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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD0EA3 it is the complementary color #42F15C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD0EA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD0EA3 shade: #C20E9E, #D320B1, #E432C4, #F544D7 and #FF56EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD0EA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD0EA3 shade: #BD0EA3, #AC0090, #9B007D, #8A006A and #790057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD0EA3 shade: #BD0EA3, #BD0E74, #BD0E45, #BD0E15 and #BD0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD0EA3 shade: #BD0EA3, #A80EBD, #790EBD, #490EBD and #1A0EBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD0EA3 shade matches the following richer shades: #BD0EA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD0EA3 shade: #BD0EA3, #AD1E98, #9C2F8C, #8C3F80 and #7B5075

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD0EA3 shade: #770EBD, #A60EBD, #BD0EA6, #BD0E77 and #BD0E48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD0EA3 shade: #700861, #970B82, #BD0EA3, #E411C4 and #EF2FD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD0EA3 shade: #BD0EA3, #BD480E and #0EBD8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD0EA3 shade: #BD0EA3, #A6BD0E and #0EA6BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD0EA3 shade: #BD0EA3, #BD480E, #0EBD25 and #0E83BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD0EA3 shade: #BD0EA3, #BD7D0E, #0EBD25 and #0E4EBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 14 / 26

HEX #BD0EA3

RGB 189 14 163

HSL 308.91, 0.86%, 0.4%

LAB 43.91, 73.48, -34.8

 

Complementary color

CMYK 73 / 0 / 62 / 5

HEX #42F15C

RGB 66 241 92

HSL 128.91, 0.86%, 0.6%

LAB 84.4, -72.23, 57.99

 

CMYK 0 / 93 / 19 / 24

HEX #C20E9E

RGB 194 14 158

HSL 312, 0.87%, 0.41%

LAB 44.59, 73.79, -30.67

 

CMYK 0 / 85 / 16 / 17

HEX #D320B1

RGB 211 32 177

HSL 311.4, 0.74%, 0.48%

LAB 49.56, 76.85, -33.94

 

CMYK 0 / 78 / 14 / 11

HEX #E432C4

RGB 228 50 196

HSL 310.79, 0.77%, 0.55%

LAB 54.82, 78.85, -36.54

 

CMYK 0 / 72 / 12 / 4

HEX #F544D7

RGB 245 68 215

HSL 310.17, 0.9%, 0.61%

LAB 60.3, 80.05, -38.6

 

CMYK 0 / 66 / 8 / 0

HEX #FF56EA

RGB 255 86 234

HSL 307.46, 1%, 0.67%

LAB 64.85, 79.05, -42.01

 

CMYK 0 / 93 / 14 / 26

HEX #BD0EA3

RGB 189 14 163

HSL 308.91, 0.86%, 0.4%

LAB 43.91, 73.48, -34.8

 

CMYK 0 / 100 / 16 / 33

HEX #AC0090

RGB 172 0 144

HSL 309.77, 1%, 0.34%

LAB 39.21, 69.22, -30.92

 

CMYK 0 / 100 / 19 / 39

HEX #9B007D

RGB 155 0 125

HSL 311.61, 1%, 0.3%

LAB 34.9, 63.52, -26.17

 

CMYK 0 / 100 / 23 / 46

HEX #8A006A

RGB 138 0 106

HSL 313.91, 1%, 0.27%

LAB 30.51, 57.7, -21.22

 

CMYK 0 / 100 / 28 / 53

HEX #790057

RGB 121 0 87

HSL 316.86, 1%, 0.24%

LAB 26.02, 51.78, -16.03

 

CMYK 0 / 93 / 14 / 26

HEX #BD0EA3

RGB 189 14 163

HSL 308.91, 0.86%, 0.4%

LAB 43.91, 73.48, -34.8

 

CMYK 0 / 93 / 39 / 26

HEX #BD0E74

RGB 189 14 116

HSL 325.03, 0.86%, 0.4%

LAB 41.84, 68.03, -9.3

 

