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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC8487 it is the complementary color #437B78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC8487. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC8487 shade: #C18482, #D29695, #E3A8A8, #F4BABB and #FFCCCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC8487. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC8487 shade: #BC8487, #AB7274, #9A6061, #894E4E and #783C3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC8487 shade: #BC8588 and #BC8585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC8487 shade: #BC8588, #BC8596, #BC85A5, #BC85B4 and #B485BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC8487 shade matches the following richer shades: #BC8588, #CB767A, #DA666C, #E9575F and #F94851

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC8487 shade: #BC8588, #AC9495, #9DA3A3, #8EB3B1 and #7EC2BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC8487 shade: #BC85A6, #BC8597, #BC8588, #BC9085 and #BC9E85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC8487 shade: #9A5458, #AD6A6E, #BC8588, #CA9FA2 and #D9BABC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC8487 shade: #BC8487, #B4BC85 and #859EBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC8487 shade: #BC8487, #88BC85 and #8588BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC8487 shade: #BC8487, #B4BC85, #85BCB8 and #8C85BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC8487 shade: #BC8487, #A4BC85, #85BCB8 and #9D85BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 28 / 26

HEX #BC8487

RGB 188 132 135

HSL 356.79, 0.29%, 0.63%

LAB 60.73, 21.97, 7.03

 

Complementary color

CMYK 46 / 0 / 2 / 52

HEX #437B78

RGB 67 123 120

HSL 176.79, 0.29%, 0.37%

LAB 47.9, -19.22, -4.12

 

CMYK 0 / 32 / 33 / 24

HEX #C18482

RGB 193 132 130

HSL 1.9, 0.34%, 0.63%

LAB 61.18, 23.22, 10.6

 

CMYK 0 / 29 / 29 / 18

HEX #D29695

RGB 210 150 149

HSL 0.98, 0.4%, 0.7%

LAB 67.79, 22.42, 9.52

 

CMYK 0 / 26 / 26 / 11

HEX #E3A8A8

RGB 227 168 168

HSL 0, 0.51%, 0.77%

LAB 74.29, 21.69, 8.53

 

CMYK 0 / 24 / 23 / 4

HEX #F4BABB

RGB 244 186 187

HSL 358.97, 0.73%, 0.84%

LAB 80.7, 21.04, 7.61

 

CMYK 0 / 20 / 19 / 0

HEX #FFCCCE

RGB 255 204 206

HSL 357.65, 1%, 0.9%

LAB 86.46, 18.3, 5.87

 

CMYK 0 / 30 / 28 / 26

HEX #BC8487

RGB 188 132 135

HSL 356.79, 0.29%, 0.63%

LAB 60.73, 21.97, 7.03

 

CMYK 0 / 33 / 32 / 33

HEX #AB7274

RGB 171 114 116

HSL 357.89, 0.25%, 0.56%

LAB 53.98, 22.8, 8.13

 

CMYK 0 / 38 / 37 / 40

HEX #9A6061

RGB 154 96 97

HSL 358.97, 0.23%, 0.49%

LAB 47.1, 23.74, 9.37

 

CMYK 0 / 43 / 43 / 46

HEX #894E4E

RGB 137 78 78

HSL 0, 0.27%, 0.42%

LAB 40.11, 24.8, 10.82

 

CMYK 0 / 50 / 51 / 53

HEX #783C3B

RGB 120 60 59

HSL 0.98, 0.34%, 0.35%

LAB 33.01, 25.99, 12.6

 

CMYK 0 / 29 / 28 / 26

HEX #BC8588

RGB 188 133 136

HSL 356.73, 0.29%, 0.63%

LAB 61, 21.55, 6.84

 

CMYK 0 / 29 / 29 / 26

HEX #BC8585

RGB 188 133 133

HSL 0, 0.29%, 0.63%

LAB 60.92, 21.13, 8.45

 

