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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC994C it is the complementary color #4366B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC994C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC994C shade: #C19947, #D2AB5A, #E3BD6D, #F4CF80 and #FFE193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC994C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC994C shade: #BC994C, #AB8739, #9A7526, #896313 and #785100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC994C shade: #BC994C, #BC7B4C, #BC5C4C and #BC4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC994C shade: #BC994C, #BCB84C, #A3BC4C, #84BC4C and #66BC4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC994C shade matches the following richer shades: #BC994C, #D0A138, #E4A824 and #F8AF10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC994C shade: #BC994C, #A99260, #958A73, #818387 and #6D7C9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC994C shade: #BC5D4C, #BC7B4C, #BC994C, #BCB74C and #A4BC4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC994C shade: #856B31, #A3833C, #BC994C, #C8AA6A and #D3BB88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC994C shade: #BC994C, #59BC4C and #6C4CBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC994C shade: #BC994C, #4CBC99 and #994CBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC994C shade: #BC994C, #59BC4C, #4C6FBC and #AF4CBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC994C shade: #BC994C, #4CBC60, #4C6FBC and #BC4CA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 60 / 26

HEX #BC994C

RGB 188 153 76

HSL 41.25, 0.46%, 0.52%

LAB 64.96, 4, 44.67

 

Complementary color

CMYK 63 / 43 / 0 / 30

HEX #4366B3

RGB 67 102 179

HSL 221.25, 0.46%, 0.48%

LAB 44.16, 12.09, -44.74

 

CMYK 0 / 21 / 63 / 24

HEX #C19947

RGB 193 153 71

HSL 40.33, 0.5%, 0.52%

LAB 65.42, 5.81, 47.75

 

CMYK 0 / 19 / 57 / 18

HEX #D2AB5A

RGB 210 171 90

HSL 40.5, 0.57%, 0.59%

LAB 71.94, 4.76, 46.48

 

CMYK 0 / 17 / 52 / 11

HEX #E3BD6D

RGB 227 189 109

HSL 40.68, 0.68%, 0.66%

LAB 78.36, 3.87, 45.19

 

CMYK 0 / 15 / 48 / 4

HEX #F4CF80

RGB 244 207 128

HSL 40.86, 0.84%, 0.73%

LAB 84.7, 3.1, 43.91

 

CMYK 0 / 12 / 42 / 0

HEX #FFE193

RGB 255 225 147

HSL 43.33, 1%, 0.79%

LAB 90.42, 0.08, 41.89

 

CMYK 0 / 19 / 60 / 26

HEX #BC994C

RGB 188 153 76

HSL 41.25, 0.46%, 0.52%

LAB 64.96, 4, 44.67

 

CMYK 0 / 21 / 67 / 33

HEX #AB8739

RGB 171 135 57

HSL 41.05, 0.5%, 0.45%

LAB 58.3, 5.12, 45.9

 

CMYK 0 / 24 / 75 / 40

HEX #9A7526

RGB 154 117 38

HSL 40.86, 0.6%, 0.38%

LAB 51.53, 6.49, 46.85

 

CMYK 0 / 28 / 86 / 46

HEX #896313

RGB 137 99 19

HSL 40.68, 0.76%, 0.31%

LAB 44.64, 8.18, 47.05

 

CMYK 0 / 33 / 100 / 53

HEX #785100

RGB 120 81 0

HSL 40.5, 1%, 0.24%

LAB 37.62, 10.21, 46.24

 

CMYK 0 / 19 / 60 / 26

HEX #BC994C

RGB 188 153 76

HSL 41.25, 0.46%, 0.52%

LAB 64.96, 4, 44.67

 

CMYK 0 / 35 / 60 / 26

HEX #BC7B4C

RGB 188 123 76

HSL 25.18, 0.46%, 0.52%

LAB 57.44, 20.53, 35.79

 

CMYK 0 / 51 / 60 / 26

HEX #BC5C4C

RGB 188 92 76

HSL 8.57, 0.46%, 0.52%

LAB 50.53, 37.26, 27.22

 