CMYK 0 / 93 / 63 / 26

HEX #BD0E45

RGB 189 14 69

HSL 341.14, 0.86%, 0.4%

LAB 40.51, 64.42, 18.51

 

CMYK 0 / 93 / 89 / 26

HEX #BD0E15

RGB 189 14 21

HSL 357.6, 0.86%, 0.4%

LAB 39.89, 62.68, 45.92

 

CMYK 0 / 93 / 93 / 26

HEX #BD0E0E

RGB 189 14 14

HSL 0, 0.86%, 0.4%

LAB 39.86, 62.58, 48.88

 

CMYK 0 / 93 / 14 / 26

HEX #BD0EA3

RGB 189 14 163

HSL 308.91, 0.86%, 0.4%

LAB 43.91, 73.48, -34.8

 

CMYK 11 / 93 / 0 / 26

HEX #A80EBD

RGB 168 14 189

HSL 292.8, 0.86%, 0.4%

LAB 41.71, 73.69, -53.95

 

CMYK 36 / 93 / 0 / 26

HEX #790EBD

RGB 121 14 189

HSL 276.69, 0.86%, 0.4%

LAB 34.09, 67.04, -66.68

 

CMYK 61 / 93 / 0 / 26

HEX #490EBD

RGB 73 14 189

HSL 260.23, 0.86%, 0.4%

LAB 27.86, 62.42, -77.18

 

CMYK 86 / 93 / 0 / 26

HEX #1A0EBD

RGB 26 14 189

HSL 244.11, 0.86%, 0.4%

LAB 24.35, 60.3, -83.12

 

CMYK 0 / 93 / 14 / 26

HEX #BD0EA3

RGB 189 14 163

HSL 308.91, 0.86%, 0.4%

LAB 43.91, 73.48, -34.8

 

CMYK 0 / 93 / 14 / 26

HEX #BD0EA3

RGB 189 14 163

HSL 308.91, 0.86%, 0.4%

LAB 43.91, 73.48, -34.8

 

CMYK 0 / 83 / 12 / 32

HEX #AD1E98

RGB 173 30 152

HSL 308.81, 0.7%, 0.4%

LAB 41.34, 66.05, -32.43

 

CMYK 0 / 70 / 10 / 39

HEX #9C2F8C

RGB 156 47 140

HSL 308.81, 0.54%, 0.4%

LAB 39.57, 55.17, -28.12

 

CMYK 0 / 55 / 9 / 45

HEX #8C3F80

RGB 140 63 128

HSL 309.35, 0.38%, 0.4%

LAB 39.05, 41.57, -21.76

 

CMYK 0 / 35 / 5 / 52

HEX #7B5075

RGB 123 80 117

HSL 308.37, 0.21%, 0.4%

LAB 39.97, 24.36, -13.77

 

CMYK 37 / 93 / 0 / 26

HEX #770EBD

RGB 119 14 189

HSL 276, 0.86%, 0.4%

LAB 33.8, 66.8, -67.18

 

CMYK 12 / 93 / 0 / 26

HEX #A60EBD

RGB 166 14 189

HSL 292.11, 0.86%, 0.4%

LAB 41.37, 73.38, -54.52

 

CMYK 0 / 93 / 12 / 26

HEX #BD0EA6

RGB 189 14 166

HSL 307.89, 0.86%, 0.4%

LAB 44.07, 73.88, -36.35

 

CMYK 0 / 93 / 37 / 26

HEX #BD0E77

RGB 189 14 119

HSL 324, 0.86%, 0.4%

LAB 41.95, 68.33, -11

 

CMYK 0 / 93 / 62 / 26

HEX #BD0E48

RGB 189 14 72

HSL 340.11, 0.86%, 0.4%

LAB 40.57, 64.59, 16.69

 

