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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC9872 it is the complementary color #43678D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC9872. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC9872 shade: #C1986D, #D2AA80, #E3BC93, #F4CEA6 and #FFE0B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC9872. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC9872 shade: #BC9872, #AB865F, #9A744C, #896239 and #785026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC9872 shade: #BC9770, #BC8370 and #BC7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC9872 shade: #BC9770, #BCAB70, #B8BC70, #A3BC70 and #8FBC70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC9872 shade matches the following richer shades: #BC9770, #CD975F, #DD984E and #EE983E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC9872 shade: #BC9770, #AB9781, #9A9692, #8996A3 and #7895B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC9872 shade: #BC7073, #BC8270, #BC9670, #BCAA70 and #B9BC70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC9872 shade: #946E45, #AE8354, #BC9770, #C9AB8C and #D6C0A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC9872 shade: #BC9872, #87BC70 and #7870BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC9872 shade: #BC9872, #70BC96 and #9670BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC9872 shade: #BC9872, #87BC70, #7096BC and #A570BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC9872 shade: #BC9872, #70BC70, #7096BC and #BC70BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 39 / 26

HEX #BC9872

RGB 188 152 114

HSL 30.81, 0.36%, 0.59%

LAB 65.25, 8.18, 25.07

 

Complementary color

CMYK 52 / 27 / 0 / 45

HEX #43678D

RGB 67 103 141

HSL 210.81, 0.36%, 0.41%

LAB 42.49, -1.45, -24.88

 

CMYK 0 / 21 / 44 / 24

HEX #C1986D

RGB 193 152 109

HSL 30.71, 0.4%, 0.59%

LAB 65.67, 9.68, 28.45

 

CMYK 0 / 19 / 39 / 18

HEX #D2AA80

RGB 210 170 128

HSL 30.73, 0.48%, 0.66%

LAB 72.23, 8.94, 27.18

 

CMYK 0 / 17 / 35 / 11

HEX #E3BC93

RGB 227 188 147

HSL 30.75, 0.59%, 0.73%

LAB 78.7, 8.3, 25.99

 

CMYK 0 / 16 / 32 / 4

HEX #F4CEA6

RGB 244 206 166

HSL 30.77, 0.78%, 0.8%

LAB 85.06, 7.74, 24.89

 

CMYK 0 / 12 / 27 / 0

HEX #FFE0B9

RGB 255 224 185

HSL 33.43, 1%, 0.86%

LAB 90.81, 5, 23.04

 

CMYK 0 / 19 / 39 / 26

HEX #BC9872

RGB 188 152 114

HSL 30.81, 0.36%, 0.59%

LAB 65.25, 8.18, 25.07

 

CMYK 0 / 22 / 44 / 33

HEX #AB865F

RGB 171 134 95

HSL 30.79, 0.31%, 0.52%

LAB 58.54, 8.94, 26.37

 

CMYK 0 / 25 / 51 / 40

HEX #9A744C

RGB 154 116 76

HSL 30.77, 0.34%, 0.45%

LAB 51.7, 9.85, 27.79

 

CMYK 0 / 28 / 58 / 46

HEX #896239

RGB 137 98 57

HSL 30.75, 0.41%, 0.38%

LAB 44.73, 10.95, 29.33

 

CMYK 0 / 33 / 68 / 53

HEX #785026

RGB 120 80 38

HSL 30.73, 0.52%, 0.31%

LAB 37.61, 12.33, 30.96

 

CMYK 0 / 20 / 40 / 26

HEX #BC9770

RGB 188 151 112

HSL 30.79, 0.36%, 0.59%

LAB 64.96, 8.5, 25.78

 

CMYK 0 / 30 / 40 / 26

HEX #BC8370

RGB 188 131 112

HSL 15, 0.36%, 0.59%

LAB 59.97, 19.56, 19.08

 

CMYK 0 / 40 / 40 / 26

HEX #BC7070

RGB 188 112 112

HSL 0, 0.36%, 0.59%

LAB 55.53, 30.04, 12.95

 

CMYK 0 / 20 / 40 / 26

HEX #BC9770

RGB 188 151 112

HSL 30.79, 0.36%, 0.59%

LAB 64.96, 8.5, 25.78

 

CMYK 0 / 9 / 40 / 26

HEX #BCAB70

RGB 188 171 112

HSL 46.58, 0.36%, 0.59%

LAB 70.17, -2.34, 32.6

 

CMYK 2 / 0 / 40 / 26

HEX #B8BC70

RGB 184 188 112

HSL 63.16, 0.36%, 0.59%

LAB 74.4, -12.86, 37.93

 

CMYK 13 / 0 / 40 / 26

HEX #A3BC70

RGB 163 188 112

HSL 79.74, 0.36%, 0.59%

LAB 72.84, -21.13, 35.63

 

CMYK 24 / 0 / 40 / 26

HEX #8FBC70

RGB 143 188 112

HSL 95.53, 0.36%, 0.59%

LAB 71.54, -28.63, 33.7

 

CMYK 0 / 20 / 40 / 26

HEX #BC9770

RGB 188 151 112

HSL 30.79, 0.36%, 0.59%

LAB 64.96, 8.5, 25.78

 

CMYK 0 / 26 / 54 / 20

HEX #CD975F

RGB 205 151 95

HSL 30.55, 0.52%, 0.59%

LAB 66.47, 13.85, 37.22

 

CMYK 0 / 31 / 65 / 13

HEX #DD984E

RGB 221 152 78

HSL 31.05, 0.68%, 0.59%

LAB 68.3, 18.75, 48.45

 

CMYK 0 / 36 / 74 / 7

HEX #EE983E

RGB 238 152 62

HSL 30.68, 0.84%, 0.59%

LAB 70.16, 25, 58.41

 

