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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC7A8B it is the complementary color #438574. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC7A8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC7A8B shade: #C17A86, #D28C99, #E39EAC, #F4B0BF and #FFC2D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC7A8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC7A8B shade: #BC7A8B, #AB6878, #9A5665, #894452 and #78323F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC7A8B shade: #BC7A8B and #BC7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC7A8B shade: #BC7A8B, #BC7A9D, #BC7AAF, #B87ABC and #A67ABC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC7A8B shade matches the following richer shades: #BC7A8B, #CC6A83, #DC5A7C, #EC4A74 and #FC3A6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC7A8B shade: #BC7A8B, #AC8A93, #9C9A9B, #8CABA3 and #7CBBAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC7A8B shade: #BC7AAF, #BC7A9D, #BC7A8C, #BC7A7A and #BC8C7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC7A8B shade: #984C5F, #AE5F73, #BC7A8B, #CA96A3 and #D8B1BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC7A8B shade: #BC7A8B, #BCB77A and #7AA6BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC7A8B shade: #BC7A8B, #8CBC7A and #7A8CBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC7A8B shade: #BC7A8B, #BCB77A, #7ABCAA and #7A7FBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC7A8B shade: #BC7A8B, #ADBC7A, #7ABCAA and #8A7ABC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 26 / 26

HEX #BC7A8B

RGB 188 122 139

HSL 344.55, 0.33%, 0.61%

LAB 58.48, 28.08, 1.5

 

Complementary color

CMYK 50 / 0 / 13 / 48

HEX #438574

RGB 67 133 116

HSL 164.55, 0.33%, 0.39%

LAB 50.95, -25.46, 2.7

 

CMYK 0 / 37 / 31 / 24

HEX #C17A86

RGB 193 122 134

HSL 349.86, 0.36%, 0.62%

LAB 58.95, 29.25, 5.14

 

CMYK 0 / 33 / 27 / 18

HEX #D28C99

RGB 210 140 153

HSL 348.86, 0.44%, 0.69%

LAB 65.56, 28.4, 4.08

 

CMYK 0 / 30 / 24 / 11

HEX #E39EAC

RGB 227 158 172

HSL 347.83, 0.55%, 0.75%

LAB 72.07, 27.62, 3.12

 

CMYK 0 / 28 / 22 / 4

HEX #F4B0BF

RGB 244 176 191

HSL 346.76, 0.76%, 0.82%

LAB 78.49, 26.91, 2.25

 

CMYK 0 / 24 / 18 / 0

HEX #FFC2D2

RGB 255 194 210

HSL 344.26, 1%, 0.88%

LAB 84.22, 24.14, 0.5

 

CMYK 0 / 35 / 26 / 26

HEX #BC7A8B

RGB 188 122 139

HSL 344.55, 0.33%, 0.61%

LAB 58.48, 28.08, 1.5

 

CMYK 0 / 39 / 30 / 33

HEX #AB6878

RGB 171 104 120

HSL 345.67, 0.29%, 0.54%

LAB 51.74, 28.95, 2.56

 

CMYK 0 / 44 / 34 / 40

HEX #9A5665

RGB 154 86 101

HSL 346.76, 0.28%, 0.47%

LAB 44.89, 29.9, 3.8

 

CMYK 0 / 50 / 40 / 46

HEX #894452

RGB 137 68 82

HSL 347.83, 0.34%, 0.4%

LAB 37.95, 30.91, 5.29

 

CMYK 0 / 58 / 48 / 53

HEX #78323F

RGB 120 50 63

HSL 348.86, 0.41%, 0.33%

LAB 30.96, 31.93, 7.17

 

CMYK 0 / 35 / 26 / 26

HEX #BC7A8B

RGB 188 122 139

HSL 344.55, 0.33%, 0.61%

LAB 58.48, 28.08, 1.5

 

CMYK 0 / 35 / 35 / 26

HEX #BC7A7A

RGB 188 122 122

HSL 0, 0.33%, 0.61%

LAB 58.05, 25.77, 10.69

 

