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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC6C39 it is the complementary color #4393C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC6C39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC6C39 shade: #C16C34, #D27E47, #E3905A, #F4A26D and #FFB480

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC6C39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC6C39 shade: #BC6C39, #AB5A26, #9A4813, #893600 and #782400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC6C39 shade: #BB6C39, #BB4939 and #BB3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC6C39 shade: #BB6C39, #BB8F39, #BBB239, #A1BB39 and #7EBB39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC6C39 shade matches the following richer shades: #BB6C39, #CF6725 and #E26311

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC6C39 shade: #BB6C39, #A7704D, #937461, #7F7974 and #6C7D88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC6C39 shade: #BB394C, #BB4839, #BB6B39, #BB8D39 and #BBB039

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC6C39 shade: #7C4726, #9B592F, #BB6C39, #CA8153 and #D49873

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC6C39 shade: #BC6C39, #6FBB39 and #393BBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC6C39 shade: #BC6C39, #39BB6B and #6B39BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC6C39 shade: #BC6C39, #6FBB39, #3989BB and #8539BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC6C39 shade: #BC6C39, #48BB39, #3989BB and #AC39BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 70 / 26

HEX #BC6C39

RGB 188 108 57

HSL 23.36, 0.53%, 0.48%

LAB 53.72, 27.52, 41.46

 

Complementary color

CMYK 66 / 26 / 0 / 22

HEX #4393C6

RGB 67 147 198

HSL 203.36, 0.53%, 0.52%

LAB 58.17, -8.38, -33.56

 

CMYK 0 / 44 / 73 / 24

HEX #C16C34

RGB 193 108 52

HSL 23.83, 0.58%, 0.48%

LAB 54.35, 29.34, 44.85

 

CMYK 0 / 40 / 66 / 18

HEX #D27E47

RGB 210 126 71

HSL 23.74, 0.61%, 0.55%

LAB 60.85, 27.73, 43.12

 

CMYK 0 / 37 / 60 / 11

HEX #E3905A

RGB 227 144 90

HSL 23.65, 0.71%, 0.62%

LAB 67.29, 26.31, 41.41

 

CMYK 0 / 34 / 55 / 4

HEX #F4A26D

RGB 244 162 109

HSL 23.56, 0.86%, 0.69%

LAB 73.66, 25.05, 39.79

 

CMYK 0 / 29 / 50 / 0

HEX #FFB480

RGB 255 180 128

HSL 24.57, 1%, 0.75%

LAB 79.31, 21.56, 37.31

 

CMYK 0 / 43 / 70 / 26

HEX #BC6C39

RGB 188 108 57

HSL 23.36, 0.53%, 0.48%

LAB 53.72, 27.52, 41.46

 

CMYK 0 / 47 / 78 / 33

HEX #AB5A26

RGB 171 90 38

HSL 23.46, 0.64%, 0.41%

LAB 47.12, 29.25, 43.2

 

CMYK 0 / 53 / 88 / 40

HEX #9A4813

RGB 154 72 19

HSL 23.56, 0.78%, 0.34%

LAB 40.49, 31.19, 44.5

 

CMYK 0 / 61 / 100 / 46

HEX #893600

RGB 137 54 0

HSL 23.65, 1%, 0.27%

LAB 33.89, 33.21, 45.24

 

CMYK 0 / 70 / 100 / 53

HEX #782400

RGB 120 36 0

HSL 18, 1%, 0.24%

LAB 27.45, 35.23, 39.13

 

CMYK 0 / 42 / 70 / 27

HEX #BB6C39

RGB 187 108 57

HSL 23.54, 0.53%, 0.48%

LAB 53.58, 27.1, 41.27

 

CMYK 0 / 61 / 70 / 27

HEX #BB4939

RGB 187 73 57

HSL 7.38, 0.53%, 0.48%

LAB 46.48, 45.02, 33.16

 

CMYK 0 / 70 / 70 / 27

HEX #BB3939

RGB 187 57 57

HSL 0, 0.53%, 0.48%

LAB 43.93, 51.9, 30.13

 

CMYK 0 / 42 / 70 / 27

HEX #BB6C39

RGB 187 108 57

HSL 23.54, 0.53%, 0.48%

LAB 53.58, 27.1, 41.27

 

CMYK 0 / 24 / 70 / 27

HEX #BB8F39

RGB 187 143 57

HSL 39.69, 0.53%, 0.48%

LAB 62.09, 7.79, 50.44

 

CMYK 0 / 5 / 70 / 27

HEX #BBB239

RGB 187 178 57

HSL 55.85, 0.53%, 0.48%

LAB 71.35, -10.93, 59.91

 

CMYK 14 / 0 / 70 / 27

HEX #A1BB39

RGB 161 187 57

HSL 72, 0.53%, 0.48%

LAB 71.83, -26.44, 59.72

 

CMYK 33 / 0 / 70 / 27

HEX #7EBB39

RGB 126 187 57

HSL 88.15, 0.53%, 0.48%

LAB 69.66, -40.09, 56.82

 

CMYK 0 / 42 / 70 / 27

HEX #BB6C39

RGB 187 108 57

HSL 23.54, 0.53%, 0.48%

LAB 53.58, 27.1, 41.27

 

CMYK 0 / 50 / 82 / 19

HEX #CF6725

RGB 207 103 37

HSL 23.29, 0.7%, 0.48%

LAB 55.17, 37.08, 53.16

 

CMYK 0 / 56 / 92 / 11

HEX #E26311

RGB 226 99 17

HSL 23.54, 0.86%, 0.48%

LAB 57.2, 45.98, 62.7

 

CMYK 0 / 42 / 70 / 27

HEX #BB6C39

RGB 187 108 57

HSL 23.54, 0.53%, 0.48%

LAB 53.58, 27.1, 41.27

 

