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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC9C4C it is the complementary color #4363B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC9C4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC9C4C shade: #C19C47, #D2AE5A, #E3C06D, #F4D280 and #FFE493

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC9C4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC9C4C shade: #BC9C4C, #AB8A39, #9A7826, #896613 and #785400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC9C4C shade: #BC9C4C, #BC7E4C, #BC604C and #BC4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC9C4C shade: #BC9C4C, #BCBB4C, #A0BC4C, #81BC4C and #63BC4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC9C4C shade matches the following richer shades: #BC9C4C, #D0A538, #E4AD24 and #F8B610

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC9C4C shade: #BC9C4C, #A99460, #958B73, #818387 and #6D7A9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC9C4C shade: #BC5F4C, #BC7D4C, #BC9B4C, #BCB94C and #A2BC4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC9C4C shade: #856D31, #A3863C, #BC9C4C, #C8AD6A and #D3BD88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC9C4C shade: #BC9C4C, #57BC4C and #6E4CBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC9C4C shade: #BC9C4C, #4CBC9B and #9B4CBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC9C4C shade: #BC9C4C, #57BC4C, #4C6EBC and #B14CBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC9C4C shade: #BC9C4C, #4CBC62, #4C6EBC and #BC4CA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 60 / 26

HEX #BC9C4C

RGB 188 156 76

HSL 42.86, 0.46%, 0.52%

LAB 65.74, 2.37, 45.57

 

Complementary color

CMYK 63 / 45 / 0 / 30

HEX #4363B3

RGB 67 99 179

HSL 222.86, 0.46%, 0.48%

LAB 43.32, 14, -46.09

 

CMYK 0 / 19 / 63 / 24

HEX #C19C47

RGB 193 156 71

HSL 41.8, 0.5%, 0.52%

LAB 66.19, 4.18, 48.61

 

CMYK 0 / 17 / 57 / 18

HEX #D2AE5A

RGB 210 174 90

HSL 42, 0.57%, 0.59%

LAB 72.7, 3.16, 47.38

 

CMYK 0 / 15 / 52 / 11

HEX #E3C06D

RGB 227 192 109

HSL 42.2, 0.68%, 0.66%

LAB 79.12, 2.3, 46.1

 

CMYK 0 / 14 / 48 / 4

HEX #F4D280

RGB 244 210 128

HSL 42.41, 0.84%, 0.73%

LAB 85.45, 1.55, 44.84

 

CMYK 0 / 11 / 42 / 0

HEX #FFE493

RGB 255 228 147

HSL 45, 1%, 0.79%

LAB 91.17, -1.44, 42.84

 

CMYK 0 / 17 / 60 / 26

HEX #BC9C4C

RGB 188 156 76

HSL 42.86, 0.46%, 0.52%

LAB 65.74, 2.37, 45.57

 

CMYK 0 / 19 / 67 / 33

HEX #AB8A39

RGB 171 138 57

HSL 42.63, 0.5%, 0.45%

LAB 59.09, 3.46, 46.75

 

CMYK 0 / 22 / 75 / 40

HEX #9A7826

RGB 154 120 38

HSL 42.41, 0.6%, 0.38%

LAB 52.33, 4.78, 47.64

 

CMYK 0 / 26 / 86 / 46

HEX #896613

RGB 137 102 19

HSL 42.2, 0.76%, 0.31%

LAB 45.45, 6.43, 47.74

 

CMYK 0 / 30 / 100 / 53

HEX #785400

RGB 120 84 0

HSL 42, 1%, 0.24%

LAB 38.43, 8.41, 46.78

 

CMYK 0 / 17 / 60 / 26

HEX #BC9C4C

RGB 188 156 76

HSL 42.86, 0.46%, 0.52%

LAB 65.74, 2.37, 45.57

 

CMYK 0 / 33 / 60 / 26

HEX #BC7E4C

RGB 188 126 76

HSL 26.79, 0.46%, 0.52%

LAB 58.16, 18.87, 36.66

 

