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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC7E7A it is the complementary color #438185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC7E7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC7E7A shade: #C17E75, #D29088, #E3A29B, #F4B4AE and #FFC6C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC7E7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC7E7A shade: #BC7E7A, #AB6C67, #9A5A54, #894841 and #78362E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC7E7A shade: #BC7E7A and #BC7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC7E7A shade: #BC7E7A, #BC907A, #BCA27A, #BCB37A and #B3BC7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC7E7A shade matches the following richer shades: #BC7E7A, #CC706A, #DC625A, #EC544A and #FC463A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC7E7A shade: #BC7E7A, #AC8C8A, #9C9A9A, #8CA9AB and #7CB7BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC7E7A shade: #BC7A9A, #BC7A88, #BC7E7A, #BC8F7A and #BCA17A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC7E7A shade: #98514C, #AE645F, #BC7E7A, #CA9996 and #D8B3B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC7E7A shade: #BC7E7A, #ABBC7A and #7A91BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC7E7A shade: #BC7E7A, #7ABC7E and #7E7ABC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC7E7A shade: #BC7E7A, #ABBC7A, #7AB9BC and #8B7ABC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC7E7A shade: #BC7E7A, #98BC7A, #7AB9BC and #9E7ABC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 35 / 26

HEX #BC7E7A

RGB 188 126 122

HSL 3.64, 0.33%, 0.61%

LAB 58.99, 23.55, 12.01

 

Complementary color

CMYK 50 / 3 / 0 / 48

HEX #438185

RGB 67 129 133

HSL 183.64, 0.33%, 0.39%

LAB 50.2, -18.81, -8.36

 

CMYK 0 / 35 / 39 / 24

HEX #C17E75

RGB 193 126 117

HSL 7.11, 0.38%, 0.61%

LAB 59.47, 24.91, 15.64

 

CMYK 0 / 31 / 35 / 18

HEX #D29088

RGB 210 144 136

HSL 6.49, 0.45%, 0.68%

LAB 66.08, 23.99, 14.38

 

CMYK 0 / 29 / 32 / 11

HEX #E3A29B

RGB 227 162 155

HSL 5.83, 0.56%, 0.75%

LAB 72.59, 23.17, 13.24

 

CMYK 0 / 26 / 29 / 4

HEX #F4B4AE

RGB 244 180 174

HSL 5.14, 0.76%, 0.82%

LAB 79, 22.43, 12.2

 

CMYK 0 / 22 / 24 / 0

HEX #FFC6C1

RGB 255 198 193

HSL 4.84, 1%, 0.88%

LAB 84.74, 19.58, 10.32

 

CMYK 0 / 33 / 35 / 26

HEX #BC7E7A

RGB 188 126 122

HSL 3.64, 0.33%, 0.61%

LAB 58.99, 23.55, 12.01

 

CMYK 0 / 37 / 40 / 33

HEX #AB6C67

RGB 171 108 103

HSL 4.41, 0.29%, 0.54%

LAB 52.24, 24.51, 13.31

 

CMYK 0 / 42 / 45 / 40

HEX #9A5A54

RGB 154 90 84

HSL 5.14, 0.29%, 0.47%

LAB 45.39, 25.59, 14.81

 

CMYK 0 / 47 / 53 / 46

HEX #894841

RGB 137 72 65

HSL 5.83, 0.36%, 0.4%

LAB 38.44, 26.8, 16.58

 

CMYK 0 / 55 / 62 / 53

HEX #78362E

RGB 120 54 46

HSL 6.49, 0.45%, 0.33%

LAB 31.41, 28.14, 18.77

 

CMYK 0 / 33 / 35 / 26

HEX #BC7E7A

RGB 188 126 122

HSL 3.64, 0.33%, 0.61%

LAB 58.99, 23.55, 12.01

 

CMYK 0 / 35 / 35 / 26

HEX #BC7A7A

RGB 188 122 122

HSL 0, 0.33%, 0.61%

LAB 58.05, 25.77, 10.69

 

