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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC8488 it is the complementary color #437B77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC8488. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC8488 shade: #C18483, #D29696, #E3A8A9, #F4BABC and #FFCCCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC8488. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC8488 shade: #BC8488, #AB7275, #9A6062, #894E4F and #783C3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC8488 shade: #BC8589 and #BC8585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC8488 shade: #BC8589, #BC8597, #BC85A6, #BC85B5 and #B385BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC8488 shade matches the following richer shades: #BC8589, #CB767C, #DA666F, #E95761 and #F94854

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC8488 shade: #BC8589, #AC9496, #9DA3A3, #8EB3B0 and #7EC2BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC8488 shade: #BC85A7, #BC8598, #BC8589, #BC8F85 and #BC9D85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC8488 shade: #9A5459, #AD6A6F, #BC8589, #CA9FA2 and #D9BABC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC8488 shade: #BC8488, #B5BC85 and #859FBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC8488 shade: #BC8488, #89BC85 and #8589BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC8488 shade: #BC8488, #B5BC85, #85BCB7 and #8B85BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC8488 shade: #BC8488, #A5BC85, #85BCB7 and #9C85BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 28 / 26

HEX #BC8488

RGB 188 132 136

HSL 355.71, 0.29%, 0.63%

LAB 60.76, 22.11, 6.5

 

Complementary color

CMYK 46 / 0 / 3 / 52

HEX #437B77

RGB 67 123 119

HSL 175.71, 0.29%, 0.37%

LAB 47.87, -19.49, -3.58

 

CMYK 0 / 32 / 32 / 24

HEX #C18483

RGB 193 132 131

HSL 0.97, 0.33%, 0.64%

LAB 61.2, 23.35, 10.07

 

CMYK 0 / 29 / 29 / 18

HEX #D29696

RGB 210 150 150

HSL 0, 0.4%, 0.71%

LAB 67.81, 22.55, 8.99

 

CMYK 0 / 26 / 26 / 11

HEX #E3A8A9

RGB 227 168 169

HSL 358.98, 0.51%, 0.77%

LAB 74.32, 21.83, 8.01

 

CMYK 0 / 24 / 23 / 4

HEX #F4BABC

RGB 244 186 188

HSL 357.93, 0.73%, 0.84%

LAB 80.73, 21.18, 7.11

 

CMYK 0 / 20 / 19 / 0

HEX #FFCCCF

RGB 255 204 207

HSL 356.47, 1%, 0.9%

LAB 86.48, 18.45, 5.37

 

CMYK 0 / 30 / 28 / 26

HEX #BC8488

RGB 188 132 136

HSL 355.71, 0.29%, 0.63%

LAB 60.76, 22.11, 6.5

 

CMYK 0 / 33 / 32 / 33

HEX #AB7275

RGB 171 114 117

HSL 356.84, 0.25%, 0.56%

LAB 54, 22.93, 7.58

 

CMYK 0 / 38 / 36 / 40

HEX #9A6062

RGB 154 96 98

HSL 357.93, 0.23%, 0.49%

LAB 47.13, 23.87, 8.8

 

CMYK 0 / 43 / 42 / 46

HEX #894E4F

RGB 137 78 79

HSL 358.98, 0.27%, 0.42%

LAB 40.13, 24.92, 10.24

 

CMYK 0 / 50 / 50 / 53

HEX #783C3C

RGB 120 60 60

HSL 0, 0.33%, 0.35%

LAB 33.03, 26.09, 11.99

 

CMYK 0 / 29 / 27 / 26

HEX #BC8589

RGB 188 133 137

HSL 355.64, 0.29%, 0.63%

LAB 61.02, 21.7, 6.31

 

CMYK 0 / 29 / 29 / 26

HEX #BC8585

RGB 188 133 133

HSL 0, 0.29%, 0.63%

LAB 60.92, 21.13, 8.45

 

