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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC837A it is the complementary color #437C85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC837A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC837A shade: #C18375, #D29588, #E3A79B, #F4B9AE and #FFCBC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC837A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC837A shade: #BC837A, #AB7167, #9A5F54, #894D41 and #783B2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC837A shade: #BC837A and #BC7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC837A shade: #BC837A, #BC957A, #BCA77A, #BCB87A and #AEBC7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC837A shade matches the following richer shades: #BC837A, #CC776A, #DC6C5A, #EC604A and #FC543A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC837A shade: #BC837A, #AC8F8A, #9C9B9A, #8CA6AB and #7CB2BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC837A shade: #BC7A94, #BC7A83, #BC837A, #BC947A and #BCA67A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC837A shade: #98564C, #AE6A5F, #BC837A, #CA9D96 and #D8B6B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC837A shade: #BC837A, #A6BC7A and #7A8CBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC837A shade: #BC837A, #7ABC83 and #837ABC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC837A shade: #BC837A, #A6BC7A, #7AB3BC and #907ABC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC837A shade: #BC837A, #92BC7A, #7AB3BC and #A47ABC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 35 / 26

HEX #BC837A

RGB 188 131 122

HSL 8.18, 0.33%, 0.61%

LAB 60.18, 20.78, 13.68

 

Complementary color

CMYK 50 / 7 / 0 / 48

HEX #437C85

RGB 67 124 133

HSL 188.18, 0.33%, 0.39%

LAB 48.64, -16.1, -10.7

 

CMYK 0 / 32 / 39 / 24

HEX #C18375

RGB 193 131 117

HSL 11.05, 0.38%, 0.61%

LAB 60.65, 22.15, 17.27

 

CMYK 0 / 29 / 35 / 18

HEX #D29588

RGB 210 149 136

HSL 10.54, 0.45%, 0.68%

LAB 67.26, 21.27, 16.02

 

CMYK 0 / 26 / 32 / 11

HEX #E3A79B

RGB 227 167 155

HSL 10, 0.56%, 0.75%

LAB 73.76, 20.49, 14.89

 

CMYK 0 / 24 / 29 / 4

HEX #F4B9AE

RGB 244 185 174

HSL 9.43, 0.76%, 0.82%

LAB 80.17, 19.79, 13.85

 

CMYK 0 / 20 / 24 / 0

HEX #FFCBC1

RGB 255 203 193

HSL 9.68, 1%, 0.88%

LAB 85.92, 16.96, 11.99

 

CMYK 0 / 30 / 35 / 26

HEX #BC837A

RGB 188 131 122

HSL 8.18, 0.33%, 0.61%

LAB 60.18, 20.78, 13.68

 

CMYK 0 / 34 / 40 / 33

HEX #AB7167

RGB 171 113 103

HSL 8.82, 0.29%, 0.54%

LAB 53.44, 21.7, 14.96

 

CMYK 0 / 38 / 45 / 40

HEX #9A5F54

RGB 154 95 84

HSL 9.43, 0.29%, 0.47%

LAB 46.57, 22.75, 16.42

 

CMYK 0 / 44 / 53 / 46

HEX #894D41

RGB 137 77 65

HSL 10, 0.36%, 0.4%

LAB 39.59, 23.96, 18.12

 

CMYK 0 / 51 / 62 / 53

HEX #783B2E

RGB 120 59 46

HSL 10.54, 0.45%, 0.33%

LAB 32.52, 25.34, 20.18

 

CMYK 0 / 30 / 35 / 26

HEX #BC837A

RGB 188 131 122

HSL 8.18, 0.33%, 0.61%

LAB 60.18, 20.78, 13.68

 

CMYK 0 / 35 / 35 / 26

HEX #BC7A7A

RGB 188 122 122

HSL 0, 0.33%, 0.61%

LAB 58.05, 25.77, 10.69

 

