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Color name
HEX #BC7A4C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC7A4C it is the complementary color #4385B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC7A4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC7A4C shade: #C17A47, #D28C5A, #E39E6D, #F4B080 and #FFC293

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC7A4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC7A4C shade: #BC7A4C, #AB6839, #9A5626, #894413 and #783200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC7A4C shade: #BC7A4C, #BC5C4C and #BC4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC7A4C shade: #BC7A4C, #BC984C, #BCB74C, #A4BC4C and #85BC4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC7A4C shade matches the following richer shades: #BC7A4C, #D07738, #E47324 and #F86F10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC7A4C shade: #BC7A4C, #A97E60, #958173, #818587 and #6D889B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC7A4C shade: #BC4C5B, #BC5B4C, #BC794C, #BC974C and #BCB54C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC7A4C shade: #855331, #A3663C, #BC7A4C, #C8906A and #D3A788

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC7A4C shade: #BC7A4C, #79BC4C and #4C4CBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC7A4C shade: #BC7A4C, #4CBC79 and #794CBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC7A4C shade: #BC7A4C, #79BC4C, #4C8FBC and #8F4CBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC7A4C shade: #BC7A4C, #57BC4C, #4C8FBC and #B14CBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 60 / 26

HEX #BC7A4C

RGB 188 122 76

HSL 24.64, 0.46%, 0.52%

LAB 57.2, 21.08, 35.5

 

Complementary color

CMYK 63 / 26 / 0 / 30

HEX #4385B3

RGB 67 133 179

HSL 204.64, 0.46%, 0.48%

LAB 53.19, -6.72, -30.5

 

CMYK 0 / 37 / 63 / 24

HEX #C17A47

RGB 193 122 71

HSL 25.08, 0.5%, 0.52%

LAB 57.76, 22.83, 38.98

 

CMYK 0 / 33 / 57 / 18

HEX #D28C5A

RGB 210 140 90

HSL 25, 0.57%, 0.59%

LAB 64.32, 21.5, 37.33

 

CMYK 0 / 30 / 52 / 11

HEX #E39E6D

RGB 227 158 109

HSL 24.92, 0.68%, 0.66%

LAB 70.79, 20.34, 35.78

 

CMYK 0 / 28 / 48 / 4

HEX #F4B080

RGB 244 176 128

HSL 24.83, 0.84%, 0.73%

LAB 77.19, 19.31, 34.34

 

CMYK 0 / 24 / 42 / 0

HEX #FFC293

RGB 255 194 147

HSL 26.11, 1%, 0.79%

LAB 82.89, 16.08, 32.08

 

CMYK 0 / 35 / 60 / 26

HEX #BC7A4C

RGB 188 122 76

HSL 24.64, 0.46%, 0.52%

LAB 57.2, 21.08, 35.5

 

CMYK 0 / 39 / 67 / 33

HEX #AB6839

RGB 171 104 57

HSL 24.74, 0.5%, 0.45%

LAB 50.52, 22.52, 37.22

 

CMYK 0 / 44 / 75 / 40

HEX #9A5626

RGB 154 86 38

HSL 24.83, 0.6%, 0.38%

LAB 43.75, 24.19, 38.97

 

CMYK 0 / 50 / 86 / 46

HEX #894413

RGB 137 68 19

HSL 24.92, 0.76%, 0.31%

LAB 36.93, 26.14, 40.39

 

CMYK 0 / 58 / 100 / 53

HEX #783200

RGB 120 50 0

HSL 25, 1%, 0.24%

LAB 30.09, 28.25, 41.26

 

CMYK 0 / 35 / 60 / 26

HEX #BC7A4C

RGB 188 122 76

HSL 24.64, 0.46%, 0.52%

LAB 57.2, 21.08, 35.5

 

CMYK 0 / 51 / 60 / 26

HEX #BC5C4C

RGB 188 92 76

HSL 8.57, 0.46%, 0.52%

LAB 50.53, 37.26, 27.22

 