CMYK 0 / 33 / 35 / 26

HEX #BC7E7A

RGB 188 126 122

HSL 3.64, 0.33%, 0.61%

LAB 58.99, 23.55, 12.01

 

CMYK 0 / 23 / 35 / 26

HEX #BC907A

RGB 188 144 122

HSL 20, 0.33%, 0.61%

LAB 63.38, 13.57, 18.11

 

CMYK 0 / 14 / 35 / 26

HEX #BCA27A

RGB 188 162 122

HSL 36.36, 0.33%, 0.61%

LAB 67.97, 3.69, 24.35

 

CMYK 0 / 5 / 35 / 26

HEX #BCB37A

RGB 188 179 122

HSL 51.82, 0.33%, 0.61%

LAB 72.45, -5.41, 30.29

 

CMYK 5 / 0 / 35 / 26

HEX #B3BC7A

RGB 179 188 122

HSL 68.18, 0.33%, 0.61%

LAB 74.16, -13.66, 32.39

 

CMYK 0 / 33 / 35 / 26

HEX #BC7E7A

RGB 188 126 122

HSL 3.64, 0.33%, 0.61%

LAB 58.99, 23.55, 12.01

 

CMYK 0 / 45 / 48 / 20

HEX #CC706A

RGB 204 112 106

HSL 3.67, 0.49%, 0.61%

LAB 57.53, 35.55, 19.51

 

CMYK 0 / 55 / 59 / 14

HEX #DC625A

RGB 220 98 90

HSL 3.69, 0.65%, 0.61%

LAB 56.77, 47.18, 28.12

 

CMYK 0 / 64 / 69 / 7

HEX #EC544A

RGB 236 84 74

HSL 3.7, 0.81%, 0.61%

LAB 56.75, 57.96, 37.72

 

CMYK 0 / 72 / 77 / 1

HEX #FC463A

RGB 252 70 58

HSL 3.71, 0.97%, 0.61%

LAB 57.45, 67.56, 47.94

 

CMYK 0 / 33 / 35 / 26

HEX #BC7E7A

RGB 188 126 122

HSL 3.64, 0.33%, 0.61%

LAB 58.99, 23.55, 12.01

 

CMYK 0 / 19 / 20 / 33

HEX #AC8C8A

RGB 172 140 138

HSL 3.53, 0.17%, 0.61%

LAB 61.1, 11.77, 5.63

 

CMYK 0 / 1 / 1 / 39

HEX #9C9A9A

RGB 156 154 154

HSL 0, 0.01%, 0.61%

LAB 63.76, 0.73, 0.25

 

CMYK 18 / 1 / 0 / 33

HEX #8CA9AB

RGB 140 169 171

HSL 183.87, 0.16%, 0.61%

LAB 67.2, -9.49, -4.36

 

CMYK 34 / 2 / 0 / 27

HEX #7CB7BB

RGB 124 183 187

HSL 183.81, 0.32%, 0.61%

LAB 70.69, -17.99, -8.12

 

CMYK 0 / 35 / 18 / 26

HEX #BC7A9A

RGB 188 122 154

HSL 330.91, 0.33%, 0.61%

LAB 58.92, 30.36, -6.52

 

CMYK 0 / 35 / 28 / 26

HEX #BC7A88

RGB 188 122 136

HSL 347.27, 0.33%, 0.61%

LAB 58.4, 27.65, 3.11

 

CMYK 0 / 33 / 35 / 26

HEX #BC7E7A

RGB 188 126 122

HSL 3.64, 0.33%, 0.61%

LAB 58.99, 23.55, 12.01

 

CMYK 0 / 24 / 35 / 26

HEX #BC8F7A

RGB 188 143 122

HSL 19.09, 0.33%, 0.61%

LAB 63.13, 14.12, 17.76

 

CMYK 0 / 14 / 35 / 26

HEX #BCA17A

RGB 188 161 122

HSL 35.45, 0.33%, 0.61%

LAB 67.71, 4.23, 24

 

