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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC7151 it is the complementary color #438EAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC7151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC7151 shade: #C1714C, #D2835F, #E39572, #F4A785 and #FFB998

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC7151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC7151 shade: #BC7151, #AB5F3E, #9A4D2B, #893B18 and #782905

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC7151 shade: #BB7152, #BB5552 and #BB5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC7151 shade: #BB7152, #BB8E52, #BBAA52, #B0BB52 and #94BB52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC7151 shade matches the following richer shades: #BB7152, #CF6A3F, #E2622B and #F65A18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC7151 shade: #BB7152, #A87965, #958179, #81898C and #6E919F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC7151 shade: #BB526C, #BB5452, #BB7052, #BB8C52 and #BBA852

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC7151 shade: #874D34, #A45E40, #BB7152, #C78A70 and #D2A28D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC7151 shade: #BC7151, #88BB52 and #525EBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC7151 shade: #BC7151, #52BB70 and #7052BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC7151 shade: #BC7151, #88BB52, #529EBB and #8552BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC7151 shade: #BC7151, #69BB52, #529EBB and #A552BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 57 / 26

HEX #BC7151

RGB 188 113 81

HSL 17.94, 0.44%, 0.53%

LAB 55.17, 26.43, 30.24

 

Complementary color

CMYK 61 / 18 / 0 / 32

HEX #438EAE

RGB 67 142 174

HSL 197.94, 0.44%, 0.47%

LAB 55.68, -13.43, -23.79

 

CMYK 0 / 41 / 61 / 24

HEX #C1714C

RGB 193 113 76

HSL 18.97, 0.49%, 0.53%

LAB 55.76, 28.1, 33.88

 

CMYK 0 / 38 / 55 / 18

HEX #D2835F

RGB 210 131 95

HSL 18.78, 0.56%, 0.6%

LAB 62.3, 26.77, 32.11

 

CMYK 0 / 34 / 50 / 11

HEX #E39572

RGB 227 149 114

HSL 18.58, 0.67%, 0.67%

LAB 68.78, 25.6, 30.51

 

CMYK 0 / 32 / 45 / 4

HEX #F4A785

RGB 244 167 133

HSL 18.38, 0.83%, 0.74%

LAB 75.18, 24.55, 29.05

 

CMYK 0 / 27 / 40 / 0

HEX #FFB998

RGB 255 185 152

HSL 19.22, 1%, 0.8%

LAB 80.86, 21.31, 26.74

 

CMYK 0 / 40 / 57 / 26

HEX #BC7151

RGB 188 113 81

HSL 17.94, 0.44%, 0.53%

LAB 55.17, 26.43, 30.24

 

CMYK 0 / 44 / 64 / 33

HEX #AB5F3E

RGB 171 95 62

HSL 18.17, 0.47%, 0.46%

LAB 48.5, 27.85, 32.13

 

CMYK 0 / 50 / 72 / 40

HEX #9A4D2B

RGB 154 77 43

HSL 18.38, 0.56%, 0.39%

LAB 41.77, 29.44, 34.22

 

CMYK 0 / 57 / 82 / 46

HEX #893B18

RGB 137 59 24

HSL 18.58, 0.7%, 0.32%

LAB 35.03, 31.2, 36.36

 

CMYK 0 / 66 / 96 / 53

HEX #782905

RGB 120 41 5

HSL 18.78, 0.92%, 0.25%

LAB 28.35, 33, 37.86

 

CMYK 0 / 40 / 56 / 27

HEX #BB7152

RGB 187 113 82

HSL 17.71, 0.44%, 0.53%

LAB 55.06, 26.11, 29.51

 

CMYK 0 / 55 / 56 / 27

HEX #BB5552

RGB 187 85 82

HSL 1.71, 0.44%, 0.53%

LAB 49.09, 40.91, 21.81

 

CMYK 0 / 56 / 56 / 27

HEX #BB5252

RGB 187 82 82

HSL 0, 0.44%, 0.53%

LAB 48.52, 42.39, 21.05

 

CMYK 0 / 40 / 56 / 27

HEX #BB7152

RGB 187 113 82

HSL 17.71, 0.44%, 0.53%

LAB 55.06, 26.11, 29.51

 

CMYK 0 / 24 / 56 / 27

HEX #BB8E52

RGB 187 142 82

HSL 34.29, 0.44%, 0.53%

LAB 62.1, 10.07, 38.23

 

CMYK 0 / 9 / 56 / 27

HEX #BBAA52

RGB 187 170 82

HSL 50.29, 0.44%, 0.53%

LAB 69.41, -5.1, 46.88

 

CMYK 6 / 0 / 56 / 27

HEX #B0BB52

RGB 176 187 82

HSL 66.29, 0.44%, 0.53%

LAB 73.14, -18.5, 50.9

 

CMYK 21 / 0 / 56 / 27

HEX #94BB52

RGB 148 187 82

HSL 82.29, 0.44%, 0.53%

LAB 71.18, -29.73, 48.14

 

CMYK 0 / 40 / 56 / 27

HEX #BB7152

RGB 187 113 82

HSL 17.71, 0.44%, 0.53%

LAB 55.06, 26.11, 29.51

 

CMYK 0 / 49 / 70 / 19

HEX #CF6A3F

RGB 207 106 63

HSL 17.92, 0.6%, 0.53%

LAB 56.02, 36.62, 41.66

 

CMYK 0 / 57 / 81 / 11

HEX #E2622B

RGB 226 98 43

HSL 18.03, 0.76%, 0.53%

LAB 57.15, 47.01, 53.47

 

CMYK 0 / 63 / 90 / 4

HEX #F65A18

RGB 246 90 24

HSL 17.84, 0.93%, 0.53%

LAB 58.95, 57.26, 63.49

 