CMYK 0 / 60 / 60 / 26

HEX #BC4C4C

RGB 188 76 76

HSL 0, 0.46%, 0.52%

LAB 47.47, 45.18, 23.29

 

CMYK 0 / 19 / 60 / 26

HEX #BC994C

RGB 188 153 76

HSL 41.25, 0.46%, 0.52%

LAB 64.96, 4, 44.67

 

CMYK 0 / 2 / 60 / 26

HEX #BCB84C

RGB 188 184 76

HSL 57.86, 0.46%, 0.52%

LAB 73.22, -12.42, 53.96

 

CMYK 13 / 0 / 60 / 26

HEX #A3BC4C

RGB 163 188 76

HSL 73.39, 0.46%, 0.52%

LAB 72.41, -24.79, 52.53

 

CMYK 30 / 0 / 60 / 26

HEX #84BC4C

RGB 132 188 76

HSL 90, 0.46%, 0.52%

LAB 70.45, -36.79, 49.8

 

CMYK 46 / 0 / 60 / 26

HEX #66BC4C

RGB 102 188 76

HSL 106.07, 0.46%, 0.52%

LAB 68.98, -46.92, 47.73

 

CMYK 0 / 19 / 60 / 26

HEX #BC994C

RGB 188 153 76

HSL 41.25, 0.46%, 0.52%

LAB 64.96, 4, 44.67

 

CMYK 0 / 23 / 73 / 18

HEX #D0A138

RGB 208 161 56

HSL 41.45, 0.62%, 0.52%

LAB 68.89, 7.15, 58.51

 

CMYK 0 / 26 / 84 / 11

HEX #E4A824

RGB 228 168 36

HSL 41.25, 0.78%, 0.52%

LAB 72.65, 11.37, 69.63

 

CMYK 0 / 29 / 94 / 3

HEX #F8AF10

RGB 248 175 16

HSL 41.12, 0.94%, 0.52%

LAB 76.47, 15.89, 77.76

 

CMYK 0 / 19 / 60 / 26

HEX #BC994C

RGB 188 153 76

HSL 41.25, 0.46%, 0.52%

LAB 64.96, 4, 44.67

 

CMYK 0 / 14 / 43 / 34

HEX #A99260

RGB 169 146 96

HSL 41.1, 0.3%, 0.52%

LAB 61.51, 1.54, 29.64

 

CMYK 0 / 7 / 23 / 42

HEX #958A73

RGB 149 138 115

HSL 40.59, 0.14%, 0.52%

LAB 57.85, 0.22, 13.82

 

CMYK 4 / 3 / 0 / 47

HEX #818387

RGB 129 131 135

HSL 220, 0.02%, 0.52%

LAB 54.71, 0.07, -2.42

 

CMYK 30 / 20 / 0 / 39

HEX #6D7C9B

RGB 109 124 155

HSL 220.43, 0.19%, 0.52%

LAB 51.87, 1.98, -18.47

 

CMYK 0 / 51 / 60 / 26

HEX #BC5D4C

RGB 188 93 76

HSL 9.11, 0.46%, 0.52%

LAB 50.74, 36.74, 27.48

 

CMYK 0 / 35 / 60 / 26

HEX #BC7B4C

RGB 188 123 76

HSL 25.18, 0.46%, 0.52%

LAB 57.44, 20.53, 35.79

 

CMYK 0 / 19 / 60 / 26

HEX #BC994C

RGB 188 153 76

HSL 41.25, 0.46%, 0.52%

LAB 64.96, 4, 44.67

 

CMYK 0 / 3 / 60 / 26

HEX #BCB74C

RGB 188 183 76

HSL 57.32, 0.46%, 0.52%

LAB 72.94, -11.91, 53.66

 

CMYK 13 / 0 / 60 / 26

HEX #A4BC4C

RGB 164 188 76

HSL 72.86, 0.46%, 0.52%

LAB 72.48, -24.39, 52.63

 

