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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC8E13 it is the complementary color #4371EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC8E13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC8E13 shade: #C18E0E, #D2A021, #E3B234, #F4C447 and #FFD65A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC8E13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC8E13 shade: #BC8E13, #AB7C00, #9A6A00, #895800 and #784600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC8E13 shade: #BE8F12, #BE6112, #BE3312 and #BE1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC8E13 shade: #BE8F12, #BEBD12, #90BE12, #62BE12 and #33BE12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC8E13 shade matches the following richer shades: #BE8F12 and #CF9701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC8E13 shade: #BE8F12, #AD8723, #9C8034, #8B7845 and #7A7056

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC8E13 shade: #BE3212, #BE5F12, #BE8D12, #BEBB12 and #93BE12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC8E13 shade: #73560B, #98730F, #BE8F12, #E3AB16 and #EBBA38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC8E13 shade: #BC8E13, #21BE12 and #4912BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC8E13 shade: #BC8E13, #12BE8D and #8D12BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC8E13 shade: #BC8E13, #21BE12, #1243BE and #AF12BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC8E13 shade: #BC8E13, #12BE37, #1243BE and #BE1299

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 90 / 26

HEX #BC8E13

RGB 188 142 19

HSL 43.67, 0.82%, 0.41%

LAB 61.73, 7.39, 63.29

 

Complementary color

CMYK 72 / 52 / 0 / 7

HEX #4371EC

RGB 67 113 236

HSL 223.67, 0.82%, 0.59%

LAB 50.76, 25.45, -66.72

 

CMYK 0 / 26 / 93 / 24

HEX #C18E0E

RGB 193 142 14

HSL 42.91, 0.86%, 0.41%

LAB 62.27, 9.55, 64.93

 

CMYK 0 / 24 / 84 / 18

HEX #D2A021

RGB 210 160 33

HSL 43.05, 0.73%, 0.48%

LAB 68.72, 7.73, 66.41

 

CMYK 0 / 22 / 77 / 11

HEX #E3B234

RGB 227 178 52

HSL 43.2, 0.76%, 0.55%

LAB 75.09, 6.15, 66.65

 

CMYK 0 / 20 / 71 / 4

HEX #F4C447

RGB 244 196 71

HSL 43.35, 0.89%, 0.62%

LAB 81.38, 4.79, 66.21

 

CMYK 0 / 16 / 65 / 0

HEX #FFD65A

RGB 255 214 90

HSL 45.09, 1%, 0.68%

LAB 87.04, 1.14, 64.61

 

CMYK 0 / 24 / 90 / 26

HEX #BC8E13

RGB 188 142 19

HSL 43.67, 0.82%, 0.41%

LAB 61.73, 7.39, 63.29

 

CMYK 0 / 27 / 100 / 33

HEX #AB7C00

RGB 171 124 0

HSL 43.51, 1%, 0.34%

LAB 55.15, 9.37, 61.02

 

CMYK 0 / 31 / 100 / 40

HEX #9A6A00

RGB 154 106 0

HSL 41.3, 1%, 0.3%

LAB 48.48, 11.72, 55.56

 

CMYK 0 / 36 / 100 / 46

HEX #895800

RGB 137 88 0

HSL 38.54, 1%, 0.27%

LAB 41.69, 14.19, 50.01

 

CMYK 0 / 42 / 100 / 53

HEX #784600

RGB 120 70 0

HSL 35, 1%, 0.24%

LAB 34.75, 16.79, 44.36

 

CMYK 0 / 25 / 91 / 25

HEX #BE8F12

RGB 190 143 18

HSL 43.6, 0.83%, 0.41%

LAB 62.2, 7.73, 63.96

 

CMYK 0 / 49 / 91 / 25

HEX #BE6112

RGB 190 97 18

HSL 27.56, 0.83%, 0.41%

LAB 51.31, 32.84, 55.69

 

CMYK 0 / 73 / 91 / 25

HEX #BE3312

RGB 190 51 18

HSL 11.51, 0.83%, 0.41%

LAB 43.3, 53.84, 49.79

 

CMYK 0 / 91 / 91 / 25

HEX #BE1212

RGB 190 18 18

HSL 0, 0.83%, 0.41%

LAB 40.28, 62.33, 47.64

 

CMYK 0 / 25 / 91 / 25

HEX #BE8F12

RGB 190 143 18

HSL 43.6, 0.83%, 0.41%

LAB 62.2, 7.73, 63.96

 

CMYK 0 / 1 / 91 / 25

HEX #BEBD12

RGB 190 189 18

HSL 59.65, 0.83%, 0.41%

LAB 74.44, -16.55, 73.45

 

CMYK 24 / 0 / 91 / 25

HEX #90BE12

RGB 144 190 18

HSL 76.05, 0.83%, 0.41%

LAB 71.42, -36.28, 69.66

 

CMYK 48 / 0 / 91 / 25

HEX #62BE12

RGB 98 190 18

HSL 92.09, 0.83%, 0.41%

LAB 69.09, -52.68, 66.78

 

CMYK 73 / 0 / 91 / 25

HEX #33BE12

RGB 51 190 18

HSL 108.49, 0.83%, 0.41%

LAB 67.71, -63.96, 65.06

 

CMYK 0 / 25 / 91 / 25

HEX #BE8F12

RGB 190 143 18

HSL 43.6, 0.83%, 0.41%

LAB 62.2, 7.73, 63.96

 

CMYK 0 / 27 / 100 / 19

HEX #CF9701

RGB 207 151 1

HSL 43.69, 0.99%, 0.41%

LAB 66.06, 10.73, 70.24

 

CMYK 0 / 25 / 91 / 25

HEX #BE8F12

RGB 190 143 18

HSL 43.6, 0.83%, 0.41%

LAB 62.2, 7.73, 63.96

 

