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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC6CD0 it is the complementary color #43932F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC6CD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC6CD0 shade: #C16CCB, #D27EDE, #E390F1, #F4A2FF and #FFB4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC6CD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC6CD0 shade: #BC6CD0, #AB5ABD, #9A48AA, #893697 and #782484

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC6CD0 shade: #BC6BD0, #D06BC9, #D06BAE, #D06B93 and #D06B77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC6CD0 shade: #BC6BD0, #A16BD0, #856BD0 and #6B6BD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC6CD0 shade matches the following richer shades: #BC6BD0, #C55CE0 and #CF4CEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC6CD0 shade: #BC6BD0, #B27BC0, #A98BB1, #A09AA1 and #96AA91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC6CD0 shade: #866BD0, #A16BD0, #BC6BD0, #D06BC9 and #D06BAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC6CD0 shade: #9938B1, #AE4CC6, #BC6BD0, #CA8BDA and #D8AAE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC6CD0 shade: #BC6CD0, #D06B6B and #6BD094

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC6CD0 shade: #BC6CD0, #D0BC6B and #6BD0BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC6CD0 shade: #BC6CD0, #D06B6B, #7FD06B and #6BD0D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC6CD0 shade: #BC6CD0, #D0896B, #7FD06B and #6BB2D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 48 / 0 / 18

HEX #BC6CD0

RGB 188 108 208

HSL 288, 0.52%, 0.62%

LAB 58.01, 47.67, -38.8

 

Complementary color

CMYK 54 / 0 / 68 / 42

HEX #43932F

RGB 67 147 47

HSL 108, 0.52%, 0.38%

LAB 54.31, -43.72, 43.91

 

CMYK 5 / 47 / 0 / 20

HEX #C16CCB

RGB 193 108 203

HSL 293.68, 0.48%, 0.61%

LAB 58.39, 48.13, -35.33

 

CMYK 5 / 43 / 0 / 13

HEX #D27EDE

RGB 210 126 222

HSL 292.5, 0.59%, 0.68%

LAB 64.88, 47.39, -35.72

 

CMYK 6 / 40 / 0 / 5

HEX #E390F1

RGB 227 144 241

HSL 291.34, 0.78%, 0.75%

LAB 71.3, 46.65, -36.07

 

CMYK 4 / 36 / 0 / 0

HEX #F4A2FF

RGB 244 162 255

HSL 292.9, 1%, 0.82%

LAB 77.46, 44.97, -33.99

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 10 / 48 / 0 / 18

HEX #BC6CD0

RGB 188 108 208

HSL 288, 0.52%, 0.62%

LAB 58.01, 47.67, -38.8

 

CMYK 10 / 52 / 0 / 26

HEX #AB5ABD

RGB 171 90 189

HSL 289.09, 0.43%, 0.55%

LAB 51.43, 48.39, -38.42

 

CMYK 9 / 58 / 0 / 33

HEX #9A48AA

RGB 154 72 170

HSL 290.2, 0.4%, 0.47%

LAB 44.81, 49.01, -37.92

 

CMYK 9 / 64 / 0 / 41

HEX #893697

RGB 137 54 151

HSL 291.34, 0.47%, 0.4%

LAB 38.18, 49.38, -37.21

 

CMYK 9 / 73 / 0 / 48

HEX #782484

RGB 120 36 132

HSL 292.5, 0.57%, 0.33%

LAB 31.63, 49.27, -36.14

 

CMYK 10 / 49 / 0 / 18

HEX #BC6BD0

RGB 188 107 208

HSL 288.12, 0.52%, 0.62%

LAB 57.81, 48.19, -39.11

 

CMYK 0 / 49 / 3 / 18

HEX #D06BC9

RGB 208 107 201

HSL 304.16, 0.52%, 0.62%

LAB 60.02, 52.61, -31.51

 

