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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC8938 it is the complementary color #4376C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC8938. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC8938 shade: #C18933, #D29B46, #E3AD59, #F4BF6C and #FFD17F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC8938. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC8938 shade: #BC8938, #AB7725, #9A6512, #895300 and #784100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC8938 shade: #BC8938, #BC6538, #BC4238 and #BC3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC8938 shade: #BC8938, #BCAD38, #A8BC38, #84BC38 and #60BC38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC8938 shade matches the following richer shades: #BC8938, #D08D24 and #E49210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC8938 shade: #BC8938, #A8844C, #94805F, #817B73 and #6D7787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC8938 shade: #BC4138, #BC6438, #BC8738, #BCAA38 and #AABC38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC8938 shade: #7C5B25, #9C722E, #BC8938, #CB9C52 and #D4AE72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC8938 shade: #BC8938, #52BC38 and #5238BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC8938 shade: #BC8938, #38BC87 and #8738BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC8938 shade: #BC8938, #52BC38, #386DBC and #A238BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC8938 shade: #BC8938, #38BC45, #386DBC and #BC38AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 70 / 26

HEX #BC8938

RGB 188 137 56

HSL 36.82, 0.54%, 0.48%

LAB 60.67, 11.48, 49.43

 

Complementary color

CMYK 66 / 41 / 0 / 22

HEX #4376C7

RGB 67 118 199

HSL 216.82, 0.54%, 0.52%

LAB 49.83, 9.14, -47.27

 

CMYK 0 / 29 / 74 / 24

HEX #C18933

RGB 193 137 51

HSL 36.34, 0.58%, 0.48%

LAB 61.19, 13.42, 52.37

 

CMYK 0 / 26 / 67 / 18

HEX #D29B46

RGB 210 155 70

HSL 36.43, 0.61%, 0.55%

LAB 67.71, 11.99, 51.27

 

CMYK 0 / 24 / 61 / 11

HEX #E3AD59

RGB 227 173 89

HSL 36.52, 0.71%, 0.62%

LAB 74.15, 10.76, 49.98

 

CMYK 0 / 22 / 56 / 4

HEX #F4BF6C

RGB 244 191 108

HSL 36.62, 0.86%, 0.69%

LAB 80.5, 9.7, 48.65

 

CMYK 0 / 18 / 50 / 0

HEX #FFD17F

RGB 255 209 127

HSL 38.44, 1%, 0.75%

LAB 86.2, 6.38, 46.5

 

CMYK 0 / 27 / 70 / 26

HEX #BC8938

RGB 188 137 56

HSL 36.82, 0.54%, 0.48%

LAB 60.67, 11.48, 49.43

 

CMYK 0 / 30 / 78 / 33

HEX #AB7725

RGB 171 119 37

HSL 36.72, 0.64%, 0.41%

LAB 54.01, 13.05, 50.34

 

CMYK 0 / 34 / 88 / 40

HEX #9A6512

RGB 154 101 18

HSL 36.62, 0.79%, 0.34%

LAB 47.26, 14.92, 50.4

 

CMYK 0 / 39 / 100 / 46

HEX #895300

RGB 137 83 0

HSL 36.35, 1%, 0.27%

LAB 40.42, 17.11, 49.18

 

CMYK 0 / 46 / 100 / 53

HEX #784100

RGB 120 65 0

HSL 32.5, 1%, 0.24%

LAB 33.51, 19.75, 43.58

 

CMYK 0 / 27 / 70 / 26

HEX #BC8938

RGB 188 137 56

HSL 36.82, 0.54%, 0.48%

LAB 60.67, 11.48, 49.43

 

CMYK 0 / 46 / 70 / 26

HEX #BC6538

RGB 188 101 56

HSL 20.45, 0.54%, 0.48%

LAB 52.16, 31.24, 40.24

 

CMYK 0 / 65 / 70 / 26

HEX #BC4238

RGB 188 66 56

HSL 4.55, 0.54%, 0.48%

LAB 45.46, 48.46, 32.58

 

CMYK 0 / 70 / 70 / 26

HEX #BC3838

RGB 188 56 56

HSL 0, 0.54%, 0.48%

LAB 43.95, 52.56, 30.8

 

CMYK 0 / 27 / 70 / 26

HEX #BC8938

RGB 188 137 56

HSL 36.82, 0.54%, 0.48%

LAB 60.67, 11.48, 49.43

 

CMYK 0 / 8 / 70 / 26

HEX #BCAD38

RGB 188 173 56

HSL 53.18, 0.54%, 0.48%

LAB 70.08, -7.95, 59.06

 

CMYK 11 / 0 / 70 / 26

HEX #A8BC38

RGB 168 188 56

HSL 69.09, 0.54%, 0.48%

LAB 72.61, -24.1, 61.04

 

CMYK 30 / 0 / 70 / 26

HEX #84BC38

RGB 132 188 56

HSL 85.45, 0.54%, 0.48%

LAB 70.29, -38.39, 57.94

 

CMYK 49 / 0 / 70 / 26

HEX #60BC38

RGB 96 188 56

HSL 101.82, 0.54%, 0.48%

LAB 68.56, -50.58, 55.62

 

CMYK 0 / 27 / 70 / 26

HEX #BC8938

RGB 188 137 56

HSL 36.82, 0.54%, 0.48%

LAB 60.67, 11.48, 49.43

 

CMYK 0 / 32 / 83 / 18

HEX #D08D24

RGB 208 141 36

HSL 36.63, 0.7%, 0.48%

LAB 63.83, 17.21, 61.23

 

CMYK 0 / 36 / 93 / 11

HEX #E49210

RGB 228 146 16

HSL 36.79, 0.87%, 0.48%

LAB 67.34, 22.7, 70.14

 

