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Color name
HEX #BC788A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC788A it is the complementary color #438775. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC788A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC788A shade: #C17885, #D28A98, #E39CAB, #F4AEBE and #FFC0D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC788A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC788A shade: #BC788A, #AB6677, #9A5464, #894251 and #78303E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC788A shade: #BB7688 and #BB7676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC788A shade: #BB7688, #BB769B, #BB76AE, #B676BB and #A376BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC788A shade matches the following richer shades: #BB7688, #CC6580, #DC5579, #ED4471 and #FD3469

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC788A shade: #BB7688, #AB8690, #9A9798, #8AA79F and #79B8A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC788A shade: #BB76AD, #BB769B, #BB7688, #BB7676 and #BB8876

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC788A shade: #95495D, #AE5A70, #BB7688, #C991A0 and #D6ADB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC788A shade: #BC788A, #BBB776 and #76A4BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC788A shade: #BC788A, #88BB76 and #7688BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC788A shade: #BC788A, #BBB776, #76BBA9 and #767ABB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC788A shade: #BC788A, #ABBB76, #76BBA9 and #8676BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 27 / 26

HEX #BC788A

RGB 188 120 138

HSL 344.12, 0.34%, 0.6%

LAB 58, 29.03, 1.37

 

Complementary color

CMYK 50 / 0 / 13 / 47

HEX #438775

RGB 67 135 117

HSL 164.12, 0.34%, 0.4%

LAB 51.62, -26.21, 3.07

 

CMYK 0 / 38 / 31 / 24

HEX #C17885

RGB 193 120 133

HSL 349.32, 0.37%, 0.61%

LAB 58.47, 30.21, 5.03

 

CMYK 0 / 34 / 28 / 18

HEX #D28A98

RGB 210 138 152

HSL 348.33, 0.44%, 0.68%

LAB 65.08, 29.34, 3.95

 

CMYK 0 / 31 / 25 / 11

HEX #E39CAB

RGB 227 156 171

HSL 347.32, 0.56%, 0.75%

LAB 71.59, 28.55, 2.98

 

CMYK 0 / 29 / 22 / 4

HEX #F4AEBE

RGB 244 174 190

HSL 346.29, 0.76%, 0.82%

LAB 78.01, 27.82, 2.09

 

CMYK 0 / 25 / 18 / 0

HEX #FFC0D1

RGB 255 192 209

HSL 343.81, 1%, 0.88%

LAB 83.74, 25.04, 0.33

 

CMYK 0 / 36 / 27 / 26

HEX #BC788A

RGB 188 120 138

HSL 344.12, 0.34%, 0.6%

LAB 58, 29.03, 1.37

 

CMYK 0 / 40 / 30 / 33

HEX #AB6677

RGB 171 102 119

HSL 345.22, 0.29%, 0.54%

LAB 51.26, 29.92, 2.46

 

CMYK 0 / 45 / 35 / 40

HEX #9A5464

RGB 154 84 100

HSL 346.29, 0.29%, 0.47%

LAB 44.42, 30.88, 3.73

 

CMYK 0 / 52 / 41 / 46

HEX #894251

RGB 137 66 81

HSL 347.32, 0.35%, 0.4%

LAB 37.5, 31.89, 5.27

 

CMYK 0 / 60 / 48 / 53

HEX #78303E

RGB 120 48 62

HSL 348.33, 0.43%, 0.33%

LAB 30.53, 32.87, 7.23

 

CMYK 0 / 37 / 27 / 27

HEX #BB7688

RGB 187 118 136

HSL 344.35, 0.34%, 0.6%

LAB 57.37, 29.47, 1.59

 

CMYK 0 / 37 / 37 / 27

HEX #BB7676

RGB 187 118 118

HSL 0, 0.34%, 0.6%

LAB 56.91, 27.08, 11.38

 

CMYK 0 / 37 / 27 / 27

HEX #BB7688

RGB 187 118 136

HSL 344.35, 0.34%, 0.6%

LAB 57.37, 29.47, 1.59

 

CMYK 0 / 37 / 17 / 27

HEX #BB769B

RGB 187 118 155

HSL 327.83, 0.34%, 0.6%

LAB 57.93, 32.36, -8.58

 

CMYK 0 / 37 / 7 / 27

HEX #BB76AE

RGB 187 118 174

HSL 311.3, 0.34%, 0.6%

LAB 58.58, 35.58, -18.54

 

CMYK 3 / 37 / 0 / 27

HEX #B676BB

RGB 182 118 187

HSL 295.65, 0.34%, 0.6%

LAB 58.5, 36.37, -26.16

 

CMYK 13 / 37 / 0 / 27

HEX #A376BB

RGB 163 118 187

HSL 279.13, 0.34%, 0.6%

LAB 56.42, 30.36, -29.54

 

CMYK 0 / 37 / 27 / 27

HEX #BB7688

RGB 187 118 136

HSL 344.35, 0.34%, 0.6%

LAB 57.37, 29.47, 1.59

 

CMYK 0 / 50 / 37 / 20

HEX #CC6580

RGB 204 101 128

HSL 344.27, 0.5%, 0.6%

LAB 55.79, 43.58, 4.26

 

CMYK 0 / 61 / 45 / 14

HEX #DC5579

RGB 220 85 121

HSL 344, 0.66%, 0.6%

LAB 55.17, 55.72, 7.82

 

CMYK 0 / 71 / 52 / 7

HEX #ED4471

RGB 237 68 113

HSL 344.02, 0.82%, 0.6%

LAB 55.41, 66.8, 13.32

 

CMYK 0 / 79 / 58 / 1

HEX #FD3469

RGB 253 52 105

HSL 344.18, 0.98%, 0.6%

LAB 56.45, 75.36, 19.96

 