CMYK 0 / 29 / 28 / 26

HEX #BC8588

RGB 188 133 136

HSL 356.73, 0.29%, 0.63%

LAB 61, 21.55, 6.84

 

CMYK 0 / 29 / 20 / 26

HEX #BC8596

RGB 188 133 150

HSL 341.45, 0.29%, 0.63%

LAB 61.37, 23.64, -0.62

 

CMYK 0 / 29 / 12 / 26

HEX #BC85A5

RGB 188 133 165

HSL 325.09, 0.29%, 0.63%

LAB 61.81, 26.09, -8.52

 

CMYK 0 / 29 / 4 / 26

HEX #BC85B4

RGB 188 133 180

HSL 308.73, 0.29%, 0.63%

LAB 62.31, 28.75, -16.3

 

CMYK 4 / 29 / 0 / 26

HEX #B485BC

RGB 180 133 188

HSL 291.27, 0.29%, 0.63%

LAB 61.75, 27.6, -21.76

 

CMYK 0 / 29 / 28 / 26

HEX #BC8588

RGB 188 133 136

HSL 356.73, 0.29%, 0.63%

LAB 61, 21.55, 6.84

 

CMYK 0 / 42 / 40 / 20

HEX #CB767A

RGB 203 118 122

HSL 357.18, 0.45%, 0.63%

LAB 59.03, 33.68, 12.34

 

CMYK 0 / 53 / 50 / 15

HEX #DA666C

RGB 218 102 108

HSL 356.9, 0.61%, 0.63%

LAB 57.55, 45.98, 18.72

 

CMYK 0 / 63 / 59 / 9

HEX #E9575F

RGB 233 87 95

HSL 356.71, 0.77%, 0.63%

LAB 57.04, 56.95, 26

 

CMYK 0 / 71 / 67 / 2

HEX #F94851

RGB 249 72 81

HSL 356.95, 0.94%, 0.63%

LAB 57.43, 66.93, 35.12

 

CMYK 0 / 29 / 28 / 26

HEX #BC8588

RGB 188 133 136

HSL 356.73, 0.29%, 0.63%

LAB 61, 21.55, 6.84

 

CMYK 0 / 14 / 13 / 33

HEX #AC9495

RGB 172 148 149

HSL 357.5, 0.13%, 0.63%

LAB 63.44, 9.1, 2.77

 

CMYK 4 / 0 / 0 / 36

HEX #9DA3A3

RGB 157 163 163

HSL 180, 0.03%, 0.63%

LAB 66.53, -2.13, -0.75

 

CMYK 21 / 0 / 1 / 30

HEX #8EB3B1

RGB 142 179 177

HSL 176.76, 0.2%, 0.63%

LAB 70.29, -12.84, -3.1

 

CMYK 35 / 0 / 2 / 24

HEX #7EC2BE

RGB 126 194 190

HSL 176.47, 0.36%, 0.63%

LAB 74.02, -22.32, -4.82

 

CMYK 0 / 29 / 12 / 26

HEX #BC85A6

RGB 188 133 166

HSL 324, 0.29%, 0.63%

LAB 61.84, 26.26, -9.04

 

CMYK 0 / 29 / 20 / 26

HEX #BC8597

RGB 188 133 151

HSL 340.36, 0.29%, 0.63%

LAB 61.4, 23.8, -1.15

 

CMYK 0 / 29 / 28 / 26

HEX #BC8588

RGB 188 133 136

HSL 356.73, 0.29%, 0.63%

LAB 61, 21.55, 6.84

 

CMYK 0 / 23 / 29 / 26

HEX #BC9085

RGB 188 144 133

HSL 12, 0.29%, 0.63%

LAB 63.62, 15.03, 12.26

 

CMYK 0 / 16 / 29 / 26

HEX #BC9E85

RGB 188 158 133

HSL 27.27, 0.29%, 0.63%

LAB 67.16, 7.31, 17.2

 