CMYK 0 / 35 / 26 / 26

HEX #BC7A8B

RGB 188 122 139

HSL 344.55, 0.33%, 0.61%

LAB 58.48, 28.08, 1.5

 

CMYK 0 / 35 / 16 / 26

HEX #BC7A9D

RGB 188 122 157

HSL 328.18, 0.33%, 0.61%

LAB 59.02, 30.84, -8.11

 

CMYK 0 / 35 / 7 / 26

HEX #BC7AAF

RGB 188 122 175

HSL 311.82, 0.33%, 0.61%

LAB 59.62, 33.91, -17.52

 

CMYK 2 / 35 / 0 / 26

HEX #B87ABC

RGB 184 122 188

HSL 296.36, 0.33%, 0.61%

LAB 59.65, 35.01, -24.93

 

CMYK 12 / 35 / 0 / 26

HEX #A67ABC

RGB 166 122 188

HSL 280, 0.33%, 0.61%

LAB 57.71, 29.26, -28.09

 

CMYK 0 / 35 / 26 / 26

HEX #BC7A8B

RGB 188 122 139

HSL 344.55, 0.33%, 0.61%

LAB 58.48, 28.08, 1.5

 

CMYK 0 / 48 / 36 / 20

HEX #CC6A83

RGB 204 106 131

HSL 344.69, 0.49%, 0.61%

LAB 56.86, 41.4, 4.05

 

CMYK 0 / 59 / 44 / 14

HEX #DC5A7C

RGB 220 90 124

HSL 344.31, 0.65%, 0.61%

LAB 56.07, 53.8, 7.33

 

CMYK 0 / 69 / 51 / 7

HEX #EC4A74

RGB 236 74 116

HSL 344.44, 0.81%, 0.61%

LAB 56.08, 64.61, 12.44

 

CMYK 0 / 77 / 57 / 1

HEX #FC3A6C

RGB 252 58 108

HSL 344.54, 0.97%, 0.61%

LAB 56.88, 73.7, 18.74

 

CMYK 0 / 35 / 26 / 26

HEX #BC7A8B

RGB 188 122 139

HSL 344.55, 0.33%, 0.61%

LAB 58.48, 28.08, 1.5

 

CMYK 0 / 20 / 15 / 33

HEX #AC8A93

RGB 172 138 147

HSL 344.12, 0.17%, 0.61%

LAB 60.83, 14.37, 0.11

 

CMYK 0 / 1 / 1 / 39

HEX #9C9A9B

RGB 156 154 155

HSL 330, 0.01%, 0.61%

LAB 63.79, 0.92, -0.27

 

CMYK 18 / 0 / 5 / 33

HEX #8CABA3

RGB 140 171 163

HSL 164.52, 0.16%, 0.61%

LAB 67.54, -12.27, 0.58

 

CMYK 34 / 0 / 9 / 27

HEX #7CBBAA

RGB 124 187 170

HSL 163.81, 0.32%, 0.61%

LAB 71.37, -23.98, 2.19

 

CMYK 0 / 35 / 7 / 26

HEX #BC7AAF

RGB 188 122 175

HSL 311.82, 0.33%, 0.61%

LAB 59.62, 33.91, -17.52

 

CMYK 0 / 35 / 16 / 26

HEX #BC7A9D

RGB 188 122 157

HSL 328.18, 0.33%, 0.61%

LAB 59.02, 30.84, -8.11

 

CMYK 0 / 35 / 26 / 26

HEX #BC7A8C

RGB 188 122 140

HSL 343.64, 0.33%, 0.61%

LAB 58.51, 28.22, 0.96

 

CMYK 0 / 35 / 35 / 26

HEX #BC7A7A

RGB 188 122 122

HSL 0, 0.33%, 0.61%

LAB 58.05, 25.77, 10.69

 

CMYK 0 / 26 / 35 / 26

HEX #BC8C7A

RGB 188 140 122

HSL 16.36, 0.33%, 0.61%

LAB 62.38, 15.79, 16.74

 