CMYK 0 / 60 / 60 / 26

HEX #BC4C4C

RGB 188 76 76

HSL 0, 0.46%, 0.52%

LAB 47.47, 45.18, 23.29

 

CMYK 0 / 35 / 60 / 26

HEX #BC7A4C

RGB 188 122 76

HSL 24.64, 0.46%, 0.52%

LAB 57.2, 21.08, 35.5

 

CMYK 0 / 19 / 60 / 26

HEX #BC984C

RGB 188 152 76

HSL 40.71, 0.46%, 0.52%

LAB 64.7, 4.54, 44.37

 

CMYK 0 / 3 / 60 / 26

HEX #BCB74C

RGB 188 183 76

HSL 57.32, 0.46%, 0.52%

LAB 72.94, -11.91, 53.66

 

CMYK 13 / 0 / 60 / 26

HEX #A4BC4C

RGB 164 188 76

HSL 72.86, 0.46%, 0.52%

LAB 72.48, -24.39, 52.63

 

CMYK 29 / 0 / 60 / 26

HEX #85BC4C

RGB 133 188 76

HSL 89.46, 0.46%, 0.52%

LAB 70.51, -36.42, 49.88

 

CMYK 0 / 35 / 60 / 26

HEX #BC7A4C

RGB 188 122 76

HSL 24.64, 0.46%, 0.52%

LAB 57.2, 21.08, 35.5

 

CMYK 0 / 43 / 73 / 18

HEX #D07738

RGB 208 119 56

HSL 24.87, 0.62%, 0.52%

LAB 58.87, 29.84, 48.31

 

CMYK 0 / 50 / 84 / 11

HEX #E47324

RGB 228 115 36

HSL 24.69, 0.78%, 0.52%

LAB 60.68, 39.26, 59.56

 

CMYK 0 / 55 / 94 / 3

HEX #F86F10

RGB 248 111 16

HSL 24.57, 0.94%, 0.52%

LAB 62.81, 48.51, 68.31

 

CMYK 0 / 35 / 60 / 26

HEX #BC7A4C

RGB 188 122 76

HSL 24.64, 0.46%, 0.52%

LAB 57.2, 21.08, 35.5

 

CMYK 0 / 25 / 43 / 34

HEX #A97E60

RGB 169 126 96

HSL 24.66, 0.3%, 0.52%

LAB 56.29, 12.71, 22.81

 

CMYK 0 / 13 / 23 / 42

HEX #958173

RGB 149 129 115

HSL 24.71, 0.14%, 0.52%

LAB 55.41, 5.31, 10.4

 

CMYK 4 / 1 / 0 / 47

HEX #818587

RGB 129 133 135

HSL 200, 0.02%, 0.52%

LAB 55.27, -1.07, -1.6

 

CMYK 30 / 12 / 0 / 39

HEX #6D889B

RGB 109 136 155

HSL 204.78, 0.19%, 0.52%

LAB 55.3, -4.94, -13.26

 

CMYK 0 / 60 / 52 / 26

HEX #BC4C5B

RGB 188 76 91

HSL 351.96, 0.46%, 0.52%

LAB 47.77, 46.38, 14.66

 

CMYK 0 / 52 / 60 / 26

HEX #BC5B4C

RGB 188 91 76

HSL 8.04, 0.46%, 0.52%

LAB 50.33, 37.78, 26.96

 

CMYK 0 / 36 / 60 / 26

HEX #BC794C

RGB 188 121 76

HSL 24.11, 0.46%, 0.52%

LAB 56.97, 21.64, 35.21

 

CMYK 0 / 20 / 60 / 26

HEX #BC974C

RGB 188 151 76

HSL 40.18, 0.46%, 0.52%

LAB 64.44, 5.09, 44.07

 

CMYK 0 / 4 / 60 / 26

HEX #BCB54C

RGB 188 181 76

HSL 56.25, 0.46%, 0.52%

LAB 72.4, -10.88, 53.07

 