CMYK 0 / 49 / 60 / 26

HEX #BC604C

RGB 188 96 76

HSL 10.71, 0.46%, 0.52%

LAB 51.36, 35.18, 28.26

 

CMYK 0 / 60 / 60 / 26

HEX #BC4C4C

RGB 188 76 76

HSL 0, 0.46%, 0.52%

LAB 47.47, 45.18, 23.29

 

CMYK 0 / 17 / 60 / 26

HEX #BC9C4C

RGB 188 156 76

HSL 42.86, 0.46%, 0.52%

LAB 65.74, 2.37, 45.57

 

CMYK 0 / 1 / 60 / 26

HEX #BCBB4C

RGB 188 187 76

HSL 59.46, 0.46%, 0.52%

LAB 74.03, -13.96, 54.85

 

CMYK 15 / 0 / 60 / 26

HEX #A0BC4C

RGB 160 188 76

HSL 75, 0.46%, 0.52%

LAB 72.2, -26, 52.24

 

CMYK 31 / 0 / 60 / 26

HEX #81BC4C

RGB 129 188 76

HSL 91.61, 0.46%, 0.52%

LAB 70.28, -37.88, 49.56

 

CMYK 47 / 0 / 60 / 26

HEX #63BC4C

RGB 99 188 76

HSL 107.68, 0.46%, 0.52%

LAB 68.85, -47.83, 47.55

 

CMYK 0 / 17 / 60 / 26

HEX #BC9C4C

RGB 188 156 76

HSL 42.86, 0.46%, 0.52%

LAB 65.74, 2.37, 45.57

 

CMYK 0 / 21 / 73 / 18

HEX #D0A538

RGB 208 165 56

HSL 43.03, 0.62%, 0.52%

LAB 69.9, 5.01, 59.52

 

CMYK 0 / 24 / 84 / 11

HEX #E4AD24

RGB 228 173 36

HSL 42.81, 0.78%, 0.52%

LAB 73.87, 8.72, 70.65

 

CMYK 0 / 27 / 94 / 3

HEX #F8B610

RGB 248 182 16

HSL 42.93, 0.94%, 0.52%

LAB 78.14, 12.22, 78.96

 

CMYK 0 / 17 / 60 / 26

HEX #BC9C4C

RGB 188 156 76

HSL 42.86, 0.46%, 0.52%

LAB 65.74, 2.37, 45.57

 

CMYK 0 / 12 / 43 / 34

HEX #A99460

RGB 169 148 96

HSL 42.74, 0.3%, 0.52%

LAB 62.05, 0.44, 30.33

 

CMYK 0 / 7 / 23 / 42

HEX #958B73

RGB 149 139 115

HSL 42.35, 0.14%, 0.52%

LAB 58.12, -0.34, 14.2

 

CMYK 4 / 3 / 0 / 47

HEX #818387

RGB 129 131 135

HSL 220, 0.02%, 0.52%

LAB 54.71, 0.07, -2.42

 

CMYK 30 / 21 / 0 / 39

HEX #6D7A9B

RGB 109 122 155

HSL 223.04, 0.19%, 0.52%

LAB 51.31, 3.16, -19.33

 

CMYK 0 / 49 / 60 / 26

HEX #BC5F4C

RGB 188 95 76

HSL 10.18, 0.46%, 0.52%

LAB 51.15, 35.7, 28

 

CMYK 0 / 34 / 60 / 26

HEX #BC7D4C

RGB 188 125 76

HSL 26.25, 0.46%, 0.52%

LAB 57.92, 19.42, 36.37

 

CMYK 0 / 18 / 60 / 26

HEX #BC9B4C

RGB 188 155 76

HSL 42.32, 0.46%, 0.52%

LAB 65.48, 2.91, 45.27

 

CMYK 0 / 2 / 60 / 26

HEX #BCB94C

RGB 188 185 76

HSL 58.39, 0.46%, 0.52%

LAB 73.49, -12.94, 54.26

 

CMYK 14 / 0 / 60 / 26

HEX #A2BC4C

RGB 162 188 76

HSL 73.93, 0.46%, 0.52%

LAB 72.34, -25.19, 52.43

 