CMYK 0 / 45 / 43 / 40

HEX #9A5458

RGB 154 84 88

HSL 356.57, 0.29%, 0.47%

LAB 44.11, 29.4, 10.62

 

CMYK 0 / 39 / 36 / 32

HEX #AD6A6E

RGB 173 106 110

HSL 356.42, 0.29%, 0.55%

LAB 52.19, 27.28, 9.16

 

CMYK 0 / 29 / 28 / 26

HEX #BC8588

RGB 188 133 136

HSL 356.73, 0.29%, 0.63%

LAB 61, 21.55, 6.84

 

CMYK 0 / 21 / 20 / 21

HEX #CA9FA2

RGB 202 159 162

HSL 355.81, 0.29%, 0.71%

LAB 69.44, 16.37, 4.54

 

CMYK 0 / 14 / 13 / 15

HEX #D9BABC

RGB 217 186 188

HSL 356.13, 0.29%, 0.79%

LAB 78.17, 11.39, 3.09

 

CMYK 0 / 30 / 28 / 26

HEX #BC8487

RGB 188 132 135

HSL 356.79, 0.29%, 0.63%

LAB 60.73, 21.97, 7.03

 

CMYK 4 / 0 / 29 / 26

HEX #B4BC85

RGB 180 188 133

HSL 68.73, 0.29%, 0.63%

LAB 74.42, -11.84, 26.97

 

CMYK 29 / 16 / 0 / 26

HEX #859EBC

RGB 133 158 188

HSL 212.73, 0.29%, 0.63%

LAB 64.22, -1.68, -18.35

 

CMYK 0 / 30 / 28 / 26

HEX #BC8487

RGB 188 132 135

HSL 356.79, 0.29%, 0.63%

LAB 60.73, 21.97, 7.03

 

CMYK 28 / 0 / 29 / 26

HEX #88BC85

RGB 136 188 133

HSL 116.73, 0.29%, 0.63%

LAB 71.48, -27.91, 22.5

 

CMYK 29 / 28 / 0 / 26

HEX #8588BC

RGB 133 136 188

HSL 236.73, 0.29%, 0.63%

LAB 58.25, 10.87, -27.49

 

CMYK 0 / 30 / 28 / 26

HEX #BC8487

RGB 188 132 135

HSL 356.79, 0.29%, 0.63%

LAB 60.73, 21.97, 7.03

 

CMYK 4 / 0 / 29 / 26

HEX #B4BC85

RGB 180 188 133

HSL 68.73, 0.29%, 0.63%

LAB 74.42, -11.84, 26.97

 

CMYK 29 / 0 / 2 / 26

HEX #85BCB8

RGB 133 188 184

HSL 175.64, 0.29%, 0.63%

LAB 72.5, -18.69, -3.74

 

CMYK 26 / 29 / 0 / 26

HEX #8C85BC

RGB 140 133 188

HSL 247.64, 0.29%, 0.63%

LAB 58.02, 14.75, -27.81

 

CMYK 0 / 30 / 28 / 26

HEX #BC8487

RGB 188 132 135

HSL 356.79, 0.29%, 0.63%

LAB 60.73, 21.97, 7.03

 

CMYK 13 / 0 / 29 / 26

HEX #A4BC85

RGB 164 188 133

HSL 86.18, 0.29%, 0.63%

LAB 73.25, -17.91, 25.2

 

CMYK 29 / 0 / 2 / 26

HEX #85BCB8

RGB 133 188 184

HSL 175.64, 0.29%, 0.63%

LAB 72.5, -18.69, -3.74

 

CMYK 16 / 29 / 0 / 26

HEX #9D85BC

RGB 157 133 188

HSL 266.18, 0.29%, 0.63%

LAB 59.5, 20.1, -25.4

 

Description

Color code: HEX #BC8487 | qconv.com Color code: HEX #BC8487 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 132 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 132 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 28 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 28% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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