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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC6F4C it is the complementary color #4390B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC6F4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC6F4C shade: #C16F47, #D2815A, #E3936D, #F4A580 and #FFB793

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC6F4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC6F4C shade: #BC6F4C, #AB5D39, #9A4B26, #893913 and #782700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC6F4C shade: #BC6F4C, #BC514C and #BC4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC6F4C shade: #BC6F4C, #BC8D4C, #BCAC4C, #AFBC4C and #90BC4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC6F4C shade matches the following richer shades: #BC6F4C, #D06838, #E46024 and #F85910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC6F4C shade: #BC6F4C, #A97660, #957E73, #818587 and #6D8D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC6F4C shade: #BC4C66, #BC504C, #BC6E4C, #BC8C4C and #BCAA4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC6F4C shade: #854B31, #A35C3C, #BC6F4C, #C8876A and #D39F88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC6F4C shade: #BC6F4C, #84BC4C and #4C57BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC6F4C shade: #BC6F4C, #4CBC6E and #6E4CBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC6F4C shade: #BC6F4C, #84BC4C, #4C9BBC and #844CBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC6F4C shade: #BC6F4C, #62BC4C, #4C9BBC and #A64CBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 60 / 26

HEX #BC6F4C

RGB 188 111 76

HSL 18.75, 0.46%, 0.52%

LAB 54.64, 27.13, 32.36

 

Complementary color

CMYK 63 / 20 / 0 / 30

HEX #4390B3

RGB 67 144 179

HSL 198.75, 0.46%, 0.48%

LAB 56.48, -12.93, -25.41

 

CMYK 0 / 42 / 63 / 24

HEX #C16F47

RGB 193 111 71

HSL 19.67, 0.5%, 0.52%

LAB 55.24, 28.83, 35.98

 

CMYK 0 / 39 / 57 / 18

HEX #D2815A

RGB 210 129 90

HSL 19.5, 0.57%, 0.59%

LAB 61.78, 27.44, 34.17

 

CMYK 0 / 35 / 52 / 11

HEX #E3936D

RGB 227 147 109

HSL 19.32, 0.68%, 0.66%

LAB 68.24, 26.21, 32.52

 

CMYK 0 / 32 / 48 / 4

HEX #F4A580

RGB 244 165 128

HSL 19.14, 0.84%, 0.73%

LAB 74.64, 25.12, 31.01

 

CMYK 0 / 28 / 42 / 0

HEX #FFB793

RGB 255 183 147

HSL 20, 1%, 0.79%

LAB 80.31, 21.83, 28.65

 

CMYK 0 / 41 / 60 / 26

HEX #BC6F4C

RGB 188 111 76

HSL 18.75, 0.46%, 0.52%

LAB 54.64, 27.13, 32.36

 

CMYK 0 / 46 / 67 / 33

HEX #AB5D39

RGB 171 93 57

HSL 18.95, 0.5%, 0.45%

LAB 47.98, 28.61, 34.3

 

CMYK 0 / 51 / 75 / 40

HEX #9A4B26

RGB 154 75 38

HSL 19.14, 0.6%, 0.38%

LAB 41.28, 30.27, 36.38

 

CMYK 0 / 58 / 86 / 46

HEX #893913

RGB 137 57 19

HSL 19.32, 0.76%, 0.31%

LAB 34.58, 32.08, 38.33

 

CMYK 0 / 68 / 100 / 53

HEX #782700

RGB 120 39 0

HSL 19.5, 1%, 0.24%

LAB 27.96, 33.84, 39.57

 

CMYK 0 / 41 / 60 / 26

HEX #BC6F4C

RGB 188 111 76

HSL 18.75, 0.46%, 0.52%

LAB 54.64, 27.13, 32.36

 

CMYK 0 / 57 / 60 / 26

HEX #BC514C

RGB 188 81 76

HSL 2.68, 0.46%, 0.52%

LAB 48.38, 42.78, 24.47

 

