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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC992D it is the complementary color #4366D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC992D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC992D shade: #C19928, #D2AB3B, #E3BD4E, #F4CF61 and #FFE174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC992D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC992D shade: #BC992D, #AB871A, #9A7507, #896300 and #785100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC992D shade: #BC992D, #BC732D, #BC4C2D and #BC2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC992D shade: #BC992D, #B9BC2D, #92BC2D, #6CBC2D and #45BC2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC992D shade matches the following richer shades: #BC992D, #CFA31A and #E2AD07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC992D shade: #BC992D, #A99040, #968653, #837C66 and #707379

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC992D shade: #BC4C2D, #BC722D, #BC992D, #BABC2D and #94BC2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC992D shade: #7A631D, #9B7E25, #BC992D, #D1AE42 and #D9BC63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC992D shade: #BC992D, #34BC2D and #5F2DBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC992D shade: #BC992D, #2DBC99 and #992DBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC992D shade: #BC992D, #34BC2D, #2D51BC and #B52DBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC992D shade: #BC992D, #2DBC51, #2D51BC and #BC2D99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 76 / 26

HEX #BC992D

RGB 188 153 45

HSL 45.31, 0.61%, 0.46%

LAB 64.69, 2.19, 58.02

 

Complementary color

CMYK 68 / 51 / 0 / 18

HEX #4366D2

RGB 67 102 210

HSL 225.31, 0.61%, 0.54%

LAB 46.11, 23.09, -59.53

 

CMYK 0 / 21 / 79 / 24

HEX #C19928

RGB 193 153 40

HSL 44.31, 0.66%, 0.46%

LAB 65.18, 4.21, 60.45

 

CMYK 0 / 19 / 72 / 18

HEX #D2AB3B

RGB 210 171 59

HSL 44.5, 0.63%, 0.53%

LAB 71.65, 2.82, 60.13

 

CMYK 0 / 17 / 66 / 11

HEX #E3BD4E

RGB 227 189 78

HSL 44.7, 0.73%, 0.6%

LAB 78.04, 1.63, 59.33

 

CMYK 0 / 15 / 60 / 4

HEX #F4CF61

RGB 244 207 97

HSL 44.9, 0.87%, 0.67%

LAB 84.34, 0.61, 58.29

 

CMYK 0 / 12 / 55 / 0

HEX #FFE174

RGB 255 225 116

HSL 47.05, 1%, 0.73%

LAB 90.03, -2.68, 56.38

 

CMYK 0 / 19 / 76 / 26

HEX #BC992D

RGB 188 153 45

HSL 45.31, 0.61%, 0.46%

LAB 64.69, 2.19, 58.02

 

CMYK 0 / 21 / 85 / 33

HEX #AB871A

RGB 171 135 26

HSL 45.1, 0.74%, 0.39%

LAB 58.09, 3.72, 57.81

 

CMYK 0 / 24 / 95 / 40

HEX #9A7507

RGB 154 117 7

HSL 44.9, 0.91%, 0.32%

LAB 51.39, 5.55, 56.15

 

CMYK 0 / 28 / 100 / 46

HEX #896300

RGB 137 99 0

HSL 43.36, 1%, 0.27%

LAB 44.58, 7.75, 51.94

 

CMYK 0 / 33 / 100 / 53

HEX #785100

RGB 120 81 0

HSL 40.5, 1%, 0.24%

LAB 37.62, 10.21, 46.24

 

CMYK 0 / 19 / 76 / 26

HEX #BC992D

RGB 188 153 45

HSL 45.31, 0.61%, 0.46%

LAB 64.69, 2.19, 58.02

 

CMYK 0 / 39 / 76 / 26

HEX #BC732D

RGB 188 115 45

HSL 29.37, 0.61%, 0.46%

LAB 55.22, 23.09, 48.82

 