CMYK 0 / 49 / 16 / 18

HEX #D06BAE

RGB 208 107 174

HSL 320.2, 0.52%, 0.62%

LAB 58.96, 48.17, -17.73

 

CMYK 0 / 49 / 29 / 18

HEX #D06B93

RGB 208 107 147

HSL 336.24, 0.52%, 0.62%

LAB 58.07, 44.3, -3.45

 

CMYK 0 / 49 / 43 / 18

HEX #D06B77

RGB 208 107 119

HSL 352.87, 0.52%, 0.62%

LAB 57.33, 40.95, 11.79

 

CMYK 10 / 49 / 0 / 18

HEX #BC6BD0

RGB 188 107 208

HSL 288.12, 0.52%, 0.62%

LAB 57.81, 48.19, -39.11

 

CMYK 23 / 49 / 0 / 18

HEX #A16BD0

RGB 161 107 208

HSL 272.08, 0.52%, 0.62%

LAB 54.71, 40.66, -44.21

 

CMYK 36 / 49 / 0 / 18

HEX #856BD0

RGB 133 107 208

HSL 255.45, 0.52%, 0.62%

LAB 51.9, 33.21, -48.84

 

CMYK 49 / 49 / 0 / 18

HEX #6B6BD0

RGB 107 107 208

HSL 240, 0.52%, 0.62%

LAB 49.73, 26.92, -52.43

 

CMYK 10 / 49 / 0 / 18

HEX #BC6BD0

RGB 188 107 208

HSL 288.12, 0.52%, 0.62%

LAB 57.81, 48.19, -39.11

 

CMYK 12 / 59 / 0 / 12

HEX #C55CE0

RGB 197 92 224

HSL 287.73, 0.68%, 0.62%

LAB 56.98, 61.07, -49.37

 

CMYK 13 / 68 / 0 / 6

HEX #CF4CEF

RGB 207 76 239

HSL 288.22, 0.84%, 0.62%

LAB 56.75, 72.91, -58.08

 

CMYK 10 / 49 / 0 / 18

HEX #BC6BD0

RGB 188 107 208

HSL 288.12, 0.52%, 0.62%

LAB 57.81, 48.19, -39.11

 

CMYK 7 / 36 / 0 / 25

HEX #B27BC0

RGB 178 123 192

HSL 287.83, 0.35%, 0.62%

LAB 59.38, 33.34, -27.69

 

CMYK 5 / 21 / 0 / 31

HEX #A98BB1

RGB 169 139 177

HSL 287.37, 0.2%, 0.62%

LAB 61.72, 18.3, -15.67

 

CMYK 1 / 4 / 0 / 37

HEX #A09AA1

RGB 160 154 161

HSL 291.43, 0.04%, 0.62%

LAB 64.29, 3.52, -2.88

 

CMYK 12 / 0 / 15 / 33

HEX #96AA91

RGB 150 170 145

HSL 108, 0.13%, 0.62%

LAB 67.48, -11.78, 10.56

 

CMYK 36 / 49 / 0 / 18

HEX #866BD0

RGB 134 107 208

HSL 256.04, 0.52%, 0.62%

LAB 51.99, 33.47, -48.69

 

CMYK 23 / 49 / 0 / 18

HEX #A16BD0

RGB 161 107 208

HSL 272.08, 0.52%, 0.62%

LAB 54.71, 40.66, -44.21

 

CMYK 10 / 49 / 0 / 18

HEX #BC6BD0

RGB 188 107 208

HSL 288.12, 0.52%, 0.62%

LAB 57.81, 48.19, -39.11

 

CMYK 0 / 49 / 3 / 18

HEX #D06BC9

RGB 208 107 201

HSL 304.16, 0.52%, 0.62%

LAB 60.02, 52.61, -31.51

 

CMYK 0 / 49 / 16 / 18

HEX #D06BAE

RGB 208 107 174

HSL 320.2, 0.52%, 0.62%

LAB 58.96, 48.17, -17.73

 