CMYK 0 / 18 / 63 / 48

HEX #856D31

RGB 133 109 49

HSL 42.86, 0.46%, 0.36%

LAB 47.16, 2.05, 36.37

 

CMYK 0 / 18 / 63 / 36

HEX #A3863C

RGB 163 134 60

HSL 43.11, 0.46%, 0.44%

LAB 57.23, 2.31, 43.05

 

CMYK 0 / 17 / 60 / 26

HEX #BC9C4C

RGB 188 156 76

HSL 42.86, 0.46%, 0.52%

LAB 65.74, 2.37, 45.57

 

CMYK 0 / 14 / 47 / 22

HEX #C8AD6A

RGB 200 173 106

HSL 42.77, 0.46%, 0.6%

LAB 71.7, 0.91, 37.9

 

CMYK 0 / 10 / 36 / 17

HEX #D3BD88

RGB 211 189 136

HSL 42.4, 0.46%, 0.68%

LAB 77.29, 0.16, 29.67

 

CMYK 0 / 17 / 60 / 26

HEX #BC9C4C

RGB 188 156 76

HSL 42.86, 0.46%, 0.52%

LAB 65.74, 2.37, 45.57

 

CMYK 54 / 0 / 60 / 26

HEX #57BC4C

RGB 87 188 76

HSL 114.11, 0.46%, 0.52%

LAB 68.4, -51.22, 46.91

 

CMYK 41 / 60 / 0 / 26

HEX #6E4CBC

RGB 110 76 188

HSL 258.21, 0.46%, 0.52%

LAB 41.4, 40.22, -54.26

 

CMYK 0 / 17 / 60 / 26

HEX #BC9C4C

RGB 188 156 76

HSL 42.86, 0.46%, 0.52%

LAB 65.74, 2.37, 45.57

 

CMYK 60 / 0 / 18 / 26

HEX #4CBC9B

RGB 76 188 155

HSL 162.32, 0.46%, 0.52%

LAB 69.38, -39.81, 7.27

 

CMYK 18 / 60 / 0 / 26

HEX #9B4CBC

RGB 155 76 188

HSL 282.32, 0.46%, 0.52%

LAB 46.67, 51, -45.52

 

CMYK 0 / 17 / 60 / 26

HEX #BC9C4C

RGB 188 156 76

HSL 42.86, 0.46%, 0.52%

LAB 65.74, 2.37, 45.57

 

CMYK 54 / 0 / 60 / 26

HEX #57BC4C

RGB 87 188 76

HSL 114.11, 0.46%, 0.52%

LAB 68.4, -51.22, 46.91

 

CMYK 60 / 41 / 0 / 26

HEX #4C6EBC

RGB 76 110 188

HSL 221.79, 0.46%, 0.52%

LAB 47.39, 11.93, -44.8

 

CMYK 6 / 60 / 0 / 26

HEX #B14CBC

RGB 177 76 188

HSL 294.11, 0.46%, 0.52%

LAB 49.67, 56.57, -40.56

 

CMYK 0 / 17 / 60 / 26

HEX #BC9C4C

RGB 188 156 76

HSL 42.86, 0.46%, 0.52%

LAB 65.74, 2.37, 45.57

 

CMYK 60 / 0 / 48 / 26

HEX #4CBC62

RGB 76 188 98

HSL 131.79, 0.46%, 0.52%

LAB 68.3, -51.04, 36.11

 

CMYK 60 / 41 / 0 / 26

HEX #4C6EBC

RGB 76 110 188

HSL 221.79, 0.46%, 0.52%

LAB 47.39, 11.93, -44.8

 

CMYK 0 / 60 / 12 / 26

HEX #BC4CA6

RGB 188 76 166

HSL 311.79, 0.46%, 0.52%

LAB 50.23, 55.73, -26.71

 

Description

Color code: HEX #BC9C4C | qconv.com Color code: HEX #BC9C4C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 156 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 156 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 60 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 60% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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