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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC791E it is the complementary color #4386E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC791E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC791E shade: #C17919, #D28B2C, #E39D3F, #F4AF52 and #FFC165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC791E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC791E shade: #BC791E, #AB670B, #9A5500, #894300 and #783100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC791E shade: #BC791E, #BC4F1E, #BC241E and #BC1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC791E shade: #BC791E, #BCA41E, #AABC1E, #7FBC1E and #55BC1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC791E shade matches the following richer shades: #BC791E and #CE7C0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC791E shade: #BC791E, #AA7630, #997442, #877153 and #756E65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC791E shade: #BC231E, #BC4E1E, #BC781E, #BCA21E and #ACBC1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC791E shade: #754B13, #996218, #BC791E, #DC8F28 and #E1A24B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC791E shade: #BC791E, #43BC1E and #391EBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC791E shade: #BC791E, #1EBC78 and #781EBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC791E shade: #BC791E, #43BC1E, #1E63BC and #971EBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC791E shade: #BC791E, #1EBC29, #1E63BC and #BC1EB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 84 / 26

HEX #BC791E

RGB 188 121 30

HSL 34.56, 0.72%, 0.43%

LAB 56.55, 19.25, 56.01

 

Complementary color

CMYK 70 / 40 / 0 / 12

HEX #4386E1

RGB 67 134 225

HSL 214.56, 0.72%, 0.57%

LAB 55.77, 8.57, -52.52

 

CMYK 0 / 37 / 87 / 24

HEX #C17919

RGB 193 121 25

HSL 34.29, 0.77%, 0.43%

LAB 57.16, 21.3, 58.38

 

CMYK 0 / 34 / 79 / 18

HEX #D28B2C

RGB 210 139 44

HSL 34.34, 0.65%, 0.5%

LAB 63.63, 19.42, 58.27

 

CMYK 0 / 31 / 72 / 11

HEX #E39D3F

RGB 227 157 63

HSL 34.39, 0.75%, 0.57%

LAB 70.04, 17.78, 57.43

 

CMYK 0 / 28 / 66 / 4

HEX #F4AF52

RGB 244 175 82

HSL 34.44, 0.88%, 0.64%

LAB 76.38, 16.35, 56.26

 

CMYK 0 / 24 / 60 / 0

HEX #FFC165

RGB 255 193 101

HSL 35.84, 1%, 0.7%

LAB 82.02, 12.65, 54.08

 

CMYK 0 / 36 / 84 / 26

HEX #BC791E

RGB 188 121 30

HSL 34.56, 0.72%, 0.43%

LAB 56.55, 19.25, 56.01

 

CMYK 0 / 40 / 94 / 33

HEX #AB670B

RGB 171 103 11

HSL 34.5, 0.88%, 0.36%

LAB 49.96, 21.32, 55.25

 

CMYK 0 / 45 / 100 / 40

HEX #9A5500

RGB 154 85 0

HSL 33.12, 1%, 0.3%

LAB 43.31, 23.69, 52.21

 

CMYK 0 / 51 / 100 / 46

HEX #894300

RGB 137 67 0

HSL 29.34, 1%, 0.27%

LAB 36.62, 26.27, 46.81

 

CMYK 0 / 59 / 100 / 53

HEX #783100

RGB 120 49 0

HSL 24.5, 1%, 0.24%

LAB 29.89, 28.79, 41.11

 

CMYK 0 / 36 / 84 / 26

HEX #BC791E

RGB 188 121 30

HSL 34.56, 0.72%, 0.43%

LAB 56.55, 19.25, 56.01

 

CMYK 0 / 58 / 84 / 26

HEX #BC4F1E

RGB 188 79 30

HSL 18.61, 0.72%, 0.43%

LAB 47.47, 41.46, 48.11

 

CMYK 0 / 81 / 84 / 26

HEX #BC241E

RGB 188 36 30

HSL 2.28, 0.72%, 0.43%

LAB 41.29, 58.2, 42.58

 

CMYK 0 / 84 / 84 / 26

HEX #BC1E1E

RGB 188 30 30

HSL 0, 0.72%, 0.43%

LAB 40.76, 59.71, 42.1

 

CMYK 0 / 36 / 84 / 26

HEX #BC791E

RGB 188 121 30

HSL 34.56, 0.72%, 0.43%

LAB 56.55, 19.25, 56.01

 

CMYK 0 / 13 / 84 / 26

HEX #BCA41E

RGB 188 164 30

HSL 50.89, 0.72%, 0.43%

LAB 67.53, -4.24, 65.33

 

CMYK 10 / 0 / 84 / 26

HEX #AABC1E

RGB 170 188 30

HSL 66.84, 0.72%, 0.43%

LAB 72.63, -24.35, 69.03

 

CMYK 32 / 0 / 84 / 26

HEX #7FBC1E

RGB 127 188 30

HSL 83.16, 0.72%, 0.43%

LAB 69.88, -41.59, 65.58

 

CMYK 55 / 0 / 84 / 26

HEX #55BC1E

RGB 85 188 30

HSL 99.11, 0.72%, 0.43%

LAB 68.01, -55.3, 63.22

 

CMYK 0 / 36 / 84 / 26

HEX #BC791E

RGB 188 121 30

HSL 34.56, 0.72%, 0.43%

LAB 56.55, 19.25, 56.01

 

CMYK 0 / 40 / 94 / 19

HEX #CE7C0C

RGB 206 124 12

HSL 34.64, 0.89%, 0.43%

LAB 59.49, 25.05, 63.99

 

CMYK 0 / 36 / 84 / 26

HEX #BC791E

RGB 188 121 30

HSL 34.56, 0.72%, 0.43%

LAB 56.55, 19.25, 56.01

 