CMYK 0 / 60 / 60 / 26

HEX #BC4C4C

RGB 188 76 76

HSL 0, 0.46%, 0.52%

LAB 47.47, 45.18, 23.29

 

CMYK 0 / 41 / 60 / 26

HEX #BC6F4C

RGB 188 111 76

HSL 18.75, 0.46%, 0.52%

LAB 54.64, 27.13, 32.36

 

CMYK 0 / 25 / 60 / 26

HEX #BC8D4C

RGB 188 141 76

HSL 34.82, 0.46%, 0.52%

LAB 61.88, 10.57, 41.09

 

CMYK 0 / 9 / 60 / 26

HEX #BCAC4C

RGB 188 172 76

HSL 51.43, 0.46%, 0.52%

LAB 69.98, -6.18, 50.37

 

CMYK 7 / 0 / 60 / 26

HEX #AFBC4C

RGB 175 188 76

HSL 66.96, 0.46%, 0.52%

LAB 73.29, -19.88, 53.74

 

CMYK 23 / 0 / 60 / 26

HEX #90BC4C

RGB 144 188 76

HSL 83.57, 0.46%, 0.52%

LAB 71.16, -32.29, 50.78

 

CMYK 0 / 41 / 60 / 26

HEX #BC6F4C

RGB 188 111 76

HSL 18.75, 0.46%, 0.52%

LAB 54.64, 27.13, 32.36

 

CMYK 0 / 50 / 73 / 18

HEX #D06838

RGB 208 104 56

HSL 18.95, 0.62%, 0.52%

LAB 55.68, 37.69, 44.92

 

CMYK 0 / 58 / 84 / 11

HEX #E46024

RGB 228 96 36

HSL 18.75, 0.78%, 0.52%

LAB 57.06, 48.49, 56.47

 

CMYK 0 / 64 / 94 / 3

HEX #F85910

RGB 248 89 16

HSL 18.88, 0.94%, 0.52%

LAB 59.1, 58.26, 65.93

 

CMYK 0 / 41 / 60 / 26

HEX #BC6F4C

RGB 188 111 76

HSL 18.75, 0.46%, 0.52%

LAB 54.64, 27.13, 32.36

 

CMYK 0 / 30 / 43 / 34

HEX #A97660

RGB 169 118 96

HSL 18.08, 0.3%, 0.52%

LAB 54.28, 17.24, 20.12

 

CMYK 0 / 15 / 23 / 42

HEX #957E73

RGB 149 126 115

HSL 19.41, 0.14%, 0.52%

LAB 54.6, 7.02, 9.26

 

CMYK 4 / 1 / 0 / 47

HEX #818587

RGB 129 133 135

HSL 200, 0.02%, 0.52%

LAB 55.27, -1.07, -1.6

 

CMYK 30 / 9 / 0 / 39

HEX #6D8D9B

RGB 109 141 155

HSL 198.26, 0.19%, 0.52%

LAB 56.75, -7.76, -11.08

 

CMYK 0 / 60 / 46 / 26

HEX #BC4C66

RGB 188 76 102

HSL 346.07, 0.46%, 0.52%

LAB 48.03, 47.41, 8.36

 

CMYK 0 / 57 / 60 / 26

HEX #BC504C

RGB 188 80 76

HSL 2.14, 0.46%, 0.52%

LAB 48.2, 43.27, 24.23

 

CMYK 0 / 41 / 60 / 26

HEX #BC6E4C

RGB 188 110 76

HSL 18.21, 0.46%, 0.52%

LAB 54.41, 27.68, 32.08

 

CMYK 0 / 26 / 60 / 26

HEX #BC8C4C

RGB 188 140 76

HSL 34.29, 0.46%, 0.52%

LAB 61.63, 11.12, 40.79

 

CMYK 0 / 10 / 60 / 26

HEX #BCAA4C

RGB 188 170 76

HSL 50.36, 0.46%, 0.52%

LAB 69.44, -5.13, 49.77

 