CMYK 0 / 20 / 40 / 26

HEX #BC9770

RGB 188 151 112

HSL 30.79, 0.36%, 0.59%

LAB 64.96, 8.5, 25.78

 

CMYK 0 / 12 / 25 / 33

HEX #AB9781

RGB 171 151 129

HSL 31.43, 0.2%, 0.59%

LAB 63.65, 3.87, 14.31

 

CMYK 0 / 3 / 5 / 40

HEX #9A9692

RGB 154 150 146

HSL 30, 0.04%, 0.59%

LAB 62.3, 0.72, 2.62

 

CMYK 16 / 8 / 0 / 36

HEX #8996A3

RGB 137 150 163

HSL 210, 0.12%, 0.59%

LAB 61.46, -1.85, -8.4

 

CMYK 33 / 17 / 0 / 29

HEX #7895B4

RGB 120 149 180

HSL 211, 0.29%, 0.59%

LAB 60.59, -2.54, -19.45

 

CMYK 0 / 40 / 39 / 26

HEX #BC7073

RGB 188 112 115

HSL 357.63, 0.36%, 0.59%

LAB 55.6, 30.39, 11.3

 

CMYK 0 / 31 / 40 / 26

HEX #BC8270

RGB 188 130 112

HSL 14.21, 0.36%, 0.59%

LAB 59.73, 20.12, 18.75

 

CMYK 0 / 20 / 40 / 26

HEX #BC9670

RGB 188 150 112

HSL 30, 0.36%, 0.59%

LAB 64.7, 9.05, 25.44

 

CMYK 0 / 10 / 40 / 26

HEX #BCAA70

RGB 188 170 112

HSL 45.79, 0.36%, 0.59%

LAB 69.9, -1.8, 32.26

 

CMYK 2 / 0 / 40 / 26

HEX #B9BC70

RGB 185 188 112

HSL 62.37, 0.36%, 0.59%

LAB 74.48, -12.46, 38.05

 

CMYK 0 / 26 / 53 / 42

HEX #946E45

RGB 148 110 69

HSL 31.14, 0.36%, 0.43%

LAB 49.35, 9.98, 28.6

 

CMYK 0 / 25 / 52 / 32

HEX #AE8354

RGB 174 131 84

HSL 31.33, 0.36%, 0.51%

LAB 57.91, 10.78, 31.69

 

CMYK 0 / 20 / 40 / 26

HEX #BC9770

RGB 188 151 112

HSL 30.79, 0.36%, 0.59%

LAB 64.96, 8.5, 25.78

 

CMYK 0 / 15 / 30 / 21

HEX #C9AB8C

RGB 201 171 140

HSL 30.49, 0.36%, 0.67%

LAB 71.85, 6.31, 20.02

 

CMYK 0 / 10 / 21 / 16

HEX #D6C0A8

RGB 214 192 168

HSL 31.3, 0.36%, 0.75%

LAB 78.94, 4, 14.93

 

CMYK 0 / 19 / 39 / 26

HEX #BC9872

RGB 188 152 114

HSL 30.81, 0.36%, 0.59%

LAB 65.25, 8.18, 25.07

 

CMYK 28 / 0 / 40 / 26

HEX #87BC70

RGB 135 188 112

HSL 101.84, 0.36%, 0.59%

LAB 71.07, -31.49, 33

 

CMYK 36 / 40 / 0 / 26

HEX #7870BC

RGB 120 112 188

HSL 246.32, 0.36%, 0.59%

LAB 50.93, 21.33, -38.99

 

CMYK 0 / 19 / 39 / 26

HEX #BC9872

RGB 188 152 114

HSL 30.81, 0.36%, 0.59%

LAB 65.25, 8.18, 25.07

 

CMYK 40 / 0 / 20 / 26

HEX #70BC96

RGB 112 188 150

HSL 150, 0.36%, 0.59%

LAB 70.6, -32.22, 11.93

 

CMYK 20 / 40 / 0 / 26

HEX #9670BC

RGB 150 112 188

HSL 270, 0.36%, 0.59%

LAB 53.71, 30.02, -34.44

 

CMYK 0 / 19 / 39 / 26

HEX #BC9872

RGB 188 152 114

HSL 30.81, 0.36%, 0.59%

LAB 65.25, 8.18, 25.07

 

CMYK 28 / 0 / 40 / 26

HEX #87BC70

RGB 135 188 112

HSL 101.84, 0.36%, 0.59%

LAB 71.07, -31.49, 33

 

CMYK 40 / 20 / 0 / 26

HEX #7096BC

RGB 112 150 188

HSL 210, 0.36%, 0.59%

LAB 60.68, -3.21, -23.87

 

CMYK 12 / 40 / 0 / 26

HEX #A570BC

RGB 165 112 188

HSL 281.84, 0.36%, 0.59%

LAB 55.3, 34.58, -31.84

 

CMYK 0 / 19 / 39 / 26

HEX #BC9872

RGB 188 152 114

HSL 30.81, 0.36%, 0.59%

LAB 65.25, 8.18, 25.07

 

CMYK 40 / 0 / 40 / 26

HEX #70BC70

RGB 112 188 112

HSL 120, 0.36%, 0.59%

LAB 69.88, -39.12, 31.23

 

CMYK 40 / 20 / 0 / 26

HEX #7096BC

RGB 112 150 188

HSL 210, 0.36%, 0.59%

LAB 60.68, -3.21, -23.87

 

CMYK 0 / 40 / 0 / 26

HEX #BC70BC

RGB 188 112 188

HSL 300, 0.36%, 0.59%

LAB 57.95, 41.69, -27.51

 

Description

Color code: HEX #BC9872 | qconv.com Color code: HEX #BC9872 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 152 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 152 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 39 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 39% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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