CMYK 0 / 31 / 72 / 33

HEX #AA7630

RGB 170 118 48

HSL 34.43, 0.56%, 0.43%

LAB 53.72, 13.68, 45.2

 

CMYK 0 / 24 / 57 / 40

HEX #997442

RGB 153 116 66

HSL 34.48, 0.4%, 0.43%

LAB 51.45, 8.48, 32.96

 

CMYK 0 / 16 / 39 / 47

HEX #877153

RGB 135 113 83

HSL 34.62, 0.24%, 0.43%

LAB 48.99, 4.09, 19.88

 

CMYK 0 / 6 / 14 / 54

HEX #756E65

RGB 117 110 101

HSL 33.75, 0.07%, 0.43%

LAB 46.81, 1.04, 5.99

 

CMYK 0 / 81 / 84 / 26

HEX #BC231E

RGB 188 35 30

HSL 1.9, 0.72%, 0.43%

LAB 41.2, 58.47, 42.5

 

CMYK 0 / 59 / 84 / 26

HEX #BC4E1E

RGB 188 78 30

HSL 18.23, 0.72%, 0.43%

LAB 47.28, 41.94, 47.95

 

CMYK 0 / 36 / 84 / 26

HEX #BC781E

RGB 188 120 30

HSL 34.18, 0.72%, 0.43%

LAB 56.31, 19.8, 55.81

 

CMYK 0 / 14 / 84 / 26

HEX #BCA21E

RGB 188 162 30

HSL 50.13, 0.72%, 0.43%

LAB 67, -3.17, 64.88

 

CMYK 9 / 0 / 84 / 26

HEX #ACBC1E

RGB 172 188 30

HSL 66.08, 0.72%, 0.43%

LAB 72.78, -23.51, 69.22

 

CMYK 0 / 36 / 84 / 54

HEX #754B13

RGB 117 75 19

HSL 34.29, 0.72%, 0.27%

LAB 35.72, 12.89, 38.21

 

CMYK 0 / 36 / 84 / 40

HEX #996218

RGB 153 98 24

HSL 34.42, 0.73%, 0.35%

LAB 46.41, 16.35, 47.61

 

CMYK 0 / 36 / 84 / 26

HEX #BC791E

RGB 188 121 30

HSL 34.56, 0.72%, 0.43%

LAB 56.55, 19.25, 56.01

 

CMYK 0 / 35 / 82 / 14

HEX #DC8F28

RGB 220 143 40

HSL 34.33, 0.72%, 0.51%

LAB 65.76, 21.41, 62.11

 

CMYK 0 / 28 / 67 / 12

HEX #E1A24B

RGB 225 162 75

HSL 34.8, 0.71%, 0.59%

LAB 71.12, 14.9, 53.13

 

CMYK 0 / 36 / 84 / 26

HEX #BC791E

RGB 188 121 30

HSL 34.56, 0.72%, 0.43%

LAB 56.55, 19.25, 56.01

 

CMYK 64 / 0 / 84 / 26

HEX #43BC1E

RGB 67 188 30

HSL 105.95, 0.72%, 0.43%

LAB 67.47, -59.76, 62.52

 

CMYK 70 / 84 / 0 / 26

HEX #391EBC

RGB 57 30 188

HSL 250.25, 0.72%, 0.43%

LAB 27.92, 56.01, -76.52

 

CMYK 0 / 36 / 84 / 26

HEX #BC791E

RGB 188 121 30

HSL 34.56, 0.72%, 0.43%

LAB 56.55, 19.25, 56.01

 

CMYK 84 / 0 / 36 / 26

HEX #1EBC78

RGB 30 188 120

HSL 154.18, 0.72%, 0.43%

LAB 67.72, -54.31, 23.75

 

CMYK 36 / 84 / 0 / 26

HEX #781EBC

RGB 120 30 188

HSL 274.18, 0.72%, 0.43%

LAB 35.11, 63, -64.43

 

CMYK 0 / 36 / 84 / 26

HEX #BC791E

RGB 188 121 30

HSL 34.56, 0.72%, 0.43%

LAB 56.55, 19.25, 56.01

 

CMYK 64 / 0 / 84 / 26

HEX #43BC1E

RGB 67 188 30

HSL 105.95, 0.72%, 0.43%

LAB 67.47, -59.76, 62.52

 

CMYK 84 / 47 / 0 / 26

HEX #1E63BC

RGB 30 99 188

HSL 213.8, 0.72%, 0.43%

LAB 42.51, 12.34, -52.72

 

CMYK 20 / 84 / 0 / 26

HEX #971EBC

RGB 151 30 188

HSL 285.95, 0.72%, 0.43%

LAB 39.81, 67.83, -56.57

 

CMYK 0 / 36 / 84 / 26

HEX #BC791E

RGB 188 121 30

HSL 34.56, 0.72%, 0.43%

LAB 56.55, 19.25, 56.01

 

CMYK 84 / 0 / 78 / 26

HEX #1EBC29

RGB 30 188 41

HSL 124.18, 0.72%, 0.43%

LAB 66.83, -65.07, 58.6

 

CMYK 84 / 47 / 0 / 26

HEX #1E63BC

RGB 30 99 188

HSL 213.8, 0.72%, 0.43%

LAB 42.51, 12.34, -52.72

 

CMYK 0 / 84 / 5 / 26

HEX #BC1EB2

RGB 188 30 178

HSL 303.8, 0.72%, 0.43%

LAB 45.41, 72.85, -41.36

 

Description

Color code: HEX #BC791E | qconv.com Color code: HEX #BC791E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 121 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 121 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 84 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 84% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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