CMYK 0 / 44 / 63 / 48

HEX #854B31

RGB 133 75 49

HSL 18.57, 0.46%, 0.36%

LAB 38.27, 21.98, 25.94

 

CMYK 0 / 44 / 63 / 36

HEX #A35C3C

RGB 163 92 60

HSL 18.64, 0.46%, 0.44%

LAB 46.67, 26.02, 30.78

 

CMYK 0 / 41 / 60 / 26

HEX #BC6F4C

RGB 188 111 76

HSL 18.75, 0.46%, 0.52%

LAB 54.64, 27.13, 32.36

 

CMYK 0 / 33 / 47 / 22

HEX #C8876A

RGB 200 135 106

HSL 18.51, 0.46%, 0.6%

LAB 62.21, 21.56, 25.69

 

CMYK 0 / 25 / 36 / 17

HEX #D39F88

RGB 211 159 136

HSL 18.4, 0.46%, 0.68%

LAB 69.77, 16.23, 19.51

 

CMYK 0 / 41 / 60 / 26

HEX #BC6F4C

RGB 188 111 76

HSL 18.75, 0.46%, 0.52%

LAB 54.64, 27.13, 32.36

 

CMYK 30 / 0 / 60 / 26

HEX #84BC4C

RGB 132 188 76

HSL 90, 0.46%, 0.52%

LAB 70.45, -36.79, 49.8

 

CMYK 60 / 54 / 0 / 26

HEX #4C57BC

RGB 76 87 188

HSL 234.11, 0.46%, 0.52%

LAB 41.19, 26.46, -54.74

 

CMYK 0 / 41 / 60 / 26

HEX #BC6F4C

RGB 188 111 76

HSL 18.75, 0.46%, 0.52%

LAB 54.64, 27.13, 32.36

 

CMYK 60 / 0 / 41 / 26

HEX #4CBC6E

RGB 76 188 110

HSL 138.21, 0.46%, 0.52%

LAB 68.48, -49.09, 30.19

 

CMYK 41 / 60 / 0 / 26

HEX #6E4CBC

RGB 110 76 188

HSL 258.21, 0.46%, 0.52%

LAB 41.4, 40.22, -54.26

 

CMYK 0 / 41 / 60 / 26

HEX #BC6F4C

RGB 188 111 76

HSL 18.75, 0.46%, 0.52%

LAB 54.64, 27.13, 32.36

 

CMYK 30 / 0 / 60 / 26

HEX #84BC4C

RGB 132 188 76

HSL 90, 0.46%, 0.52%

LAB 70.45, -36.79, 49.8

 

CMYK 60 / 18 / 0 / 26

HEX #4C9BBC

RGB 76 155 188

HSL 197.68, 0.46%, 0.52%

LAB 60.44, -14.41, -24.39

 

CMYK 30 / 60 / 0 / 26

HEX #844CBC

RGB 132 76 188

HSL 270, 0.46%, 0.52%

LAB 43.81, 45.33, -50.26

 

CMYK 0 / 41 / 60 / 26

HEX #BC6F4C

RGB 188 111 76

HSL 18.75, 0.46%, 0.52%

LAB 54.64, 27.13, 32.36

 

CMYK 48 / 0 / 60 / 26

HEX #62BC4C

RGB 98 188 76

HSL 108.21, 0.46%, 0.52%

LAB 68.81, -48.12, 47.5

 

CMYK 60 / 18 / 0 / 26

HEX #4C9BBC

RGB 76 155 188

HSL 197.68, 0.46%, 0.52%

LAB 60.44, -14.41, -24.39

 

CMYK 12 / 60 / 0 / 26

HEX #A64CBC

RGB 166 76 188

HSL 288.21, 0.46%, 0.52%

LAB 48.14, 53.77, -43.09

 

Description

Color code: HEX #BC6F4C | qconv.com Color code: HEX #BC6F4C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 111 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 111 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 60 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 60% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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