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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC8FA4 it is the complementary color #43705B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC8FA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC8FA4 shade: #C18F9F, #D2A1B2, #E3B3C5, #F4C5D8 and #FFD7EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC8FA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC8FA4 shade: #BC8FA4, #AB7D91, #9A6B7E, #89596B and #784758

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC8FA4 shade: #BC8FA4, #BC8F98 and #BC8F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC8FA4 shade: #BC8FA4, #BC8FB0, #BB8FBC, #AF8FBC and #A38FBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC8FA4 shade matches the following richer shades: #BC8FA4, #CA80A3, #D872A2, #E764A1 and #F555A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC8FA4 shade: #BC8FA4, #AD9DA5, #9FACA6, #90BAA7 and #82C9A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC8FA4 shade: #BC8FBC, #BC8FB0, #BC8FA4, #BC8F98 and #BC928F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC8FA4 shade: #9B5D7A, #AC758F, #BC8FA4, #CBA9B9 and #DBC3CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC8FA4 shade: #BC8FA4, #BCB08F and #8FB6BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC8FA4 shade: #BC8FA4, #A4BC8F and #8FA4BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC8FA4 shade: #BC8FA4, #BCB08F, #8FBCA7 and #8F9BBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC8FA4 shade: #BC8FA4, #BABC8F, #8FBCA7 and #908FBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 13 / 26

HEX #BC8FA4

RGB 188 143 164

HSL 332, 0.25%, 0.65%

LAB 64.17, 20.36, -4.45

 

Complementary color

CMYK 40 / 0 / 19 / 56

HEX #43705B

RGB 67 112 91

HSL 152, 0.25%, 0.35%

LAB 43.56, -20.71, 6.85

 

CMYK 0 / 26 / 18 / 24

HEX #C18F9F

RGB 193 143 159

HSL 340.8, 0.29%, 0.66%

LAB 64.55, 21.37, -1.01

 

CMYK 0 / 23 / 15 / 18

HEX #D2A1B2

RGB 210 161 178

HSL 339.18, 0.35%, 0.73%

LAB 71.15, 20.75, -1.75

 

CMYK 0 / 21 / 13 / 11

HEX #E3B3C5

RGB 227 179 197

HSL 337.5, 0.46%, 0.8%

LAB 77.64, 20.18, -2.45

 

CMYK 0 / 19 / 11 / 4

HEX #F4C5D8

RGB 244 197 216

HSL 335.74, 0.68%, 0.86%

LAB 84.03, 19.66, -3.11

 

CMYK 0 / 16 / 8 / 0

HEX #FFD7EB

RGB 255 215 235

HSL 330, 1%, 0.92%

LAB 89.79, 17.13, -4.59

 

CMYK 0 / 24 / 13 / 26

HEX #BC8FA4

RGB 188 143 164

HSL 332, 0.25%, 0.65%

LAB 64.17, 20.36, -4.45

 

CMYK 0 / 27 / 15 / 33

HEX #AB7D91

RGB 171 125 145

HSL 333.91, 0.21%, 0.58%

LAB 57.43, 21, -3.74

 

CMYK 0 / 31 / 18 / 40

HEX #9A6B7E

RGB 154 107 126

HSL 335.74, 0.19%, 0.51%

LAB 50.56, 21.72, -2.97

 

CMYK 0 / 35 / 22 / 46

HEX #89596B

RGB 137 89 107

HSL 337.5, 0.21%, 0.44%

LAB 43.54, 22.51, -2.1

 

CMYK 0 / 41 / 27 / 53

HEX #784758

RGB 120 71 88

HSL 339.18, 0.26%, 0.37%

LAB 36.37, 23.4, -1.09

 

CMYK 0 / 24 / 13 / 26

HEX #BC8FA4

RGB 188 143 164

HSL 332, 0.25%, 0.65%

LAB 64.17, 20.36, -4.45

 

CMYK 0 / 24 / 19 / 26

HEX #BC8F98

RGB 188 143 152

HSL 348, 0.25%, 0.65%

LAB 63.84, 18.4, 1.85

 