CMYK 0 / 37 / 27 / 27

HEX #BB7688

RGB 187 118 136

HSL 344.35, 0.34%, 0.6%

LAB 57.37, 29.47, 1.59

 

CMYK 0 / 22 / 16 / 33

HEX #AB8690

RGB 171 134 144

HSL 343.78, 0.18%, 0.6%

LAB 59.64, 15.75, 0.07

 

CMYK 0 / 2 / 1 / 40

HEX #9A9798

RGB 154 151 152

HSL 340, 0.01%, 0.6%

LAB 62.74, 1.29, -0.14

 

CMYK 17 / 0 / 5 / 35

HEX #8AA79F

RGB 138 167 159

HSL 163.45, 0.14%, 0.6%

LAB 66.17, -11.65, 0.8

 

CMYK 34 / 0 / 9 / 28

HEX #79B8A7

RGB 121 184 167

HSL 163.81, 0.31%, 0.6%

LAB 70.27, -24.02, 2.22

 

CMYK 0 / 37 / 7 / 27

HEX #BB76AD

RGB 187 118 173

HSL 312.17, 0.34%, 0.6%

LAB 58.54, 35.4, -18.02

 

CMYK 0 / 37 / 17 / 27

HEX #BB769B

RGB 187 118 155

HSL 327.83, 0.34%, 0.6%

LAB 57.93, 32.36, -8.58

 

CMYK 0 / 37 / 27 / 27

HEX #BB7688

RGB 187 118 136

HSL 344.35, 0.34%, 0.6%

LAB 57.37, 29.47, 1.59

 

CMYK 0 / 37 / 37 / 27

HEX #BB7676

RGB 187 118 118

HSL 0, 0.34%, 0.6%

LAB 56.91, 27.08, 11.38

 

CMYK 0 / 27 / 37 / 27

HEX #BB8876

RGB 187 136 118

HSL 15.65, 0.34%, 0.6%

LAB 61.2, 17.1, 17.35

 

CMYK 0 / 51 / 38 / 42

HEX #95495D

RGB 149 73 93

HSL 344.21, 0.34%, 0.44%

LAB 41.13, 34.1, 3.2

 

CMYK 0 / 48 / 36 / 32

HEX #AE5A70

RGB 174 90 112

HSL 344.29, 0.34%, 0.52%

LAB 48.86, 36.62, 3.22

 

CMYK 0 / 37 / 27 / 27

HEX #BB7688

RGB 187 118 136

HSL 344.35, 0.34%, 0.6%

LAB 57.37, 29.47, 1.59

 

CMYK 0 / 28 / 20 / 21

HEX #C991A0

RGB 201 145 160

HSL 343.93, 0.34%, 0.68%

LAB 65.91, 23.37, 0.52

 

CMYK 0 / 19 / 14 / 16

HEX #D6ADB8

RGB 214 173 184

HSL 343.9, 0.33%, 0.76%

LAB 74.6, 16.65, 0.04

 

CMYK 0 / 36 / 27 / 26

HEX #BC788A

RGB 188 120 138

HSL 344.12, 0.34%, 0.6%

LAB 58, 29.03, 1.37

 

CMYK 0 / 2 / 37 / 27

HEX #BBB776

RGB 187 183 118

HSL 56.52, 0.34%, 0.6%

LAB 73.38, -8.38, 33.58

 

CMYK 37 / 12 / 0 / 27

HEX #76A4BB

RGB 118 164 187

HSL 200, 0.34%, 0.6%

LAB 64.95, -9.59, -16.76

 

CMYK 0 / 36 / 27 / 26

HEX #BC788A

RGB 188 120 138

HSL 344.12, 0.34%, 0.6%

LAB 58, 29.03, 1.37

 

CMYK 27 / 0 / 37 / 27

HEX #88BB76

RGB 136 187 118

HSL 104.35, 0.34%, 0.6%

LAB 70.93, -29.8, 29.71

 

CMYK 37 / 27 / 0 / 27

HEX #7688BB

RGB 118 136 187

HSL 224.35, 0.34%, 0.6%

LAB 57.12, 6.22, -28.76

 

CMYK 0 / 36 / 27 / 26

HEX #BC788A

RGB 188 120 138

HSL 344.12, 0.34%, 0.6%

LAB 58, 29.03, 1.37

 

CMYK 0 / 2 / 37 / 27

HEX #BBB776

RGB 187 183 118

HSL 56.52, 0.34%, 0.6%

LAB 73.38, -8.38, 33.58

 

CMYK 37 / 0 / 10 / 27

HEX #76BBA9

RGB 118 187 169

HSL 164.35, 0.34%, 0.6%

LAB 71.05, -25.92, 2.24

 

CMYK 37 / 35 / 0 / 27

HEX #767ABB

RGB 118 122 187

HSL 236.52, 0.34%, 0.6%

LAB 53.34, 14.5, -34.65

 

CMYK 0 / 36 / 27 / 26

HEX #BC788A

RGB 188 120 138

HSL 344.12, 0.34%, 0.6%

LAB 58, 29.03, 1.37

 

CMYK 9 / 0 / 37 / 27

HEX #ABBB76

RGB 171 187 118

HSL 73.91, 0.34%, 0.6%

LAB 73.22, -16.78, 33.14

 

CMYK 37 / 0 / 10 / 27

HEX #76BBA9

RGB 118 187 169

HSL 164.35, 0.34%, 0.6%

LAB 71.05, -25.92, 2.24

 

CMYK 28 / 37 / 0 / 27

HEX #8676BB

RGB 134 118 187

HSL 253.91, 0.34%, 0.6%

LAB 53.61, 21.49, -34.12

 

Description

Color code: HEX #BC788A | qconv.com Color code: HEX #BC788A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 120 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 120 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 27 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 27% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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