CMYK 0 / 33 / 54 / 35

HEX #A7704D

RGB 167 112 77

HSL 23.33, 0.37%, 0.48%

LAB 52.22, 17.85, 28.2

 

CMYK 0 / 21 / 34 / 42

HEX #937461

RGB 147 116 97

HSL 22.8, 0.2%, 0.48%

LAB 51.33, 9.31, 15.13

 

CMYK 0 / 5 / 9 / 50

HEX #7F7974

RGB 127 121 116

HSL 27.27, 0.05%, 0.48%

LAB 51.21, 1.34, 3.55

 

CMYK 21 / 8 / 0 / 47

HEX #6C7D88

RGB 108 125 136

HSL 203.57, 0.11%, 0.48%

LAB 51.42, -3.67, -8.05

 

CMYK 0 / 70 / 59 / 27

HEX #BB394C

RGB 187 57 76

HSL 351.23, 0.53%, 0.48%

LAB 44.25, 53.05, 19.03

 

CMYK 0 / 61 / 70 / 27

HEX #BB4839

RGB 187 72 57

HSL 6.92, 0.53%, 0.48%

LAB 46.3, 45.48, 32.95

 

CMYK 0 / 43 / 70 / 27

HEX #BB6B39

RGB 187 107 57

HSL 23.08, 0.53%, 0.48%

LAB 53.36, 27.64, 41.02

 

CMYK 0 / 25 / 70 / 27

HEX #BB8D39

RGB 187 141 57

HSL 38.77, 0.53%, 0.48%

LAB 61.58, 8.89, 49.91

 

CMYK 0 / 6 / 70 / 27

HEX #BBB039

RGB 187 176 57

HSL 54.92, 0.53%, 0.48%

LAB 70.81, -9.9, 59.37

 

CMYK 0 / 43 / 69 / 51

HEX #7C4726

RGB 124 71 38

HSL 23.02, 0.53%, 0.32%

LAB 35.85, 19.53, 29.11

 

CMYK 0 / 43 / 70 / 39

HEX #9B592F

RGB 155 89 47

HSL 23.33, 0.53%, 0.4%

LAB 44.69, 23.43, 35.35

 

CMYK 0 / 42 / 70 / 27

HEX #BB6C39

RGB 187 108 57

HSL 23.54, 0.53%, 0.48%

LAB 53.58, 27.1, 41.27

 

CMYK 0 / 36 / 59 / 21

HEX #CA8153

RGB 202 129 83

HSL 23.19, 0.53%, 0.56%

LAB 60.68, 23.63, 36.37

 

CMYK 0 / 28 / 46 / 17

HEX #D49873

RGB 212 152 115

HSL 22.89, 0.53%, 0.64%

LAB 67.79, 18.07, 28.35

 

CMYK 0 / 43 / 70 / 26

HEX #BC6C39

RGB 188 108 57

HSL 23.36, 0.53%, 0.48%

LAB 53.72, 27.52, 41.46

 

CMYK 41 / 0 / 70 / 27

HEX #6FBB39

RGB 111 187 57

HSL 95.08, 0.53%, 0.48%

LAB 68.91, -45.34, 55.8

 

CMYK 70 / 68 / 0 / 27

HEX #393BBB

RGB 57 59 187

HSL 239.08, 0.53%, 0.48%

LAB 33.1, 40.71, -67.38

 

CMYK 0 / 43 / 70 / 26

HEX #BC6C39

RGB 188 108 57

HSL 23.36, 0.53%, 0.48%

LAB 53.72, 27.52, 41.46

 

CMYK 70 / 0 / 43 / 27

HEX #39BB6B

RGB 57 187 107

HSL 143.08, 0.53%, 0.48%

LAB 67.63, -52.96, 30.54

 

CMYK 43 / 70 / 0 / 27

HEX #6B39BB

RGB 107 57 187

HSL 263.08, 0.53%, 0.48%

LAB 37.19, 49.64, -60.52

 

CMYK 0 / 43 / 70 / 26

HEX #BC6C39

RGB 188 108 57

HSL 23.36, 0.53%, 0.48%

LAB 53.72, 27.52, 41.46

 

CMYK 41 / 0 / 70 / 27

HEX #6FBB39

RGB 111 187 57

HSL 95.08, 0.53%, 0.48%

LAB 68.91, -45.34, 55.8

 

CMYK 70 / 27 / 0 / 27

HEX #3989BB

RGB 57 137 187

HSL 203.08, 0.53%, 0.48%

LAB 54.4, -8.02, -33.23

 

CMYK 29 / 70 / 0 / 27

HEX #8539BB

RGB 133 57 187

HSL 275.08, 0.53%, 0.48%

LAB 40.41, 54.77, -55.14

 

CMYK 0 / 43 / 70 / 26

HEX #BC6C39

RGB 188 108 57

HSL 23.36, 0.53%, 0.48%

LAB 53.72, 27.52, 41.46

 

CMYK 61 / 0 / 70 / 27

HEX #48BB39

RGB 72 187 57

HSL 113.08, 0.53%, 0.48%

LAB 67.44, -56.5, 53.81

 

CMYK 70 / 27 / 0 / 27

HEX #3989BB

RGB 57 137 187

HSL 203.08, 0.53%, 0.48%

LAB 54.4, -8.02, -33.23

 

CMYK 8 / 70 / 0 / 27

HEX #AC39BB

RGB 172 57 187

HSL 293.08, 0.53%, 0.48%

LAB 46.02, 63.15, -45.83

 

Description

Color code: HEX #BC6C39 | qconv.com Color code: HEX #BC6C39 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 108 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 108 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 70 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 70% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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