CMYK 0 / 24 / 24 / 26

HEX #BC8F8F

RGB 188 143 143

HSL 0, 0.25%, 0.65%

LAB 63.61, 17.02, 6.6

 

CMYK 0 / 24 / 13 / 26

HEX #BC8FA4

RGB 188 143 164

HSL 332, 0.25%, 0.65%

LAB 64.17, 20.36, -4.45

 

CMYK 0 / 24 / 6 / 26

HEX #BC8FB0

RGB 188 143 176

HSL 316, 0.25%, 0.65%

LAB 64.54, 22.47, -10.67

 

CMYK 1 / 24 / 0 / 26

HEX #BB8FBC

RGB 187 143 188

HSL 298.67, 0.25%, 0.65%

LAB 64.84, 24.36, -16.99

 

CMYK 7 / 24 / 0 / 26

HEX #AF8FBC

RGB 175 143 188

HSL 282.67, 0.25%, 0.65%

LAB 63.66, 20.31, -18.88

 

CMYK 13 / 24 / 0 / 26

HEX #A38FBC

RGB 163 143 188

HSL 266.67, 0.25%, 0.65%

LAB 62.56, 16.33, -20.66

 

CMYK 0 / 24 / 13 / 26

HEX #BC8FA4

RGB 188 143 164

HSL 332, 0.25%, 0.65%

LAB 64.17, 20.36, -4.45

 

CMYK 0 / 37 / 19 / 21

HEX #CA80A3

RGB 202 128 163

HSL 331.62, 0.41%, 0.65%

LAB 62.2, 33.47, -6.63

 

CMYK 0 / 47 / 25 / 15

HEX #D872A2

RGB 216 114 162

HSL 331.76, 0.57%, 0.65%

LAB 60.99, 45.48, -7.66

 

CMYK 0 / 57 / 30 / 9

HEX #E764A1

RGB 231 100 161

HSL 332.06, 0.73%, 0.65%

LAB 60.5, 56.91, -7.6

 

CMYK 0 / 65 / 35 / 4

HEX #F555A0

RGB 245 85 160

HSL 331.88, 0.89%, 0.65%

LAB 60.29, 67.25, -7.09

 

CMYK 0 / 24 / 13 / 26

HEX #BC8FA4

RGB 188 143 164

HSL 332, 0.25%, 0.65%

LAB 64.17, 20.36, -4.45

 

CMYK 0 / 9 / 5 / 32

HEX #AD9DA5

RGB 173 157 165

HSL 330, 0.09%, 0.65%

LAB 66.3, 7.29, -2.04

 

CMYK 8 / 0 / 3 / 33

HEX #9FACA6

RGB 159 172 166

HSL 152.31, 0.07%, 0.65%

LAB 69.2, -5.72, 1.51

 

CMYK 23 / 0 / 10 / 27

HEX #90BAA7

RGB 144 186 167

HSL 152.86, 0.23%, 0.65%

LAB 72.12, -17.94, 5.06

 

CMYK 35 / 0 / 16 / 21

HEX #82C9A8

RGB 130 201 168

HSL 152.11, 0.4%, 0.65%

LAB 75.67, -29.5, 9.5

 

CMYK 0 / 24 / 0 / 26

HEX #BC8FBC

RGB 188 143 188

HSL 300, 0.25%, 0.65%

LAB 64.94, 24.7, -16.83

 

CMYK 0 / 24 / 6 / 26

HEX #BC8FB0

RGB 188 143 176

HSL 316, 0.25%, 0.65%

LAB 64.54, 22.47, -10.67

 

CMYK 0 / 24 / 13 / 26

HEX #BC8FA4

RGB 188 143 164

HSL 332, 0.25%, 0.65%

LAB 64.17, 20.36, -4.45

 

CMYK 0 / 24 / 19 / 26

HEX #BC8F98

RGB 188 143 152

HSL 348, 0.25%, 0.65%

LAB 63.84, 18.4, 1.85

 

