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Color name
HEX #BC9D64

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC9D64 it is the complementary color #43629B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC9D64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC9D64 shade: #C19D5F, #D2AF72, #E3C185, #F4D398 and #FFE5AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC9D64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC9D64 shade: #BC9D64, #AB8B51, #9A793E, #89672B and #785518

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC9D64 shade: #BB9C61, #BB8361, #BB6B61 and #BB6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC9D64 shade: #BB9C61, #BBB461, #AABB61, #92BB61 and #7ABB61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC9D64 shade matches the following richer shades: #BB9C61, #CDA14F, #DFA63D and #F2AC2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC9D64 shade: #BB9C61, #A99674, #979186, #858B98 and #7386AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC9D64 shade: #BB6A61, #BB8261, #BB9A61, #BBB261 and #ACBB61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC9D64 shade: #8E713C, #AB8849, #BB9C61, #C8AE7E and #D4C09B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC9D64 shade: #BC9D64, #70BB61 and #7661BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC9D64 shade: #BC9D64, #61BB9A and #9A61BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC9D64 shade: #BC9D64, #70BB61, #6182BB and #AC61BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC9D64 shade: #BC9D64, #61BB6D, #6182BB and #BB61AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 47 / 26

HEX #BC9D64

RGB 188 157 100

HSL 38.86, 0.4%, 0.56%

LAB 66.31, 3.93, 34

 

Complementary color

CMYK 57 / 37 / 0 / 39

HEX #43629B

RGB 67 98 155

HSL 218.86, 0.4%, 0.44%

LAB 41.68, 6.31, -34.51

 

CMYK 0 / 19 / 51 / 24

HEX #C19D5F

RGB 193 157 95

HSL 37.96, 0.44%, 0.56%

LAB 66.73, 5.55, 37.27

 

CMYK 0 / 17 / 46 / 18

HEX #D2AF72

RGB 210 175 114

HSL 38.13, 0.52%, 0.64%

LAB 73.27, 4.76, 35.94

 

CMYK 0 / 15 / 41 / 11

HEX #E3C185

RGB 227 193 133

HSL 38.3, 0.63%, 0.71%

LAB 79.71, 4.08, 34.68

 

CMYK 0 / 14 / 38 / 4

HEX #F4D398

RGB 244 211 152

HSL 38.48, 0.81%, 0.78%

LAB 86.05, 3.49, 33.48

 

CMYK 0 / 10 / 33 / 0

HEX #FFE5AB

RGB 255 229 171

HSL 41.43, 1%, 0.84%

LAB 91.79, 0.7, 31.57

 

CMYK 0 / 16 / 47 / 26

HEX #BC9D64

RGB 188 157 100

HSL 38.86, 0.4%, 0.56%

LAB 66.31, 3.93, 34

 

CMYK 0 / 19 / 53 / 33

HEX #AB8B51

RGB 171 139 81

HSL 38.67, 0.36%, 0.49%

LAB 59.63, 4.75, 35.36

 

CMYK 0 / 21 / 60 / 40

HEX #9A793E

RGB 154 121 62

HSL 38.48, 0.43%, 0.42%

LAB 52.83, 5.74, 36.76

 

CMYK 0 / 25 / 69 / 46

HEX #89672B

RGB 137 103 43

HSL 38.3, 0.52%, 0.35%

LAB 45.9, 6.97, 38.11

 

CMYK 0 / 29 / 80 / 53

HEX #785518

RGB 120 85 24

HSL 38.13, 0.67%, 0.28%

LAB 38.82, 8.53, 39.13

 

CMYK 0 / 17 / 48 / 27

HEX #BB9C61

RGB 187 156 97

HSL 39.33, 0.4%, 0.56%

LAB 65.91, 3.75, 35.06

 

CMYK 0 / 30 / 48 / 27

HEX #BB8361

RGB 187 131 97

HSL 22.67, 0.4%, 0.56%

LAB 59.58, 17.53, 26.96

 