CMYK 0 / 29 / 27 / 26

HEX #BC8589

RGB 188 133 137

HSL 355.64, 0.29%, 0.63%

LAB 61.02, 21.7, 6.31

 

CMYK 0 / 29 / 20 / 26

HEX #BC8597

RGB 188 133 151

HSL 340.36, 0.29%, 0.63%

LAB 61.4, 23.8, -1.15

 

CMYK 0 / 29 / 12 / 26

HEX #BC85A6

RGB 188 133 166

HSL 324, 0.29%, 0.63%

LAB 61.84, 26.26, -9.04

 

CMYK 0 / 29 / 4 / 26

HEX #BC85B5

RGB 188 133 181

HSL 307.64, 0.29%, 0.63%

LAB 62.34, 28.94, -16.81

 

CMYK 5 / 29 / 0 / 26

HEX #B385BC

RGB 179 133 188

HSL 290.18, 0.29%, 0.63%

LAB 61.65, 27.27, -21.92

 

CMYK 0 / 29 / 27 / 26

HEX #BC8589

RGB 188 133 137

HSL 355.64, 0.29%, 0.63%

LAB 61.02, 21.7, 6.31

 

CMYK 0 / 42 / 39 / 20

HEX #CB767C

RGB 203 118 124

HSL 355.76, 0.45%, 0.63%

LAB 59.07, 33.91, 11.25

 

CMYK 0 / 53 / 49 / 15

HEX #DA666F

RGB 218 102 111

HSL 355.34, 0.61%, 0.63%

LAB 57.61, 46.25, 17.06

 

CMYK 0 / 63 / 58 / 9

HEX #E95761

RGB 233 87 97

HSL 355.89, 0.77%, 0.63%

LAB 57.08, 57.09, 24.88

 

CMYK 0 / 71 / 66 / 2

HEX #F94854

RGB 249 72 84

HSL 355.93, 0.94%, 0.63%

LAB 57.48, 67.08, 33.46

 

CMYK 0 / 29 / 27 / 26

HEX #BC8589

RGB 188 133 137

HSL 355.64, 0.29%, 0.63%

LAB 61.02, 21.7, 6.31

 

CMYK 0 / 14 / 13 / 33

HEX #AC9496

RGB 172 148 150

HSL 355, 0.13%, 0.63%

LAB 63.47, 9.27, 2.25

 

CMYK 4 / 0 / 0 / 36

HEX #9DA3A3

RGB 157 163 163

HSL 180, 0.03%, 0.63%

LAB 66.53, -2.13, -0.75

 

CMYK 21 / 0 / 2 / 30

HEX #8EB3B0

RGB 142 179 176

HSL 175.14, 0.2%, 0.63%

LAB 70.26, -13.06, -2.59

 

CMYK 35 / 0 / 3 / 24

HEX #7EC2BD

RGB 126 194 189

HSL 175.59, 0.36%, 0.63%

LAB 73.99, -22.55, -4.32

 

CMYK 0 / 29 / 11 / 26

HEX #BC85A7

RGB 188 133 167

HSL 322.91, 0.29%, 0.63%

LAB 61.87, 26.44, -9.56

 

CMYK 0 / 29 / 19 / 26

HEX #BC8598

RGB 188 133 152

HSL 339.27, 0.29%, 0.63%

LAB 61.42, 23.96, -1.68

 

CMYK 0 / 29 / 27 / 26

HEX #BC8589

RGB 188 133 137

HSL 355.64, 0.29%, 0.63%

LAB 61.02, 21.7, 6.31

 

CMYK 0 / 24 / 29 / 26

HEX #BC8F85

RGB 188 143 133

HSL 10.91, 0.29%, 0.63%

LAB 63.37, 15.58, 11.91

 

CMYK 0 / 16 / 29 / 26

HEX #BC9D85

RGB 188 157 133

HSL 26.18, 0.29%, 0.63%

LAB 66.9, 7.86, 16.84

 