CMYK 14 / 68 / 0 / 31

HEX #9938B1

RGB 153 56 177

HSL 288.1, 0.52%, 0.46%

LAB 42.42, 57.42, -45.87

 

CMYK 12 / 62 / 0 / 22

HEX #AE4CC6

RGB 174 76 198

HSL 288.2, 0.52%, 0.54%

LAB 49.79, 57.73, -46.19

 

CMYK 10 / 49 / 0 / 18

HEX #BC6BD0

RGB 188 107 208

HSL 288.12, 0.52%, 0.62%

LAB 57.81, 48.19, -39.11

 

CMYK 7 / 36 / 0 / 15

HEX #CA8BDA

RGB 202 139 218

HSL 287.85, 0.52%, 0.7%

LAB 66.58, 37.29, -30.93

 

CMYK 5 / 25 / 0 / 11

HEX #D8AAE4

RGB 216 170 228

HSL 287.59, 0.52%, 0.78%

LAB 75.42, 26.85, -22.74

 

CMYK 10 / 48 / 0 / 18

HEX #BC6CD0

RGB 188 108 208

HSL 288, 0.52%, 0.62%

LAB 58.01, 47.67, -38.8

 

CMYK 0 / 49 / 49 / 18

HEX #D06B6B

RGB 208 107 107

HSL 0, 0.52%, 0.62%

LAB 57.06, 39.75, 18.39

 

CMYK 49 / 0 / 29 / 18

HEX #6BD094

RGB 107 208 148

HSL 144.36, 0.52%, 0.62%

LAB 76.3, -43.03, 20.9

 

CMYK 10 / 48 / 0 / 18

HEX #BC6CD0

RGB 188 108 208

HSL 288, 0.52%, 0.62%

LAB 58.01, 47.67, -38.8

 

CMYK 0 / 10 / 49 / 18

HEX #D0BC6B

RGB 208 188 107

HSL 48.12, 0.52%, 0.62%

LAB 76.34, -3.6, 43.31

 

CMYK 49 / 0 / 10 / 18

HEX #6BD0BC

RGB 107 208 188

HSL 168.12, 0.52%, 0.62%

LAB 77.2, -34.37, 0.83

 

CMYK 10 / 48 / 0 / 18

HEX #BC6CD0

RGB 188 108 208

HSL 288, 0.52%, 0.62%

LAB 58.01, 47.67, -38.8

 

CMYK 0 / 49 / 49 / 18

HEX #D06B6B

RGB 208 107 107

HSL 0, 0.52%, 0.62%

LAB 57.06, 39.75, 18.39

 

CMYK 39 / 0 / 49 / 18

HEX #7FD06B

RGB 127 208 107

HSL 108.12, 0.52%, 0.62%

LAB 76.49, -43.85, 42.28

 

CMYK 49 / 0 / 0 / 18

HEX #6BD0D0

RGB 107 208 208

HSL 180, 0.52%, 0.62%

LAB 77.75, -29.39, -9.11

 

CMYK 10 / 48 / 0 / 18

HEX #BC6CD0

RGB 188 108 208

HSL 288, 0.52%, 0.62%

LAB 58.01, 47.67, -38.8

 

CMYK 0 / 34 / 49 / 18

HEX #D0896B

RGB 208 137 107

HSL 17.82, 0.52%, 0.62%

LAB 63.64, 23.8, 27.19

 

CMYK 39 / 0 / 49 / 18

HEX #7FD06B

RGB 127 208 107

HSL 108.12, 0.52%, 0.62%

LAB 76.49, -43.85, 42.28

 

CMYK 49 / 14 / 0 / 18

HEX #6BB2D0

RGB 107 178 208

HSL 197.82, 0.52%, 0.62%

LAB 69.13, -14.2, -22.1

 

Description

Color code: HEX #BC6CD0 | qconv.com Color code: HEX #BC6CD0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 108 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 108 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 48 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 48% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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