CMYK 0 / 43 / 48 / 27

HEX #BB6B61

RGB 187 107 97

HSL 6.67, 0.4%, 0.56%

LAB 53.97, 30.75, 19.51

 

CMYK 0 / 48 / 48 / 27

HEX #BB6161

RGB 187 97 97

HSL 0, 0.4%, 0.56%

LAB 51.81, 36.09, 16.59

 

CMYK 0 / 17 / 48 / 27

HEX #BB9C61

RGB 187 156 97

HSL 39.33, 0.4%, 0.56%

LAB 65.91, 3.75, 35.06

 

CMYK 0 / 4 / 48 / 27

HEX #BBB461

RGB 187 180 97

HSL 55.33, 0.4%, 0.56%

LAB 72.28, -9.04, 42.92

 

CMYK 9 / 0 / 48 / 27

HEX #AABB61

RGB 170 187 97

HSL 71.33, 0.4%, 0.56%

LAB 72.86, -19.56, 43.31

 

CMYK 22 / 0 / 48 / 27

HEX #92BB61

RGB 146 187 97

HSL 87.33, 0.4%, 0.56%

LAB 71.22, -28.92, 40.95

 

CMYK 35 / 0 / 48 / 27

HEX #7ABB61

RGB 122 187 97

HSL 103.33, 0.4%, 0.56%

LAB 69.85, -37.55, 38.95

 

CMYK 0 / 17 / 48 / 27

HEX #BB9C61

RGB 187 156 97

HSL 39.33, 0.4%, 0.56%

LAB 65.91, 3.75, 35.06

 

CMYK 0 / 21 / 61 / 20

HEX #CDA14F

RGB 205 161 79

HSL 39.05, 0.56%, 0.56%

LAB 68.78, 7.19, 48.04

 

CMYK 0 / 26 / 73 / 13

HEX #DFA63D

RGB 223 166 61

HSL 38.89, 0.72%, 0.56%

LAB 71.76, 11.18, 59.87

 

CMYK 0 / 29 / 82 / 5

HEX #F2AC2B

RGB 242 172 43

HSL 38.89, 0.88%, 0.56%

LAB 75.17, 15.44, 70.31

 

CMYK 0 / 17 / 48 / 27

HEX #BB9C61

RGB 187 156 97

HSL 39.33, 0.4%, 0.56%

LAB 65.91, 3.75, 35.06

 

CMYK 0 / 11 / 31 / 34

HEX #A99674

RGB 169 150 116

HSL 38.49, 0.24%, 0.56%

LAB 62.93, 1.78, 20.54

 

CMYK 0 / 4 / 11 / 41

HEX #979186

RGB 151 145 134

HSL 38.82, 0.08%, 0.56%

LAB 60.38, 0.22, 6.62

 

CMYK 13 / 9 / 0 / 40

HEX #858B98

RGB 133 139 152

HSL 221.05, 0.08%, 0.56%

LAB 57.77, 0.55, -7.66

 

CMYK 32 / 21 / 0 / 33

HEX #7386AA

RGB 115 134 170

HSL 219.27, 0.24%, 0.56%

LAB 55.68, 1.93, -21.28

 

CMYK 0 / 43 / 48 / 27

HEX #BB6A61

RGB 187 106 97

HSL 6, 0.4%, 0.56%

LAB 53.75, 31.29, 19.21

 

CMYK 0 / 30 / 48 / 27

HEX #BB8261

RGB 187 130 97

HSL 22, 0.4%, 0.56%

LAB 59.34, 18.09, 26.64

 

CMYK 0 / 18 / 48 / 27

HEX #BB9A61

RGB 187 154 97

HSL 38, 0.4%, 0.56%

LAB 65.39, 4.84, 34.41

 

CMYK 0 / 5 / 48 / 27

HEX #BBB261

RGB 187 178 97

HSL 54, 0.4%, 0.56%

LAB 71.74, -8, 42.27

 

CMYK 8 / 0 / 48 / 27

HEX #ACBB61

RGB 172 187 97

HSL 70, 0.4%, 0.56%

LAB 73.01, -18.76, 43.53

 