CMYK 0 / 45 / 42 / 40

HEX #9A5459

RGB 154 84 89

HSL 355.71, 0.29%, 0.47%

LAB 44.14, 29.51, 10.04

 

CMYK 0 / 39 / 36 / 32

HEX #AD6A6F

RGB 173 106 111

HSL 355.52, 0.29%, 0.55%

LAB 52.22, 27.4, 8.6

 

CMYK 0 / 29 / 27 / 26

HEX #BC8589

RGB 188 133 137

HSL 355.64, 0.29%, 0.63%

LAB 61.02, 21.7, 6.31

 

CMYK 0 / 21 / 20 / 21

HEX #CA9FA2

RGB 202 159 162

HSL 355.81, 0.29%, 0.71%

LAB 69.44, 16.37, 4.54

 

CMYK 0 / 14 / 13 / 15

HEX #D9BABC

RGB 217 186 188

HSL 356.13, 0.29%, 0.79%

LAB 78.17, 11.39, 3.09

 

CMYK 0 / 30 / 28 / 26

HEX #BC8488

RGB 188 132 136

HSL 355.71, 0.29%, 0.63%

LAB 60.76, 22.11, 6.5

 

CMYK 4 / 0 / 29 / 26

HEX #B5BC85

RGB 181 188 133

HSL 67.64, 0.29%, 0.63%

LAB 74.5, -11.45, 27.09

 

CMYK 29 / 15 / 0 / 26

HEX #859FBC

RGB 133 159 188

HSL 211.64, 0.29%, 0.63%

LAB 64.49, -2.24, -17.93

 

CMYK 0 / 30 / 28 / 26

HEX #BC8488

RGB 188 132 136

HSL 355.71, 0.29%, 0.63%

LAB 60.76, 22.11, 6.5

 

CMYK 27 / 0 / 29 / 26

HEX #89BC85

RGB 137 188 133

HSL 115.64, 0.29%, 0.63%

LAB 71.54, -27.57, 22.59

 

CMYK 29 / 27 / 0 / 26

HEX #8589BC

RGB 133 137 188

HSL 235.64, 0.29%, 0.63%

LAB 58.52, 10.29, -27.08

 

CMYK 0 / 30 / 28 / 26

HEX #BC8488

RGB 188 132 136

HSL 355.71, 0.29%, 0.63%

LAB 60.76, 22.11, 6.5

 

CMYK 4 / 0 / 29 / 26

HEX #B5BC85

RGB 181 188 133

HSL 67.64, 0.29%, 0.63%

LAB 74.5, -11.45, 27.09

 

CMYK 29 / 0 / 3 / 26

HEX #85BCB7

RGB 133 188 183

HSL 174.55, 0.29%, 0.63%

LAB 72.48, -18.92, -3.24

 

CMYK 26 / 29 / 0 / 26

HEX #8B85BC

RGB 139 133 188

HSL 246.55, 0.29%, 0.63%

LAB 57.94, 14.44, -27.94

 

CMYK 0 / 30 / 28 / 26

HEX #BC8488

RGB 188 132 136

HSL 355.71, 0.29%, 0.63%

LAB 60.76, 22.11, 6.5

 

CMYK 12 / 0 / 29 / 26

HEX #A5BC85

RGB 165 188 133

HSL 85.09, 0.29%, 0.63%

LAB 73.32, -17.54, 25.31

 

CMYK 29 / 0 / 3 / 26

HEX #85BCB7

RGB 133 188 183

HSL 174.55, 0.29%, 0.63%

LAB 72.48, -18.92, -3.24

 

CMYK 17 / 29 / 0 / 26

HEX #9C85BC

RGB 156 133 188

HSL 265.09, 0.29%, 0.63%

LAB 59.41, 19.78, -25.54

 

Description

Color code: HEX #BC8488 | qconv.com Color code: HEX #BC8488 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 132 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 132 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 28 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 28% 26% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

59% - Restaurante 1800. Pl...
Link: http://www.restaurante1800.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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