CMYK 0 / 40 / 56 / 27

HEX #BB7152

RGB 187 113 82

HSL 17.71, 0.44%, 0.53%

LAB 55.06, 26.11, 29.51

 

CMYK 0 / 28 / 40 / 34

HEX #A87965

RGB 168 121 101

HSL 17.91, 0.28%, 0.53%

LAB 55.01, 15.71, 18.22

 

CMYK 0 / 13 / 19 / 42

HEX #958179

RGB 149 129 121

HSL 17.14, 0.12%, 0.53%

LAB 55.55, 6.27, 7.14

 

CMYK 8 / 2 / 0 / 45

HEX #81898C

RGB 129 137 140

HSL 196.36, 0.05%, 0.53%

LAB 56.54, -2.3, -2.62

 

CMYK 31 / 9 / 0 / 38

HEX #6E919F

RGB 110 145 159

HSL 197.14, 0.2%, 0.53%

LAB 58.1, -8.67, -11.34

 

CMYK 0 / 56 / 42 / 27

HEX #BB526C

RGB 187 82 108

HSL 345.14, 0.44%, 0.53%

LAB 49.11, 44.84, 6.24

 

CMYK 0 / 55 / 56 / 27

HEX #BB5452

RGB 187 84 82

HSL 1.14, 0.44%, 0.53%

LAB 48.9, 41.41, 21.56

 

CMYK 0 / 40 / 56 / 27

HEX #BB7052

RGB 187 112 82

HSL 17.14, 0.44%, 0.53%

LAB 54.83, 26.65, 29.22

 

CMYK 0 / 25 / 56 / 27

HEX #BB8C52

RGB 187 140 82

HSL 33.14, 0.44%, 0.53%

LAB 61.59, 11.17, 37.61

 

CMYK 0 / 10 / 56 / 27

HEX #BBA852

RGB 187 168 82

HSL 49.14, 0.44%, 0.53%

LAB 68.88, -4.04, 46.26

 

CMYK 0 / 43 / 61 / 47

HEX #874D34

RGB 135 77 52

HSL 18.07, 0.44%, 0.37%

LAB 39.08, 21.93, 25.23

 

CMYK 0 / 43 / 61 / 36

HEX #A45E40

RGB 164 94 64

HSL 18, 0.44%, 0.45%

LAB 47.32, 25.62, 29.35

 

CMYK 0 / 40 / 56 / 27

HEX #BB7152

RGB 187 113 82

HSL 17.71, 0.44%, 0.53%

LAB 55.06, 26.11, 29.51

 

CMYK 0 / 31 / 44 / 22

HEX #C78A70

RGB 199 138 112

HSL 17.93, 0.44%, 0.61%

LAB 62.92, 20.14, 23.27

 

CMYK 0 / 23 / 33 / 18

HEX #D2A28D

RGB 210 162 141

HSL 18.26, 0.43%, 0.69%

LAB 70.5, 14.84, 17.75

 

CMYK 0 / 40 / 57 / 26

HEX #BC7151

RGB 188 113 81

HSL 17.94, 0.44%, 0.53%

LAB 55.17, 26.43, 30.24

 

CMYK 27 / 0 / 56 / 27

HEX #88BB52

RGB 136 187 82

HSL 89.14, 0.44%, 0.53%

LAB 70.44, -34.28, 47.1

 

CMYK 56 / 50 / 0 / 27

HEX #525EBB

RGB 82 94 187

HSL 233.14, 0.44%, 0.53%

LAB 43.34, 22.87, -50.67

 

CMYK 0 / 40 / 57 / 26

HEX #BC7151

RGB 188 113 81

HSL 17.94, 0.44%, 0.53%

LAB 55.17, 26.43, 30.24

 

CMYK 56 / 0 / 40 / 27

HEX #52BB70

RGB 82 187 112

HSL 137.14, 0.44%, 0.53%

LAB 68.39, -46.96, 29.06

 

CMYK 40 / 56 / 0 / 27

HEX #7052BB

RGB 112 82 187

HSL 257.14, 0.44%, 0.53%

LAB 42.86, 36.92, -51.31

 

CMYK 0 / 40 / 57 / 26

HEX #BC7151

RGB 188 113 81

HSL 17.94, 0.44%, 0.53%

LAB 55.17, 26.43, 30.24

 

CMYK 27 / 0 / 56 / 27

HEX #88BB52

RGB 136 187 82

HSL 89.14, 0.44%, 0.53%

LAB 70.44, -34.28, 47.1

 

CMYK 56 / 16 / 0 / 27

HEX #529EBB

RGB 82 158 187

HSL 196.57, 0.44%, 0.53%

LAB 61.51, -15.13, -22.16

 

CMYK 29 / 56 / 0 / 27

HEX #8552BB

RGB 133 82 187

HSL 269.14, 0.44%, 0.53%

LAB 45.09, 42.07, -47.61

 

CMYK 0 / 40 / 57 / 26

HEX #BC7151

RGB 188 113 81

HSL 17.94, 0.44%, 0.53%

LAB 55.17, 26.43, 30.24

 

CMYK 44 / 0 / 56 / 27

HEX #69BB52

RGB 105 187 82

HSL 106.86, 0.44%, 0.53%

LAB 68.86, -44.92, 44.85

 

CMYK 56 / 16 / 0 / 27

HEX #529EBB

RGB 82 158 187

HSL 196.57, 0.44%, 0.53%

LAB 61.51, -15.13, -22.16

 

CMYK 12 / 56 / 0 / 27

HEX #A552BB

RGB 165 82 187

HSL 287.43, 0.44%, 0.53%

LAB 49.03, 50.4, -41.1

 

Description

Color code: HEX #BC7151 | qconv.com Color code: HEX #BC7151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 113 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 113 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 57 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 57% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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