB 52.36, 39.77, 2.55

 

CMYK 11 / 0 / 49 / 26

HEX #A8BC60

RGB 168 188 96

HSL 73.04, 0.41%, 0.56%

LAB 72.98, -20.96, 43.92

 

CMYK 49 / 0 / 14 / 26

HEX #60BCA2

RGB 96 188 162

HSL 163.04, 0.41%, 0.56%

LAB 70.22, -33.76, 4.75

 

CMYK 38 / 49 / 0 / 26

HEX #7460BC

RGB 116 96 188

HSL 253.04, 0.41%, 0.56%

LAB 46.59, 29.88, -45.9

 

Description

Color code: HEX #BC607A | qconv.com Color code: HEX #BC607A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 96 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 96 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 35 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 35% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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