CMYK 0 / 27 / 70 / 26

HEX #BC8938

RGB 188 137 56

HSL 36.82, 0.54%, 0.48%

LAB 60.67, 11.48, 49.43

 

CMYK 0 / 21 / 55 / 34

HEX #A8844C

RGB 168 132 76

HSL 36.52, 0.38%, 0.48%

LAB 57.41, 6.9, 35.22

 

CMYK 0 / 14 / 36 / 42

HEX #94805F

RGB 148 128 95

HSL 37.36, 0.22%, 0.48%

LAB 54.62, 2.6, 20.76

 

CMYK 0 / 5 / 11 / 49

HEX #817B73

RGB 129 123 115

HSL 34.29, 0.06%, 0.48%

LAB 51.92, 0.79, 5.18

 

CMYK 19 / 12 / 0 / 47

HEX #6D7787

RGB 109 119 135

HSL 216.92, 0.11%, 0.48%

LAB 49.73, -0.09, -9.99

 

CMYK 0 / 65 / 70 / 26

HEX #BC4138

RGB 188 65 56

HSL 4.09, 0.54%, 0.48%

LAB 45.3, 48.89, 32.39

 

CMYK 0 / 47 / 70 / 26

HEX #BC6438

RGB 188 100 56

HSL 20, 0.54%, 0.48%

LAB 51.94, 31.77, 39.99

 

CMYK 0 / 28 / 70 / 26

HEX #BC8738

RGB 188 135 56

HSL 35.91, 0.54%, 0.48%

LAB 60.16, 12.58, 48.91

 

CMYK 0 / 10 / 70 / 26

HEX #BCAA38

RGB 188 170 56

HSL 51.82, 0.54%, 0.48%

LAB 69.27, -6.38, 58.25

 

CMYK 10 / 0 / 70 / 26

HEX #AABC38

RGB 170 188 56

HSL 68.18, 0.54%, 0.48%

LAB 72.76, -23.26, 61.23

 

CMYK 0 / 27 / 70 / 51

HEX #7C5B25

RGB 124 91 37

HSL 37.24, 0.54%, 0.32%

LAB 41.06, 7.56, 35.43

 

CMYK 0 / 27 / 71 / 39

HEX #9C722E

RGB 156 114 46

HSL 37.09, 0.54%, 0.4%

LAB 51.04, 9.54, 42.81

 

CMYK 0 / 27 / 70 / 26

HEX #BC8938

RGB 188 137 56

HSL 36.82, 0.54%, 0.48%

LAB 60.67, 11.48, 49.43

 

CMYK 0 / 23 / 60 / 20

HEX #CB9C52

RGB 203 156 82

HSL 36.69, 0.54%, 0.56%

LAB 67.34, 9.25, 44.87

 

CMYK 0 / 18 / 46 / 17

HEX #D4AE72

RGB 212 174 114

HSL 36.73, 0.53%, 0.64%

LAB 73.21, 6.11, 35.9

 

CMYK 0 / 27 / 70 / 26

HEX #BC8938

RGB 188 137 56

HSL 36.82, 0.54%, 0.48%

LAB 60.67, 11.48, 49.43

 

CMYK 56 / 0 / 70 / 26

HEX #52BC38

RGB 82 188 56

HSL 108.18, 0.54%, 0.48%

LAB 68.05, -54.49, 54.94

 

CMYK 56 / 70 / 0 / 26

HEX #5238BC

RGB 82 56 188

HSL 251.82, 0.54%, 0.48%

LAB 34.5, 46.18, -65.6

 

CMYK 0 / 27 / 70 / 26

HEX #BC8938

RGB 188 137 56

HSL 36.82, 0.54%, 0.48%

LAB 60.67, 11.48, 49.43

 

CMYK 70 / 0 / 28 / 26

HEX #38BC87

RGB 56 188 135

HSL 155.91, 0.54%, 0.48%

LAB 68.43, -47.94, 16.74

 

CMYK 28 / 70 / 0 / 26

HEX #8738BC

RGB 135 56 188

HSL 275.91, 0.54%, 0.48%

LAB 40.59, 55.85, -55.42

 

CMYK 0 / 27 / 70 / 26

HEX #BC8938

RGB 188 137 56

HSL 36.82, 0.54%, 0.48%

LAB 60.67, 11.48, 49.43

 

CMYK 56 / 0 / 70 / 26

HEX #52BC38

RGB 82 188 56

HSL 108.18, 0.54%, 0.48%

LAB 68.05, -54.49, 54.94

 

CMYK 70 / 42 / 0 / 26

HEX #386DBC

RGB 56 109 188

HSL 215.91, 0.54%, 0.48%

LAB 46.19, 9.03, -46.77

 

CMYK 14 / 70 / 0 / 26

HEX #A238BC

RGB 162 56 188

HSL 288.18, 0.54%, 0.48%

LAB 44.43, 61.53, -49.04

 

CMYK 0 / 27 / 70 / 26

HEX #BC8938

RGB 188 137 56

HSL 36.82, 0.54%, 0.48%

LAB 60.67, 11.48, 49.43

 

CMYK 70 / 0 / 63 / 26

HEX #38BC45

RGB 56 188 69

HSL 125.91, 0.54%, 0.48%

LAB 67.45, -58.95, 48.73

 

CMYK 70 / 42 / 0 / 26

HEX #386DBC

RGB 56 109 188

HSL 215.91, 0.54%, 0.48%

LAB 46.19, 9.03, -46.77

 

CMYK 0 / 70 / 7 / 26

HEX #BC38AF

RGB 188 56 175

HSL 305.91, 0.54%, 0.48%

LAB 47.77, 65.14, -35.86

 

Description

Color code: HEX #BC8938 | qconv.com Color code: HEX #BC8938 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 137 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 137 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 70 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 70% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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