CMYK 0 / 30 / 35 / 26

HEX #BC837A

RGB 188 131 122

HSL 8.18, 0.33%, 0.61%

LAB 60.18, 20.78, 13.68

 

CMYK 0 / 21 / 35 / 26

HEX #BC957A

RGB 188 149 122

HSL 24.55, 0.33%, 0.61%

LAB 64.64, 10.81, 19.83

 

CMYK 0 / 11 / 35 / 26

HEX #BCA77A

RGB 188 167 122

HSL 40.91, 0.33%, 0.61%

LAB 69.28, 0.99, 26.09

 

CMYK 0 / 2 / 35 / 26

HEX #BCB87A

RGB 188 184 122

HSL 56.36, 0.33%, 0.61%

LAB 73.79, -8.03, 32.04

 

CMYK 7 / 0 / 35 / 26

HEX #AEBC7A

RGB 174 188 122

HSL 72.73, 0.33%, 0.61%

LAB 73.79, -15.61, 31.83

 

CMYK 0 / 30 / 35 / 26

HEX #BC837A

RGB 188 131 122

HSL 8.18, 0.33%, 0.61%

LAB 60.18, 20.78, 13.68

 

CMYK 0 / 42 / 48 / 20

HEX #CC776A

RGB 204 119 106

HSL 7.96, 0.49%, 0.61%

LAB 59.04, 31.83, 21.55

 

CMYK 0 / 51 / 59 / 14

HEX #DC6C5A

RGB 220 108 90

HSL 8.31, 0.65%, 0.61%

LAB 58.68, 42.29, 30.56

 

CMYK 0 / 59 / 69 / 7

HEX #EC604A

RGB 236 96 74

HSL 8.15, 0.81%, 0.61%

LAB 58.69, 52.79, 40

 

CMYK 0 / 67 / 77 / 1

HEX #FC543A

RGB 252 84 58

HSL 8.04, 0.97%, 0.61%

LAB 59.29, 62.5, 49.85

 

CMYK 0 / 30 / 35 / 26

HEX #BC837A

RGB 188 131 122

HSL 8.18, 0.33%, 0.61%

LAB 60.18, 20.78, 13.68

 

CMYK 0 / 17 / 20 / 33

HEX #AC8F8A

RGB 172 143 138

HSL 8.82, 0.17%, 0.61%

LAB 61.87, 10.09, 6.73

 

CMYK 0 / 1 / 1 / 39

HEX #9C9B9A

RGB 156 155 154

HSL 30, 0.01%, 0.61%

LAB 64.03, 0.17, 0.64

 

CMYK 18 / 3 / 0 / 33

HEX #8CA6AB

RGB 140 166 171

HSL 189.68, 0.16%, 0.61%

LAB 66.36, -7.87, -5.6

 

CMYK 34 / 5 / 0 / 27

HEX #7CB2BB

RGB 124 178 187

HSL 188.57, 0.32%, 0.61%

LAB 69.27, -15.38, -10.25

 

CMYK 0 / 35 / 21 / 26

HEX #BC7A94

RGB 188 122 148

HSL 336.36, 0.33%, 0.61%

LAB 58.74, 29.42, -3.33

 

CMYK 0 / 35 / 30 / 26

HEX #BC7A83

RGB 188 122 131

HSL 351.82, 0.33%, 0.61%

LAB 58.27, 26.95, 5.81

 

CMYK 0 / 30 / 35 / 26

HEX #BC837A

RGB 188 131 122

HSL 8.18, 0.33%, 0.61%

LAB 60.18, 20.78, 13.68

 

CMYK 0 / 21 / 35 / 26

HEX #BC947A

RGB 188 148 122

HSL 23.64, 0.33%, 0.61%

LAB 64.38, 11.36, 19.48

 

CMYK 0 / 12 / 35 / 26

HEX #BCA67A

RGB 188 166 122

HSL 40, 0.33%, 0.61%

LAB 69.02, 1.53, 25.75

 