CMYK 0 / 22 / 80 / 32

HEX #AD8723

RGB 173 135 35

HSL 43.48, 0.66%, 0.41%

LAB 58.35, 4.92, 55.21

 

CMYK 0 / 18 / 67 / 39

HEX #9C8034

RGB 156 128 52

HSL 43.85, 0.5%, 0.41%

LAB 54.82, 1.97, 44.02

 

CMYK 0 / 14 / 50 / 45

HEX #8B7845

RGB 139 120 69

HSL 43.71, 0.34%, 0.41%

LAB 51.1, 0.24, 30.56

 

CMYK 0 / 8 / 30 / 52

HEX #7A7056

RGB 122 112 86

HSL 43.33, 0.17%, 0.41%

LAB 47.49, -0.5, 15.89

 

CMYK 0 / 74 / 91 / 25

HEX #BE3212

RGB 190 50 18

HSL 11.16, 0.83%, 0.41%

LAB 43.17, 54.19, 49.7

 

CMYK 0 / 50 / 91 / 25

HEX #BE5F12

RGB 190 95 18

HSL 26.86, 0.83%, 0.41%

LAB 50.89, 33.89, 55.38

 

CMYK 0 / 26 / 91 / 25

HEX #BE8D12

RGB 190 141 18

HSL 42.91, 0.83%, 0.41%

LAB 61.69, 8.82, 63.57

 

CMYK 0 / 2 / 91 / 25

HEX #BEBB12

RGB 190 187 18

HSL 58.95, 0.83%, 0.41%

LAB 73.89, -15.54, 73.03

 

CMYK 23 / 0 / 91 / 25

HEX #93BE12

RGB 147 190 18

HSL 75, 0.83%, 0.41%

LAB 71.6, -35.09, 69.88

 

CMYK 0 / 25 / 90 / 55

HEX #73560B

RGB 115 86 11

HSL 43.27, 0.83%, 0.25%

LAB 38.42, 5.03, 43.27

 

CMYK 0 / 24 / 90 / 40

HEX #98730F

RGB 152 115 15

HSL 43.8, 0.82%, 0.33%

LAB 50.65, 5.9, 53.83

 

CMYK 0 / 25 / 91 / 25

HEX #BE8F12

RGB 190 143 18

HSL 43.6, 0.83%, 0.41%

LAB 62.2, 7.73, 63.96

 

CMYK 0 / 25 / 90 / 11

HEX #E3AB16

RGB 227 171 22

HSL 43.61, 0.82%, 0.49%

LAB 73.23, 9.05, 73.35

 

CMYK 0 / 21 / 76 / 8

HEX #EBBA38

RGB 235 186 56

HSL 43.58, 0.82%, 0.57%

LAB 77.91, 5.53, 68.17

 

CMYK 0 / 24 / 90 / 26

HEX #BC8E13

RGB 188 142 19

HSL 43.67, 0.82%, 0.41%

LAB 61.73, 7.39, 63.29

 

CMYK 83 / 0 / 91 / 25

HEX #21BE12

RGB 33 190 18

HSL 114.77, 0.83%, 0.41%

LAB 67.42, -66.46, 64.71

 

CMYK 62 / 91 / 0 / 25

HEX #4912BE

RGB 73 18 190

HSL 259.19, 0.83%, 0.41%

LAB 28.29, 61.71, -77.05

 

CMYK 0 / 24 / 90 / 26

HEX #BC8E13

RGB 188 142 19

HSL 43.67, 0.82%, 0.41%

LAB 61.73, 7.39, 63.29

 

CMYK 91 / 0 / 26 / 25

HEX #12BE8D

RGB 18 190 141

HSL 162.91, 0.83%, 0.41%

LAB 68.66, -51.24, 13.74

 

CMYK 26 / 91 / 0 / 25

HEX #8D12BE

RGB 141 18 190

HSL 282.91, 0.83%, 0.41%

LAB 37.5, 69.21, -61.56

 

CMYK 0 / 24 / 90 / 26

HEX #BC8E13

RGB 188 142 19

HSL 43.67, 0.82%, 0.41%

LAB 61.73, 7.39, 63.29

 

CMYK 83 / 0 / 91 / 25

HEX #21BE12

RGB 33 190 18

HSL 114.77, 0.83%, 0.41%

LAB 67.42, -66.46, 64.71

 

CMYK 91 / 65 / 0 / 25

HEX #1243BE

RGB 18 67 190

HSL 222.91, 0.83%, 0.41%

LAB 33.69, 33.48, -68.24

 

CMYK 8 / 91 / 0 / 25

HEX #AF12BE

RGB 175 18 190

HSL 294.77, 0.83%, 0.41%

LAB 43.16, 74.46, -52.14

 

CMYK 0 / 24 / 90 / 26

HEX #BC8E13

RGB 188 142 19

HSL 43.67, 0.82%, 0.41%

LAB 61.73, 7.39, 63.29

 

CMYK 91 / 0 / 71 / 25

HEX #12BE37

RGB 18 190 55

HSL 132.91, 0.83%, 0.41%

LAB 67.45, -65.55, 54.31

 

CMYK 91 / 65 / 0 / 25

HEX #1243BE

RGB 18 67 190

HSL 222.91, 0.83%, 0.41%

LAB 33.69, 33.48, -68.24

 

CMYK 0 / 91 / 19 / 25

HEX #BE1299

RGB 190 18 153

HSL 312.91, 0.83%, 0.41%

LAB 43.77, 71.87, -29

 

Description

Color code: HEX #BC8E13 | qconv.com Color code: HEX #BC8E13 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 142 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 142 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 90 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 90% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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