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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD0047 it is the complementary color #42FFB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD0047. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD0047 shade: #C20042, #D31255, #E42468, #F5367B and #FF488E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD0047. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD0047 shade: #BD0047, #AC0034, #9B0021, #8A000E and #790000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD0047 shade: #BC0046, #BC0014 and #BC0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD0047 shade: #BC0046, #BC0079, #BC00AC, #9900BC and #6600BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD0047 shade matches the following richer shades: #BC0046

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD0047 shade: #BC0046, #AD0F4A, #9E1E4E, #8E2D52 and #7F3D56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD0047 shade: #BC00AC, #BC007A, #BC0048, #BC0016 and #BC1C00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD0047 shade: #6A0027, #930037, #BC0046, #E50056 and #FF1069

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD0047 shade: #BD0047, #BC9A00 and #0093BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD0047 shade: #BD0047, #48BC00 and #0048BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD0047 shade: #BD0047, #BC9A00, #00BC74 and #0022BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD0047 shade: #BD0047, #A6BC00, #00BC74 and #1600BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 62 / 26

HEX #BD0047

RGB 189 0 71

HSL 337.46, 1%, 0.37%

LAB 40.04, 66.03, 16.61

 

Complementary color

CMYK 74 / 0 / 28 / 0

HEX #42FFB8

RGB 66 255 184

HSL 157.46, 1%, 0.63%

LAB 89.92, -62.14, 20.89

 

CMYK 0 / 100 / 66 / 24

HEX #C20042

RGB 194 0 66

HSL 339.59, 1%, 0.38%

LAB 41, 66.94, 21.25

 

CMYK 0 / 91 / 60 / 17

HEX #D31255

RGB 211 18 85

HSL 339.17, 0.84%, 0.45%

LAB 45.55, 70.23, 15.99

 

CMYK 0 / 84 / 54 / 11

HEX #E42468

RGB 228 36 104

HSL 338.75, 0.78%, 0.52%

LAB 50.4, 72.6, 11.5

 

CMYK 0 / 78 / 50 / 4

HEX #F5367B

RGB 245 54 123

HSL 338.32, 0.91%, 0.59%

LAB 55.56, 74.03, 7.78

 

CMYK 0 / 72 / 44 / 0

HEX #FF488E

RGB 255 72 142

HSL 337.05, 1%, 0.64%

LAB 59.75, 72.87, 2.8

 

CMYK 0 / 100 / 62 / 26

HEX #BD0047

RGB 189 0 71

HSL 337.46, 1%, 0.37%

LAB 40.04, 66.03, 16.61

 

CMYK 0 / 100 / 70 / 33

HEX #AC0034

RGB 172 0 52

HSL 341.86, 1%, 0.34%

LAB 36.02, 60.94, 22.87

 

CMYK 0 / 100 / 79 / 39

HEX #9B0021

RGB 155 0 33

HSL 347.23, 1%, 0.3%

LAB 31.98, 55.91, 29.28

 

CMYK 0 / 100 / 90 / 46

HEX #8A000E

RGB 138 0 14

HSL 353.91, 1%, 0.27%

LAB 27.94, 50.98, 35.19

 

CMYK 0 / 100 / 100 / 53

HEX #790000

RGB 121 0 0

HSL 0, 1%, 0.24%

LAB 23.89, 46.15, 35.9

 

CMYK 0 / 100 / 63 / 26

HEX #BC0046

RGB 188 0 70

HSL 337.66, 1%, 0.37%

LAB 39.8, 65.73, 16.9

 

CMYK 0 / 100 / 89 / 26

HEX #BC0014

RGB 188 0 20

HSL 353.62, 1%, 0.37%

LAB 39.14, 63.94, 45.73

 

CMYK 0 / 100 / 100 / 26

HEX #BC0000

RGB 188 0 0

HSL 0, 1%, 0.37%

LAB 39.06, 63.7, 53.46

 

CMYK 0 / 100 / 63 / 26

HEX #BC0046

RGB 188 0 70

HSL 337.66, 1%, 0.37%

LAB 39.8, 65.73, 16.9

 

CMYK 0 / 100 / 36 / 26

HEX #BC0079

RGB 188 0 121

HSL 321.38, 1%, 0.37%

LAB 41.33, 69.75, -13.2

 

CMYK 0 / 100 / 9 / 26

HEX #BC00AC

RGB 188 0 172

HSL 305.11, 1%, 0.37%

LAB 43.76, 75.86, -40.43

 

CMYK 19 / 100 / 0 / 26

HEX #9900BC

RGB 153 0 188

HSL 288.83, 1%, 0.37%

LAB 38.56, 72.83, -58.59

 

CMYK 46 / 100 / 0 / 26

HEX #6600BC

RGB 102 0 188

HSL 272.55, 1%, 0.37%

LAB 30.53, 66.93, -72.04

 

CMYK 0 / 100 / 63 / 26

HEX #BC0046

RGB 188 0 70

HSL 337.66, 1%, 0.37%

LAB 39.8, 65.73, 16.9

 

CMYK 0 / 100 / 63 / 26

HEX #BC0046

RGB 188 0 70

HSL 337.66, 1%, 0.37%

LAB 39.8, 65.73, 16.9

 

CMYK 0 / 91 / 57 / 32

HEX #AD0F4A

RGB 173 15 74

HSL 337.59, 0.84%, 0.37%

LAB 37.34, 60.6, 10.44

 