CMYK 0 / 38 / 63 / 48

HEX #855331

RGB 133 83 49

HSL 24.29, 0.46%, 0.36%

LAB 40.24, 17.31, 28.31

 

CMYK 0 / 37 / 63 / 36

HEX #A3663C

RGB 163 102 60

HSL 24.47, 0.46%, 0.44%

LAB 49.03, 20.4, 33.61

 

CMYK 0 / 35 / 60 / 26

HEX #BC7A4C

RGB 188 122 76

HSL 24.64, 0.46%, 0.52%

LAB 57.2, 21.08, 35.5

 

CMYK 0 / 28 / 47 / 22

HEX #C8906A

RGB 200 144 106

HSL 24.26, 0.46%, 0.6%

LAB 64.38, 16.63, 28.53

 

CMYK 0 / 21 / 36 / 17

HEX #D3A788

RGB 211 167 136

HSL 24.8, 0.46%, 0.68%

LAB 71.73, 11.9, 22.19

 

CMYK 0 / 35 / 60 / 26

HEX #BC7A4C

RGB 188 122 76

HSL 24.64, 0.46%, 0.52%

LAB 57.2, 21.08, 35.5

 

CMYK 36 / 0 / 60 / 26

HEX #79BC4C

RGB 121 188 76

HSL 95.89, 0.46%, 0.52%

LAB 69.86, -40.71, 48.97

 

CMYK 60 / 60 / 0 / 26

HEX #4C4CBC

RGB 76 76 188

HSL 240, 0.46%, 0.52%

LAB 38.44, 33.38, -59.2

 

CMYK 0 / 35 / 60 / 26

HEX #BC7A4C

RGB 188 122 76

HSL 24.64, 0.46%, 0.52%

LAB 57.2, 21.08, 35.5

 

CMYK 60 / 0 / 36 / 26

HEX #4CBC79

RGB 76 188 121

HSL 144.11, 0.46%, 0.52%

LAB 68.67, -47.1, 24.65

 

CMYK 36 / 60 / 0 / 26

HEX #794CBC

RGB 121 76 188

HSL 264.11, 0.46%, 0.52%

LAB 42.56, 42.72, -52.33

 

CMYK 0 / 35 / 60 / 26

HEX #BC7A4C

RGB 188 122 76

HSL 24.64, 0.46%, 0.52%

LAB 57.2, 21.08, 35.5

 

CMYK 36 / 0 / 60 / 26

HEX #79BC4C

RGB 121 188 76

HSL 95.89, 0.46%, 0.52%

LAB 69.86, -40.71, 48.97

 

CMYK 60 / 24 / 0 / 26

HEX #4C8FBC

RGB 76 143 188

HSL 204.11, 0.46%, 0.52%

LAB 56.89, -7.75, -29.86

 

CMYK 24 / 60 / 0 / 26

HEX #8F4CBC

RGB 143 76 188

HSL 275.89, 0.46%, 0.52%

LAB 45.14, 48.01, -48.06

 

CMYK 0 / 35 / 60 / 26

HEX #BC7A4C

RGB 188 122 76

HSL 24.64, 0.46%, 0.52%

LAB 57.2, 21.08, 35.5

 

CMYK 54 / 0 / 60 / 26

HEX #57BC4C

RGB 87 188 76

HSL 114.11, 0.46%, 0.52%

LAB 68.4, -51.22, 46.91

 

CMYK 60 / 24 / 0 / 26

HEX #4C8FBC

RGB 76 143 188

HSL 204.11, 0.46%, 0.52%

LAB 56.89, -7.75, -29.86

 

CMYK 6 / 60 / 0 / 26

HEX #B14CBC

RGB 177 76 188

HSL 294.11, 0.46%, 0.52%

LAB 49.67, 56.57, -40.56

 

Description

Color code: HEX #BC7A4C | qconv.com Color code: HEX #BC7A4C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 122 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 122 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 60 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 60% 26% C M Y K

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Provide designers and agencies with accurate color values.

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