CMYK 0 / 60 / 76 / 26

HEX #BC4C2D

RGB 188 76 45

HSL 13.01, 0.61%, 0.46%

LAB 47.04, 43.41, 40.44

 

CMYK 0 / 76 / 76 / 26

HEX #BC2D2D

RGB 188 45 45

HSL 0, 0.61%, 0.46%

LAB 42.4, 55.99, 35.45

 

CMYK 0 / 19 / 76 / 26

HEX #BC992D

RGB 188 153 45

HSL 45.31, 0.61%, 0.46%

LAB 64.69, 2.19, 58.02

 

CMYK 2 / 0 / 76 / 26

HEX #B9BC2D

RGB 185 188 45

HSL 61.26, 0.61%, 0.46%

LAB 73.85, -17.45, 66.44

 

CMYK 22 / 0 / 76 / 26

HEX #92BC2D

RGB 146 188 45

HSL 77.62, 0.61%, 0.46%

LAB 71.05, -33.63, 62.83

 

CMYK 43 / 0 / 76 / 26

HEX #6CBC2D

RGB 108 188 45

HSL 93.57, 0.61%, 0.46%

LAB 69, -47.56, 60.15

 

CMYK 63 / 0 / 76 / 26

HEX #45BC2D

RGB 69 188 45

HSL 109.93, 0.61%, 0.46%

LAB 67.59, -58.47, 58.3

 

CMYK 0 / 19 / 76 / 26

HEX #BC992D

RGB 188 153 45

HSL 45.31, 0.61%, 0.46%

LAB 64.69, 2.19, 58.02

 

CMYK 0 / 21 / 87 / 19

HEX #CFA31A

RGB 207 163 26

HSL 45.41, 0.78%, 0.46%

LAB 69.14, 4.63, 68.41

 

CMYK 0 / 23 / 97 / 11

HEX #E2AD07

RGB 226 173 7

HSL 45.48, 0.94%, 0.46%

LAB 73.59, 7.37, 75.7

 

CMYK 0 / 19 / 76 / 26

HEX #BC992D

RGB 188 153 45

HSL 45.31, 0.61%, 0.46%

LAB 64.69, 2.19, 58.02

 

CMYK 0 / 15 / 62 / 34

HEX #A99040

RGB 169 144 64

HSL 45.71, 0.45%, 0.46%

LAB 60.56, -0.27, 45

 

CMYK 0 / 11 / 45 / 41

HEX #968653

RGB 150 134 83

HSL 45.67, 0.29%, 0.46%

LAB 56.25, -1.35, 29.61

 

CMYK 0 / 5 / 22 / 49

HEX #837C66

RGB 131 124 102

HSL 45.52, 0.12%, 0.46%

LAB 52.06, -1.19, 12.99

 

CMYK 7 / 5 / 0 / 53

HEX #707379

RGB 112 115 121

HSL 220, 0.04%, 0.46%

LAB 48.37, 0.13, -3.7

 

CMYK 0 / 60 / 76 / 26

HEX #BC4C2D

RGB 188 76 45

HSL 13.01, 0.61%, 0.46%

LAB 47.04, 43.41, 40.44

 

CMYK 0 / 39 / 76 / 26

HEX #BC722D

RGB 188 114 45

HSL 28.95, 0.61%, 0.46%

LAB 54.99, 23.64, 48.59

 

CMYK 0 / 19 / 76 / 26

HEX #BC992D

RGB 188 153 45

HSL 45.31, 0.61%, 0.46%

LAB 64.69, 2.19, 58.02

 

CMYK 1 / 0 / 76 / 26

HEX #BABC2D

RGB 186 188 45

HSL 60.84, 0.61%, 0.46%

LAB 73.93, -17.02, 66.54

 

CMYK 21 / 0 / 76 / 26

HEX #94BC2D

RGB 148 188 45

HSL 76.78, 0.61%, 0.46%

LAB 71.18, -32.83, 63

 