CMYK 0 / 22 / 24 / 26

HEX #BC928F

RGB 188 146 143

HSL 4, 0.25%, 0.65%

LAB 64.35, 15.35, 7.66

 

CMYK 0 / 40 / 21 / 39

HEX #9B5D7A

RGB 155 93 122

HSL 331.94, 0.25%, 0.49%

LAB 47.24, 29.42, -5.48

 

CMYK 0 / 32 / 17 / 33

HEX #AC758F

RGB 172 117 143

HSL 331.64, 0.25%, 0.57%

LAB 55.56, 25.56, -5.34

 

CMYK 0 / 24 / 13 / 26

HEX #BC8FA4

RGB 188 143 164

HSL 332, 0.25%, 0.65%

LAB 64.17, 20.36, -4.45

 

CMYK 0 / 17 / 9 / 20

HEX #CBA9B9

RGB 203 169 185

HSL 331.76, 0.25%, 0.73%

LAB 72.61, 15.04, -3.55

 

CMYK 0 / 11 / 6 / 14

HEX #DBC3CE

RGB 219 195 206

HSL 332.5, 0.25%, 0.81%

LAB 81.04, 10.32, -2.41

 

CMYK 0 / 24 / 13 / 26

HEX #BC8FA4

RGB 188 143 164

HSL 332, 0.25%, 0.65%

LAB 64.17, 20.36, -4.45

 

CMYK 0 / 6 / 24 / 26

HEX #BCB08F

RGB 188 176 143

HSL 44, 0.25%, 0.65%

LAB 72.04, -1.03, 18.48

 

CMYK 24 / 3 / 0 / 26

HEX #8FB6BC

RGB 143 182 188

HSL 188, 0.25%, 0.65%

LAB 71.5, -11.66, -7.35

 

CMYK 0 / 24 / 13 / 26

HEX #BC8FA4

RGB 188 143 164

HSL 332, 0.25%, 0.65%

LAB 64.17, 20.36, -4.45

 

CMYK 13 / 0 / 24 / 26

HEX #A4BC8F

RGB 164 188 143

HSL 92, 0.25%, 0.65%

LAB 73.44, -16.38, 20.12

 

CMYK 24 / 13 / 0 / 26

HEX #8FA4BC

RGB 143 164 188

HSL 212, 0.25%, 0.65%

LAB 66.54, -1.94, -14.78

 

CMYK 0 / 24 / 13 / 26

HEX #BC8FA4

RGB 188 143 164

HSL 332, 0.25%, 0.65%

LAB 64.17, 20.36, -4.45

 

CMYK 0 / 6 / 24 / 26

HEX #BCB08F

RGB 188 176 143

HSL 44, 0.25%, 0.65%

LAB 72.04, -1.03, 18.48

 

CMYK 24 / 0 / 11 / 26

HEX #8FBCA7

RGB 143 188 167

HSL 152, 0.25%, 0.65%

LAB 72.63, -19.29, 5.78

 

CMYK 24 / 18 / 0 / 26

HEX #8F9BBC

RGB 143 155 188

HSL 224, 0.25%, 0.65%

LAB 64.09, 3.07, -18.48

 

CMYK 0 / 24 / 13 / 26

HEX #BC8FA4

RGB 188 143 164

HSL 332, 0.25%, 0.65%

LAB 64.17, 20.36, -4.45

 

CMYK 1 / 0 / 24 / 26

HEX #BABC8F

RGB 186 188 143

HSL 62.67, 0.25%, 0.65%

LAB 75.07, -8.14, 22.61

 

CMYK 24 / 0 / 11 / 26

HEX #8FBCA7

RGB 143 188 167

HSL 152, 0.25%, 0.65%

LAB 72.63, -19.29, 5.78

 

CMYK 23 / 24 / 0 / 26

HEX #908FBC

RGB 144 143 188

HSL 241.33, 0.25%, 0.65%

LAB 60.96, 10.21, -23.25

 

Description

Color code: HEX #BC8FA4 | qconv.com Color code: HEX #BC8FA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 143 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 143 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 13 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 13% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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