CMYK 0 / 81 / 51 / 38

HEX #9E1E4E

RGB 158 30 78

HSL 337.5, 0.68%, 0.37%

LAB 35.49, 53.77, 4.82

 

CMYK 0 / 68 / 42 / 44

HEX #8E2D52

RGB 142 45 82

HSL 337.11, 0.52%, 0.37%

LAB 34.47, 44.08, 0.37

 

CMYK 0 / 52 / 32 / 50

HEX #7F3D56

RGB 127 61 86

HSL 337.27, 0.35%, 0.37%

LAB 35.05, 31.51, -1.65

 

CMYK 0 / 100 / 9 / 26

HEX #BC00AC

RGB 188 0 172

HSL 305.11, 1%, 0.37%

LAB 43.76, 75.86, -40.43

 

CMYK 0 / 100 / 35 / 26

HEX #BC007A

RGB 188 0 122

HSL 321.06, 1%, 0.37%

LAB 41.37, 69.85, -13.76

 

CMYK 0 / 100 / 62 / 26

HEX #BC0048

RGB 188 0 72

HSL 337.02, 1%, 0.37%

LAB 39.85, 65.85, 15.67

 

CMYK 0 / 100 / 88 / 26

HEX #BC0016

RGB 188 0 22

HSL 352.98, 1%, 0.37%

LAB 39.15, 63.98, 44.78

 

CMYK 0 / 85 / 100 / 26

HEX #BC1C00

RGB 188 28 0

HSL 8.94, 1%, 0.37%

LAB 40.45, 59.71, 53.97

 

CMYK 0 / 100 / 63 / 58

HEX #6A0027

RGB 106 0 39

HSL 337.92, 1%, 0.21%

LAB 20.87, 43.54, 9.04

 

CMYK 0 / 100 / 63 / 42

HEX #930037

RGB 147 0 55

HSL 337.55, 1%, 0.29%

LAB 30.59, 54.95, 12.78

 

CMYK 0 / 100 / 63 / 26

HEX #BC0046

RGB 188 0 70

HSL 337.66, 1%, 0.37%

LAB 39.8, 65.73, 16.9

 

CMYK 0 / 100 / 62 / 10

HEX #E50056

RGB 229 0 86

HSL 337.47, 1%, 0.45%

LAB 48.67, 76.15, 20.21

 

CMYK 0 / 94 / 59 / 0

HEX #FF1069

RGB 255 16 105

HSL 337.66, 1%, 0.53%

LAB 54.71, 81.93, 17.67

 

CMYK 0 / 100 / 62 / 26

HEX #BD0047

RGB 189 0 71

HSL 337.46, 1%, 0.37%

LAB 40.04, 66.03, 16.61

 

CMYK 0 / 18 / 100 / 26

HEX #BC9A00

RGB 188 154 0

HSL 49.15, 1%, 0.37%

LAB 64.81, 0.6, 68.56

 

CMYK 100 / 22 / 0 / 26

HEX #0093BC

RGB 0 147 188

HSL 193.09, 1%, 0.37%

LAB 56.58, -17.91, -30.46

 

CMYK 0 / 100 / 62 / 26

HEX #BD0047

RGB 189 0 71

HSL 337.46, 1%, 0.37%

LAB 40.04, 66.03, 16.61

 

CMYK 62 / 0 / 100 / 26

HEX #48BC00

RGB 72 188 0

HSL 97.02, 1%, 0.37%

LAB 67.53, -59.45, 67.42

 

CMYK 100 / 62 / 0 / 26

HEX #0048BC

RGB 0 72 188

HSL 217.02, 1%, 0.37%

LAB 34.53, 28.74, -65.7

 

CMYK 0 / 100 / 62 / 26

HEX #BD0047

RGB 189 0 71

HSL 337.46, 1%, 0.37%

LAB 40.04, 66.03, 16.61

 

CMYK 0 / 18 / 100 / 26

HEX #BC9A00

RGB 188 154 0

HSL 49.15, 1%, 0.37%

LAB 64.81, 0.6, 68.56

 

CMYK 100 / 0 / 38 / 26

HEX #00BC74

RGB 0 188 116

HSL 157.02, 1%, 0.37%

LAB 67.45, -56.77, 25.47

 

CMYK 100 / 82 / 0 / 26

HEX #0022BC

RGB 0 34 188

HSL 229.15, 1%, 0.37%

LAB 26.08, 51.85, -79.65

 

CMYK 0 / 100 / 62 / 26

HEX #BD0047

RGB 189 0 71

HSL 337.46, 1%, 0.37%

LAB 40.04, 66.03, 16.61

 

CMYK 12 / 0 / 100 / 26

HEX #A6BC00

RGB 166 188 0

HSL 67.02, 1%, 0.37%

LAB 72.28, -26.59, 73.12

 

CMYK 100 / 0 / 38 / 26

HEX #00BC74

RGB 0 188 116

HSL 157.02, 1%, 0.37%

LAB 67.45, -56.77, 25.47

 

CMYK 88 / 100 / 0 / 26

HEX #1600BC

RGB 22 0 188

HSL 247.02, 1%, 0.37%

LAB 23, 63.17, -84.77

 

Description

Color code: HEX #BD0047 | qconv.com Color code: HEX #BD0047 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, none green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 0 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 62 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 62% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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