CMYK 0 / 19 / 76 / 52

HEX #7A631D

RGB 122 99 29

HSL 45.16, 0.62%, 0.3%

LAB 42.99, 1.42, 41.09

 

CMYK 0 / 19 / 76 / 39

HEX #9B7E25

RGB 155 126 37

HSL 45.25, 0.61%, 0.38%

LAB 54.05, 1.81, 49.75

 

CMYK 0 / 19 / 76 / 26

HEX #BC992D

RGB 188 153 45

HSL 45.31, 0.61%, 0.46%

LAB 64.69, 2.19, 58.02

 

CMYK 0 / 17 / 68 / 18

HEX #D1AE42

RGB 209 174 66

HSL 45.31, 0.61%, 0.54%

LAB 72.38, 1.15, 57.96

 

CMYK 0 / 13 / 54 / 15

HEX #D9BC63

RGB 217 188 99

HSL 45.25, 0.61%, 0.62%

LAB 77.05, -0.58, 48.3

 

CMYK 0 / 19 / 76 / 26

HEX #BC992D

RGB 188 153 45

HSL 45.31, 0.61%, 0.46%

LAB 64.69, 2.19, 58.02

 

CMYK 72 / 0 / 76 / 26

HEX #34BC2D

RGB 52 188 45

HSL 117.06, 0.61%, 0.46%

LAB 67.19, -61.82, 57.77

 

CMYK 49 / 76 / 0 / 26

HEX #5F2DBC

RGB 95 45 188

HSL 260.98, 0.61%, 0.46%

LAB 33.86, 53.69, -66.6

 

CMYK 0 / 19 / 76 / 26

HEX #BC992D

RGB 188 153 45

HSL 45.31, 0.61%, 0.46%

LAB 64.69, 2.19, 58.02

 

CMYK 76 / 0 / 19 / 26

HEX #2DBC99

RGB 45 188 153

HSL 165.31, 0.61%, 0.46%

LAB 68.62, -45.19, 7.19

 

CMYK 19 / 76 / 0 / 26

HEX #992DBC

RGB 153 45 188

HSL 285.31, 0.61%, 0.46%

LAB 41.66, 63.74, -53.57

 

CMYK 0 / 19 / 76 / 26

HEX #BC992D

RGB 188 153 45

HSL 45.31, 0.61%, 0.46%

LAB 64.69, 2.19, 58.02

 

CMYK 72 / 0 / 76 / 26

HEX #34BC2D

RGB 52 188 45

HSL 117.06, 0.61%, 0.46%

LAB 67.19, -61.82, 57.77

 

CMYK 76 / 57 / 0 / 26

HEX #2D51BC

RGB 45 81 188

HSL 224.9, 0.61%, 0.46%

LAB 37.97, 25.64, -60.03

 

CMYK 4 / 76 / 0 / 26

HEX #B52DBC

RGB 181 45 188

HSL 297.06, 0.61%, 0.46%

LAB 46.08, 69.28, -46.23

 

CMYK 0 / 19 / 76 / 26

HEX #BC992D

RGB 188 153 45

HSL 45.31, 0.61%, 0.46%

LAB 64.69, 2.19, 58.02

 

CMYK 76 / 0 / 57 / 26

HEX #2DBC51

RGB 45 188 81

HSL 135.1, 0.61%, 0.46%

LAB 67.37, -59.24, 43.11

 

CMYK 76 / 57 / 0 / 26

HEX #2D51BC

RGB 45 81 188

HSL 224.9, 0.61%, 0.46%

LAB 37.97, 25.64, -60.03

 

CMYK 0 / 76 / 19 / 26

HEX #BC2D99

RGB 188 45 153

HSL 314.69, 0.61%, 0.46%

LAB 45.45, 65.52, -26.41

 

Description

Color code: HEX #BC992D | qconv.com Color code: HEX #BC992D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 153 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 153 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 76 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 76% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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