CMYK 0 / 20 / 63 / 48

HEX #856B31

RGB 133 107 49

HSL 41.43, 0.46%, 0.36%

LAB 46.61, 3.21, 35.74

 

CMYK 0 / 20 / 63 / 36

HEX #A3833C

RGB 163 131 60

HSL 41.36, 0.46%, 0.44%

LAB 56.43, 3.98, 42.15

 

CMYK 0 / 19 / 60 / 26

HEX #BC994C

RGB 188 153 76

HSL 41.25, 0.46%, 0.52%

LAB 64.96, 4, 44.67

 

CMYK 0 / 15 / 47 / 22

HEX #C8AA6A

RGB 200 170 106

HSL 40.85, 0.46%, 0.6%

LAB 70.92, 2.51, 36.92

 

CMYK 0 / 11 / 36 / 17

HEX #D3BB88

RGB 211 187 136

HSL 40.8, 0.46%, 0.68%

LAB 76.78, 1.22, 28.99

 

CMYK 0 / 19 / 60 / 26

HEX #BC994C

RGB 188 153 76

HSL 41.25, 0.46%, 0.52%

LAB 64.96, 4, 44.67

 

CMYK 53 / 0 / 60 / 26

HEX #59BC4C

RGB 89 188 76

HSL 113.04, 0.46%, 0.52%

LAB 68.47, -50.68, 47.01

 

CMYK 43 / 60 / 0 / 26

HEX #6C4CBC

RGB 108 76 188

HSL 257.14, 0.46%, 0.52%

LAB 41.2, 39.77, -54.6

 

CMYK 0 / 19 / 60 / 26

HEX #BC994C

RGB 188 153 76

HSL 41.25, 0.46%, 0.52%

LAB 64.96, 4, 44.67

 

CMYK 60 / 0 / 19 / 26

HEX #4CBC99

RGB 76 188 153

HSL 161.25, 0.46%, 0.52%

LAB 69.33, -40.28, 8.3

 

CMYK 19 / 60 / 0 / 26

HEX #994CBC

RGB 153 76 188

HSL 281.25, 0.46%, 0.52%

LAB 46.41, 50.5, -45.95

 

CMYK 0 / 19 / 60 / 26

HEX #BC994C

RGB 188 153 76

HSL 41.25, 0.46%, 0.52%

LAB 64.96, 4, 44.67

 

CMYK 53 / 0 / 60 / 26

HEX #59BC4C

RGB 89 188 76

HSL 113.04, 0.46%, 0.52%

LAB 68.47, -50.68, 47.01

 

CMYK 60 / 41 / 0 / 26

HEX #4C6FBC

RGB 76 111 188

HSL 221.25, 0.46%, 0.52%

LAB 47.67, 11.31, -44.35

 

CMYK 7 / 60 / 0 / 26

HEX #AF4CBC

RGB 175 76 188

HSL 293.04, 0.46%, 0.52%

LAB 49.39, 56.06, -41.03

 

CMYK 0 / 19 / 60 / 26

HEX #BC994C

RGB 188 153 76

HSL 41.25, 0.46%, 0.52%

LAB 64.96, 4, 44.67

 

CMYK 60 / 0 / 49 / 26

HEX #4CBC60

RGB 76 188 96

HSL 130.71, 0.46%, 0.52%

LAB 68.28, -51.34, 37.08

 

CMYK 60 / 41 / 0 / 26

HEX #4C6FBC

RGB 76 111 188

HSL 221.25, 0.46%, 0.52%

LAB 47.67, 11.31, -44.35

 

CMYK 0 / 60 / 11 / 26

HEX #BC4CA8

RGB 188 76 168

HSL 310.71, 0.46%, 0.52%

LAB 50.32, 56.05, -27.75

 

Description

Color code: HEX #BC994C | qconv.com Color code: HEX #BC994C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 153 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 153 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 60 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 60% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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