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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC948B it is the complementary color #436B74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC948B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC948B shade: #C19486, #D2A699, #E3B8AC, #F4CABF and #FFDCD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC948B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC948B shade: #BC948B, #AB8278, #9A7065, #895E52 and #784C3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC948B shade: #BB938A and #BB8A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC948B shade: #BB938A, #BBA08A, #BBAE8A, #BBBB8A and #AEBB8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC948B shade matches the following richer shades: #BB938A, #CA8A7B, #D9806C, #E8775D and #F76D4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC948B shade: #BB938A, #AD9C99, #9EA6A8, #8FAFB6 and #80B9C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC948B shade: #BB8A9B, #BB8A8E, #BB938A, #BBA08A and #BBAD8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC948B shade: #9A6559, #AC7B70, #BB938A, #CBABA4 and #DAC3BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC948B shade: #BC948B, #A8BB8A and #8A95BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC948B shade: #BC948B, #8ABB93 and #938ABB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC948B shade: #BC948B, #A8BB8A, #8AB2BB and #9D8ABB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC948B shade: #BC948B, #9ABB8A, #8AB2BB and #AC8ABB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 26 / 26

HEX #BC948B

RGB 188 148 139

HSL 11.02, 0.27%, 0.64%

LAB 64.75, 13.66, 10.49

 

Complementary color

CMYK 42 / 8 / 0 / 55

HEX #436B74

RGB 67 107 116

HSL 191.02, 0.27%, 0.36%

LAB 42.72, -11.48, -9.46

 

CMYK 0 / 23 / 31 / 24

HEX #C19486

RGB 193 148 134

HSL 14.24, 0.32%, 0.64%

LAB 65.15, 14.91, 13.93

 

CMYK 0 / 21 / 27 / 18

HEX #D2A699

RGB 210 166 153

HSL 13.68, 0.39%, 0.71%

LAB 71.74, 14.27, 12.89

 

CMYK 0 / 19 / 24 / 11

HEX #E3B8AC

RGB 227 184 172

HSL 13.09, 0.5%, 0.78%

LAB 78.22, 13.7, 11.94

 

CMYK 0 / 17 / 22 / 4

HEX #F4CABF

RGB 244 202 191

HSL 12.45, 0.71%, 0.85%

LAB 84.61, 13.18, 11.05

 

CMYK 0 / 14 / 18 / 0

HEX #FFDCD2

RGB 255 220 210

HSL 13.33, 1%, 0.91%

LAB 90.37, 10.57, 9.38

 

CMYK 0 / 21 / 26 / 26

HEX #BC948B

RGB 188 148 139

HSL 11.02, 0.27%, 0.64%

LAB 64.75, 13.66, 10.49

 

CMYK 0 / 24 / 30 / 33

HEX #AB8278

RGB 171 130 120

HSL 11.76, 0.23%, 0.57%

LAB 58.02, 14.31, 11.52

 

CMYK 0 / 27 / 34 / 40

HEX #9A7065

RGB 154 112 101

HSL 12.45, 0.21%, 0.5%

LAB 51.15, 15.07, 12.65

 

CMYK 0 / 31 / 40 / 46

HEX #895E52

RGB 137 94 82

HSL 13.09, 0.25%, 0.43%

LAB 44.14, 15.96, 13.94

 

CMYK 0 / 37 / 48 / 53

HEX #784C3F

RGB 120 76 63

HSL 13.68, 0.31%, 0.36%

LAB 36.97, 17.02, 15.44

 

CMYK 0 / 21 / 26 / 27

HEX #BB938A

RGB 187 147 138

HSL 11.02, 0.26%, 0.64%

LAB 64.38, 13.68, 10.5

 

CMYK 0 / 26 / 26 / 27

HEX #BB8A8A

RGB 187 138 138

HSL 0, 0.26%, 0.64%

LAB 62.15, 18.68, 7.34

 