CMYK 0 / 43 / 50 / 40

HEX #98564C

RGB 152 86 76

HSL 7.89, 0.33%, 0.45%

LAB 44.02, 26.18, 17.72

 

CMYK 0 / 39 / 45 / 32

HEX #AE6A5F

RGB 174 106 95

HSL 8.35, 0.33%, 0.53%

LAB 51.99, 25.92, 17.71

 

CMYK 0 / 30 / 35 / 26

HEX #BC837A

RGB 188 131 122

HSL 8.18, 0.33%, 0.61%

LAB 60.18, 20.78, 13.68

 

CMYK 0 / 22 / 26 / 21

HEX #CA9D96

RGB 202 157 150

HSL 8.08, 0.33%, 0.69%

LAB 68.66, 15.68, 10.08

 

CMYK 0 / 16 / 18 / 15

HEX #D8B6B1

RGB 216 182 177

HSL 7.69, 0.33%, 0.77%

LAB 76.82, 11.42, 7.09

 

CMYK 0 / 30 / 35 / 26

HEX #BC837A

RGB 188 131 122

HSL 8.18, 0.33%, 0.61%

LAB 60.18, 20.78, 13.68

 

CMYK 12 / 0 / 35 / 26

HEX #A6BC7A

RGB 166 188 122

HSL 80, 0.33%, 0.61%

LAB 73.21, -18.7, 30.96

 

CMYK 35 / 26 / 0 / 26

HEX #7A8CBC

RGB 122 140 188

HSL 223.64, 0.33%, 0.61%

LAB 58.53, 5.31, -27.12

 

CMYK 0 / 30 / 35 / 26

HEX #BC837A

RGB 188 131 122

HSL 8.18, 0.33%, 0.61%

LAB 60.18, 20.78, 13.68

 

CMYK 35 / 0 / 30 / 26

HEX #7ABC83

RGB 122 188 131

HSL 128.18, 0.33%, 0.61%

LAB 70.69, -32.84, 22.37

 

CMYK 30 / 35 / 0 / 26

HEX #837ABC

RGB 131 122 188

HSL 248.18, 0.33%, 0.61%

LAB 54.42, 18.5, -33.45

 

CMYK 0 / 30 / 35 / 26

HEX #BC837A

RGB 188 131 122

HSL 8.18, 0.33%, 0.61%

LAB 60.18, 20.78, 13.68

 

CMYK 12 / 0 / 35 / 26

HEX #A6BC7A

RGB 166 188 122

HSL 80, 0.33%, 0.61%

LAB 73.21, -18.7, 30.96

 

CMYK 35 / 5 / 0 / 26

HEX #7AB3BC

RGB 122 179 188

HSL 188.18, 0.33%, 0.61%

LAB 69.48, -16.22, -10.5

 

CMYK 23 / 35 / 0 / 26

HEX #907ABC

RGB 144 122 188

HSL 260, 0.33%, 0.61%

LAB 55.56, 22.39, -31.59

 

CMYK 0 / 30 / 35 / 26

HEX #BC837A

RGB 188 131 122

HSL 8.18, 0.33%, 0.61%

LAB 60.18, 20.78, 13.68

 

CMYK 22 / 0 / 35 / 26

HEX #92BC7A

RGB 146 188 122

HSL 98.18, 0.33%, 0.61%

LAB 71.88, -26.14, 28.97

 

CMYK 35 / 5 / 0 / 26

HEX #7AB3BC

RGB 122 179 188

HSL 188.18, 0.33%, 0.61%

LAB 69.48, -16.22, -10.5

 

CMYK 13 / 35 / 0 / 26

HEX #A47ABC

RGB 164 122 188

HSL 278.18, 0.33%, 0.61%

LAB 57.5, 28.62, -28.42

 

Description

Color code: HEX #BC837A | qconv.com Color code: HEX #BC837A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 131 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 131 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 35 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 35% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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