CMYK 0 / 93 / 13 / 56

HEX #700861

RGB 112 8 97

HSL 308.65, 0.87%, 0.24%

LAB 25.2, 49.68, -24.05

 

CMYK 0 / 93 / 14 / 41

HEX #970B82

RGB 151 11 130

HSL 309, 0.86%, 0.32%

LAB 34.86, 61.98, -29.41

 

CMYK 0 / 93 / 14 / 26

HEX #BD0EA3

RGB 189 14 163

HSL 308.91, 0.86%, 0.4%

LAB 43.91, 73.48, -34.8

 

CMYK 0 / 93 / 14 / 11

HEX #E411C4

RGB 228 17 196

HSL 309.1, 0.86%, 0.48%

LAB 52.82, 84.69, -39.69

 

CMYK 0 / 80 / 12 / 6

HEX #EF2FD2

RGB 239 47 210

HSL 309.06, 0.86%, 0.56%

LAB 57.11, 83.72, -40.83

 

CMYK 0 / 93 / 14 / 26

HEX #BD0EA3

RGB 189 14 163

HSL 308.91, 0.86%, 0.4%

LAB 43.91, 73.48, -34.8

 

CMYK 0 / 62 / 93 / 26

HEX #BD480E

RGB 189 72 14

HSL 19.89, 0.86%, 0.4%

LAB 46.29, 44.8, 53.16

 

CMYK 93 / 0 / 25 / 26

HEX #0EBD8E

RGB 14 189 142

HSL 163.89, 0.86%, 0.4%

LAB 68.34, -50.8, 12.75

 

CMYK 0 / 93 / 14 / 26

HEX #BD0EA3

RGB 189 14 163

HSL 308.91, 0.86%, 0.4%

LAB 43.91, 73.48, -34.8

 

CMYK 12 / 0 / 93 / 26

HEX #A6BD0E

RGB 166 189 14

HSL 67.89, 0.86%, 0.4%

LAB 72.58, -26.88, 71.78

 

CMYK 93 / 12 / 0 / 26

HEX #0EA6BD

RGB 14 166 189

HSL 187.89, 0.86%, 0.4%

LAB 62.54, -26.95, -21.83

 

CMYK 0 / 93 / 14 / 26

HEX #BD0EA3

RGB 189 14 163

HSL 308.91, 0.86%, 0.4%

LAB 43.91, 73.48, -34.8

 

CMYK 0 / 62 / 93 / 26

HEX #BD480E

RGB 189 72 14

HSL 19.89, 0.86%, 0.4%

LAB 46.29, 44.8, 53.16

 

CMYK 93 / 0 / 80 / 26

HEX #0EBD25

RGB 14 189 37

HSL 127.89, 0.86%, 0.4%

LAB 66.99, -66.85, 59.91

 

CMYK 93 / 31 / 0 / 26

HEX #0E83BD

RGB 14 131 189

HSL 199.89, 0.86%, 0.4%

LAB 51.84, -8.05, -38.45

 

CMYK 0 / 93 / 14 / 26

HEX #BD0EA3

RGB 189 14 163

HSL 308.91, 0.86%, 0.4%

LAB 43.91, 73.48, -34.8

 

CMYK 0 / 34 / 93 / 26

HEX #BD7D0E

RGB 189 125 14

HSL 38.06, 0.86%, 0.4%

LAB 57.58, 17.13, 61.25

 

CMYK 93 / 0 / 80 / 26

HEX #0EBD25

RGB 14 189 37

HSL 127.89, 0.86%, 0.4%

LAB 66.99, -66.85, 59.91

 

CMYK 93 / 59 / 0 / 26

HEX #0E4EBD

RGB 14 78 189

HSL 218.06, 0.86%, 0.4%

LAB 36.4, 25.61, -63.22

 

Description

Color code: HEX #BD0EA3 | qconv.com Color code: HEX #BD0EA3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 14 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 14 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 14 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 14% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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