CMYK 0 / 21 / 26 / 27

HEX #BB938A

RGB 187 147 138

HSL 11.02, 0.26%, 0.64%

LAB 64.38, 13.68, 10.5

 

CMYK 0 / 14 / 26 / 27

HEX #BBA08A

RGB 187 160 138

HSL 26.94, 0.26%, 0.64%

LAB 67.68, 6.52, 15.15

 

CMYK 0 / 7 / 26 / 27

HEX #BBAE8A

RGB 187 174 138

HSL 44.08, 0.26%, 0.64%

LAB 71.33, -1.06, 20.2

 

CMYK 0 / 0 / 26 / 27

HEX #BBBB8A

RGB 187 187 138

HSL 60, 0.26%, 0.64%

LAB 74.79, -7.93, 24.9

 

CMYK 7 / 0 / 26 / 27

HEX #AEBB8A

RGB 174 187 138

HSL 75.92, 0.26%, 0.64%

LAB 73.79, -12.91, 23.38

 

CMYK 0 / 21 / 26 / 27

HEX #BB938A

RGB 187 147 138

HSL 11.02, 0.26%, 0.64%

LAB 64.38, 13.68, 10.5

 

CMYK 0 / 32 / 39 / 21

HEX #CA8A7B

RGB 202 138 123

HSL 11.39, 0.43%, 0.64%

LAB 63.48, 22.57, 17.93

 

CMYK 0 / 41 / 50 / 15

HEX #D9806C

RGB 217 128 108

HSL 11.01, 0.59%, 0.64%

LAB 62.74, 32.29, 25.65

 

CMYK 0 / 49 / 60 / 9

HEX #E8775D

RGB 232 119 93

HSL 11.22, 0.75%, 0.64%

LAB 62.63, 41.49, 34.23

 

CMYK 0 / 56 / 68 / 3

HEX #F76D4F

RGB 247 109 79

HSL 10.71, 0.91%, 0.64%

LAB 62.74, 50.99, 42.47

 

CMYK 0 / 21 / 26 / 27

HEX #BB938A

RGB 187 147 138

HSL 11.02, 0.26%, 0.64%

LAB 64.38, 13.68, 10.5

 

CMYK 0 / 10 / 12 / 32

HEX #AD9C99

RGB 173 156 153

HSL 9, 0.11%, 0.64%

LAB 65.72, 5.71, 3.83

 

CMYK 6 / 1 / 0 / 34

HEX #9EA6A8

RGB 158 166 168

HSL 192, 0.05%, 0.64%

LAB 67.55, -2.43, -2.02

 

CMYK 21 / 4 / 0 / 29

HEX #8FAFB6

RGB 143 175 182

HSL 190.77, 0.21%, 0.64%

LAB 69.38, -9.3, -7.2

 

CMYK 35 / 6 / 0 / 23

HEX #80B9C5

RGB 128 185 197

HSL 190.43, 0.37%, 0.64%

LAB 71.77, -15.46, -11.97

 

CMYK 0 / 26 / 17 / 27

HEX #BB8A9B

RGB 187 138 155

HSL 339.18, 0.26%, 0.64%

LAB 62.6, 21.29, -1.68

 

CMYK 0 / 26 / 24 / 27

HEX #BB8A8E

RGB 187 138 142

HSL 355.1, 0.26%, 0.64%

LAB 62.25, 19.26, 5.21

 

CMYK 0 / 21 / 26 / 27

HEX #BB938A

RGB 187 147 138

HSL 11.02, 0.26%, 0.64%

LAB 64.38, 13.68, 10.5

 

CMYK 0 / 14 / 26 / 27

HEX #BBA08A

RGB 187 160 138

HSL 26.94, 0.26%, 0.64%

LAB 67.68, 6.52, 15.15

 

CMYK 0 / 7 / 26 / 27

HEX #BBAD8A

RGB 187 173 138

HSL 42.86, 0.26%, 0.64%

LAB 71.07, -0.52, 19.84

 