CMYK 0 / 50 / 38 / 40

HEX #984C5F

RGB 152 76 95

HSL 345, 0.33%, 0.45%

LAB 42.26, 33.85, 3.65

 

CMYK 0 / 45 / 34 / 32

HEX #AE5F73

RGB 174 95 115

HSL 344.81, 0.33%, 0.53%

LAB 50, 34.33, 3.07

 

CMYK 0 / 35 / 26 / 26

HEX #BC7A8B

RGB 188 122 139

HSL 344.55, 0.33%, 0.61%

LAB 58.48, 28.08, 1.5

 

CMYK 0 / 26 / 19 / 21

HEX #CA96A3

RGB 202 150 163

HSL 345, 0.33%, 0.69%

LAB 67.29, 21.46, 0.85

 

CMYK 0 / 18 / 13 / 15

HEX #D8B1BB

RGB 216 177 187

HSL 344.62, 0.33%, 0.77%

LAB 75.84, 15.7, 0.24

 

CMYK 0 / 35 / 26 / 26

HEX #BC7A8B

RGB 188 122 139

HSL 344.55, 0.33%, 0.61%

LAB 58.48, 28.08, 1.5

 

CMYK 0 / 3 / 35 / 26

HEX #BCB77A

RGB 188 183 122

HSL 55.45, 0.33%, 0.61%

LAB 73.52, -7.51, 31.69

 

CMYK 35 / 12 / 0 / 26

HEX #7AA6BC

RGB 122 166 188

HSL 200, 0.33%, 0.61%

LAB 65.78, -9.3, -16.05

 

CMYK 0 / 35 / 26 / 26

HEX #BC7A8B

RGB 188 122 139

HSL 344.55, 0.33%, 0.61%

LAB 58.48, 28.08, 1.5

 

CMYK 26 / 0 / 35 / 26

HEX #8CBC7A

RGB 140 188 122

HSL 103.64, 0.33%, 0.61%

LAB 71.52, -28.28, 28.43

 

CMYK 35 / 26 / 0 / 26

HEX #7A8CBC

RGB 122 140 188

HSL 223.64, 0.33%, 0.61%

LAB 58.53, 5.31, -27.12

 

CMYK 0 / 35 / 26 / 26

HEX #BC7A8B

RGB 188 122 139

HSL 344.55, 0.33%, 0.61%

LAB 58.48, 28.08, 1.5

 

CMYK 0 / 3 / 35 / 26

HEX #BCB77A

RGB 188 183 122

HSL 55.45, 0.33%, 0.61%

LAB 73.52, -7.51, 31.69

 

CMYK 35 / 0 / 10 / 26

HEX #7ABCAA

RGB 122 188 170

HSL 163.64, 0.33%, 0.61%

LAB 71.56, -25.05, 2.46

 

CMYK 35 / 32 / 0 / 26

HEX #7A7FBC

RGB 122 127 188

HSL 235.45, 0.33%, 0.61%

LAB 55.02, 12.93, -32.58

 

CMYK 0 / 35 / 26 / 26

HEX #BC7A8B

RGB 188 122 139

HSL 344.55, 0.33%, 0.61%

LAB 58.48, 28.08, 1.5

 

CMYK 8 / 0 / 35 / 26

HEX #ADBC7A

RGB 173 188 122

HSL 73.64, 0.33%, 0.61%

LAB 73.71, -16, 31.72

 

CMYK 35 / 0 / 10 / 26

HEX #7ABCAA

RGB 122 188 170

HSL 163.64, 0.33%, 0.61%

LAB 71.56, -25.05, 2.46

 

CMYK 27 / 35 / 0 / 26

HEX #8A7ABC

RGB 138 122 188

HSL 254.55, 0.33%, 0.61%

LAB 55.02, 20.58, -32.47

 

Description

Color code: HEX #BC7A8B | qconv.com Color code: HEX #BC7A8B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 122 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 122 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 26 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 26% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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