CMYK 0 / 20 / 58 / 44

HEX #8E713C

RGB 142 113 60

HSL 38.78, 0.41%, 0.4%

LAB 49.36, 4.75, 33.4

 

CMYK 0 / 20 / 57 / 33

HEX #AB8849

RGB 171 136 73

HSL 38.57, 0.4%, 0.48%

LAB 58.74, 5.72, 38.47

 

CMYK 0 / 17 / 48 / 27

HEX #BB9C61

RGB 187 156 97

HSL 39.33, 0.4%, 0.56%

LAB 65.91, 3.75, 35.06

 

CMYK 0 / 13 / 37 / 22

HEX #C8AE7E

RGB 200 174 126

HSL 38.92, 0.4%, 0.64%

LAB 72.27, 2.54, 28.12

 

CMYK 0 / 9 / 27 / 17

HEX #D4C09B

RGB 212 192 155

HSL 38.95, 0.4%, 0.72%

LAB 78.5, 1.4, 21.25

 

CMYK 0 / 16 / 47 / 26

HEX #BC9D64

RGB 188 157 100

HSL 38.86, 0.4%, 0.56%

LAB 66.31, 3.93, 34

 

CMYK 40 / 0 / 48 / 27

HEX #70BB61

RGB 112 187 97

HSL 110, 0.4%, 0.56%

LAB 69.36, -40.84, 38.23

 

CMYK 37 / 48 / 0 / 27

HEX #7661BB

RGB 118 97 187

HSL 254, 0.4%, 0.56%

LAB 46.96, 29.52, -44.72

 

CMYK 0 / 16 / 47 / 26

HEX #BC9D64

RGB 188 157 100

HSL 38.86, 0.4%, 0.56%

LAB 66.31, 3.93, 34

 

CMYK 48 / 0 / 18 / 27

HEX #61BB9A

RGB 97 187 154

HSL 158, 0.4%, 0.56%

LAB 69.76, -34.88, 8.47

 

CMYK 18 / 48 / 0 / 27

HEX #9A61BB

RGB 154 97 187

HSL 278, 0.4%, 0.56%

LAB 50.7, 39.45, -38.57

 

CMYK 0 / 16 / 47 / 26

HEX #BC9D64

RGB 188 157 100

HSL 38.86, 0.4%, 0.56%

LAB 66.31, 3.93, 34

 

CMYK 40 / 0 / 48 / 27

HEX #70BB61

RGB 112 187 97

HSL 110, 0.4%, 0.56%

LAB 69.36, -40.84, 38.23

 

CMYK 48 / 30 / 0 / 27

HEX #6182BB

RGB 97 130 187

HSL 218, 0.4%, 0.56%

LAB 54.13, 4.17, -33.52

 

CMYK 8 / 48 / 0 / 27

HEX #AC61BB

RGB 172 97 187

HSL 290, 0.4%, 0.56%

LAB 52.85, 44.64, -35.03

 

CMYK 0 / 16 / 47 / 26

HEX #BC9D64

RGB 188 157 100

HSL 38.86, 0.4%, 0.56%

LAB 66.31, 3.93, 34

 

CMYK 48 / 0 / 42 / 27

HEX #61BB6D

RGB 97 187 109

HSL 128, 0.4%, 0.56%

LAB 68.89, -43.57, 31.37

 

CMYK 48 / 30 / 0 / 27

HEX #6182BB

RGB 97 130 187

HSL 218, 0.4%, 0.56%

LAB 54.13, 4.17, -33.52

 

CMYK 0 / 48 / 6 / 27

HEX #BB61AF

RGB 187 97 175

HSL 308, 0.4%, 0.56%

LAB 54.25, 46.86, -25.77

 

Description

Color code: HEX #BC9D64 | qconv.com Color code: HEX #BC9D64 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 157 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 157 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 47 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 47% 26% C M Y K

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Provide designers and agencies with accurate color values.

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