CMYK 0 / 34 / 42 / 40

HEX #9A6559

RGB 154 101 89

HSL 11.08, 0.27%, 0.48%

LAB 48.13, 19.89, 15.57

 

CMYK 0 / 28 / 35 / 33

HEX #AC7B70

RGB 172 123 112

HSL 11, 0.27%, 0.56%

LAB 56.19, 17.59, 13.58

 

CMYK 0 / 21 / 26 / 27

HEX #BB938A

RGB 187 147 138

HSL 11.02, 0.26%, 0.64%

LAB 64.38, 13.68, 10.5

 

CMYK 0 / 16 / 19 / 20

HEX #CBABA4

RGB 203 171 164

HSL 10.77, 0.27%, 0.72%

LAB 72.56, 10.52, 7.93

 

CMYK 0 / 11 / 13 / 15

HEX #DAC3BE

RGB 218 195 190

HSL 10.71, 0.27%, 0.8%

LAB 80.55, 7.28, 5.46

 

CMYK 0 / 21 / 26 / 26

HEX #BC948B

RGB 188 148 139

HSL 11.02, 0.27%, 0.64%

LAB 64.75, 13.66, 10.49

 

CMYK 10 / 0 / 26 / 27

HEX #A8BB8A

RGB 168 187 138

HSL 83.27, 0.26%, 0.64%

LAB 73.35, -15.16, 22.71

 

CMYK 26 / 20 / 0 / 27

HEX #8A95BB

RGB 138 149 187

HSL 226.53, 0.26%, 0.64%

LAB 62.07, 4.67, -21.03

 

CMYK 0 / 21 / 26 / 26

HEX #BC948B

RGB 188 148 139

HSL 11.02, 0.27%, 0.64%

LAB 64.75, 13.66, 10.49

 

CMYK 26 / 0 / 21 / 27

HEX #8ABB93

RGB 138 187 147

HSL 131.02, 0.26%, 0.64%

LAB 71.59, -24.29, 15.13

 

CMYK 21 / 26 / 0 / 27

HEX #938ABB

RGB 147 138 187

HSL 251.02, 0.26%, 0.64%

LAB 59.86, 13.79, -24.35

 

CMYK 0 / 21 / 26 / 26

HEX #BC948B

RGB 188 148 139

HSL 11.02, 0.27%, 0.64%

LAB 64.75, 13.66, 10.49

 

CMYK 10 / 0 / 26 / 27

HEX #A8BB8A

RGB 168 187 138

HSL 83.27, 0.26%, 0.64%

LAB 73.35, -15.16, 22.71

 

CMYK 26 / 5 / 0 / 27

HEX #8AB2BB

RGB 138 178 187

HSL 191.02, 0.26%, 0.64%

LAB 70.06, -11.29, -8.98

 

CMYK 16 / 26 / 0 / 27

HEX #9D8ABB

RGB 157 138 187

HSL 263.27, 0.26%, 0.64%

LAB 60.72, 17, -22.95

 

CMYK 0 / 21 / 26 / 26

HEX #BC948B

RGB 188 148 139

HSL 11.02, 0.27%, 0.64%

LAB 64.75, 13.66, 10.49

 

CMYK 18 / 0 / 26 / 27

HEX #9ABB8A

RGB 154 187 138

HSL 100.41, 0.26%, 0.64%

LAB 72.39, -20.3, 21.25

 

CMYK 26 / 5 / 0 / 27

HEX #8AB2BB

RGB 138 178 187

HSL 191.02, 0.26%, 0.64%

LAB 70.06, -11.29, -8.98

 

CMYK 8 / 26 / 0 / 27

HEX #AC8ABB

RGB 172 138 187

HSL 281.63, 0.26%, 0.64%

LAB 62.11, 21.93, -20.7

 

Description

Color code: HEX #BC948B | qconv.com Color code: HEX #BC948B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 148 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 148 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 26 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 26% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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