CMYK 0 / 47 / 50 / 40

HEX #98514C

RGB 152 81 76

HSL 3.95, 0.33%, 0.45%

LAB 42.89, 28.97, 16.2

 

CMYK 0 / 43 / 45 / 32

HEX #AE645F

RGB 174 100 95

HSL 3.8, 0.33%, 0.53%

LAB 50.62, 29.23, 15.84

 

CMYK 0 / 33 / 35 / 26

HEX #BC7E7A

RGB 188 126 122

HSL 3.64, 0.33%, 0.61%

LAB 58.99, 23.55, 12.01

 

CMYK 0 / 24 / 26 / 21

HEX #CA9996

RGB 202 153 150

HSL 3.46, 0.33%, 0.69%

LAB 67.68, 17.87, 8.69

 

CMYK 0 / 17 / 18 / 15

HEX #D8B3B1

RGB 216 179 177

HSL 3.08, 0.33%, 0.77%

LAB 76.08, 13.03, 6.03

 

CMYK 0 / 33 / 35 / 26

HEX #BC7E7A

RGB 188 126 122

HSL 3.64, 0.33%, 0.61%

LAB 58.99, 23.55, 12.01

 

CMYK 9 / 0 / 35 / 26

HEX #ABBC7A

RGB 171 188 122

HSL 75.45, 0.33%, 0.61%

LAB 73.56, -16.78, 31.5

 

CMYK 35 / 23 / 0 / 26

HEX #7A91BC

RGB 122 145 188

HSL 219.09, 0.33%, 0.61%

LAB 59.91, 2.43, -25.01

 

CMYK 0 / 33 / 35 / 26

HEX #BC7E7A

RGB 188 126 122

HSL 3.64, 0.33%, 0.61%

LAB 58.99, 23.55, 12.01

 

CMYK 35 / 0 / 33 / 26

HEX #7ABC7E

RGB 122 188 126

HSL 123.64, 0.33%, 0.61%

LAB 70.6, -33.7, 24.91

 

CMYK 33 / 35 / 0 / 26

HEX #7E7ABC

RGB 126 122 188

HSL 243.64, 0.33%, 0.61%

LAB 54.01, 17.04, -34.13

 

CMYK 0 / 33 / 35 / 26

HEX #BC7E7A

RGB 188 126 122

HSL 3.64, 0.33%, 0.61%

LAB 58.99, 23.55, 12.01

 

CMYK 9 / 0 / 35 / 26

HEX #ABBC7A

RGB 171 188 122

HSL 75.45, 0.33%, 0.61%

LAB 73.56, -16.78, 31.5

 

CMYK 35 / 2 / 0 / 26

HEX #7AB9BC

RGB 122 185 188

HSL 182.73, 0.33%, 0.61%

LAB 71.19, -19.32, -7.94

 

CMYK 26 / 35 / 0 / 26

HEX #8B7ABC

RGB 139 122 188

HSL 255.45, 0.33%, 0.61%

LAB 55.11, 20.88, -32.33

 

CMYK 0 / 33 / 35 / 26

HEX #BC7E7A

RGB 188 126 122

HSL 3.64, 0.33%, 0.61%

LAB 58.99, 23.55, 12.01

 

CMYK 19 / 0 / 35 / 26

HEX #98BC7A

RGB 152 188 122

HSL 92.73, 0.33%, 0.61%

LAB 72.26, -23.95, 29.54

 

CMYK 35 / 2 / 0 / 26

HEX #7AB9BC

RGB 122 185 188

HSL 182.73, 0.33%, 0.61%

LAB 71.19, -19.32, -7.94

 

CMYK 16 / 35 / 0 / 26

HEX #9E7ABC

RGB 158 122 188

HSL 272.73, 0.33%, 0.61%

LAB 56.9, 26.73, -29.41

 

Description

Color code: HEX #BC7E7A | qconv.com Color code: HEX #BC7E7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 126 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 126 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 35 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 35% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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